What happens if local journalism no longer holds power to account?

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Is this all the local news? The spring 2019 issue of Index on Censorship magazine.

Is this all the local news? The spring 2019 issue of Index on Censorship magazine.

Regional daily newspaper the Eastern Daily Press is closing two of its district offices, in Cromer on the north Norfolk coast, and in Diss, a Norfolk market town.

This matters to me because the EDP was the first place I worked as a journalist and it was then one of the UK’s biggest local papers, with at least 10 offices, all employing reporters. Some of the offices had one or two reporters, some had 10, and the Norwich head office had about 50 editorial staff. When I joined as a trainee reporter, the big bosses mandated that we worked in at least three different offices within two years. We went out and about on an almost daily basis, talking to people and covering events. These days, national newspaper editors dream of having as many reporters as the EDP had in the 1990s.

So why does this matter? And should anyone care when the small newspaper office in Cromer closes? After all, as the management of the EDP said, everyone is online now, so we can do business digitally. And, yes, most of us can communicate by email and we could email our news tips to a far-flung newsdesk.

We could, but perhaps we won’t bother.

And, yes, you can do business digitally: we can send money and adverts around the world at the click of a mouse. But the stuff at the guts of a local newspaper, the finding out what is going on and hearing a sniff of a story in the pub, will that still go on or will reporters be left to depend on social media as a source?

If no local reporters are left living and working in these communities, are they really going to care about those places? Will they even know who to call, or who to email?

When a massive fire starts down by the King’s Lynn docks, will anyone from the local newspaper be there to see it (as I was one midnight when I saw the flames out of my bedroom window)?

The answer is clearly that they will not. News will go unreported; stories will not be told; people will not know what has happened in their towns and communities.

Local newspapers (and, to some extent, local radio stations) were, and in some places still are, fighting for the little guy against the monolith for the old person, say, who is inundated by noisy construction work morning, noon and night. They bring to the attention of the public a council plan to close a massively popular library, or a bid to cement over a local swimming pool and turn it into flats. They cover a big crown court case about a million-pound corruption that ends with shops closing and jobs being lost.

When things went wrong, the local media were there to make sure people knew about it, and what the problems were. They could knock on the door of the powerful and shout for something to change.

And, yes, these things don’t have to be done only in print – a website can still cover stories and reach an audience – but if there are no reporters on the ground, and they are increasingly based far away from the stories they cover, they will increasingly miss knowing about scandals, corruption and the death of the totally brilliant grandmother who was the heart of the place.

One ex-newspaperman told me he recently walked into a city office to find all the staff for local newspapers from one part of Scotland sitting there, together. They had all become long-distance reporters, at arm’s length from the places they reported on.

This is more than an industrial tipping point. This is a gradual unpicking of part of democracy: scandals that need to be held up to the light will get missed; local authorities that spend public money will have no one watching to see if they are doing it according to the rules.

There is also cause to worry about the coverage of the courts and the justice system. As the former lord chief justice of England and Wales, Lord Judge, told Index: “Open justice is one of the essential safeguards of the rule of law. The presence of the media in our courts represents the public’s entitlement to witness the administration of justice and assess whether, and how, justice is being done. As the number of newspapers declines and fewer journalists attend court, particularly in courts outside London and the major cities, and except in high-profile cases, the necessary public scrutiny of the judicial process will be steadily eroded, eventually to virtual extinction.”

Lord Judge is right. It is likely that budget-stretched local newspaper managers will drop the coverage that costs them the most money. The difficult stuff will get ignored and replaced with fun videos of cats and other animals. The person who sifts steadily through a council agenda, page by page, will disappear, to be replaced by a “content manager” whose job is to produce crowd-pleasing clickbait fare.

Mike Sassi, editor of the Nottingham Post in the UK, said: “There’s no doubt that local decision-makers aren’t subject to the level of scrutiny they once were. There are large numbers of councils right across the country making big decisions, involving millions of pounds of public money, who may never see a local reporter. Many local authorities will be operating in the knowledge that no one will ever ask them an awkward question. Which, obviously enough, does nothing to help build trust in local democracy.”

