Contents – China’s global brand: a century of silencing dissent

Illustration: Badiucao

Index looks back on 100 years of the Chinese Communist Party and how their censorship laws continue to shape the lives of people around the world and threaten their right to free speech. Inside this edition are articles by exiled writer Ma Jian and an interview with Facebook’s vice-president for global affairs, former UK deputy Prime minister Nick Clegg; as well as an exclusive short story from acclaimed writer Shalom Auslander.

Acting editor Martin Bright said: “I am delighted to introduce the latest edition of Index which marks the 100th anniversary of the Chinese Communist Party.”

“This year also marks the 50th anniversary of the magazine and I am proud that we are continuing the founders’ legacy of opposition to totalitarianism.”

“In this Spring edition of Index we are particularly pleased to publish an exclusive essay by the celebrated Chinese writer Ma Jian, who suggests that an alternative tradition of tolerance and freedom is still possible.”

A century of silencing dissent by Martin Bright: We look at 100 years of the Chinese Communist Party and the methods of control that it has adapted to stifle free expression and spread its ideas throughout the world

The Index: Free expression round the world today: the inspiring voices, the people who have been imprisoned and the trends, legislation and technology which are causing concern

Fighting back against the menace of Slapps by Jessica Ní Mhainín: Governments continue to threaten journalists with vexatious law suits to stop critical reporting

Friendless Facebook by Sarah Sands: An interview with Facebook vice-president Nick Clegg about being a British liberal at the heart of the US tech giant

Standing up to a global giant by Steven Donziger: A lawyer who has gone head to head with the oil industry since 1993 at great personal cost tells his story

Fear and loathing in Belarus by Yahuen Merkis and Larysa Shchryakova: The crackdown on journalism has continued with arrests. Read the testimony of two reporters

Killed by the truth by Bilal Ahmad Pandow: Babar Qadri was one of Kashmir’s most strident voices, until he was gunned down in his garden

Cartoon by Ben Jennings: Arguments about the removal of statues cause a stir

The martial art of free speech by Ari Deller and Laura Janner-Klausner: The question of Cancel Culture continues to rage. Is it really a problem?

Ma Jian

Burning through censorship: Censorship-busting online organisation GreatFire celebrates its 10th anniversary

The party is your idol by Tianyu M. Fang: China’s propaganda is adapting to target young people

Past imperfect by Rachael Jolley: Four historians explain how the CCP shaped China and ask if globalisation will be its undoing

Turkey changes its tune by Kaya Genç: Uighur refugees living in Turkey find themselves victims of a change in foreign policy

The human face and the boot by Ma Jian: The acclaimed writer-in-exile reflects on 100 years of the CCP and its legacy of bloodshed

A moral hazard by Sally Gimson: Universities around the world and the CCP’s challenges to academic freedom

Director’s cuts by Chris Yeung: Hong Kong broadcaster RTHK has been squeezed by China’s tightening control

Beijing buys Africa’s silence by Issa Sikiti da Silva: Africa’s rich natural resources are being hoovered up by China

A new world order by Natasha Joseph: Journalist Azad Essa found when he wrote about China in Africa, his writing was silenced

A most unlikely ally by Stefan Pozzebon: Paraguay has long been an ally of Taiwan, but it’s paying an economic price

China’s artful dissident: A profile of our cover artist: the exiled cartoonist Badiucao.

Lies, damned lies and fake news by Nick Anstead: Fake news is rife, rampant and harmful. And we can only counter it by making sure that the truth is heard

Censorship? Hardly by Clive Priddle: Even the most controversial book usually finds a publisher after it has been turned down

A voice for the persecuted by Ruth Smeeth: As Index celebrates its 50 year anniversary, we note why free speech is still important

Collective ©ALEXANDER NANAU PRODUCTION

Don’t joke about Jesus by Shalom Auslander: An exclusive short story based on a joke by the acclaimed author of Mother for Dinner

Poet who haunts Ukraine by Steve Komarnyckyj: Vasyl Stus, the writer who remains a Ukrainian hero, 35 years after perishing in a Soviet gulag

