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An Aleppo-based journalist training women to report on the crisis in war-torn Syria, an Indonesian comic who jokes about Islamic extremism and a 19-year-old campaigner against repression in Eritrea are among those shortlisted for the 2016 Index on Censorship Freedom of Expression Awards.
Drawn from more than 400 crowdsourced nominations, the Index awards shortlist celebrates artists, writers, journalists and campaigners tackling censorship and fighting for freedom of expression. Many of the 20 shortlisted nominees are regularly targeted by authorities or by criminal and extremist groups for their work: some face regular death threats, others criminal prosecution.
Judges for this year’s awards are Nobel Prize-winning author Wole Soyinka, pianist James Rhodes, tech entrepreneur Bindi Karia, Colombian journalist Maria Teresa Ronderos, human rights lawyer Kirsty Brimelow QC and Bahraini campaigner Nabeel Rajab.
“Censorship is not something that happens ‘somewhere else’,” said Jodie Ginsberg, CEO of Index on Censorship. “It occurs on a daily basis in every country, in every part of the world. The shortlist honours those who are among the bravest and most creative in tackling such threats.”
Awards are offered in four categories: journalism; arts; campaigning; and digital activism.
Nominees include Good Chance Theatre who work in the infamous “Jungle” refugee camp in Calais, France; imprisoned Bahraini academic and blogger Dr Abduljalil Al-Singace, who has continued to protest in prison despite being subjected to torture and abuse for daring to speak out on human rights abuses in his country; GreatFire, an anonymous group that battles China’s severe web censorship; and Pravit Rojanaphruk, a veteran reporter who was arrested, interrogated and forced out of his job for criticising Thailand’s military government.
Other nominees include Zaina Erhaim, who returned to her native Syria to report on the conflict and train women to tell unreported stories; Sakdiyah Ma’ruf, a female Muslim stand-up comedian from Indonesia; and campaigner Nkosilathi Emmanuel Moyo, a Zimbabwean who fights corruption in his country, currently in hiding after sending Robert Mugabe a prison uniform for his 92nd birthday this month.
“How do you fight for free expression beyond a moment? How do you keep it alive? You must remember how stressful it is for people on the ground. This fellowship, following us for a year, it is a good idea,” said Rafael Marques de Morais, Freedom of Expression Award winner for Journalism in 2015.
Notes for editors:
Index on Censorship is a UK-based non-profit organisation that publishes work by censored writers and artists and campaigns against censorship worldwide.
More detail about each of the nominees is included below.
The winners will be announced at a ceremony at The Unicorn Theatre, London, on 13 April.
For more information, or to arrange interviews with any of those shortlisted, please contact: David Heinemann on 0207 260 2660. More biographical information and photos of the nominees are available at awards.indexoncensorship.org
Index on Censorship Freedom of Expression Awards nominees 2016 Arts Belarus Free Theatre and The Ministry of Counterculture (UK/Belarus)
Ten-year-old Belarus Free Theatre has been using their creative and subversive art to protest the dictatorial rule of Aleksandr Lukashenko for a decade Tania Bruguera (Cuba)
American-Cuban artist Tania Bruguera, who uses art to campaign for greater openness in Cuban society, was arrested after attempting to stage her play #YoTambienExijo at a festival in Havana. It is now a global movement Good Chance Theatre (UK)
Good Chance works in the infamous Jungle refugee camp in Calais, France, to provide a space for refugees to express themselves Sakdiyah Ma’ruf (Indonesia)
Sakdiyah Ma’ruf is a female Muslim stand-up comedian from Indonesia who challenges Islamic fundamentalism and advocates for women’s rights Murad Subay (Yemen)
Artist Murad Subay uses his country’s streets as a canvas to protest Yemen’s war, institutionalised corruption and forced “disappearings”
Campaigning
Abduljalil Al-Singace (Bahrain)
Dr. Abduljalil Al- Singace is an imprisoned Bahraini human rights activist, academic and blogger who has not let prison stop him from calling attention to his country’s human rights practices Vanessa Berhe (US)
University student Vanessa Berhe is fighting for the release of her uncle, Eritrean journalist Seyoum Tsehaye, and for freedom of expression in Eritrea, one of the world’s worst most censored countries Bolo Bhi (Pakistan)
A women-lead digital rights campaigning group who have orchestrated an impressive effort to turn back the Pakistani government’s draconian attempt to censor the internet Nkosilathi Emmanuel Moyo (Zimbabwe)
Prolific author and activist Nkosilathi Emmanuel Moyo campaigned against political corruption and worked with young people to foster human rights Pu Zhiqiang (China)
A human rights lawyer who represented Ai Weiwei, Pu Zhiqiang has been targeted by China’s authorities for his unwavering support of free speech
Digital Advocacy
Dokuz8 Haber and Gökhan Biçici (Turkey)
Journalist Gökhan Biçici launched citizen news agency Dokuz8Haber to foster uncensored information and strengthen Turkish democracy, circumventing intense press censorship GreatFire (China)
GreatFire campaigns for transparency of Chinese censorship by providing numerous effective circumvention tools to the “Great Firewall” Love Matters (international)
An international platform dedicated to opening up conversation about sexual health in countries where such subjects are censored or taboo Mexicoleaks (Mexico)
An anonymous news-sharing platform seeking to bring more transparency to Mexico’s society by uncovering corruption Hebib Muntezir (Azerbaijan)
An exiled Azerbaijani activist and blogger, who works with Meydan TV, mobilising social media to get uncensored news to a surprising number of his fellow citizens
Journalism
Zaina Erhaim (Syria)
One of the few female journalists still reporting from Syria, Zaina Erhaim of Aleppo works to train women to tell the story of the war-ravaged country Mada Masr (Egypt)
Mada Masr is an independent news cooperative launched to offer an alternative narrative to government-controlled media Hamid Mir (Pakistan)
Hamid Mir, a television journalist whose 30-year-career has been punctuated by threats, physical assaults, abductions and assassination attempts for taking on unchallenged powers in Pakistan Pravit Rojanaphruk (Thailand)
Pravit Rojanaphruk is a veteran reporter who was arrested, interrogated and forced to resign for speaking out against Thailand’s lèse majesté law and military government Ferit Tunç (Turkey)
Ferit Tunç is a Kurdish journalist who set up an independent newspaper in eastern Turkey and used inventive methods including publishing recipes with hidden messages to challenge censorship of his reporting on corruption
On the 5th anniversary of the 2011 Bahrain uprising, reform has stalled and human rights abuses have continued to be systemic and widespread. With the region in turmoil and abuses on the rise, has the UK’s reform assistance achieved its stated objectives?
