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Hungarian journalist Tamás Bodoky founded the investigative news website Atlatszo.hu to promote a free press in Hungary, a country where journalists and news organisations face recently introduced media taxes, a proposed internet tax for citizens, smear campaigns and police-run office raids. Bodoky has brought together a range of crowd-sourced approaches to empower citizens in the face of this deteriorating situation for human rights, including tools to allow for anonymous reporting of corruption, to help investigate freedom of information requests (and refusals), and MagyarLeaks, a Tor-based whistleblowing service. Last year Atlatszo.hu was put on the government’s NGO blacklist, but Bodoky continues to run the site, as well as workshops to help keep investigative journalism in Hungary alive. He is the recipient of the 2015 Index on Censorship Freedom of Expression Award for Digital Activism.
Atlatszo.hu is calling on all those who believe that the independence of journalism in Hungary is under threat. All those who agree that politics and business interests have sunk their claws into everyday life. All those who know that taxpayer money is vanishing. We are calling on you to help us let the world know the truth.
Almost four years ago Atlatszo.hu pledged to tackle the uphill battle represented by these challenges.
As a watchdog NGO for investigative journalism, we set out to promote transparency and freedom of information in Hungary.
Atlatszo.hu – “atlatszo” means transparent in Hungarian – produces investigative reports, accepts information from whistleblowers, files freedom of information requests, and commences freedom of information lawsuits in cases where those requests are refused.
We are only a small group of journalists, lawyers and IT-specialists. But since the beginnings we have won more than 60 percent of FOI lawsuits we initiated. In fact we have been so successful in the courtrooms that in 2013 the governing majority introduced a bill to curtail FOI legislation which was dubbed “Lex Átlátszó” by the Hungarian press.
Looking back to 2011, when Atlatszo.hu was founded, I remember that many journalists dismissed the effort and were quite sure it wouldn’t last. We ignored these critics. We were confident that this was the way to go; to position ourselves outside the mainstream media, and to seek out alternative communication channels — because all of the main journalistic platforms were and still are severely constrained.
In Hungary, domestic journalism has come to represent the interests of local oligarchs. Multinational media firms are busy appeasing the political and economic powers that be. The advertising sector is a powerful censorship instrument – too often used to exert pressure. And every year since we started, the situation has become dramatically worse.
Now, the ruling political elite is pushing out its full arsenal. From business regulation to media control. From forcing personnel changes to diverting media outlets by prescribing countless directions. State funded public media has been reduced to a propaganda tool.
Most recently, the Hungarian government sparked a row over the foreign funding of local NGOs. The row has escalated to the extent that even groups advocating simple environmental concerns, or campaigning against corruption, are now being targeted. The only tangible reason to be found is that the government doesn’t appreciate funding going to any organization it doesn’t fully approve of.
I look at all of this, I look at my country, and I say one simple thing. I say Atlatszo will not be defeated. Hungary can have a fair and just democracy. Yes, it still can be done.
Thank you.
Journalist Tamas Bodoky (Photo: Alex Brenner for Index on Censorship)
A Kenyan woman speaking out for women in one of the world’s most dangerous regions and a female journalist who exposed an unreported uprising in Saudi Arabia are among the winners of this year’s Index on Censorship Freedom of Expression Awards.
“Our shortlisted nominees are all tackling direct and serious threats to stifle free speech,” said Index on Censorship CEO Jodie Ginsberg. “We were humbled and inspired by their stories, and their dedication to ensuring we can all speak freely.”
Index on Censorship 2015 Freedom of Expression award winners: Rafael Marques de Morais (journalism), Safa Al Ahmad (journalism), Amran Abdundi (campaigning), Mouad “El Haqed” Belghouat (arts) and Tamas Bodoky (digital activism) (Photo: Alex Brenner for Index on Censorship)
Awards are presented in four categories: journalism, arts, campaigning and digital activism. The winners were Saudi journalist Safa Al Ahmad and Angolan reporter Rafael Marques de Morais (journalism – jointly awarded); Moroccan rapper “El Haqed” (arts); Kenyan women’s rights campaigner Amran Abdundi (campaigning); and Hungarian freedom of information website Atlatszo (digital activism).
The crime of free expression
Journalist and campaigner Mariane Pearl, journalism award recipient Rafael Marques de Morais, Guardian editor Alan Rusbridger and journalism award recipient Safa Al Ahmad (Photo: Alex Brenner for Index on Censorship)
Al Ahmad was recognised for her documentary Saudi’s Secret Uprising, which exposed details of an unreported mass demonstration in Saudi Arabia. “Safa Al Ahmad dared to go into places that are difficult for women and for reporters, to bring that information back and share it with the world,” said Turkish author Elif Shafak, one of the five judges. Saudi Arabia is a mystery, even to its own people, said Al Ahmad in her acceptance speech: “Parts of our history is deliberately concealed, the present is muddled with rumours and half-truths. The government-owned and controlled media play a major role in the dissemination of those false realities of ourselves and others. This makes facts a precious commodity in Saudi Arabia.”
Angolan investigative reporter Marques de Morais has been repeatedly prosecuted for his work exposing government and industry corruption and will go on trial on 24 March charged with defamation. “Rafael is a very important individual doing very important work in a very, very difficult environment,” said judge Sir Keir Starmer QC. Marques de Morais dedicated his speech to the Zone 9 group of Ethiopian bloggers currently in jail “for the crime of exercising their right to freedom of expression”.
