16 May 18 | News and features, Turkey, Turkey Uncensored
[vc_row][vc_column][vc_single_image image=”100382″ img_size=”full” add_caption=”yes” alignment=”center”][vc_column_text]Seda Taşkın had just been sent to Muş, a tiny eastern Turkish city on a fertile plain surrounded by high mountains, to report on a few stories when police started to track her down. Hot on the case, police apparently availed themselves of a time machine, arresting the Mezopotamya news agency reporter late in December half an hour before a prosecutor had even issued an arrest warrant in concert with an informant’s tipoff. Taşkın’s subsequent trial, however, suggests that rather than breaking new grounds in physics, Turkey’s authorities are probably just breaking the law.
Taşkın appeared in court for the first time on 30 April to face charges of “membership in a terrorist organisation” and “conducting propaganda for a terrorist organisation.” The court date, however, exposed serious irregularities regarding her arrest, the treatment she received in custody and the evidence against her. During the hearing at the 2nd High Criminal Court of Muş, Taşkın’s lawyer highlighted the email address used to tip off authorities to the journalist’s alleged crimes.
According to the official document in the case file seen by Mapping Media Freedom’s Turkey correspondent, the email address denouncing Taşkın as a “militant” bore an “egm” extension, signifying the Turkish abbreviation for “general department of police.” Gulan Çağın Kaleli told the court that a mere 20 minutes were required to locate Taşkın and arrest her – a period that’s even less than the time it took to issue a mandatory arrest warrant. Questioning whether the anti-terror unit had, in fact, fabricated the tipoff, Kaleli requested that the source of the email be identified according to its IP number, but the court ultimately rejected the demand.
“The police tipped her off and the state caught her. This was the mise-en-scène,” said Hakkı Boltan, the co-president of the Free Journalists’ Initiative (ÖGİ), a Diyarbakır-based journalistic group that monitors press freedom violations and aids journalists who face legal proceedings in Kurdish provinces.
Taşkın is a journalist based in the city of Van who mainly covers social and cultural news. At the time of her arrest, she was working on several reports, including a story about the family of Sisê Bingöl. Authorities jailed the 78-year-old woman in June 2016 in Muş’s Varto district on accusations of being a “terrorist” before sentencing her to four years and two months in prison. Boltan told MMF that this type of reporting is often considered as threatening to the state as it reveals police violations. “The public has the right to be informed about this unjust imprisonment. This is what Seda was trying to do when she was targeted by the state.”
Ill treatment from police, threats from the prosecutor
Turkish authorities arrested Taşkın on 20 December 2017 before freeing her four days later. The prosecutor, however, filed an objection against the court’s release order. A month later, on 23 January, officers again arrested Taşkın in Ankara, where the journalist had gone to join her family.
In her defense, Taşkın told the court that police subjected her to a strip search after her initial arrest. “When I refused, they said they would force me,” she said via a judicial video conferencing system from Ankara’s Sincan Women Prison Facility, where she remains in custody pending trial. She was subjected to a second strip search before finally seeing her lawyer. “I was also physically beaten when I refused to get in the armoured vehicle. If I’m telling this, it’s because I want the court to take it into consideration,” she said.
The court didn’t appear greatly concerned.
Taşkın was also threatened after her initial release from custody. “The prosecutor told her ‘How can you be freed? You will see, we will file an objection’ in front of her lawyer as a witness,” Kaleli told the court.
The lawyer also said the evidence against her client was restricted to retweets and Facebook shares – mostly of news articles. There is not even a single article written by Taşkın in the case file, she said. “You may not like the agency where my client works. But this agency is still operating legally, and this is about freedom of expression and press freedom.”[/vc_column_text][vc_row_inner][vc_column_inner][vc_single_image image=”100383″ img_size=”full” add_caption=”yes” alignment=”center”][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner][vc_column_text]Touring villages with her camera
Included in the indictment as evidence was a “package” that a colleague sought to give Taşkın. There was a certain air of mystery to the private Instagram conversation between Taşkın and her colleague, Diyarbakır-based journalist and photographer Refik Tekin, but the item in question was only a fleece – and police could have ascertained the innocence of the matter had they clicked on the embedded link in the conversation.
Tekin told MMF that the pair had merely discussed the logistics of Taşkın receiving the fleece in Muş. He eventually sent the item of clothing to the prison in Ankara after she was jailed, but Taşkın was still unable to obtain it: The fleece is dark blue – a color that is banned in prison because it matches the uniforms of guards.
Tekin said Taşkın loves photography. She would tour villages around Lake Van in search of news and human stories. “She is a very friendly person. People in villages are usually somewhat shy, but they would immediately open up to Seda,” Tekin said. “She took photos of children in villages, women working in fields… Those were beautiful, very touching. They would tell a story. She would be on the top of the world when her photos appeared in [the now-closed newspaper] Özgürlükçü Demokrasi,” he said.