The problem, some argue, is that the public are not really bothered about losing these skills or services. If they were, they would be willing to support them. Local news has to be paid for, and the companies that have been producing it have to make money to survive. If the public don’t care enough to pay for it, they will move on to doing other things. That’s the way the market works.

People are willing to pay for a cinema ticket, or to go to the football, or for a Netflix subscription, but right now it appears that not many are willing to pay for local news. And if no one funds it, it disappears. Will it be a case of appreciating local news reporting only when it is gone?

There’s even more to worry about when it comes to news vacuums appearing. As people feel more and more disconnected from the place where they live, they move into a state of solitude, not knowing what is going on around them. That breeds discontent, a feeling of being ignored, and when a community doesn’t exist there’s no one to lean on when things go wrong.

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There is a public right to information about what locally elected officials are doing, but there is no public right to a newspaper.
If no one wants to buy it, and if no one cares about it, it is likely to disappear. But there is a lot more to lose than a place when you find detailed coverage of your local football team (much appreciated though that is by many). There are deep societal costs.

There are some signs of public discontent which may be linked to declining local news coverage, and might be a sign that people are waking up to what is going missing when local media operations close down or pull away from certain types of coverage.

For this issue, we commissioned YouGov to carry out a poll of the public and we found that 40% of British adults over the age of 65 think that the public know less about what is happening in areas where local newspapers have closed down.

Also, Libby Purves, a columnist at The Times who started her career on a local radio station, tells us she believes part of the discontent that produced Brexit was about people in far-flung places and regional cities feeling their news and views were being ignored. She also talks to us about her earlier years working on Radio Oxford and the close relationship the station had with people who worked in and around the city. They would march into the centrally located studio and tell reporters when they were getting it wrong, she says.

The question is: how can that be replaced today? Can it be done on social media, for instance? Or is it a bit like barking at a tree? You have made noise, but the tree definitely isn’t listening?

For those of you who thought that threats to local news were just in your own country, think again. We looked into this issue around the globe and found some of the same problems developing in China, Argentina, the USA and Belgium, among others. We interviewed people in Italy, Germany, India, the UK and Nigeria. The worries are often the same, the reasons slightly different.

Many of those who fight for freedom of expression feel that declining numbers of local reporters just make it easier for governments to cover up scandals, leave the public ill-informed, and make sure only the information they want is out there.

There are some bright sparks who have ideas about how the important services that local news has provided could work differently in the future. There are people starting their own local paper, focusing on digging out stories, growing circulation and making enough money to keep going.

Other ideas are also emerging. The BBC’s local democracy reporters project, discussed in this magazine, is one way of funding specialists who have time to dig through council agendas to find out what is going on. What about finding specialist bloggers with in-depth knowledge on their particular local magistrates’ court, for instance, and having a Gofundme campaign to get up to 3,000 locals to pay £5 or £10 a month for a twice-weekly email of fabulously detailed and incisive analysis of what is happening?

Big ideas are needed. Democracy loses if local news disappears. Sadly, those long-held checks and balances are fracturing, and there are few replacements on the horizon. Proper journalism cannot be replaced by people tweeting their opinions and the occasional photo of a squirrel, no matter how amusing the squirrel might be.

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Rachael Jolley is editor of Index on Censorship. She tweets @londoninsider. This article is part of the latest edition of Index on Censorship magazine, with its special report on local news

Index on Censorship’s spring 2019 issue is entitled Is this all the local news? What happens if local journalism no longer holds power to account?

Look out for the new edition in bookshops, and don’t miss our Index on Censorship podcast, with special guests, on Soundcloud.

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Podcast: Is there a global crisis for local newspapers?

Is this all the local news? We discuss this in the latest podcast. In the spring 2019 edition of Index on Censorship magazine, we explore what happens when the local news media is not there to hold power to account. Guests on this edition of the podcast are all featured in the latest magazine. Beijing-based reporter Karoline Kan, who writes for this issue, explores whether China’s social credit system could impact local journalism; Ian Murray, director of the Society of Editors, discusses a new survey where local editors talk about their fears for the future; co-founder of the Bishop’s Stortford Independent Sinead Corr talks about how she recently launched a new and successful local paper; plus in a special segment current Index youth board members Arpitha Desai, hailing from India, and Melissa Zisengwe, originally from Zimbabwe but now living in South Africa, talk about the strengths and weaknesses of community news in their countries.