Doughty Street barrister Keir Starmer, campaigning award recipient Amran Abdundi and Index on Censorship CEO Jodie Ginsberg (Photo: Alex Brenner for Index on Censorship)
The winner in the campaigning category, Amran Abdundi, is a women’s rights activist based in north-eastern Kenya and runs a group helping women along the dangerous border with Somalia, where terrorism and extremist violence dominate. Judge Martha Lane Fox said: “Amran Abdundi was a standout candidate for me. She is doing something incredibly powerful in an unbelievably complicated and dangerous situation.” Abdundi dedicated her award to the “marginalised women of northern Kenya… who will now know that their struggles and their efforts to fight for their rights are being recognised internationally”.
Help us let the world know the truth
Arts category winner Mouad “El Haqed” Belghouat, novelist Elif Shafak and actor Stella Odunlami (Photo: Alex Brenner for Index on Censorship)
Arts category winner Mouad “El Haqed” Belghouat is a Moroccan rapper and human rights activist whose music highlights widespread poverty and endemic government corruption in Morocco. He has been imprisoned on spurious charges three times in as many years, most recently in 2014. Belghouat said in his acceptance speech: “I have been through difficult times: I was jailed, fired from my work, rejected by many friends. I am still forbidden to sing in my own country. But after all that I am still determined that I will never change my position. I will fight for freedom, equality and human rights for ever.” Lane Fox said Belghouat had taken his music and “translated it into a kind of online activism, but then, crucially, mobilised people in the street”.
The digital award, decided by public vote, went to Hungarian investigative news outlet Atlatszo.hu managed by Tamás Bodoky. The website acts as watchdog to a Hungarian government which has increasingly tightened its grip on press freedom in the country. Editor-in-chief Bodoky said Atlatszo.hu called on all those who believe that independent journalism in Hungary is under threat. “All those who agree that politics and business interests have sunk their claws into everyday life. All those who know that taxpayer money is vanishing. We are calling on you to help us let the world know the truth.”
Entrepreneur Martha Lane Fox, digital activism award recipient Tamas Bodoky and actor Jolyon Rubinstein (Photo: Alex Brenner for Index on Censorship)
The awards were presented by the judges along with special guests including Guardian editor Alan Rusbridger.
A special award was also given on the evening to honour the many Azerbaijani journalists and activists jailed or forced into exile or hiding following a recent crackdown by the government. Former award winner and journalist Idrak Abbasov, who was forced to flee Azerbaijan last year, accepted the award on behalf of all those facing persecution in the country. “I call upon the world community to help Azerbaijan… so that our colleagues might be released and that our country might become a normal state in which we and others might live freely,” Abbasov told the audience in a video speech.
The evening featured an exhibition of specially commissioned cartoons by international cartoonists, reflecting on the past 12 months for free expression. Most of the artists had direct experience of persecution over their work, including Syrian political cartoonist Ali Ferzat – a former Index award winner – and Malaysia’s Zunar. “In the wake of the attacks on Charlie Hebdo, we wanted to pay homage to the work of cartoonists who are so often the first to face censorship in any move to stifle free expression,” said Index’s Jodie Ginsberg.
Amran Abdundi is an activist who, through various channels, has worked to make life safer in northeastern Kenya – supporting women who are vulnerable to rape, female circumcision and murder. Despite death threats, Abdundi’s Frontier Indigenous Network (FIN) has set up shelters along the dangerous border between Kenya and Somalia, an area where militant terrorist groups pose a threat to many. Alongside these shelters, FIN also maps out conflict areas, targets the illegal arms trade which fuels local conflict and has set up radio listening groups. As a way of reaching women in remote areas, these circles help to dispel myths about tuberculosis treatment and female property ownership, and to tackle doctrines spread by the area’s terror organisations. She is the recipient of the 2015 Index on Censorship Freedom of Expression Award for Campaigning.
I want to thank the judges who selected me for this award after going through so many worthwhile and wonderful nominations that were submitted from around the world. Equally I want to thank Index on Censorship’s staff. I will be eternally indebted to you all.
This award goes to marginalised women of northern Kenya whom I have worked with closely for the last ten years and who have joined hands with me in fighting outdated cultural practices that deny them the right to own property, expose them to dangerous practices like FGM, and threaten them with sexual exploitation.
Women’s rights activist Amran Abdundi (Photo: Alex Brenner for Index on Censorship)
The award also goes to conflict concubines who were abducted by armed youths in the height of armed violence in northern Kenya and acted as comfort women for armed militias. When these women came back from conflict zones with children born out of wedlock, they were rejected by their families. This award is for them.
Society rejected them and they live in separate makeshift areas outside normal settlement areas in northern Kenya. Working together with the conflict concubines we engaged various stakeholders — women leaders, elders, local government officials, cultural leaders and youths in order to open a dialogue. This led to partial acceptance by the community in accommodating them. I am still working in engaging the stakeholders to fully accept them and still hope to integrate the conflict concubines in mainstream society.
This award also goes to women who through my organizational campaign are today enjoying their constitutional right to own property, land and livestock. This is contrary to past practice when all lands, livestocks and properties acquired by women was registered in name of their husbands. Or if the woman was single or widowed, her brother or father’s name. Our campaign and advocacy managed to break that outdated cultural practice.
The award also goes to women victims of armed violence perpetrated by terrorist groups, community militias and gangs along the Kenya/Somalia border. Thugs who have used their armed power to attack, rape, gang rape and block women fleeing droughts from reaching Dadaab refugee camp in northern Kenya. We used our loud speakers to confront the attackers and we documented the abuses along the border.