BIRD, Reprieve, Index on Censorship and the LSE MENA Society invite you to the discussion!
As the annual Index on Censorship Freedom of Expression Awards gala approaches, we’ve highlighted five of those who have won or been nominated for free expression awards, including the Freemuse Awards. From a Moroccan rapper to an Iranian folk singer, these artists refuse to be censored and continue to fight to have their voices heard.
El Haqed, Morocco
Winner of the 2015 Index on Censorship Freedom of Expression Award for arts
Mouad Belghouat, aka El Haqed, faced repression from the Moroccan government, including multiple arrests since the Arab Spring. His music focuses on poverty, oppression and political corruption in his country. He is currently living in Belgium, where he continues to write music.
Mayam Mahmoud, Egypt
Winner of the 2014 Index on Censorship Freedom of Expression Award for arts
Mayam Mahmoud, one of Egypt’s first and bravest female hip-hop artists, uses music to address some of the grievances in her country, from a lack of women’s rights to sexual harassment. After competing on the TV show Arabs Got Talent, she used her prominence to speak out against the misogyny she has witnessed and experienced.
Ferhat Tunç, Turkey
2010 Freemuse Award winner
Despite years of attempted censorship by the Turkish government, Ferhat Tunç has continued to release music and promote human rights in his homeland. He has released more than 20 albums, undeterred by numerous court summons and a prison sentence.
Songhoy Blues, Mali
Nominees for the 2015 Index on Censorship Freedom of Expression Award for arts
A group of musicians that fled northern Mali after the occupation by militant Islamist groups in spring 2012, Songhoy Blues are a rowdy blend of blues and rock. After Islamists banned music in their region, they went into exile and have since gone on to tour with Julian Casablancas and Damon Albarn. The band released their debut album, Music in Exile, in February 2015.
Pussy Riot, Russia
Nominees for the 2013 Index on Censorship Freedom of Expression Award for arts In February 2012, members of the feminist punk band Pussy Riot staged a brief demonstration through music at Moscow’s Christ the Saviour Cathedral, condemning the Russian Orthodox Church’s close ties to Vladimir Putin. In August of that year, three members were sentenced to two years in jail for hooliganism motivated by religious hatred. The verdict was a bitter blow for freedom of expression in Russia, which continues to be under attack today.
Index on Censorship has teamed up with the producers of an award-winning documentary about Mali’s musicians, They Will Have To Kill Us First, to create the Music in Exile Fund to support musicians facing censorship globally. You can donate here, or give £10 by texting “BAND61 £10” to 70070.
[vc_row disable_element=”yes” css=”.vc_custom_1495007243457{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column css=”.vc_custom_1474781640064{margin: 0px !important;padding: 0px !important;}”][vc_column_text css=”.vc_custom_1477669802842{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”]CONTRIBUTORS[/vc_column_text][/vc_column][/vc_row][vc_row disable_element=”yes” css=”.vc_custom_1495007251056{margin-top: 0px !important;padding-top: 0px !important;}”][vc_column width=”1/3″ css=”.vc_custom_1474781919494{padding-top: 0px !important;padding-bottom: 0px !important;}”][staff name=”Karim Miské” title=”Novelist” color=”#ee3424″ profile_image=”89017″]Karim Miské is a documentary maker and novelist who lives in Paris. His debut novel is Arab Jazz, which won Grand Prix de Littérature Policière in 2015, a prestigious award for crime fiction in French, and the Prix du Goéland Masqué. He previously directed a three-part historical series for Al-Jazeera entitled Muslims of France. He tweets @karimmiske[/staff][/vc_column][vc_column width=”1/3″ css=”.vc_custom_1474781952845{padding-top: 0px !important;padding-bottom: 0px !important;}”][staff name=”Roger Law” title=”Caricaturist ” color=”#ee3424″ profile_image=”89217″]Roger Law is a caricaturist from the UK, who is most famous for creating the hit TV show Spitting Image, which ran from 1984 until 1996. His work has also appeared in The New York Times, The Observer, The Sunday Times and Der Spiegel. Photo credit: Steve Pyke[/staff][/vc_column][vc_column width=”1/3″ css=”.vc_custom_1474781958364{padding-top: 0px !important;padding-bottom: 0px !important;}”][staff name=”Canan Coşkun” title=”Journalist” color=”#ee3424″ profile_image=”89018″]Canan Coşkun is a legal reporter at Cumhuriyet, one of the main national newspapers in Turkey, which has been repeatedly raided by police and attacked by opponents. She currently faces more than 23 years in prison, charged with defaming Turkishness, the Republic of Turkey and the state’s bodies and institutions in her articles.[/staff][/vc_column][/vc_row][vc_row equal_height=”yes” content_placement=”top” css=”.vc_custom_1474815243644{margin-top: 30px !important;margin-right: 0px !important;margin-bottom: 30px !important;margin-left: 0px !important;}”][vc_column width=”1/2″ css=”.vc_custom_1474619182234{background-color: #455560 !important;}”][vc_column_text el_class=”text_white”]Editorial
Theatre, in whatever form it takes, tells us something about society. Sometimes the stories are uncomfortable, but they need to be explored. Telling stories that challenge societal realities requires performers to negotiate their way around obstacles. In authoritarian countries performing works of “established” or “historic” playwrights can give actors the chance to tackle significant themes that would otherwise never be allowed.