The freedom of exile by Khaled Alesmael, Leah Cross: A young refugee Syrian writer on the love between Arab men

Forbidden love songs by Benjamin Lynch: Iran’s underground pop music scene upsets the regime

Reviews: Saudi Arabia’s murder of Jamal Khashoggi, USA Gymnastics and healthcare in Romania: we review three new documentaries

War of the airwaves by Ian Burrell: The Chinese government faces difficulties with its propaganda network CGTN

Ramón Nse Esono Ebale: Drawing to create change in Equatorial Guinea

[vc_row][vc_column][vc_images_carousel images=”102246,102245,102244″ img_size=”full” speed=”3000″ autoplay=”yes”][vc_column_text]Ramón Nse Esono Ebale draws out of a desire to create a world that is different from the one he can see with his eyes. It was that desire that led to his arrest and detention in September 2017.

Ebale’s cartoons take aim at Teodoro Obiang, Equatorial Guinea’s long-time dictator, who has been in power since 1979, just two years after Ebale was born. Drawing under the pseudonym Jamon y Queso, his cartoons lambast Obiang for his corruption and the absurdities of his rule.

Ebale left the country in 2011 after he received threats from government supporters and has been living in Paraguay for the past six years. While there, Ebale co-authored a graphic novel called La pesadilla de Obi. In the novel, president Obiang wakes up one morning as an unemployed husband living in the slums of Malabo. The novel was censored in EG and had to be smuggled into the country.

When Ebale returned to renew his passport, which the embassy in Paraguay couldn’t do, in order to move to El Salvador to be with his family. He was arrested and charged with money laundering and counterfeiting.

After his arrest, cartoonists and organisations from around the world launched a campaign — #FreeNseRamon — calling for Obiang to free him. Ebale was awarded Courage in Cartooning Award by Cartoonists Rights Network International to bring attention to his case.

He was finally released in March 2018 after an officer confessed to arresting Ebale on false charges after he was told to by his superiors.

Ebale plans to continue with his criticism of both the government and president Obiang because although he is free, things haven’t changed in EG.

Ebale shared his thoughts during an email exchanged with Index on Censorship’s Sandra Osei-Frimpong.

Index: What did you fear will happen when you went back to Equatorial Guinea?

Ebale: Because of the reputation of the regime and president controlling EG, no one believed my trip will be peaceful. But I did not fear anything and was always prudent. My family was afraid but I don’t think I allowed them to see my fear.

Index:   Did you have a contingency plan in place before you left Paraguay?

Ebale: My drawings were my protection. They tell my story and are evidence of what I’ve been through. One cannot stop it if someone plans to hurt them so my only plan was to have my drawings speak for me.

Index:  How were you treated in prison?

Ebale: They tried to suppress the campaign asking for my freedom. I was treated better than others in prison because my family was working to set me free and there was also external pressure.

Index:  What are your plans now that you’ve left EG again? Do you plan to continue with criticism of the government?

Ebale: My plans have not changed. I still love drawing. Just because I am free doesn’t mean the regime has ended so my plan has not changed. You get a break when you die so living is the only thing that you have.

Index:  What effect if any do you think your cartoons and criticism has had on the situation in EG especially since it is censored there?

Ebale: By censuring me, they censure people that are discovering new things through social media. I use social media to spread my passion for drawing and my crazy political ideas. The impact was enormous because it gave us a new tool to use in our fight to democratise the country: caricatures. It continues on from the drawings.

Index: What effects do you think your cartoons has had on people/countries outside of EG?

Ebale: Outside of my country my drawings are competing honourably with other African artists in countries and situations that are possibly worse than mine. The facts that my drawings have fans that live far from my country shows that my drawings are having a positive effect.

Index: What changes do you hope to see in EG?

Ebale: I want my grandchildren to be able to peacefully live with me in Mikomeseng. I want us to be able to cross the border without military barrier to reach Bitam. This is not much to ask for but I wish for it.

Index:  Do you plan on ever returning to EG?

Ebale: Yes. It is my home.

Index:  The main reason why you went back to EG was to get a passport so you can be with your family in El Salvador. What have you told your son about EG? Do you think you  will you ever take him there?