I have done all these things not to win any award or recognition but because of a grave reality on the ground. A horror which moved me to join hands with other women and form a woman-led organisation called FRONTIER INDIGENOUS NETWORK.
As a founder member I started as community mobiliser and now I am Executive Director. Because of my work and campaigns I have been called many names by those people who are opposed to change. I cannot mention those names here — they are unprintable or not worth mentioning. But this award also goes to them too.
Thank you Index on Censorship for selecting my work in northern Kenya for this award. The women of northern Kenya will now know that their struggles and their efforts to fight for their rights are being recognised internationally.
Today is my birthday and it will be a birthday that I will never forget. It will be in my mind for the rest of my life. You are a true partner of the women of northern Kenya. Thank you.
Moroccan rapper and human rights activist Mouad “El Haqed” Belghouat (roughly translated as “the enraged”) has not only seen his songs censored and his album banned but has also been imprisoned three times since 2011 – including a one-year jail term for lyrics critical of the police in his song Dogs of the State. Imprisoned for four months in 2014, after seeing witnesses at his trial stopped from testifying and key pieces of evidence barred, El Haqed continues to make music about endemic corruption in the Moroccan state and widespread poverty in his country. He is the recipient of the 2015 Index on Censorship Freedom of Expression Award for Arts.
I take this opportunity to thank you for this honour, especially Helen and David for everything they did for me to obtain my visa to be here today among you. And I can’t forget the many people who believe in my case and helped me through since I was jailed for the first time in 2011. I’m sorry that I can’t reveal more names but I will remember you forever.
While I was writing this speech, I didn’t know yet if I would be able to join you or not — because so often my visa applications have been refused. I hope future generations will have more freedom to travel without obstacles — because the earth belongs to us and we belong to it.
I’m very honoured by this nomination and I dedicate it to the soul of my mother and to all people who were prisoners, or are right now still incarcerated, or will be prisoners in the future because of their mere thoughts or opinions.
I was jailed three times because of my opinions. It would take a long time to speak about each arrest, so to make a long story short, just a few words on why they arrested me each time:
The first time: because of my activities in 20 February movement. We were asking for freedom, equality and democracy.
The second time: because of a song that someone else uploaded to YouTube three years earlier. It doesn’t make sense at first, but it does when you realise that it didn’t allow me to finish the album I was working on.
The third time: the same old story. I was going to a stadium and they arrested me because I continue to refuse to change my positions.
I have been through difficult times: I was jailed, fired from my work, rejected by many friends. I am still forbidden to sing in my own country. But after all that I am still determined that I will never change my position. I will fight for freedom, equality and human rights for ever.
I am very happy to have the chance to speak freely in front of you today. I hope I will one day be able to speak freely and sing in my own country in front of my fans.
Right now, as we celebrate, there are a lot of people behind bars because of their opinions. I hope for freedom for them really soon.
Freedom of expression is your arm. Lift it to fight for dignity and equality. Even if they kill us or jail us they cannot do the same with our thoughts or opinions. You cannot kill an idea or opinion. You cannot put it behind bars.
Thank you again everyone and have a great evening.
Banned from performing at home in Morocco, Arts category winner Mouad “El Haqed” Belghouat sang at the Index awards (Photo: Alex Brenner for Index on Censorship)
Both as a journalist and human rights activist, Rafael Marques de Morais has exposed government and industry corruption in Angola – speaking out for those whose human rights have been violated in his country. Despite repeated arrests and threats, including a 40-day detention without charge during which he was denied food and water for days, Marques de Morais has continued his investigations, most recently detailing human rights abuses within Angola’s diamond companies – including 500 cases of torture and 100 murders of villagers living in the vicinity. After filing charges of crimes against humanity against seven Angolan generals, Marques do Morais is now being counter-sued for $1.6 (£1.09) million. Undeterred, he continues to write on corruption in Angola. He is the joint recipient of the 2015 Index on Censorship Freedom of Expression Award for Journalism.
With an award comes a greater responsibility. It is therefore my privilege to accept this journalism award, and dedicate it to my fellow Ethiopian colleagues Eskinder Nega, Reeyot Alemo, and the Zone 9 bloggers. They are in jail, currently serving some of the harshest sentences in Africa, for the crime of exercising their right to freedom of expression. For over a year, the Ethiopian government has denied adequate health care to Reeyot Alemu, who is in desperate need.
Ethiopia is the seat of the African Union, and its regime is one of the worst offenders for upholding the freedoms of the press and of expression. When a regime in Africa succeeds in trampling their citizens’ rights with impunity, and enjoys such good international standing and legitimacy as Ethiopia, it becomes a textbook case for other authoritarian regimes.
I believe in the power of solidarity. I have experienced troubles of my own. It has been the solidarity of others that has helped to strengthen my courage and resolve to continue my journey.
Back in 1996, being in London and aghast at press censorship in Angola, I decided to bring it to international attention. Because I could not speak English, I fumbled through an organization’s directory, and found Index on Censorship. I could understand the word Censorship. I called them and attended a meeting on Africa. My remarks were most convincing and incredibly short! “Censorship in Angola bad. Dos Santos [the president] bad. Very bad!” Then, a few months later I had an article translated and published in Index’s magazine. It was disseminated through other publications in a number of countries.
