Badiucao, one of China’s leading dissident cartoonists, has revealed his identity after years of anonymity. In November 2018 following his campaign...
Parliament must be fully involved in shaping the government’s proposals for online regulation as the proposals have the potential to cause large-scale impacts on freedom of expression and other rights.
We write to you as civil society organisations who work to promote human rights, both offline and online. As such, we are taking a keen interest in the ICO’s Age Appropriate Design Code.
Anzhelina Polonskaya became a recognised writer and poet during the turbulent post-Soviet Union era. Inspired by the works of famous Russian writers, she became a self-taught poet
Arts Censorship Support Service will provide assistance to colleagues in the cultural sector facing issues of censorship.
We consider that, in order to mitigate these concerns, it is of utmost importance that the European Commission and Member States engage in a constructive transposition and implementation to ensure that the fears around automated upload filters are not realized.
We declare our solidarity with Academics for Peace, and with all progressives under threat in Turkey.
Homegrown is a piece commissioned by the National Youth Theatre (NYT) investigating the motivation behind radicalisation of young Muslims in schools.
Andrea Dunbar’s play Rita Sue and Bob Too was commissioned by Max Stafford-Clarke, then artistic director of Royal Court, in 1982.
Although MTW’s production of The Golden Dragon had received positive reviews in the press, some had expressed concerns that all five of the performers were white, despite the fact they were playing various Asian characters.
The case study of the exhibition Eric Gill: The Body at Ditchling Museum of Arts & Crafts is different from the others in this section. In all the other cases, Index on Censorship got involved because artwork had been removed or cancelled, but in this case we were brought in at the early stage of the museum’s planning of an exhibition that was potentially divisive and controversial.
The Barbican’s publicity material described Exhibit B as: “a human installation that charts the colonial histories of various European countries during the nineteenth and twentieth centuries when scientists formulated pseudo-scientific racial theories that continue to warp perceptions with horrific consequences.”
Petitions, letters, and press releases from Index on Censorship