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The cover of a special issue of Libération done in collaboration with the Bondy Blog, 10 years after the October 2005 riots.
This January, the trial of a police officer who had been accused of the 2012 shooting a man in the back took place near Paris. The victim was called Amine Bentounsi and was of North African origin. At the end of the proceedings, the police officer was cleared.
Journalists wrote that, with Bentounsi’s relatives present, as well as members of the police who had come to support their colleague, the atmosphere was tense. They also reported that a freelance journalist of Northern African origin called Nadir Dendoune suffered from discrimination in court, when he was the only one to be asked for his press card by a police officer while sitting among fellow journalists.
“It was 9:35am and I was sitting among other journalists when some police officers approached me, asking to see my press card. I said I’d show it to them if they asked the others as well. But the defense attorney requested silence so I decided not to make a fuss and showed my card. At noon, one of my female colleagues went to ask the officer why he had asked for my card and he said it was because he didn’t know me, except I probably come more often than her,” Dendoune told Index on Censorship.
Dendoune has worked as a journalist in print and TV for 10 years. He says he is constantly asked for his press card while on the job.
“In 2008 or 2009, I was covering something that had happened in Bondy. There must have been around 40 journalists. A police officer came to see me and told me that only journalists were allowed to be there. In France, some seem to think that you can’t be an Arab and a journalist.” That this would be the case is not suprising in a country where arbitrary and discriminatory stop and searches are usual, he said. During the presidential campaign, François Hollande promised police officers would hand receipts after a stop and search, but this promise, which was seen as an important step to improve relationships between the police and the ethnically diverse inhabitants of France, was soon dropped.
France doesn’t collect ethnic statistics, which means there is no data on the representation of minorities in society.
“[The lack of ethnic stats] seems to make it harder to put words on this”, journalist Widad Kefti told Index. She learned the ropes of journalism at the Bondy blog, a site which was created after the death of teenagers Zyed Benna and Bouna Traoré in Clichy-sous-bois sparked riots in France’s suburbs in 2005. The Bondy blog has been instrumental as an incubator of new voices.
Last October, 10 years after Benna and Traoré’s deaths, Libération published an anniversary issue in collaboration with the Bondy blog, which included Kefti’s “Open letter to newsroom directors” calling on them to hire more journalists with diverse backgrounds. “I decided the tone of the article needed to be angry, angry like my generation, who are sick of being told that change takes time. People who are older than us had a softer approach, but it hasn’t worked.”
She said her piece prompted two types of reactions: “Some told me that I was speaking nonsense and that the only thing that mattered was social diversity. But some TV and print editors contacted me to say the letter had helped them realise there was a problem in their newsroom, wanting to discuss what could be done to change this.”
The classic path to becoming a reporter in France is to enroll in a journalism school, which have selective admission policies. “It’s very complicated to get in, very closed”, Kefti said. “At the Bondy blog, we created a free preparatory course for people with diverse backgrounds, which is based on social criteria, and we’ve had great results.”
She points to Ilyes Ramdani, a young blogger turned journalist from Aubervilliers, now in his early 20’s, who came first at the entrance competition of Lille journalism school and would not have applied had it not been for the Bondy Blog preparatory course.
Even graduating from journalism school is no guarantee, Kefti said. From what she has seen, the sector hires little, which has led to a precarious existence for new journalists, and made the profession less accessible to those who don’t have financial resources to pursue the career.
Kefti plans to create a think thank of French journalists coming from diverse backgrounds that will host a brunch every month to discuss terminology with journalists, as she is convinced the lack of diversity in newsroom has an impact on the way the news is being framed. Having become tired of seeing panels of white men supposedly representing the French TV audience, she also wants to create an academy to provide media training to experts of diverse ethnic backgrounds. Social media, which has democraticised influence, can help make newsrooms more diverse as French newspapers continue their transition to digital journalism, she said.
“To me, you really have to be stupid to fail to realise what a person of a diverse ethnic background can bring to a newsroom”, Kefti said.
Pressure on Europe’s journalists as they do their jobs saw no let up during the fourth quarter of 2015, according to a survey of verified incidents of violations reported to Index on Censorship’s project Mapping Media Freedom.