On my return to Angola from this trip, I will be sitting in court, on 24 March, as the defendant on 11 separate charges of defamation brought against me by seven powerful generals and four of their business associates. I wrote a book that exposed human rights abuses in the diamond industry, in which the plaintiffs are major shareholders and whose private security company has executed many of the violations.
I am proud and honored to stand up against such a mighty power to enable many of the victims to speak out through my reports, which I have been producing for the past 10 years. I will come out of this trial stronger and empowered by the experience.
Thank you very much for this wonderful occasion.
Journalist and human rights activist Rafael Marques de Morais (Photo: Alex Brenner for Index on Censorship)
Comedian Shappi Khorsandi, the host of this year’s Index on Censorship Freedom of Expression Awards, understands the effects of censorship first hand.
Her father, Iranian writer and comic Hadi Khorsandi, was forced to flee to Britain in 1979 with his family, including a young Shappi, following the Iranian revolution and his criticism of the new regime. Even in the UK, Khorsandi continued to receive death threats.
“During the 1979 revolution against the Shah, there were crowds calling for my father’s execution because of his satirical writings. The only way to stay in Iran was to toe the party line. He chose exile, a profound experience for a writer,” Khorsandi says.
Khorsandi speaks movingly of the effects of exile on writers, saying: “They have to leave their home country to be able to express themselves freely in their native language. Censorship was a huge thing in my family.”
Once in Britain, Hadi Khorsandi continued writing and also published a satirical newspaper: “Because of this there was a plot to assassinate him in 1984,” says his daughter.
Many of those shortlisted for this year’s freedom of expression awards have experienced similar attempts to silence them. Lirio Abbate, an Italian journalist who faces constant threat of attack because of his investigations into the mafia, has 24-hour police protection. Others, like Angolan journalist Rafael Marques de Morais, Moroccan rapper El Haqed, or Ecuadorian cartoonist Bonil, are repeatedly threatened with jail for challenging powerful government and business interests.
Index on Censorship magazine featured Hadi Khorsandi’s work in two of its 1986 issues, describing his humour as “aimed at the follies and absurdities of the present Iranian regime and giving the reader a vivid picture of life in a country where ideology and zeal have been allowed to reign unchecked.” The October issue in which Hadi Khorsandi’s work features also includes an essay by Nobel Prize-winning author Gabriel Garcia Marquez.
“I’ve known about Index on Censorship for years – there were always Index logos in our house because of my father’s work,” says Khorsandi. “It’s quite an honour to have been asked to host the awards, one I accept on my father’s behalf.”
The 15th Index on Censorship Freedom of Expression Awards were held on March 18 at the Barbican, London.
Index on Censorship magazine’s editor, Rachael Jolley, introduces a special issue on refugee camps, looking at how migrants’ stories get told across the world, from Syria and Eritrea to Italy and the UK
Nothing is national any more, everything and everyone is connected internationally: economies, communication systems, immigration patterns, wars and conflicts all map across networks of different kinds.
Those linking networks can leave the world better informed and more aware of its connections, or those networks can fail to acknowledge their intersections, while carrying as much misinformation as information.
Where people are living in fear a connected world can be frightening, it can carry gossip and information back to those who pursue them. Decades ago, when people escaped from their homes to make a new life across the world, they were not afraid that their words, criticising the government they had fled from, could instantly be broadcast in the land they had left behind.
It is no wonder that in this more connected world, those fleeing persecution are more afraid to tell the truth about what the regime that tortured or imprisoned them has been doing. While, on the one hand, it should be easier to find out about such horrors, the way that your words can fly around the world in seconds adds enormous pressures not to speak about, or criticise, the country you fled from.
That fear often produces silence, leaving the wider world confused about the situation in a conflict-riven country where people are being killed, threatened or imprisoned. The consequences of instant communication can be terrifyingly swift.
Yet a different side of those networks, new apps or free phone services such as Skype, can provide some help in getting messages back to families left behind, giving them some hope about their loved ones’ future. That is one aspect that those in decades and centuries past, who fled their homelands, could never do. In the late 19th century, someone who escaped torture in Russia and travelled thousands of miles to the United States, might never speak to the family they had left behind again.
Communication has been revolutionised in the last two decades – where once a creaky telephone line was the only way of speaking to a sister or father across a continent or two, now Skype, Viber, Googlechat, and others offer options to see and speak every day.
In this issue’s special report Across the Wires, our writers and artists examine the threats of free expression within refugee camps, and as refugees desperately flee from persecution. Sources estimate that there are between 15.5 and 16.7 million refugees in the world today. Some are forced to live in camps for decades, others are fleeing from new conflicts, such as three million who have already left Syria. Many of us may know someone who has been forced to flee from another regime, those that don’t may in the future, and have some understanding of what that journey is like.
In this issue, writer Jason DaPonte examines how those who have escaped remain worried that their words will be captured and used against their families, and the steps they take to try avoid this. He also looks at “new” technology’s ability to keep refugees in touch with the outside world and to help tell the story of the camps themselves.
Italian journalist Fabrizio Gatti spent four years undercover, discovering details of refugee escape routes and people trafficking. In an extract from his book, previously unpublished in English, he tells his story of assuming the identity of a Kurdish man Bilal escaping torture, and fleeing to Italy via the Lampedusa detention camp, and the treatment he encountered. He speaks only Arabic and English to camp officials, but is able to hear what they said to each other in Italian about those seeking asylum. He uncovers the inhumanity and lack of rights those around him experienced in this powerful piece of writing.