Ebale: My son was born in EG. when they detained me he was there to visit and support me. He knows everything and I did not have to explain it to him because he was in Eg with me the whole time. My daughter on the other hand I’ve had to explain things to although she is too young to understand everything  because she was not there and has never lived in EG.

Index: What motivates you to create?

Ebale: I am motivated by the belief that I can create a world different from the one I see with my eyes or recreate it. When you go to sleep and dream, the dreams are like drawings and if you wouldn’t be able to draw it all if you tried. Sleeping and being awake are different because being awake allows you to see how those around you live and move. You should be motivated by what you see. Dreaming is like drawing without your hands.

Index:When did you start drawing political cartoons?

Ebale: I started with the newspaper  La Verdad del CPDS.

Index:Is there a work or group of works that you are proudest of?

Ebale: Yes: 218 TRILOGY.. Next

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Index encourages an environment in which artists and arts organisations can challenge the status quo, speak out on sensitive issues and tackle taboos.

Index currently runs workshops in the UK, publishes case studies about artistic censorship, and has produced guidance for artists on laws related to artistic freedom in England and Wales.

Learn more about our work defending artistic freedom.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Subscribe to the Index newsletter” font_container=”tag:h3|text_align:left” use_theme_fonts=”yes”][vc_column_text]To find out more about Index on Censorship and our work protecting free expression, join our mailing list to receive our weekly newsletter, monthly events email and periodic updates about our projects and campaigns. See a sample of what you can expect here.

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Letter: Academic freedom is under threat and needs urgent protection

The summer 2015 issue of Index on Censorship magazine focusing on academic freedom will be available from 12 June.

The summer 2015 issue of Index on Censorship magazine focusing on academic freedom will be available from 12 June.

With threats ranging from “no-platforming” controversial speakers, to governments trying to suppress critical voices, and corporate controls on research funding, academics and writers from across the world have signed Index on Censorship’s open letter on why academic freedom needs urgent protection.

Academic freedom is the theme of a special report in the summer issue of Index on Censorship magazine, featuring a series of case studies and research, including stories of how setting an exam question in Turkey led to death threats for one professor, to lecturers in Ukraine having to prove their patriotism to a committee, and state forces storming universities in Mexico. It also looks at how fears of offence and extremism are being used to shut down debate in the UK and United States, with conferences being cancelled and “trigger warnings” proposed to flag potentially offensive content.


Summer 2015: Is academic freedom being eroded?

Editorial: Shades of McCarthyism as global academic freedom challenged
Open letter: Academic freedom is under threat and needs urgent protection
Fear of terror and offence pushing criticial voices out of UK universities
Table of contents
Subscriptions


Signatories on the open letter include authors AC Grayling, Monica Ali, Kamila Shamsie and Julian Baggini; Jim Al-Khalili (University of Surrey), Sarah Churchwell (University of East Anglia), Thomas Docherty (University of Warwick), Michael Foley (Dublin Institute of Technology), Richard Sambrook (Cardiff University), Alan M. Dershowitz (Harvard Law School), Donald Downs (University of Wisconsin-Madison), Professor Glenn Reynolds (University of Tennessee), Adam Habib (vice chancellor, University of the Witwatersrand), Max Price (vice chancellor of University of Cape Town), Jean-Paul Marthoz (Université Catholique de Louvain), Esra Arsan (Istanbul Bilgi University) and Rossana Reguillo (ITESO University, Mexico).

The letter states:

We the undersigned believe that academic freedom is under threat across the world from Turkey to China to the USA. In Mexico academics face death threats, in Turkey they are being threatened for teaching areas of research that the government doesn’t agree with. We feel strongly that the freedom to study, research and debate issues from different perspectives is vital to growing the world’s knowledge and to our better understanding. Throughout history, the world’s universities have been places where people push the boundaries of knowledge, find out more, and make new discoveries.  Without the freedom to study, research and teach, the world would be a poorer place. Not only would fewer discoveries be made, but we will lose understanding of our history, and our modern world. Academic freedom needs to be defended from government, commercial and religious pressure.