Between 1 October and 31 December 2015, Mapping Media Freedom‘s network of 19 correspondents verified 232 reports that were submitted to the database. Each report is reviewed for factual accuracy and confirmed with local sources before an incident is publicly available on the map. The platform — a joint undertaking with the European Federation of Journalists and Reporters Without Borders and partially funded by the European Commission — covers 40 countries, including all EU member states, Albania, Belarus, Bosnia, Iceland, Kosovo, Macedonia, Montenegro, Norway, Russia, Serbia, Turkey and Ukraine. Since it was launched in May 2014, the map has recorded over 1,300 violations of media freedom.
During the fourth quarter of 2015: 518 media jobs were lost; two media workers reporting on the Syrian conflict were killed in Turkey; 40 reports of physical assaults on media professionals were confirmed; media workers were detained in 26 cases with criminal charges filed in 11 cases; media professionals were blocked from covering a story in 55 verified incidents; and journalists were subject to public denigration in 22 of the verified reports.
Music can unite, divide, incite and even disgust people from all cultures, age groups and backgrounds. As increasing numbers of academic textbooks are labelled with trigger warnings, music has fallen under the same spotlight on campus.
Below, you can find a playlist we’ve curated of different songs, artists or genres that have been censored on campuses across the world.
1) Eminem – My Name Is
One of the all-time kings of controversy, Eminem is an artist whose records include profanity, misogynistic and homophobic slurs, and even the occasional jab at international pop stars. His persona was so detested by some college administrators that in February 2001, the Sheffield University student union banned his music altogether. The university’s radio station and DJs at union’s club nights were instructed not play any of the rapper’s music in order to “create a culture of tolerance, equality and respect”.
2) Robin Thicke – Blurred Lines
Robin Thicke’s Blurred Lines upset many UK students in 2013, resulting in more than 20 student unions banning the song. This was due to its lyrics, which many argued a rape culture by disregarding the idea of consent.
3) Rage against the Machine – Take the Power Back 4) KRS-One – Sound of Da Police
Superintendent John Huppenthal, on behalf of the state of Arizona, issued a “notice of non-compliance” to Tucson Unified School District. Cholla High Magnet School in the school district used the Rage Against the Machine song Take the Power Back in a Mexican-American history class and hip-hop legend KRS-One’s essay on the genre in an African-American-focused English class. After censoring the use of his music, RATM guitarist Tom Morello tweeted that hip-hop is “only dangerous if you teach it right”.
5) Rustie’s song Attak featuring Danny Brown
Due to the perceived increase of the drug MDMA at electronic dance music concerts and festivals, the University of Massachusetts, Amherst, took the decision in November 2013 to ban all EDM events from taking place on campus. Students responded with numerous petitions and organised a flash mob outside the student union in protest.
6) Shokazoba – Chemical Abuse
The performance of an predominantly white afrobeat band, Shokazoba, at Hampshire College, Massachusetts, was cancelled in October 2013 after the selection of the group became controversial. A statement posted on the school’s website said the cancellation was due to “concerns about cultural appropriation and the need to respect marginalized cultures”. The band, who play afrobeat music, were considered “too white”.
7) The Kingsmen – Louie Louie
The 1950s standard Louie Louie was temporarily pulled from performances by a middle school’s marching band in Benton Harbor, Michigan, due to its “sexually explicit lyrics”. The song was eventually allowed, but not before Superintendent Paula Dawning said it wouldn’t be appropriate for Benton Harbor students to play.
8) Bad Religion – The Empire Strikes Back
In October 2015, Biola University in Los Angeles County decided to it would no longer play anything but Christian music in campus coffee shops following a series of complaints, according to The Biola University Chimes, the school’s student newspaper. A senior member of staff told the newspaper at the time: “When we are in a Christian school…we have to kind of walk that line.” In November 2015, the administration began having members of the student government work with the school’s university services to select playlists, according to representative of Biola.
9) Bruno Mars – Locked out of Heaven
Despite it being one of the most popular songs of 2012, Bruno Mars’ Locked out of Heaven found itself onto the no-no list for Garden Spot High School’s marching band programme. The Pennsylvania school had board members who claimed the lyrics of Mars’ smash-hit were “trashy” and “inappropriate” for students.
Index on Censorship has teamed up with the producers of the award-winning documentary about Mali’s musicians They Will Have To Kill Us First to create the Music in Exile Fund to support musicians facing censorship globally. You can donate here, or by texting “BAND61 £10” to 70070 to give £10.
This article was amended on 2 February 2016 to reflect updated information about music playlists at Biola University.
Seymur Hezi was sentenced to five years in prison for “aggravated hooliganism” on 29 January 2015.
On the anniversary of Azerbaijani journalist Seymur Hezi’s sentencing to five years imprisonment for “aggravated hooliganism,” the country’s authorities have continued to target journalists, independent media and human rights activists.
Hezi, who contributed to the Index on Censorship Freedom of Expression Award-winning newspaper Azadliq, was sentenced on 29 January 2015. He was arrested on 29 August 2014 following an altercation in which the journalist was defending himself from a physical assault and harassment, according to his lawyers.
Rahim Haciyev, acting editor of Azadliq, told Index in September 2015 Hezi’s prosecution was due to his critical articles of the Azerbaijan authorities in the newspaper, as well as critiques he had made in his online TV programme, Azerbaijan Hour.
Haciyev said Hezi’s health is “very bad” due to the Azerbaijan’s awful prison conditions. Despite this, he said the journalist is working on articles about the country’s recent political history — some of which have been published in Azadliq.