Some of our authors in this issue speak from personal experience of seeking refuge, not speaking the language of the land they are forced to move to, and the steps they go through to resettle and be accepted in another land. Kao Kalia Yang’s family fled Laos during the Vietnam war, moving first to Thailand and then to the United States. She remembers how the family struggled first without understanding or speaking in Thai, then the same battles with English once they settled in the United States.
Ismail Einashe, whose family fled from Somaliland, talks to those who have escaped from one of the most secretive countries in the world, Eritrea. Einashe talks to Eritreans, now living in the UK, who are still afraid to speak openly about the conditions at home for fear of retribution.
The report also examines how the global media portrays refugee stories, the accuracy of those portrayals and how projects such as a new Syrian soap opera, partly written by a refugee, are giving asylum seekers and camp dwellers more power to tell the stories themselves.
But when people are escaping danger, the natural inclination is to stay quiet and under the radar. Some bravely do not. They intend to alert the world to a situation that is unfolding, and to attempt to protect others. Our report shows how much easier it is for the world’s citizens to find out about terrible persecution than it was in other eras, but how those communication tools can be turned back on those that are persecuted themselves. The push and pull of global networks, to be used for freedom or to silence others, is an on-going battle and one that we can only become more aware of.
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After several unsuccessful appeals to prison administration officials for adequate medical assistance, leading Bahraini human rights defender Abdulhadi Al-Khawaja has publically announced that he has gone on hunger strike in protest of his continued arbitrary detention and mistreatment while in prison.
Al-Khawaja, who began the water-only hunger strike on 2 March 2015, is suffering from serious health issues and is at severe risk of further health complications.
“He sounded weak and exhausted on the phone to an extent that we could tell how sick he was, but this won’t stop him from battling for his freedom and the freedom of all human rights defenders in Bahrain,” said his daughter Maryam Al-Khawaja, Co-Director of at the Gulf Center for Human Rights (GCHR).
Abdulhadi Al-Khawaja, the Co-founder of the Gulf Center for Human Rights (GCHR) and the Bahrain Center for Human Rights (BCHR), was sentenced to life in prison in June 2011 for peaceful human rights activities The undersigned organizations and individuals express their grave concern about the continued mistreatment of Al-Khawaja while in detention and call on the Government of Bahrain to immediately and unconditionally address Al-Khawaja’s legitimate demands.
On 23 February 2015, Al-Khawaja delivered a letter to the head of Jaw prison informing the authorities that he would be starting a hunger strike on 2 March 2015 including the demands listed below.
Specific demands related to the hunger strike:
1. Hand over a copy of his medical file to his family or his lawyer to get a second opinion on a much-needed operation. This request was previously made on 2 January 2015.
2. Allow visitation rights to his son-in-law via the procedure of making special requests, according to standard procedures.
3. Allow flexibility in the number of people permitted during family visits as it used to be 10 but had been reduced to six.
4. Make available the prison law list to make clear what rights and obligations prisoners have.
5. Allow families to bring magazines to prisoners, which used to be allowed but have been stopped since three weeks ago.
6. Make available Al-Wasat and Al-Watan newspapers with the rest of newspapers available.
7. Allow families to bring a radio or make it available at the prison store as per the decision that was made five months ago but not implemented after the banning of MP3 players.
8. Set up a mechanism for follow up in regards to the other issues related to Building 7 at Jaw prison.
General demands:
1. Protest about continued arbitrary arrests and lack of investigation into torture.
2. Protest against the generally bad situation in the prison, especially in the recent period.
Background information:
On 4 September 2012, the United Nations Working Group on Arbitrary Detention issued a decision on Al-Khawaja’s case, defining it as “arbitrary” and calling for his immediate release. This is at least the fourth time Al-Khawaja has gone on a water-only hunger strike, putting him at serious risk of cardiac arrest or slipping into a coma. During the last phone call he made to his family on 14 March, Al-Khawaja’s blood sugar was 2.5, his blood pressure was 90/60, his weight had gone down 10 kilos to 53, ketone level was 2+, and he sounded exhausted and weak on the phone. He also informed his family that the doctors conveyed a threat from officers that if his health further deteriorates, he will be forcibly moved and force fed, an action that is considered torture by the United Nations experts.
According to a local internal medicine specialist, “When fat stocks are used up after prolonged or recurrent periods of hunger strikes, a catastrophic protein catabolism will develop. Main somatic complications ensuing from these physiopathological mechanisms are dehydration, shock, renal failure, stroke, hypoglycemic coma, metabolic disturbances (arrhythmias), vitamin deficiencies (Gayet-Wernicke), peptic ulcers and nephrolithiasis, without forgetting the major risks associated with re-nutrition.”
She warned, “Serious complications and death occur especially from the fortieth day on, but early and unexpected complications are possible. Close medical monitoring is recommended after 10% of weight loss in lean healthy individuals. Serious medical problems begin at a loss of approximately 18% from initial body weight. The risk of neurological signs by thiamine (vitamin B1) deficiency is common in cases of fasting with exclusive intake of sugar and liquids.” Those who go on hunger strike are prone to have multiple deficiencies including iron deficiency, Vitamin b12 and Folate deficiency which will make them at greater risk of developing anemia.
Al-Khawaja’s family members noticed that he was very pale, which could be secondary to chronic anemia due to his recurrent hunger strikes with underlying malnutrition conditions. Chronic anemia especially in cases of hunger strike with Folate or B12 and other mineral deficiencies will make persons undergoing hunger strikes prone to have cardiac failure with high risk of arrhythmia.