Index will also be hosting a debate in London, Silenced on Campus, on 1 July, with panellists including journalist Julie Bindel, Nicola Dandridge of Universities UK, and Greg Lukianoff, president and CEO of Foundation for Individual Rights in Education, US.

To attend for free, register here.

If you would like to add your name to the open letter, email [email protected]

A full list of signatories:

Professor Mike Adams, University of North Carolina, Wilmington, USA

Monica Ali, author

Lyell Asher, associate professor, Lewis & Clark College, USA

Professor Jim Al-Khalili OBE, University of Surrey, UK

Esra Arsan, associate professor, Istanbul Bilgi University, Turkey

Julian Baggini, author

Professor Mark Bauerlein, Emory University, USA

David S. Bernstein, publisher, USA

Robert Bionaz, associate professor, Chicago State University, USA

Susan Blackmore, visiting professor, University of Plymouth, UK

Professor Jan Blits, professor emeritus, University of Delaware, USA

Professor Enikö Bollobás, Eötvös Loránd University, Hungary

Professor Roberto Briceño-León, LACSO, Caracas, Venezuela

Simon Callow, actor

Professor Sarah Churchwell, University of East Anglia, UK

Professor Martin Conboy, University of Sheffield, UK

Professor Thomas Cushman, Wellesley College, USA

Professor Antoon De Baets, University of Groningen, Holland

Professor Alan M Dershowitz, Harvard Law School, USA

Rick Doblin, Association for Psychedelic Studies, USA

Professor Thomas Docherty, University of Warwick, UK

Professor Donald Downs, University of Wisconsin-Madison, USA

Professor Alice Dreger, Northwestern University, USA

Michael Foley, lecturer, Dublin Institute of Technology, Ireland

Professor Tadhg Foley, National University of Ireland, Galway, Ireland

Nick Foster, programme director, University of Leicester, UK

Professor Chris Frost, Liverpool John Moores University, UK

AC Grayling, author

Professor Randi Gressgård, University of Bergen, Norway

Professor Adam Habib, vice-chancellor, University of Witwatersrand, Johannesburg, South Africa

Professor Gerard Harbison, University of Nebraska-Lincoln

Adam Hart Davis, author and academic, UK

Professor Jonathan Haidt, NYU-Stern School of Business, USA

John Earl Haynes, retired political historian, Washington, USA

Professor Gary Holden, New York University, USA

Professor Mickey Huff, Diablo Valley College, USA

Professor David G. Hoopes, California State University, USA

Philo Ikonya, poet

James Ivers, lecturer, Eastern Michigan University, USA

Rachael Jolley, editor, Index on Censorship

Lee Jones, senior lecturer, Queen Mary University of London, UK

Stephen Kershnar, distinguished teaching professor, State University of New York, Fredonia, USA

Professor Laura Kipnis, Northwestern University, USA

Ian Kilroy, lecturer, Dublin Institute of Technology, Ireland

Val Larsen, associate professor, James Madison University, USA

Wendy Law-Yone, author

Professor Michel Levi, Universidad Andina Simón Bolívar, Ecuador

Professor John Wesley Lowery, Indiana University of Pennsylvania, USA

Greg Lukianoff, president and chief executive, Foundation for Individual Rights in Education (Fire), USA

Professor Tetyana Malyarenko, Donetsk State Management University, Ukraine

Ziyad Marar, global publishing director, Sage

Charlie Martin, editor PJ Media, UK

Jean-Paul Marthoz, senior lecturer, Université Catholique de Louvain, Belgium

Professor Alan Maryon-Davis, King’s College London, UK

John McAdams, associate professor, Marquette University, USA

Timothy McGuire, associate professor, Sam Houston State University, USA

Professor Tim McGettigan, Colorado State University, USA

Professor Lucia Melgar, professor in literature and gender studies, Mexico

Helmuth A. Niederle, writer and translator, Germany

Professor Michael G. Noll, Valdosta State University, USA

Undule Mwakasungula, human rights defender, Malawi

Maureen O’Connor, lecturer, University College Cork,  Ireland

Professor Niamh O’Sullivan, curator of Ireland’s Great Hunger Museum, and Quinnipiac University, Connecticut, USA