In Hezi’s final statement given during his trial, he noted his belief in the shared struggle “with my dear friends at prison”. He also said: “It is not just a confrontation between the government and the opposition. It is the struggle between the good and the evil.”
After a year activism and journalism dedicated to free expression within the restricting country, not much positive change can be seen. Investigative journalist Khadija Ismayilova remains in jail, doing everything in her power to continue spreading the message of truth and resistance. Human rights lawyer Amal Clooney recently offered to take Ismayilova’s case to the European Court of Human Rights.
Azadliq, which was one of Azerbaijan’s only remaining independent news outlets operating inside the country, was forced to discontinue publishing a daily print edition of the newspaper in July 2014, due to its financial situation. The paper was hit with enormous fines following multiple defamation suits in 2013, and its journalists — including Hezi — have been targeted by authorities with politically motivated charges.
“The repression and detainment of journalists are continuing,” Haciyev said. “[The] government has started to arrest Facebook activists.”
Haciyev said that because the government cannot solve its country’s main problems, they try to create new problems for society through eliminating any chance of other opinions being promoted.
Kunle Olulode, Max Wind-Cowie, Jodie Ginsberg and Shazia Mirza at last night’s debate (Photo: Sean Gallagher / Index on Censorship)
“When I went to the Loaded offices with hairy legs they told me to get out and that I could never be on the cover of the magazine because apparently I’d made an effort with my nails but not my legs,” said comedian Shazia Mirza, at the launch of the latest taboo-themed issue of Index on Censorship magazine.
Do taboos still exist in society today? Are taboo subjects still brushed under the carpet instead of being faced head on? Is comedy a perfect platform to tackle these issues? These were just some of the questions discussed during the evening of discussion and debate.
Chaired by Index on Censorship chief executive Jodie Ginsberg, panellists included Kunle Olulode, director of campaigning charity Voice4Change England, writer and political consultant Max Wind-Cowie, plus comedians Grainne Maguire and Mirza.
The night kicked off with a fast and furious comedy performance from Michele Moran, filled with tales of taboos and secrets.
Wind-Cowie told the audience at the Royal Vauxhall Tavern of his surprise when people reacted to Rupert Murdoch and Jerry Hall’s marriage with jokes and disgust at the thought of older people having sex.
Index on Censorship’s CEO Jodie Ginsberg with comedians Shazia Mirza and Grainne Maguire (Photo: Sean Gallagher / Index on Censorship)
He said: “I think it’s a bit sad because I hope to be an older person one day, and I hope that the older person that I will become will be allowed to have sex with someone. And I hope that when we are having sex they won’t be looking at me and thinking ‘my God you’ve got disgusting’. So I think it’s wrong that it’s something we all laugh at so much.”
Maguire joked to the audience that mental illness was a requirement as a comedian but agreed there was still a lot of stigma around mental health.
“In certain careers you’re supposed to be macho and mental illness is still seen as a sign of weakness. I just think that’s really depressing and sad. I think you should be allowed to be vulnerable, but I don’t think were there yet,” she said.
The panel moved to discussing whether suicide and grief were taboo in different societies. Mirza said: “Some Muslims believe that suicide is wonderful. You blow yourself up and go into the afterlife where there are virgins and wine. So it may be terrible in the West but to Muslims suicide is great, and we talk about it all the time.”
Olulode told the audience how for him the last taboo was racism. “In terms of race, there’s a lot of discussion about the discrimination and the attitudes towards black people, but we rarely discuss the construction of what it is to be white.”
He said: “There’s an old left-wing saying: ‘Nothing is alien to me.’ And that idea of investigating every aspect of humanity seems to have become lost along the way. The contestation of ideas in society today is more about protecting people from being exposed to difficult subjects or ideas than actually tackling them head on.”
The evening was rounded off with a lively taboo disco set from DJ Bamboo.
Russia’s media freedom has declined under the government of Vladimir Putin. The president and his allies have used a cloak of legislative legitimacy to target potential opposition to his rule. Mapping Media Freedom correspondents Ekaterina Buchneva and Andrey Kalikh explore what this means for two important sectors of the Russian media.
Print and broadcast media
By Ekaterina Buchneva, Mapping Media Correspondent
Under Russia’s law on mass media amended in autumn 2014, foreign owners are restricted to 20% of shares in media organisations in the country. Its authors said that the legislation would halt the West’s “cold information war”. The law has triggered major changes in the Russian media market and, as critics warned when the law was passed, was used to replace international investors with locals loyal to the Kremlin.
The Russian edition of Forbes magazine, formerly owned by German media conglomerate Axel Springer and known for its independent editorial policy, was sold to businessman Alexey Fedotov, who immediately said that the publication was “too focused on politics” and should cover more business news. In January 2016, the magazine named Nikolay Uskov as its new editor-in-chief. Uslov, a former editor-in-chief of the Russian edition of GQ, has never worked in business journalism.
Finland’s Sonoma Independent Media, America’s Dow Jones and the UK’s Pearson also had to sell their shares in Vedomosti, the main business newspaper known for its critical opinion pieces. Now the paper’s new — and only — owner is Demian Kudryavtsev, a business partner of oligarch Boris Berezovsky, who died in 2013, and a former chief executive of major Russian publishing house Kommersant. Kudryavtsev also purchased The Moscow Times, the country’s only English-language daily. Some journalists were concerned about the origin of the money Kudryavtsev used in the deal and suggested that there was another buyer behind him.