We the undersigned organisations and individuals call on the Government of Bahrain to immediately and unconditionally release Abdulhadi Al-Khawaja, who has been imprisoned solely for practicing his right to free expression and as a result of his human rights work. We also call on the authorities in Bahrain to respond to Al-Khawaja’s demands, and to guarantee better prison conditions for all prisoners in Bahrain.
Signed:
Avocats Sans Frontier (ASF)
Amman Center for Human Rights Studies
Americans for Democracy and Human Rights in Bahrain (ADHRB)
Arabic Network for Human Rights Information (ANHRI)
Bahrain Center for Human Rights (BCHR)
Bahrain Institute for Rights and Democracy (BIRD)
Bahrain Rehabilitation and Anti-Violence Organization (BRAVO)
Bahrain Salam for Human Rights
Bahrain Youth Society for Human Rights (BYSHR)
Canadian Journalists for Free Expression (CJFE)
CIVICUS : World Alliance for Citizen Participation
Damien McCormack – Irish Surgeon and activist
European Bahraini Organization for Human Rights (EBOHR)
Freedom House
Gulf Center for Human Rights (GCHR)
Index on Censorship
International Federation for Human Rights (FIDH)
International Service for Human Rights
Khiam Center for Rehabilitation
Lawyer’s Rights Watch Canada
Lord Eric Avebury – Vice-Chair, Parliamentary Human Rights Group UK
MENA Monitoring Group
No Peace Without Justice
PEN International
Sentinel Defenders
The International Center for Supporting Rights and Freedoms
Yemen Organization for Defending Rights and Democratic Freedoms
Participate in our campaign #FreeAlkhawaja
Take an active role in our solidarity campaign by supporting Al-Khawaja in his hunger strike battle, by signing the petition to free Al-Khawaja on the following link:
These are people who have dedicated their time and energy to serve on the frontline of the fight for human rights. Leyla Yunus helps those who have been forcibly evicted from their home and works with activists in the South Caucasus region, including Armenia, the country with which Azerbaijan is locked in a frozen conflict. Rasul Jafarov was behind Sing For Democracy, a campaign to highlight rights abuses as Baku hosted the Eurovision Song Contest in 2012. Intigam Aliyev has represented victims before the European Court of Human Rights. Seymur Hezi provided critical coverage both as a reporter for Index award winning newspaper Azadliq, and in the online show Azerbaijan Hour. Khadija Ismayilova has on multiple occasions uncovered corruption connected to the ruling Aliyev clan.
Today, they are all languishing behind bars, on trumped up charges ranging from treason to tax evasion. The whole sorry affair is perhaps most aptly summed up by the dark irony of Leyla Yunus and Jafarov being in the process of compiling a list of political prisoners, when they themselves were added to it.
It is estimated that some 100 people are currently jailed in Azerbaijan over their political beliefs. Because it is worth remembering that while the past months’ crackdown has seemed especially ruthless, comprehensive and unapologetic in its bid to silence critical voices, these tactics are not new. For years, those daring to speak out against the ruling elite have been threatened, harassed, arrested and even killed.
Index board member and director of Sage Publications David McCune presented the special award at the ceremony in London (Photo: Alex Brenner for Index on Censorship)
Journalist and activist Idrak Abbasov was brutally beaten by security forces and police in a 2012 attack. He accepted the special award from Oslo, where he now lives in exile, on behalf of his compatriots. “In Azerbaijan, not a single television or radio channel is free. In effect, all media are under government control with the exception of a few newspapers and the Internet. There is no freedom of expression or association,” Abbasov said in a pre-recorded speech. “There are no free elections. The country is ruled by a terrible regime. Freedom of speech has been completely stifled. Our colleagues have been murdered. Elmar Huseynov was killed in 2005. Novruzali Mamedov was murdered in prison in 2009. Rafiq Tagi was killed in 2014. No one has been called to account. Many journalists have been brutally and repeatedly beaten, and no one has been punished. This is Azerbaijan. This is the horrific way the country is being ruled.”
The eyes of the world will soon again be fixed on Azerbaijan. The inaugural European Games – organised by Europe’s Olympic Committees – are coming to Baku this summer, not long after the capital last hosted an international mega-event, the 2012 Eurovision final. The line pushed by the regime, and parroted by their supporters at home and abroad, is that this is young and developing democracy on the right path. But three years on, the situation has not improved; on the contrary. This award is for Azerbaijanis continuing their struggle for freedom, rights and dignity – in the hopes that it will soon be won.
Idrak Abbasov summarised his hopes for the future in his closing remarks: “I call upon the world community to help Azerbaijan and freedom of speech in Azerbaijan. So that our colleagues might be released. So that our country might become a normal country in which we and others might live freely.”
[vc_row][vc_column][vc_column_text]The 2015 Freedom of Expression Arts Award-winner is rapper Mouad “El Haqed” Belghouat, has not only seen his songs censored and his album banned but has also been imprisoned in his homeland Morocco three times since 2011.
Belghouat’s music publicises widespread poverty and rails against endemic government corruption in Morocco, where he is banned from performing publicly.