Her close friend Nimet Ölmez, also a Van-based reporter for Mezopotamya, said Taşkın’s picture of two children returning from school with their dirty clothes and large baskets instead of backpacks helped raise awareness about the precarious situation of children living in the impoverished villages of the region. “They were shared on social media for days. So many people called and asked us how they could help.”
But she admits that Taşkın’s love for photography was perhaps a bit on the excessive side. “She would take so many photos that all our memory sticks would fill up. She once went to a village to report on some shepherd. He had around 200 sheep, but Seda still managed to come back with 230 photos – more than one photo per sheep,” she joked. “I really miss fighting for photos, memory sticks and news with her.”
On 30 April, the court ruled against Taşkın’s release on the grounds that she doesn’t use the name on her ID card, Seher, in daily life, even though everyone, including her close family, calls her Seda.
The next hearing will be held on 2 July in Muş – a town that appears in a popular song with the lyrics “the road to Muş is uphill.” Rather than just Muş, it seems the song’s writers were talking about the road to justice in Turkey today.[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=”1/4″][vc_icon icon_fontawesome=”fa fa-file-excel-o” color=”black” background_style=”rounded” size=”xl” align=”right”][/vc_column_inner][vc_column_inner width=”3/4″][vc_column_text]
[/vc_column_text][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]Media freedom violations reported to MMF since 24 May 2014
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15 May 18 | Europe and Central Asia, News and features, Turkey, United Kingdom
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Index on Censorship magazine editor Rachael Jolley leads chants in support of Turkey’s jailed journalists ahead of Erdogan visit to Downing Street
Hundreds of demonstrators gathered outside Downing Street today ahead of Turkish president Recep Tayyip Erdogan’s meeting with UK prime minister Theresa May.
Index joined English Pen, Reporters Without Borders, Cartoonist Rights Network International and dozens of protesters to call on the British government to hold president Erdogan accountable for the ongoing crackdown on journalists and free speech within Turkey following the attempted coup in July 2016. Other groups, including the Kurdish Solidarity Campaign, also demonstrated against Erdogan’s visit in large numbers.
Addressing the crowd, Index on Censorship magazine editor Rachael Jolley said: “If Theresa May cares about free speech, if this government cares about free speech and free expression, this should be on the table for this meeting with President Erdogan. “This British government often talks about its commitment to free speech, so let’s see the sign of this in its international politics. How can we believe in a government’s commitment to free expression if it is willing to meet international leaders where free expression is massively threatened and they do not talk about that.”
Under the state of emergency declared since the intended coup in 2016, voices critical of the Turkish government have seen a major crackdown.
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14 May 18 | Artistic Freedom, Media Freedom, News and features, Turkey, Turkey Uncensored
[vc_row][vc_column][vc_single_image image=”100332″ img_size=”full” alignment=”center”][vc_column_text]All that is solid in the Turkish media melted into air over the past year, and much of the entertainment content has migrated from traditional platforms to streaming services like YouTube and Netflix.
Turkey’s watchdogs took notice. In March parliament passed a law that expands the powers of Turkey’s Radio and Television Supreme Council (RTÜK), including blocking internet broadcasts. With the new law the state hopes to have some degree of control over online content that it considers dangerous.
This spring, many bulwarks of Turkish media have shape-shifted. In April, Turkey’s biggest media conglomerate, Doğan, changed hands. Foreign media titles with Turkish editions, including the Wall Street Journal, Newsweek and Al Jazeera, have already pulled out of the Turkish market. Newspaper circulations saw sharp decline.
Meanwhile online streaming services have thrived. Spotify entered Turkey in 2013 and pushed its premium service with a Vodafone deal two years later. On Twitter, BBC’s Turkish service has just short of three million followers. Netflix introduced its Turkish service in 2016. Last year it too signed a deal with Vodafone, and Netflix Turkey pushed its products aggressively, with posters of House of Cards plastered in Istanbul’s subway stations.
Statista, an online statistics website, predicts there will be approximately 397.4 thousand active streaming subscribers to Netflix in Turkey in 2019.
Turkish-owned streaming services also came to the fore. In 2012 Doğuş Media Group launched its video on demand service, puhutv, and there was excitement last year when the channel showed its first series, Fi, based on a best-selling trilogy by Turkish author Azra Kohen. The series quickly became a sensation, largely thanks to scenes featuring nudity and racy sexual encounters.
Puhutv is a free, ad-supported service and watching Fi on Puhutv meant seeing many ads of condoms, dark chocolates and other products linked with pleasure. In just three days, the pilot episode of Fi was viewed more than four and a half million times.