The media ownership law also affected a number of glossy magazines, which, as one of the law’s author said, “squeeze articles favorable to the West and the fifth column in between news about cars and glamorous watches”, and entertainment television channels. CTC Media sold 75% of its shares to loyal to the Kremlin oligarch Alisher Usmanov, who also owns the Kommersant publishing house.
The Russian broadcasters of CNN, Cartoon Network and Boomerang, as well as 11 television channels of Discovery group, came under the control of Media Alliance, 80% of which belongs to National Media Group. The president of NMG, which also owns a number of Russian media organisations, including RenTV, Channel Five, Izvestia newspaper and 25% of Сhannel One, is Kirill Kovalchuk, a nephew of Putin’s old friend Yuri Kovalchuk.
Tightening control over foreign publishers
In addition, in December 2015, another bill with new amendments to the “law about mass media” was introduced into the Russian State Duma. It contains more limitations for media organisations, some of them refer to foreign publishers.
The bill suggests new legal background — violation of anti-extremism legislation — for denying or revoking distribution permit for foreign publishers. Among the ones that now have such permits are Frankfurter Allgemeine Zeitung, China Daily, European Weekly, GQ, Cosmopolitan, Esquire, Tatler, Vogue, and some papers from CIS (Commonwealth of Independent States) countries, including Expert.Ukraine magazine.
“The problem is vagueness and inconsistency of the anti-extremism legislation itself and the practice of its implementation by the Russian authorities,” says Damir Gainutdinov, lawyer of Inter-regional Association of Human Rights Organisations “Agora”.
“It is primarily about Article 1 of the Federal Law on Countering Extremist Activity, which gives a definition of extremism, extremist materials, etc. In practice, this definition is used not only for hate crimes but also, for example, criticism of the Russian authorities. Condemnation of the Crimea annexation is recognised as calls for infringement of the territorial integrity of Russia, as it was in the case of Rafis Kashapov (Tatar activist from Tatarstan, who was convinced in September 2015 to three years in jail for posting informational materials criticising Crimea annexation), and criticism of the United Russia is recognised as the incitement of hatred to a social group, as it was in the case of prohibition of video clips by Navalny (a few activists were found guilty of distribution of extremist materials for posting a video by opposition leader Alexey Navalny titled ‘Let’s recall manifest-2002 to crooks and thieves’, on social media). Therefore, any unenthusiastic article published by foreign media may be recognised as a violation of anti-extremist legislation. Another thing is that this applies only to the print media. Since February 2014, it works much easier with websites; they can be just blocked by orders of the general prosecutor office.”
According to the bill, the foreign publishers also will have to pay a fee for issuing a distribution permit. The authors explained that it would “eliminate the unfair advantage of the founders of foreign publications that provides them with more favorable business conditions”.
Another bill, that was already approved by the State Duma, requires Russian media organisations to inform Roskomnadzor (The Federal Service for Supervision in the Sphere of Telecom, Information Technologies and Mass Communications) about foreign funding, including funding from foreign states, international organisations and Russian NGOs that were considered “foreign agents”. The minimum amount of money that should be declared is 15,000 roubles (less than $200). Penalties for not notifying Roskomnadzor will be fines of 30-50,000 roubles (about $400-600) for officials and the amount of money received for companies. A repeated violation will be punished with a fine of 80,000 roubles (about $1,000) and triples amount of money received.
This bill resembles the one adopted in June 2012 by the Russian State Duma, requiring NGOs to register as “foreign agents”, says Damir Gainutdinov. “First, it is a simple registration and then more and more new burdens will be introduced, for example, state bodies will deny accreditation of such media organisations, officials will be banned from giving them interviews and answering their questions … An additional mandatory audit and special checks of staff could be introduced, who knows what else.”
The bill about foreign funding could affect a number of media platforms – from Colta.ru that cover art and culture to Mediazonа that highlights problems of the Russian justice and the penal system.
Limitations for founders of media organisations
Another block of amendments introduces a new restriction for media founders. It suggests that those, who have unspent or unexpunged convictions for crimes against the constitutional order, public security and public safety, can not found a media organisation.
Those crimes include a number of criminal articles – from hooliganism and repeated violation of rules of organising or holding rallies and demonstrations to espionage and treason. But the most tricky ones are incitement of hatred and abasement of human dignity (Article 282 of the Criminal Code of Russia), public calls for extremism (Article 280) and public calls for infringement of the territorial integrity of Russia (Article 280.1), says Damir Gainutdinov. “These articles are used for persecution of dissenters. In absolute numbers, there are not many cases like this against journalists, but such practice is developing gradually – Stomaknih, Yushkov, Kashapov”.
However, these limitations could not prevent dissenters from taking part in media management at different positions. For example, Pussy Riot members Nadezhda Tolokonnikova and Maria Alekhina, who were convinced for hooliganism, founded Mediazona platform, but as Tolokonnikova told RBC newspaper, they were not officially registered as founders as they had foreseen possible legal problems.
In 2012, the anti-extremism law was amended to empower Roskomnadzor, the state media and communication watchdog, to launch the United Register of Banned Websites. The modifications also enabled the agency to add websites that have “extremist content” without judicial approval. Once a site is added to the list, Russia’s internet services providers are obliged to block it. Within days of the changes, several independent media outlets and political opposition sites websites and blogs — Grani.ru, Ej.ru, Alexei Navalny’s blog — were blacklisted in the country.
