The Canadian Broadcast Standards Council (CBSC) overturned a January decision to pull a 1985 song by the popular Dire Straits. The song, “Money for nothing”, was pulled from airwaves after complaints over the lyrics, which use the word “faggot”. The council reversed the decision after considering the meaning of the lyrics, which were meant to be satirical.
Index award winner, Ferhat Tunç has been sentenced to 25 days in prison for a speech he made during a 2006 concert. Tunç was charged under article 7/2 of Turkey’s Anti-Terror Law and article 220/6 of its Turkish Criminal Law, namely “spreading propaganda” for a terrorist organistion. Here Turkish novelist Kaya Genç talks to Kurdish musicians —including Tunç — about making their voices heard despite continuing discrimination and prejudice
Music and Censorship: Who calls the tune?
A panel discussion on music and censorship
Friday 3 December – 6:30pm
School of Oriental and African Studies
Thornhaugh St, Russell Square, WC1H 0XG
Location: Room G2
Nearest tube Russell Square
(Room G2 is immediately to the left of reception as soon as you enter the main building. Ask at reception if any doubt.)
Music is the most censored of all the arts – from the restrictions facing musicians in Iran to the pressures of the global market. To coincide with Index on Censorship’s special issue on music and censorship, ‘Smashed Hits 2.0’, please join us for a panel discussion with leading performers, broadcasters, producers and commentators.
David Jones, director of Serious and London Jazz Festival Daniel Brown, journalist and broadcaster Malu Halasa, writer and editor Lucy Duràn, broadcaster and academic Khyam Allami, musician
Chair: Jo Glanville, editor, Index on Censorship
The event will include a special screening of the short film Baddil Musiqah (7min, Arabic with English subtitles). Produced by Aramram, an independent film production company based in Jordan, it gives an insight into what is on the minds of young independent Arab musicians in the region today.
Kurdish musician Ferhat Tunç, who was facing 15 years in prison for a speech he made at a festival, was acquitted this morning from Diyarbakir Criminal Court in Turkey. The decision follows a petition signed by more than 1,000 supporters and campaigning from PEN. Tunç, who won the 2010 Index on Censorship/Freemuse Freedom of Expression Award for his “brave stand against censorship“, had been charged with spreading propaganda for PKK (Kurdish Workers’ Party) after speaking at the Siirt cultural festival in April.
Woeser, author of “Notes on Tibet”, was one of many signatories of a letter to the Chinese government calling for the release of Nobel Laureate Liu Xiaobo. Writing for Index on Censorship magazine, she celebrates Tibetan singer Tashi Dhondup (more…)
Zimbabwe’s government has banned South African group Freshlyground over a music video that portrays President Mugabe as a chicken afraid to relinquish power. The video that accompanies the song “Chicken To Change” represents the president in the style of satirical show Spitting Image. The song is a product of the band’s collaboration with controversial cartoonist Jonathan Zapiro. Freshlyground was due to perform a concert in Harare next month, but members of the group have now had their working visas revoked.
In the summer of 1977 I was 15 years old and wore an old tropical linen jacket I’d bought in a charity shop for a quid. It wasn’t so much off-white as ruinous, and it matched the colour of my shoes — winkle-pickers I’d painted myself using some kind of weird leather paint. Naturally I had to lie on my skinny rump to force my El Greco feet through the eight-inch ankles of my drainpipe jeans. Given all this sartorial mayhem it goes without saying that I absolutely concurred with the Sex Pistol’s front man, Johnny Rotten, when he sang, “God save the queen / The fascist regime”. Admittedly the causal connective ‘it’s’ was lost in all the filth and the fury of his delivery, but we knew what he meant.
Actually, I can barely remember the circumstantial pomp that went into the celebration of the Queen’s Silver Jubilee, all I can recall is the Sex Pistols’ treasonable ditty, and the fact that it was banned from being played on the radio. At least I’m certain it was banned from the BBC’s Radio 1. I’m not so sure about the commercial stations, but then Britain in the late 1970s still had the anomalous character of a socialist democracy with a vertiginous class system; an anomaly of which the state broadcaster was a key component.
Actually, being banned by the BBC wasn’t that crushing a piece of censorship; other far more anodyne ditties used to be blanked from the charts, or have their lyrics bleeped out by reason of their mild smuttiness. And of course, like all censorship, ridding the Sex Pistols’ “God Save the Queen” from the airwaves only ensured its fizzing presence in the brainwaves of disaffected youth. Malcolm McLaren, the band’s Situationist-inspired manager, got reams of publicity from the banning, together with a special cruise he organised on the day of the Jubilee, during which the band were to blast Parliament with their subversive sounds.
