The UK has developed a parallel vocabulary to avoid labelling anyone with the c-word … until now, says Oliver Bullough
CATEGORY: Volume 50.04 Winter 2021
Hope in the darkness
Nathan Law, one of the leaders of Hong Kong’s protest movement, is convinced that the repression will not last forever. Here we publish an extract from his new book
“I wrote a play then lost my home, my husband and my trust”
Turkish playwright Meltem Arikan’s Mi Minör was blamed for the seminal Gezi Park protests that convulsed Istanbul
Censorship is still in the script
In June 2015, a national newspaper in Britain started a campaign to have a play banned. This surprised me for two reasons. One: clearly no one had...
Testament to the power of theatre as rebellion
The Belarus Free Theatre, whose 16 members have now gone into exile to escape the Lukashenka regime, are preparing to perform at the Barbican in London in 2022
Women journalists caught in middle of Afghanistan’s nightmare
Many journalists – women in particular – have fled the Taliban or are in hiding from the brutal regime
Playing With Fire: How theatre is resisting the oppressor
The pandemic represented a de facto form of censorship that took everyone by surprise – and played straight into the hands of authoritarian leaders. Around the world, stages were empty, actors out of work. And yet some still managed to keep the flame of theatre alive even during the worst of times. The Winter 2021 edition of Index is a tribute to them. Index has a proud history of supporting the theatre of resistance and this issue marks our determination to continue the tradition. The centrepiece of the magazine is a profile of long-time Index collaborators Belarus Free Theatre by the celebrated theatre writer and Index trustee Kate Maltby. BFT have long played a central role in resistance to the Lukashenko dictatorship and we are pleased to have been able to work together on a project to publish letters from dissidents held in Belarusian prisons over the past year. We are delighted to publish Turkish playwright Meltem Arikan, who found refuge in the UK after being forced out of her home country by the Erdogan regime. Following the performance of Arıkan’s play Mi Minör, she was accused of sparking the Gezi Park protests in 2013. She writes for us about her continuing struggles, particularly after being diagnosed with autism. Jonathan Maitland discusses his experience of censorship and the limits of free speech on the stage in the UK. We also publish Muzzled, a new work by Iranian playwright Reza Shirmarz written exclusively for Index as a response to Samuel Beckett’s Catastrophe, published in the magazine in 1984. The situation in Afghanistan for writers, artists and journalists continues to be of great concern since the fall of Kabul in August. In the light of developments, Afghan journalist Zahra Nader, now based in Canada, calls for responsible reporting of her country by the Western media and highlights the brave work of the women journalists of Rukhsana Media, who continue to report from the country. We also publish an extract from Hamed Amiri’s memoir, The Boy With Two Hearts – now turned into a drama – which tells the story of the family’s flight from the Taliban when Amiri’s mother, Fariba, gave a speech calling for freedom for Afghan women. Elsewhere, Jemimah Steinfeld interviews the Hong Kong activist Nathan Law, now exiled in the UK, about his new book, Freedom, with an extract from it published alongside. John Sweeney asks why the Nobel Peace Prize was not given to the Russian dissident Alexei Navalny and we continue our partnership with Carcanet Books with a selection of Amharic poetry from Ethiopia. Full Contents
Contents – Playing with fire: how theatre is resisting the oppressor
The Winter issue of Index magazine highlights the battles fought by theatre of resistance across the world and how they've been enduring different...
“Apple poisoned me: physically, mentally, spiritually”
Ashley Gjøvik, who was fired by the tech giant after blowing the whistle on toxic waste under her office, says her fight will go on