Behlül Özkan, associate professor, Marmara University, Turkey

Suhrith Parthasarathy, journalist, India

Professor Julian Petley, Brunel University, UK

Jammie Price, writer and former professor, Appalachian State University, USA

Max Price, vice-chancellor, University of Cape Town, South Africa

Clive Priddle, publisher, Public Affairs

Professor Rossana Reguillo, ITESO University, Mexico

Professor Glenn Reynolds, University of Tennessee College of Law, USA

Professor Matthew Rimmer, Queensland University of Technology, Australia

Professor Paul H. Rubin, Emory University, USA

Andrew Sabl, visiting professor, Yale University, USA

Alain Saint-Saëns, director,Universidad Del Norte, Paraguay

Professor Richard Sambrook, Cardiff University, UK

Luís António Santos, University of Minho, Portugal

Professor Francis Schmidt, Bergen Community College, USA

Albert Schram, vice chancellor/CEO, Papua New Guinea University of Technology

Victoria H F Scott, independent scholar, Canada

Kamila Shamsie, author

Harvey Silverglate, lawyer and writer, Massachusetts, USA

William Sjostrom, director and senior lecturer, University College Cork, Ireland

Suzanne Sisley, University of Arizona College of Medicine, USA

Chip Stewart, associate dean of the Bob Schieffer College of Communication, Texas Christian University, USA

Professor Nadine Strossen,  New York Law School, USA

Professor Dawn Tawwater, Austin Community College, USA

Serhat Tanyolacar, visiting assistant professor, University of Iowa, USA

Professor John Tooby, University of California, USA

Meena Vari, Srishti Institute of Art, Design and Technology, Bangalore, India

Professor Leland Van den Daele, California Institute of Integral Studies, USA

Professor Eugene Volokh, UCLA School of Law, USA

Catherine Walsh, poet and teacher, Ireland

Christie Watson, author

Ray Wilson, author

Professor James Winter, University of Windsor, Canada

Spring 2015: Across the wires – how refugee stories get told

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We follow the steps of Italian journalist Fabrizio Gatti, who spent four years undercover investigating migrant routes from Africa to Europe.  We look at how social media has become a blessing and a curse – offering a connection back home and a means of surveillance. We have pieces by refugees, written from inside camps about persisting myths;  by those struggling to claim rights as workers; and by those who have set up innovative, creative projects to share their stories.

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The issue also features a thoughtful analysis of the aftermath of the Charlie Hebdo attack in Paris, with contributions from Chilean writer Ariel Dorfman; Irish co-creator of Father Ted, Arthur Mathews; Turkish novelist Elif Shafak; British playwright David Edgar; former head of BBC news Richard Sambrook; and Hong Kong-based journalist Hannah Leung. Taking the long view, this group of writers looks at the worldwide picture, and how terror is used to silence.

Also, Martha Lane Fox and retired Major General Tim Cross go head-to-head, debating if privacy is more vital than national security. We have stories about attacks on journalists covering the drug trade in South America; a cover-up of abortion figures in Nicaragua; and the lessons to be learnt from attempts to downplay epidemics, from Aids to ebola.  Plus an extract from Lucien Bourjeily’s new play, which has skirted the Lebanese censors’ ban, and poetry from Turkish writers Ömer Erdem and Nilay Özer – all translated into English for the first time.

The issue’s cover artwork is by cartoonist Ben Jennings, and the magazine also features work from our regular collaborator Martin Rowson; and extracts from a graphic reportage set in an Iraqi camp, by Olivier Kugler.