On 30 December 2015 a district court in the Siberian city of Tomsk sentenced blogger Vadim Tyumentsev to five years in prison for two videos he posted on his YouTube page.
In the first video, the blogger criticised the local government’s decision to raise the cost of fares on the city’s public transport. In the second video, he said that authorities help refugees from eastern Ukraine more than they help local residents.
The court recognised both of Tyumentcev’s videos as “having extremist character”. Ekaterina Galyautdinova, the presiding judge, gave Tyumentsev a sentence even longer than the prosecutor had pursued. She also banned Tyumentsev from posting online for three years.
The Tyumentcev case is far from the first time that a blogger has been subjected to a prosecution. In 2007, Savva Terentyev, a blogger from the Siberian city of Syktyvkar, was sentenced to a large fine for “offending a social group” – in this case, the local police force – by writing about bad behaviour and human rights abuses committed by officers. In 2012, Maxim Efimov, a blogger from Petrozavodsk, Republic of Karelia, faced prosecution after he posted an article under the headline.
In 2012, Maxim Efimov, a blogger from Petrozavodsk, Republic of Karelia, faced prosecution after he posted an article under the headline “Karelia is tired of priests”, in which he criticised the leadership of the Russian Orthodox Church. Efimov left Russia and was subsequently granted political asylum in Estonia.
That same year the Prosecutor General Office blocked the website and blog of Alexei Navalny, blogger and opposition leader, for allegedly calling “for mass disorders”. Navalny was sentenced to the administrative detention for 15 days and faced other accusations related to his political activities.
“Bloggers law”
In August 2014, the Russian State Duma adopted a number of amendments to communication legislation. The so-called “bloggers law” required sites with more than 3,000 visitors a day to register with Roskomnadzor and observe the same rules as much larger media outlets.
Under the amendments, all site owners and social media users are required to disclose their names and email address on their websites. Owners and users must keep all the information published on the web including personal data for at least six months and immediately submit to the law enforcement bodies on demand.
Moreover, Roskomnadzor received the right to request personal information from all site owners and users.
Most recently, as of 1 January 2016, the “bloggers law” requires all websites and social media platforms to keep all personal data of Russian users on servers within Russian territory. Failing to do this means Roskomnadzor can block the site or service. Companies can either comply or cease doing business in Russia.
According to the Roskomnadzor spokesman Vladimir Ampelonski, some foreign companies submitted to the requirement and brought their servers to Russia. However, some companies — Google, Facebook and Apple — have defied implementing this change. Facebook representatives met with the authority’s deputy chief, Aleksandr Zharov. At the meeting the company said it will not observe the law because it is “economically disadvantageous”, the Vedomosti newspaper reported.
Empowering the FSB
After Putin’s re-election in 2012, Russian security service FSB’s powers were considerably expanded. Articles of the Criminal Code of the Russian Federation on high treason, espionage and disclosure of state secrets were widened and made ever more vague by introducing language on cooperation with any “foreign organisation, or their representatives in hostile activities to the detriment of the external security of the Russian Federation”.
The FSB has further tried to make investigative journalism more by lobbying members of the State Duma to pass a draft law limiting access to information on commercial real estate transactions. If passed, the law would make it impossible to uncover cases of illicit enrichment by government officials.
Journalists Erdem Gül and Can Dündar (Photo: Bianet)
A coalition of leading international free expression and press freedom groups condemns the Turkish government’s refusal to allow supporters to visit journalists Can Dündar and Erdem Gül, who are behind bars for reports claiming that Turkey’s intelligence agency secretly armed Islamist rebel groups in Syria, and calls for their immediate release.
Dündar, editor-in-chief of Cumhuriyet, and Gül, the newspaper’s Ankara bureau chief, are being held at the high-security Silivri Prison, west of Istanbul, reportedly awaiting trial on charges of aiding a terrorist organisation, espionage and disclosure of classified documents.
The charges remain unclear, as the defendants have not been allowed to review indictments against them. However, the case is believed to stem from a May 29, 2015 report published in Cumhuriyet that included a video purportedly showing Turkish security forces searching intelligence agency trucks en route to Syria containing crates of ammunition and weapons.
In recent years, when nearly 100 journalists were held in Turkish prisons, journalists in Turkey were often allowed to visit their imprisoned colleagues. However, in recent months, Turkey’s Justice Ministry has effectively barred most visits for both Dündar and Gül; the only visitors allowed to see them are close family members, lawyers or members of Turkey’s Parliament.
Following the Ministry’s recent refusals to respond to visitation requests put forward by journalists’ groups in Turkey and others, a coalition of 11 international free expression and press freedom defenders submitted a joint request on Jan. 8, 2016 seeking permission to visit Dündar and Gül on Wednesday, Jan. 27.
The coalition includes the International Press Institute (IPI), the Committee to Protect Journalists (CPJ), Reporters Without Borders (RSF), the International Federation of Journalists (IFJ), the European Federation of Journalists (EFJ), ARTICLE 19, Index on Censorship, the Ethical Journalism Network (EJN), PEN International, the World Association of Newspaper Publishers and News Publishers (WAN-IFRA) and the South East Europe Media Organisation.
On Jan. 22, however, Turkey’s Justice Ministry denied the request. In a response, the Ministry cited articles of statute and regulation requiring the Ministry’s permission for such a visit and indicated that the request was denied because permission to visit was not given.
The coalition condemns Turkey’s refusal to allow supporters to visit Dündar and Gül, who were held in solitary confinement for 40 days before finally being allowed to share a cell together early this month, as well as the charges against them.