“The Index award has shown Moroccan authorities that you can’t stop me. The more of an effort they make to silence me, the more my voice arrives everywhere.” — El Haqed[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_basic_grid post_type=”post” max_items=”9″ style=”load-more” items_per_page=”4″ element_width=”6″ grid_id=”vc_gid:1501490616573-99369725-7b88-5″ taxonomies=”6986″][/vc_column][/vc_row]
These were just some of the chants from the scores of Azerbaijanis who gathered in Baku’s Mashul stadium on Sunday. The estimated 10,000 strong crowd was protesting the recent devaluation of the country’s currency and its detrimental effects on living standards. Demonstrators also spoke out against human rights abuses in the country, just 87 days before its capital is set to host the inaugural European Games.
In late February, Azerbaijan’s central bank made the choice to devalue the manat around 30% against the dollar and the euro, in response to the recent drop in oil prices. Around 70% of government revenues come from oil exports. But the policy has led to significant price hikes, igniting the public anger which culminated in Sunday’s protest.
“Ranging from consumer goods, real estate, construction materials, equipment, automotive spare parts, everything is so much more expensive,” stated the official Facebook event, which attracted over 2,400 attendees. The organisers — the oppositional National Council of Democratic Forces (NCDF) — however, put attendance on the day at some 10,000.
The peaceful rally was authorised by the the regime of Ilham Aliyev, who has been in power since succeeding his father Heydar in 2003. In 2013 he won the presidency for a third time, following his 2009 decision to remove term limits, and amid accusations that the vote was not free and fair.
It took place against the backdrop of the countdown to this summer’s International Olympic Committee (IOC)-backed Baku European Games. This fact was not overlooked by protesters. Ali Kerimli, from opposition party Azerbaijan Popular Front, criticised the amount of money spent on the event, saying it could instead be “directed to address the serious social and economic problems, raising the minimum wage and pension, which is only 150 manat,” according to contact.az.
The games have been budgeted at over £5.4 billion, with Simon Clegg, the organising committee CEO (formerly of the British Olympic Association), promising it will be “the most fantastic show ever staged in Azerbaijan”.
Kerimli also brought up the recent revelation that Azerbaijan will cover the costs of all 50 participating delegations. Such grants, most often connected to travel, have played an increasing part in Olympic bidding processes since they were first used at Sydney 2000. Today, “you cannot win without it”, according to the organising committee chair of this summer’s Pan American Games in Toronto. But as it is understood Azerbaijan was the only country willing to take on the risk of hosting the first ever European Games, it was not competing with anyone. Index contacted the European Olympic Committee (EOC) for documents related to the games, such a bid book detailing a city’s hosting plans, including the budget. We were told that as there is no formalised bidding procedure for the European Games, the only such documents that exists is the host city contract. This, we were told, is private and not available to the public.
Azerbaijani authorities have been fighting a PR battle on multiple fronts for some time, paying for everything from beautifying Baku, to glossy magazines and international mega-events like the Eurovision Song Contest — with sports playing an increasingly important role.
The most famous example to date is the shirt sponsorship deal with reigning Spanish champions Atletico Madrid. Fernando Torres and his teammates recently started doubling up as miniature Baku 2015 advertising billboards. If nothing else, this will help football fans familiarise themselves with the name by 2020, when the capital will host three group games and one quarter-final of the European Championship. Last September, Azerbaijan also became Manchester United’s “only Official Football Federation and Football Development Partner”. And with two failed Olympic bids behind them, it seems authorities are pinning their hopes on a successful European Games to further boost their credentials among global sports’ biggest players.
Despite the attempts to rebrand, Azerbaijan has failed to do away with accusations of human rights abuses and high-level corruption. Ranking 126/175 in the latest Transparency International Corruption Perceptions Index, a leaked US diplomatic cable once compared the country to “the feudalism found in Europe during the Middle Ages”.
In fact, some of the corruption claims have gone hand in hand with ambitious projects. Ahead of the 2012 Eurovision Song Contest, journalist Khadija Ismayilova uncovered how the Aliyev family profited from the building of the Baku concert hall where the final was to be hosted.
Today, Ismayilova, the country’s most famous and celebrated investigative reporter, is in jail on what is widely believed to be trumped up charges. “I have spent three and a half months in detention waiting for one prosecution, which didn’t work out. Now another one starts. Let us see if prosecutors will produce something smarter than they did so far,” she wrote in an open letter last week.
Just a few months before Ismayilova’s arrest, a number of other prominent government critics — including human rights activists Rasul Jafarov and Leyla and Arif Yunus, lawyer Intigam Aliyev, and journalist Seymour Hezi — were all detained. Though not there in person, they and the other 100 or so political prisoners in Azerbaijan, played a key part in Sunday’s protest; their faces and names adorning posters across the stadium.
Human rights groups have warned that the European Games, like Eurovision before them, could be used to whitewash these rights abuses, and present a sanitised version of Azerbaijan to the world. With the another protest planned for 5 April, it seems government critics and regular people inside the country are determined to not let that happen.
[vc_row][vc_column][vc_custom_heading text=”How can more refugees get their voices heard? The latest issue of Index on Censorship magazine is out now and features a special focus on the threats to free expression within refugee camps.”][vc_row_inner][vc_column_inner width=”1/2″][vc_column_text]
We follow the steps of Italian journalist Fabrizio Gatti, who spent four years undercover investigating migrant routes from Africa to Europe. We look at how social media has become a blessing and a curse – offering a connection back home and a means of surveillance. We have pieces by refugees, written from inside camps about persisting myths; by those struggling to claim rights as workers; and by those who have set up innovative, creative projects to share their stories.