Print copies of the magazine are available on Amazon, or you can take out a digital subscription via Exact Editions. Copies are also available at the BFI, the Serpetine Gallery and MagCulture (all London), News from Nowhere (Liverpool). Red Lion Books (Colchester) and Home (Manchester). Each magazine sale helps Index on Censorship continue its fight for free expression worldwide.

The Spring 2019 podcast can also be found on iTunes.

Why we find it impossible to talk about birth, death and marriage

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Birth, Marriage and Death

Birth, Marriage and Death, the winter 2018 issue of Index on Censorship magazine.

Birth, marriage and deaththese are key staging posts. And that’s one reason why this issue looks at how taboos around these subjects have a critical impact on our world.

Sadly, there are still many of us who feel we can’t talk about problems openly at these times. Societal pressure to conform can be a powerful element in this and can help to create stultifying silences that frighten us into not being able to speak.

Being unable to discuss something that has a major and often complex impact on you or your family can lead to ignorance, fear and terrible decisions.

Not knowing about information or medical advice can also mean exposing people to illness and even death.

The Australian Museum sees death as the last taboo, but it also traces where those ideas have come from and how we are sometimes more shy to talk about subjects now than we were in the past.

The Sydney-based museum’s research considers how different cultures have disposed of the dead throughout history and where the concepts of cemeteries and burials have come from.

For instance, in Ancient Rome, only those of very high status were buried within the city walls, while the Ancient Greeks buried their dead within their homes.

The word “cemetery” derives from the Greek and Roman words for “sleeping chamber”, according to the Australian Museum, which suggests that although cremation was used by the Romans, it fell out of favour in western Europe for many centuries, partly because those of the Christian faith felt that setting fire to a body might interfere with chances of an afterlife.

Taboos about death continue to restrict speech (and actions) all around the world. In a six-part series on Chinese attitudes to death, the online magazine Sixth Tone revealed how, in China, people will pay extra not to have the number “4” in their mobile telephone number because the word sounds like the Mandarin word for “death”.

It also explores why Chinese families don’t talk about death and funerals, or even write wills.

In Britain, research by the charity Macmillan Cancer Support found just over a third of the people they surveyed had thoughts or feelings about death that they hadn’t shared with anyone. Fears about death concerned 84% of respondents, and one in seven people surveyed opted out of answering the questions about death.

These taboos, especially around death and illness, can stop people asking for help or finding support in times of crisis.

Mental health campaigner Alastair Campbell wrote in our winter 2015 issue that when he was growing up, no one ever spoke about cancer or admitted to having it.

It felt like it would bring shame to any family that admitted having it, he remembered. Campbell said that he felt times had moved on and that in Britain, where he lives, there was more openness about cancer these days, although people still struggle to talk about mental health.

Hospice director Elise Hoadley tells one of our writers, Tracey Bagshaw, for her article on the rise of death cafes (p14), that British people used to be better at talking about death because they saw it up close and personal. For instance, during the Victorian period it would be far more typical to have an open coffin in a home, where family or friends could visit the dead person before a funeral. And vicar Laura Baker says of 2018: “When someone dies we are all at sea. We don’t know what to do.”

In a powerful piece for this issue (p8), Moscow-based journalist Daria Litvinova reports on a campaigning movement in Russia to expose obstetric abuse, with hundreds of women’s stories being published. One obstacle to get these stories out is that Russian women are not expected to talk about the troubles they encounter during childbirth. As one interviewee tells Litvinova: “And generally, giving birth, just like anything else related to women’s physiology, is a taboo subject.” Russian maternity hospitals remain institutions where women often feel isolated, and some do not even allow relatives to visit. “We either talk about the beauty of a woman’s body or don’t talk about it at all,” said one Russian.

Elsewhere, Asian-American women talk to US editor Jan Fox (p27) about why they are afraid to speak to their parents and families about anything to do with sex; how they don’t admit to having partners; and how they worry that the climate of fear will get worse with new legislation being introduced in the USA.

As we go to press, not only are there moves to introduce a “gag rule” – which would mean removing funding from clinics that either discuss or offer abortion – but in the state of Ohio, lawmakers are discussing House Bill 565, which would make abortions illegal even if pregnancies arise from rape or incest or which risk the life of the mother. These new laws are likely to make women more worried than before about talking to professionals about abortion or contraception.