The persecution of these journalists in retaliation for having reported on a matter of urgent and undeniable public interest, and the refusal to permit visitation in the manner that any other prisoner would be allowed, represent a violation of their rights and a gross abuse of authority. This wrong is compounded by the fact that neither Dündar nor Gül have been convicted of any crime, much less informed of the allegations against them.
The misuse of anti-terror law against these journalists is only the latest in a litany of such cases in Turkey, and joins a list of developments that illustrate growing authoritarianism and a blatant erosion of human rights. They include politicisation of the judiciary, the similar abuse of other criminal laws, the imposition of outright bans on disseminating certain content, the use of state agencies and economic levers to silence media outlets, verbal and – in some cases – physical attacks on critical journalists, and the orchestration of online hate campaigns targeting government critics, among others.
The coalition accordingly calls on Turkish authorities to free Dündar and Gül without delay, to drop all charges against them, and to free all other journalists currently detained in connection with their journalism or the opinions they have expressed. It further urges lawmakers in Turkey to take steps to reverse the country’s trend toward authoritarianism and urges the governments of democratic countries to pressure the Turkish government to meet its human rights commitments under domestic and international law.
-The International Press Institute (IPI)
-The Committee to Protect Journalists (CPJ)
-Reporters Without Borders (RSF)
-The International Federation of Journalists (IFJ)
-The European Federation of Journalists (EFJ)
-ARTICLE 19
-Index on Censorship
-The Ethical Journalism Network (EJN)
-PEN International
-The World Association of Newspaper Publishers and News Publishers (WAN-IFRA)
-The South East Europe Media Organisation (SEEMO)
If you want to understand the media environment in Macedonia, the phenomenon of parallel journalists’ organisations is a good place to start. Initially, the associations were created to promote and protect professional standards and freedom of expression. However, in the hands of politicians and elites, the groups have become a tool for creating parallel realities.
The Association of Journalists of Macedonia (ZNM) and the Macedonian Association of Journalists (MAN) have similar missions. ZNM was founded in 1946 as “an independent, non-governmental and non-political party organization whose purpose is to be the protector and promoter of professional standards and freedom of expression”. MAN was formed in 2002. Both have impressive codes of conduct, mission and vision statements and stress strengthening unity within the profession.
In practice, however, because Macedonia is a polarised society most journalists are aligned with the governing party or its opposition. There are very few truly independent reporters. This is a trend that has been borne out by the latest verified incidents reported to Mapping Media Freedom.
Take, for example, two incidents that tool place on 14and 15July 2015. In both reports, the victim was Sashe Ivanovski, a highly controversial citizen journalist and owner of the web portal, Maktel. He is a vocal critic of the government and quite often uses unusual means to pose questions or demonstrate his critiques. On 14 July — in front of dozen witnesses — Ivanovski was physically assaulted by Aleksandar Spasovski, a reporter for TV Sitel, a pro-government broadcaster. Some local media outlets report that Ivanovski, during Spasovski’s live reporting, yelled something that was eventually aired live on TV. Spasovski approached Ivanovski and whispered in his ear, “I will kill you” before slapping him twice. Other TV crews caught the incident on camera.
In the 15 July incident, Vladimir Peshevski, deputy prime minister for economic affairs, also physically assaulted Ivanovski. While recording with his mobile phone, Ivanovski approached Peshevski, asking him about the wiretapping scandal in Macedonia. Peshevski then turned to attack Ivanovski in front of the clientele of a cafe bar. This incident was alsorecorded.
ZNMstrongly condemned the assaults on Ivanovski, while MAN— of which Spasovski is a member — condemned Ivanovski’s behavior, stating that he is “not a journalist” and that he “was obstructing the work of Spasovski”. Based on these two diametrically opposed statements, the media set about creating two opposing narratives.
At first, information was aired only on independent media — which is significantly smaller than pro-government media — and those outlets that are close to the opposition. In this narrative, the attacks on Ivanovski were deplorable. The second narrative was that of the pro-government media, in which Ivanovski was actually accused of obstructing another journalist’s work. It was also claimed that Ivanovski himself is not a journalist, therefore the attack from Peshevski had no bearing on freedom of expression.
In a written reaction, Kurir, a pro-government media outlet, accused the country’s biggest opposition party of undermining media freedom. It wrote that SDSM, the main opposition party in the country, regularly puts pressure on them during their press conferences by accusing them of not being professional journalists. Only MAN condemned the incident while there was no reaction from ZNM.
So far, there is only one case that has been condemned by the both organisations. That was when the opposition leader Zoran Zaev said that he considers the national broadcasters — Sitel, Kanal 5, Alfa and MRTV, and also the daily Dnevnik — as “his greatest political enemies”.
Reading the statements published on the web pages of ZNMand MAN is like reading the media situation in two different countries. MAN’s statements create the impression that the opposition in Macedonia rules the country and uses its enormous resources to control the media. Similar claims are made by the governing parties in neighboring countries with autocratic tendencies. Then there is ZNM, where most incidents are recorded, but some are missing, especially when pro-government journalists are targeted by the opposition parties and supporters.
The trend of politically-aligned journalists’ organisations is not exclusive to Macedonia. In Croatia, for example, a second journalists’ association was created and supports the interests of the new centre-right government. The goal of politicians in many countries seems to be to make the media less effective by driving a wedge between journalists.
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