The issue also features a thoughtful analysis of the aftermath of the Charlie Hebdo attack in Paris, with contributions from Chilean writer Ariel Dorfman; Irish co-creator of Father Ted, Arthur Mathews; Turkish novelist Elif Shafak; British playwright David Edgar; former head of BBC news Richard Sambrook; and Hong Kong-based journalist Hannah Leung. Taking the long view, this group of writers looks at the worldwide picture, and how terror is used to silence.
Also, Martha Lane Fox and retired Major General Tim Cross go head-to-head, debating if privacy is more vital than national security. We have stories about attacks on journalists covering the drug trade in South America; a cover-up of abortion figures in Nicaragua; and the lessons to be learnt from attempts to downplay epidemics, from Aids to ebola. Plus an extract from Lucien Bourjeily’s new play, which has skirted the Lebanese censors’ ban, and poetry from Turkish writers Ömer Erdem and Nilay Özer – all translated into English for the first time.
The issue’s cover artwork is by cartoonist Ben Jennings, and the magazine also features work from our regular collaborator Martin Rowson; and extracts from a graphic reportage set in an Iraqi camp, by Olivier Kugler.
Undercover immigrant – Italian journalist Fabrizio Gatti spent four years undercover investigating refugee routes from Africa to Europe
Taking control of the camera – Almir Koldzic and Aine O’Brien on refugee camp projects – from soap operas to photography classes – that help refugees tell their own stories. Also: Valentino Achak Deng on life after fleeing Sudan’s civil war; Kate Maltby visits the Syrian Trojan Women’s acting project; and Preti Taneja on bringing Shakespeare to the children of Zaatari
The way I see it – Refugees Rana Moneim and Mohammed Maarouf share their viewpoints from inside a camp, plus a camp visitor shatters his preconceptions
Clear connections – Jason DaPonte on how social media’s power is being harnessed by refugees
Who tells the stories? – Mary Mitchell and Mohammed Al Assad on a storytelling project in a Lebanon camp
Realities of the promised land – Iara Beekma looks at life for Haitian immigrants in Brazil and their rights as workers
The whole picture – Photojournalist Chris Steele-Perkins’ honest account of decades spent capturing refugees’ stories, from Rwandans to the Rohingha
Stripsearch – Our regular cartoonist, Martin Rowson, imagines the Democratic Republic of Cyberspace
Escape from Eritrea –Ismail Einashe explores the dangers of fleeing one of the world’s harshest regimes
A very human picture – Artist Olivier Kugler illustrates life within Iraq’s Domiz refugee camp
In limbo in world’s oldest refugee camps– Tim Finch looks at the places where 10 million people can spend years, or even decades
Sound and fury – Rachael Jolley interviews musician Martyn Ware, from Heaven 17 and the Human League, on the power of soundscape storytelling
Sheltering against resentment – Natasha Joseph reports from Johannesburg on the end of the line for a sanctuary for those fleeing xenophobia
Understanding how language matters – Kao Kalia Yang recalls her childhood as a Hmong refugee in Thailand and the USA
Outbreaks under wraps – Alan Maryon-Davis looks at how denials and cover-ups spread ebola, Sars and Aids
Trade secrets– César Muñoz Acebes investigates Paraguay’s drug war and the dangers for journalists, plus Duncan Tucker on Mexico’s courageous bloggers and social media users, who are filling the gaps where Mexico’s press fears to tread
Lies and statistics – Nina Lakhani reports from Nicaragua on the cover-up of abortion figures and domestic abuse
Charlie Hebdo: taking the long view – After the Paris murders, seven writers from around the world look at how offence and terror are used to silence, featuring Arthur Mathews, Ariel Dorfman, David Edgar, Elif Shafak, Hannah Leung, Raymond Louw, Richard Sambrook
Screened shots – Jemimah Steinfeld on the Chinese film industry’s obsession with portraying Japan’s invasion during World War II
Finland of the free – Risto Uimonen explains why the Finns always top media freedom indexes, and the Belfast Telegraph’s readers’ editor, Paul Connolly, shares his thoughts on the future of press regulation
Head to head: Is privacy more vital than national security? Martha Lane Fox and Tim Cross debate how far governments should go when balancing individual rights and safeguarding the nation
Social disturbance – Vicky Baker looks at how user-generated content lost its innocence, from digital jihadis to hoaxes and propaganda
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”SUBSCRIBE” css=”.vc_custom_1481736449684{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]Index on Censorship magazine was started in 1972 and remains the only global magazine dedicated to free expression. Past contributors include Samuel Beckett, Gabriel García Marquéz, Nadine Gordimer, Arthur Miller, Salman Rushdie, Margaret Atwood, and many more.[/vc_column_text][vc_row_inner][vc_column_inner width=”1/2″][vc_single_image image=”76572″ img_size=”full”][/vc_column_inner][vc_column_inner width=”1/2″][vc_column_text]In print or online. Order a print edition here or take out a digital subscription via Exact Editions.
Copies are also available at the BFI, the Serpentine Gallery, MagCulture, (London), News from Nowhere (Liverpool), Home (Manchester), Calton Books (Glasgow) and on Amazon. Each magazine sale helps Index on Censorship continue its fight for free expression worldwide.
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The 2015 Freedom of Expression Arts Award-winner is rapper Mouad “El Haqed” Belghouat, has not only seen his songs censored and his album banned but has also been imprisoned in his homeland Morocco three times since 2011.