Don’t miss our special investigation from Honduras, where the bodies of young people are being discovered on a regular basis but their killers are not being convicted. Index’s 2018 journalism fellow Wendy Funes reports on p24.

We also look at the taboos around birth and marriage in other parts of the world. Wana Udobang reports from Nigeria (p45), where obstetrician Abosede Lewu tells her how the stigma around Caesarean births still exists in Nigeria, and how some women try to pretend they don’t happen — even if they have had the operation themselves. “In our environment, having a C-section is still seen as a form of weakness due to the combination of religion and culture.”

Meanwhile, there’s a fascinating piece from China about how its new two-child policy means women are being pressurised to have more children, even if they don’t want them — a great irony when, only a decade ago, if women had a second child they had to pay.

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In other matters, I have just returned from the annual Eurozine conference of cultural journals, this year held in Vienna. It was interesting to hear about a study into the role of this specific type of publication. Research carried out by Stefan Baack, Tamara Witschge and Tamilla Ziyatdinova at the University of Groningen, in the Netherlands, is looking at what long-form cultural journalism does and what it achieves.

The research is continuing, but the first part of the research has shown that this style of magazine or journal stimulates creative communities of artists and authors, as well as creating debates and exchanges across different fields of knowledge. Witschge, presenting the research to the assembled editors, said these publications (often published quarterly) have developed a special niche that exists between the news media and academic publishing, allowing them to cover issues in more depth than other media, with elements of reflection.

She added that in some countries cultural journals were also compensating for the “shortcomings and limitations of other media genres”. Ziyatdinova also spoke of the myth of the “short attention span”.

At a time when editors and analysts continue to debate the future of periodicals in various forms, this study was heartening. It suggests that there still is an audience for what they describe as “cultural journals” such as ours – magazines that are produced on a regular, but not daily basis which aim to analyse as well as report what is going on around the world. Lionel Barber, the editor of the Financial Times newspaper, spoke of his vision of the media’s future at the James Cameron Memorial Lecture at London’s City University in November. As well as arguing that algorithms were not going to take over, he said he was convinced that print had a future. He said: “I still believe in the value and future of print: the smart, edited snapshot of the news, with intelligent analysis and authoritative commentary.”

His belief in magazines as an item that will continue to be in demand, if they offer something different from  something readers have already consumed, was made clear: “Magazines, which also count as print – are they going to just disappear? No. Look at The Spectator, look at the sales of Private Eye.”

The vibrancy of the magazine world was also clear at this year’s British Society of Magazine Editors awards in London, with hundreds of titles represented. Jeremy Leslie, the owner of the wonderful Magculture shop in London (which stocks Index on Censorship) received a special award for his commitment to print. This innovative shop stocks only magazines, not books, and has carved out a niche for itself close to London’s City University. Well done to Jeremy. Index was also shortlisted for the specialist editor of the year award, so we are celebrating as well.

We hope you will continue to show your commitment to this particular magazine, in print or in our beautiful digital version, and think of buying gift subscriptions for your friends at this holiday time (check out https://shop.exacteditions.com/index-on-censorship for a digital subscription from anywhere in the world). We appreciate your support this year, and every year, and may you have a happy 2019.

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Rachael Jolley is editor of Index on Censorship. She tweets @londoninsider. This article is part of the latest edition of Index on Censorship magazine, with its special report on Birth, Marriage and Death.

Index on Censorship’s winter 2018 issue is Birth, Marriage and Death, What are we afraid to talk about?  We explore these taboos in the issue.

Look out for the new edition in bookshops, and don’t miss our Index on Censorship podcast, with special guests, on Soundcloud.

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_custom_heading text=”Birth, Marriage and Death” font_container=”tag:h3|text_align:left” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2F2018%2F12%2Fbirth-marriage-death%2F|||”][vc_column_text]The winter 2018 issue of Index on Censorship magazine explores taboos surrounding birth, marriage and death. What are we afraid to talk about?