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How refugee stories get told

Undercover immigrant – Italian journalist Fabrizio Gatti spent four years undercover investigating refugee routes from Africa to Europe

Taking control of the camera – Almir Koldzic and Aine O’Brien on refugee camp projects – from soap operas to photography classes – that help refugees tell their own stories. Also: Valentino Achak Deng on life after fleeing Sudan’s civil war; Kate Maltby visits the Syrian Trojan Women’s acting project; and Preti Taneja on bringing Shakespeare to the children of Zaatari

The way I see it – Refugees Rana Moneim and Mohammed Maarouf share their viewpoints from inside a camp, plus a camp visitor shatters his preconceptions

Clear connections – Jason DaPonte on how social media’s power is being harnessed by refugees

Who tells the stories? – Mary Mitchell and Mohammed Al Assad on a storytelling project in a Lebanon camp

Realities of the promised land – Iara Beekma looks at life for Haitian immigrants in Brazil and their rights as workers

The whole picture – Photojournalist Chris Steele-Perkins’ honest account of decades spent capturing refugees’ stories, from Rwandans to the Rohingha

Stripsearch – Our regular cartoonist, Martin Rowson, imagines the Democratic Republic of Cyberspace

Escape from Eritrea – Ismail Einashe explores the dangers of fleeing one of the world’s harshest regimes

A very human picture – Artist Olivier Kugler illustrates life within Iraq’s Domiz refugee camp

In limbo in world’s oldest refugee camps  Tim Finch looks at the places where 10 million people can spend years, or even decades

Sound and fury – Rachael Jolley interviews musician Martyn Ware, from Heaven 17 and the Human League, on the power of soundscape storytelling

Sheltering against resentment – Natasha Joseph reports from Johannesburg on the end of the line for a sanctuary for those fleeing xenophobia

Understanding how language matters – Kao Kalia Yang recalls her childhood as a Hmong refugee in Thailand and the USA

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Outbreaks under wraps – Alan Maryon-Davis looks at how denials and cover-ups spread ebola, Sars and Aids

Trade secrets – César Muñoz Acebes investigates Paraguay’s drug war and the dangers for journalists, plus Duncan Tucker on Mexico’s courageous bloggers and social media users, who are filling the gaps where Mexico’s press fears to tread

Lies and statistics – Nina Lakhani reports from Nicaragua on the cover-up of abortion figures and domestic abuse

Charlie Hebdo: taking the long view – After the Paris murders, seven writers from around the world look at how offence and terror are used to silence, featuring Arthur Mathews, Ariel Dorfman, David Edgar, Elif Shafak, Hannah Leung, Raymond Louw, Richard Sambrook

Screened shots – Jemimah Steinfeld on the Chinese film industry’s obsession with portraying Japan’s invasion during World War II

Finland of the free – Risto Uimonen explains why the Finns always top media freedom indexes, and the Belfast Telegraph’s readers’ editor, Paul Connolly, shares his thoughts on the future of press regulation

Head to head: Is privacy more vital than national security? Martha Lane Fox and Tim Cross debate how far governments should go when balancing individual rights and safeguarding the nation

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The state v the poets – Kaya Genç introduces works by Turkish poets Ömer Erdem and Nilay Özer

Knife edge – Lebanese playwright Lucien Bourjeily presents an exclusive extract from his latest play as it escapes the censors’ ban

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Global view – Index’s CEO Jodie Ginsberg says universities must not fear offence and controversy

Index around the world – Aimée Hamilton provides an update on Index on Censorship’s work

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Social disturbance – Vicky Baker looks at how user-generated content lost its innocence, from digital jihadis to hoaxes and propaganda

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”SUBSCRIBE” css=”.vc_custom_1481736449684{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]Index on Censorship magazine was started in 1972 and remains the only global magazine dedicated to free expression. Past contributors include Samuel Beckett, Gabriel García Marquéz, Nadine Gordimer, Arthur Miller, Salman Rushdie, Margaret Atwood, and many more.[/vc_column_text][vc_row_inner][vc_column_inner width=”1/2″][vc_single_image image=”76572″ img_size=”full”][/vc_column_inner][vc_column_inner width=”1/2″][vc_column_text]In print or online. Order a print edition here or take out a digital subscription via Exact Editions.

Copies are also available at the BFI, the Serpentine Gallery, MagCulture, (London), News from Nowhere (Liverpool), Home (Manchester), Calton Books (Glasgow) and on Amazon. Each magazine sale helps Index on Censorship continue its fight for free expression worldwide.

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