For content producers the Turkish love for the internet means new opportunities for profit. In February a report by Interpress found that the number of internet users increased by 13 percent to 51 million from the past year. Turkey is one of the largest markets for social media networks and it ranks among the top five countries with largest Facebook country populations.
The RTÜK watchdog, which now has great control over streaming services, normally chases television broadcasters. It famously went after popular TV dating shows last year, and producers faced heavy fines accused of violating ‘public morals’. Marriage with Zuhal Topal, Esra Erol and other shows were pulled off the air. A famous dating show duo, Seda Sayan and Uğur Arslan, considered releasing their show Come Here if You’ll Get Married on the internet.
Those dating shows outraged not only conservatives but many other swaths of Turkish society. Feminists considered them an affront to women’s struggle and they signed a petition to ban dating shows en masse. RTUK announced there were around 120 thousand complaints from viewers about the shows.
With the new bill, producers of shows streamed online will need to obtain licenses. “The broadcasts will be supervised the same way RTÜK supervises landline, satellite and cable broadcasts,” reads the new law which gives RTÜK the power to ban shows that don’t get the approval of Turkish Intelligence Agency and the General Directorate of Security.
Family Ties, a recent episode of the US series Designated Survivor angered many viewers when it was broadcast last November. One of the characters in the episode was a thinly veiled representation of Fethullah Gülen, an imam who leads a global Islamist network named Hizmet (‘The Service’).
The Turkish state accuses Hizmet, its US-based leaders and followers in the Turkish Army of masterminding 2016’s failed coup attempt, during which 250 people were killed. Turkey has requested Gülen’s extradition.
But in Family Ties, the Gülen-like character was described as an “activist”, and this led to protests on Twitter in Turkey. Some Turks wanted the show banned. In Turkey Designated Survivor is streamed by Netflix.
In September Netflix will release The Protector, its first Turkish television series by up and coming film director Can Evrenol. “The series follows the epic adventure of Hakan, a young shopkeeper whose modern world gets turned upside down when he learns he’s connected to a secret, ancient order, tasked with protecting Istanbul,” according to a Netflix press release.
“Streaming services give freedom and enthusiasm to directors who are normally reluctant to work for television,” Selin Gürel, a film critic for Milliyet Sanat magazine said.
“Content regulations are unwelcome, but I don’t think anyone would give up telling stories because of them. Directors like Can Evrenol are capable of finding some other way for protecting their style and vision.”
In Gürel’s view, the new regulations will not lead to dramatic changes for Turkish films.
“It is annoying that RTÜK now spreads its control to interactive platforms like Netflix,” said Kerem Akça, a film critic for Posta newspaper. “RTÜK should keep its hands away from paid platforms.”
Akça has high expectations from Evrenol’s new film, but he fears the effects of new regulations on The Protector and future Turkish shows for Netflix can be harmful.
“The real problem is whether RTÜK’s control on content shape-shifts into self-censorship,” Akça said. “Before it does, someone needs to take the necessary steps to avoid content censorship on Netflix.”
But Turkish artists have long found ways of avoiding the censors, and new regulations can even lead to more original thinking.
“This is a new zone for RTÜK,” Gürel, the critic, said. “I am sure that vagueness will be useful for creators, at least for a while.”[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]Press freedom violations in Turkey reported to Mapping Media Freedom since 24 May 2014
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09 May 18 | Events
[vc_row][vc_column][vc_single_image image=”89786″ img_size=”full” add_caption=”yes” alignment=”center”][vc_column_text]This event has been rescheduled.
Turkey’s President Recep Tayyip Erdoğan will be visiting the UK for official meetings from 13 – 15 May. Join us for a protest outside the Turkish Embassy in London calling for the release of Turkey’s imprisoned journalists.
Under the state of emergency declared following the failed coup attempt in July 2016, President Erdoğan has overseen an unprecedented crackdown on critical voices in Turkey, including the media. Turkey is now the world’s biggest jailer of professional journalists, and is ranked 157th out of 180 countries in Reporters Without Borders’ 2018 World Press Freedom Index.
In April 2018, President Erdoğan announced snap presidential and parliamentary elections, due to take place on 24 June 2018, nearly 18 months before they were expected and under the ongoing state of emergency. In light of the ongoing crackdown, there are widespread concerns that the public does not have full access to independent information ahead of casting their votes. One leading writer from Turkey has described the decision as “a way of stealing our power”.
With so many of journalists and writers at risk in Turkey, it is essential that we come together to support our imprisoned colleagues.
Join English PEN, Index on Censorship, Reporters Without Borders, and CRNI – Cartoonsts Rights Network to send a strong message to the authorities, both in Turkey and the UK.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]
When: Tuesday 15 May 9am-11am
Where: 10 Downing Street, SW1V 2 London (Directions)
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]Press freedom violations in Turkey reported to Mapping Media Freedom since 24 May 2014
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