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Double Vision: The truth behind this year’s Europe’s Capital of Culture. The label conceals darker truths about what is happening in Malta

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In the summer 2018 issue of Index on Censorship magazine Caroline Muscat takes a closer look at the truths this year’s European Capital of Culture, Valetta in Malta, is hiding

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The sprawl of construction sites represents the reality of Malta. It’s a sign of progress, never mind the fact that planning laws are farcical. The country’s affluence is shown by the number of cars on the road, never mind the traffic congestion. Its freedom is evidenced in the number of media outlets and news portals, never mind the fact that they all offer similar content. It’s all about appearance, not substance. Scratch beneath the surface and the problems start to appear.

“National pride has reached historic levels,” Prime Minister Joseph Muscat told more than 100,000 people who flocked to the nation’s capital, Valletta, for its inauguration as Europe’s Capital of Culture 2018. The announcement was made as the country was grappling with the assassination of its most prominent journalist, Daphne Caruana Galizia, and as accusations of a collapse in the rule of law continued to haunt Malta.

Restaurants offering mouth-watering dishes are found across the length and breadth of Malta’s islands, but while digging into a bruschetta few stop to question the sudden influx of Sicilian restaurants that are suspected of being money-laundering fronts for the Sicilian mafia.

Operation Beta, led by the Italian authorities in 2017, culminated in the arrest of 30 people as part of a major clampdown on illegal gaming activities and money laundering linked to a Sicilian family, the Santapaola-Erculanos, linked to the mafia by the Italian media. Almost a year later, Italian police cracked an operation involving Sicilians, Maltese and Libyans smuggling Libyan fuel into the European market. Once again, a link to the Santapaola-Erculano family emerged. A look at the histories of the mafia clans reveals deep family connections to Malta as a hub from which to extend their reach and profits.

The links date back to 1974, when a Sicilian man and his bride went to the Maltese island of Gozo on their honeymoon. They loved the island so much they frequently returned. To the locals who interacted with him in Pjazza San Frangisk, in Victoria, he was known simply as Toto.

But Toto was Salvatore Riina, the mafia boss who terrorised Sicily and made the Italian State tremble while making friends in Malta.

Over the years, Malta has continued to attract shady characters, including politically exposed politicians, from countries including India, Ukraine and Azerbaijan. There are clear risks in probing too deeply into the shadows of modern Malta – not that this is obvious to anyone landing in the country for a fortnight of sun and sea. Popular events, such as the annual music festival the Isle of MTV, continue to offer a distraction on the islands that were once a safe haven for tourists and locals. But the recent release of the Panama Papers linked a Maltese minister, Konrad Mizzi, and the prime minister’s chief of staff, Keith Schembri, to $1.6m payments to Dubai companies. Both deny the claims of payments.

It is now clear that a political party elected in 2013 on the promise of change was not thinking of adding transparency or media freedom. Since the Panama Papers revelations, journalists have piled up stories of scandals, but nothing has changed. Deals selling off the country’s assets continue to be made, shrouded in secrecy. And in the midst of all this, calls for justice for an assassinated journalist continue to echo in the air.

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Daphne Caruana Galizia was killed because of what she exposed. Seven months later, the institutions that failed to protect her are the same institutions that are failing to bring those who ordered her killing to justice. Every month, on the date marking her death, citizens gather to call for justice in the country’s capital. They gather in front of a makeshift memorial before the law courts as a reminder that justice has not been served. Every time, they know they will see each other the following month because nothing will have changed. Yet their presence, and the flowers and candles placed at the foot of the monument, serve as a reminder to the authorities that they will never forget.

Those who mention her name, those who refuse to bow to a society bent by corruption, are insulted and threatened. Journalists and activists keep being reminded of the untold damage they are doing to the country’s reputation. Malta’s image is everything, but it is not what it seems.

When confronted by the news that the European Parliament was sending a delegation to investigate Malta’s anti-money laundering rules, Muscat said: “I invite them to come over to see what a fantastic country we are.” But the Paradise Papers had already shown just how “fantastic” Malta s by casting a dark cloud over its economic miracle.

While workers in other countries have borne the brunt of austerity, the Maltese have never had it so good, shielded by an economic system which relies partly on enticing shell companies to Malta by offering a favourable fiscal regime, in addition to a growing dependence on i-gaming and construction. In addition, Malta’s controversial “sale” of European passports continues, despite concerns about the erosion of democracy.

Living in Malta as a journalist one experiences the stark reality of it all. Those exposing corruption are ostracised and vilified. Their voices are drowned out by the millions spent on the marketing machine to promote Malta and clean its image. Journalism is undermined through an almost complete domination of the narrative by the government – millions of euros spent on PR ridicules weeks of investigative journalism. Government advertising drowns out calls for a democracy that ends corruption and protects freedom of speech.

On 16 May, Labour MP Rosianne Cutajar stood up in parliament and spent 30 minutes criticising the publication of a six-month investigation by The Shift News that exposed pro-government secret Facebook groups with thousands of members posting threats against activists. These posts included threats towards anti-corruption activist Tina Urso, whose home address was also published on the site. Urso filed two complaints with the police, but wasn’t offered any protection.

The MP also said I was sowing the seeds of hatred left behind by Caruana Galizia by attacking the government. Compare this with the exposé of anti-Semitism in the UK Labour Party and the media scandal that followed. In Malta, the scandal was the journalist who dared to speak truth to power.

Caruana Galizia had written: “Malta is in a dangerous place, and now we can no longer say that it is corrupt politicians who have brought it to this point, for it can no longer be denied that those corrupt politicians are a reflection of society.”

In this scenario, the protection of journalists is critical in a landscape that is intolerant of independent thought.

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Caroline Muscat is the co-founder of The Shift News, based in Malta

This article was originally published in the Summer 2018 issue of Index on Censorship magazine. Click here to read about the other articles in the issue. 

The latest issue of Index on Censorship magazine, Trouble in Paradise, Escape from Reality: what holidaymakers don’t know about their destinations is out now.  Buy a subscription. Buy a print copy from bookshops including BFI, Serpentine and MagCulture (London), News from Nowhere (Liverpool), Home (Manchester), and Red Lion Books (Colchester), or via Amazon. Digital versions available via exacteditions.com or iTunes.

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[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”From the Archives”][vc_row_inner][vc_column_inner width=”1/3″][vc_single_image image=”89160″ img_size=”213×287″ alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1080/03064229108535157″][vc_custom_heading text=”Do not disturb” font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1177%2F0306422011399822|||”][vc_column_text]2011

In 2011, Charles Young reported that writers, journalists and even DJs are falling foul of Malta’s censorious laws[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”64776″ img_size=”213×287″ alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1080/03064220008536796″][vc_custom_heading text=”Social disturbance” font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1177%2F0306422015571882|||”][vc_column_text]March 2015

News footage provided by readers and viewers has entered a new era, where we’re faced with more propaganda, hoaxes and graphic detail than ever before. Vicky Baker looks at the increasingly tough verification process at the BBC’s user-generated content department[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”99282″ img_size=”full” alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1080/03064229308535477″][vc_custom_heading text=”Index around the world” font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1177%2F0306422018769585|||”][vc_column_text]Spring 2018

Attacks on journalists are escalating in areas formerly seen as safe,
including the USA and the European Union, says Danyaal Yasin[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_separator][/vc_column][/vc_row][vc_row content_placement=”top”][vc_column width=”1/3″][vc_custom_heading text=”Trouble in Paradise” font_container=”tag:p|font_size:24|text_align:left” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2F2018%2F04%2Fthe-abuse-of-history%2F|||”][vc_column_text]The summer 2018 issue of Index on Censorship magazine takes you on holiday, just a different kind of holiday. From Malta to the Maldives, we explore how freedom of expression is under attack in dream destinations around the world.

With: Martin Rowson, Jon Savage, Jonathan Tel [/vc_column_text][/vc_column][vc_column width=”1/3″][vc_single_image image=”100843″ img_size=”medium” alignment=”center” onclick=”custom_link” link=”https://www.indexoncensorship.org/2018/06/trouble-in-paradise/”][/vc_column][vc_column width=”1/3″ css=”.vc_custom_1481888488328{padding-bottom: 50px !important;}”][vc_custom_heading text=”Subscribe” font_container=”tag:p|font_size:24|text_align:left” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2Fsubscribe%2F|||”][vc_column_text]In print, online. In your mailbox, on your iPad.

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