Freedom of expression includes the right to offend

[vc_row][vc_column][vc_column_text]Index on Censorship condemns the decision by a Scottish court to convict a comedian of a “hate crime” for teaching his girlfriend’s dog a Nazi salute.

Mark Meechan, known as Count Dankula, was found guilty on Tuesday of being “grossly offensive,” under the UK’s Communications Act of 2003. Meechan could be sentenced with up to six months in prison and be required to pay a fine.

Index disagrees fundamentally with the ruling by the Scottish Sheriff Appeals Court. According to the Daily Record, Judge Derek O’Carroll ruled: “The description of the video as humorous is no magic wand. This court has taken the freedom of expression into consideration. But the right to freedom of expression also comes with responsibility.”[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/4″][vc_icon icon_fontawesome=”fa fa-times” color=”black” background_style=”rounded” size=”xl” align=”right”][/vc_column][vc_column width=”3/4″][vc_column_text]

Defending everyone’s right to free speech must include defending the rights of those who say things we find shocking or offensive

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]Index on Censorship chief executive Jodie Ginsberg said: “Numerous rulings by British and European courts have affirmed that freedom of expression includes the right to offend. Defending everyone’s right to free speech must include defending the rights of those who say things we find shocking or offensive. Otherwise the freedom is meaningless.”

One of the most noted judgements is from a 1976 European Court of Human Rights case, Handyside v. United Kingdom, which found: “Freedom of expression…is applicable not only to ‘information’ or ‘ideas’ that are favourably received or regarded as inoffensive or as a matter of indifference, but also to those that offend, shock or disturb the State or any sector of the population”.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Don’t lose your voice. Stay informed.” use_theme_fonts=”yes”][vc_separator color=”black”][vc_row_inner][vc_column_inner width=”1/2″][vc_column_text]Index on Censorship is a nonprofit that campaigns for and defends free expression worldwide. We publish work by censored writers and artists, promote debate, and monitor threats to free speech. We believe that everyone should be free to express themselves without fear of harm or persecution – no matter what their views.

Join our mailing list (or follow us on Twitter or Facebook) and we’ll send you our weekly newsletter about our activities defending free speech. We won’t share your personal information with anyone outside Index.[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/2″][gravityform id=”20″ title=”false” description=”false” ajax=”false”][/vc_column_inner][/vc_row_inner][vc_separator color=”black”][/vc_column][/vc_row]

Bahrain: Wife of UK-based Bahraini human rights defender convicted as reprisals escalate

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On Wednesday 21 March 2018, a Bahraini Criminal Court convicted and sentenced Duaa Alwadaei to two months in prison for allegedly insulting a public institution. Duaa was sentenced in absentia after exposing her ill-treatment committed by Bahraini security forces at the Bahrain International Airport in October 2016, which Human Rights Watch described as “terrorizing”.

Duaa’s conviction falls on Mother’s Day in Bahrain and represents the latest escalation in the reprisals against the human rights advocacy of her husband, Sayed Ahmed Alwadaei, who is the Director of the UK-based Bahrain Institute for Rights and Democracy (BIRD).

Duaa did not receive any formal notification of the charges against her until her conviction. It was assumed that her charges relate to Duaa’s detention and interrogation at the airport in October 2016, following Sayed Ahmed’s participation in a protest in London.

The following day, Duaa told Human Rights Watch that during her interrogation, she was physically mistreated, repeatedly insulted and warned that her family would be imprisoned if she exposed her ill-treatment and her husband’s activities continued. She had been  warned “not to speak out” about the incident, having been threatened with further police interrogations and fabricated criminal charges that could lead to a three-year imprisonment upon conviction. Eventually, Duaa’s tormentors carried out their threats.

Duaa’s then 18-month old son was present throughout the ordeal. He was forcibly separated from his mother and only reunited with her when Duaa’s interrogation began. Duaa told Human Rights Watch that her son was visibly “terrified” during the interrogation.

Commenting, Sayed Ahmed Alwadaei, Director of Advocacy at BIRD said: “By coming after my loved ones to silence me, the Bahraini government has sunk to an all time low. Bahraini allies in Washington D.C. and London must condemn this cowardly attempt to muzzle my activism.”

Duaa’s trial was entirely held in absentia because she resides in London. Since lawyers can only be hired through particular channels in Bahrain, the Bahraini Embassy in London is best placed to give power of attorney to a designated lawyer. However, this option has not been pursued due to the recent involvement of the Embassy in the conviction of her family. However, a representative from the British Embassy in Manama attended the hearing today.

Duaa’s mother, Hajer Mansoor Hassan, is currently serving a three-year sentence at Isa Town Prison following a conviction based on a coerced confession. Hajer began a hunger strike yesterday in protest against the ill-treatment of political prisoners by prison officials.

Background

Duaa’s Case

The incident to which Duaa’s charges relate occurred on 26 October 2016. Following Sayed Ahmed’s participation in a protest against the King of Bahrain’s meeting with Prime Minister Theresa May in London, Duaa was detained at Bahrain International Airport for several hours. Here, she was physically mistreated, threatened with criminal charges, and repeatedly insulted. The official also presented Duaa with a travel ban, thereby preventing her return to London.

Duaa Alwadaei told Human Rights Watch in October that a senior official had referred to her husband as “an animal” and asked, menacingly during an interrogation at Bahrain airport, “Where shall I go first, shall I go to his family or your family?” She said that the officer, who appeared to be a senior official, told her: “Deliver this message to your husband – I will get him,” as she left the interrogation.

Since Duaa’s son is a US citizen, the US Embassy in Manama intervened following significant international pressure, thereby facilitating their return to London on 1 November 2016.

Harassment of Duaa’s Family

Duaa is the latest victim of the reprisal campaign launched by the Bahraini authorities in response to Sayed Ahmed’s work as a human rights defender. His mother-in-law, Hajer Mansoor Hassan, brother-in-law, Sayed Nizar Alwadaei, and cousin Mahmood Marzooq Mansoor have been subjected to grossly unfair trials and are currently serving sentences ranging from three to six years in prison on the basis of coerced confessions and fabricated charges.

Yesterday, Hajer declared a hunger strike to protest her mistreatment and the harsh discrimination suffered by political prisoners in Bahrain. Prison officers often harass political inmates and detainees by eavesdropping on personal conversations and deny them free hygiene products. Other inmates do not suffer from this treatment.

When Hajer complained to the officer by requesting that she be treated with respect, she was told that senior prison officials had instructed officers to make Hajer’s life “difficult”, and threatened that the more she exposes the conditions of imprisonment for political prisoners, the more she will be punished. Furthermore, the prison authorities have revoked the 10 minute phone call that Hajer had been rewarded for participating in daily workshops at the prison.

International Response

In its most recent comment on Duaa’s trial, the UK Foreign and Commonwealth Office (FCO) simply reiterated that it will “continue to monitor proceedings”. The British government failed to call on the Bahraini authorities to drop the charges against Duaa.

Both the United Nations and the High Representative of the European Union for Foreign Affairs and Security Policy, Federica Mogherini, have recognised the significance of the reprisals against Sayed Ahmed’s family.

Following her ordeal at the airport, the US Department of State commented on their involvement in the incident.

A British Member of the European Parliament (MEP) Julie Ward wrote to the High Representative of the European Union for Foreign Affairs and Security Policy, Federica Mogherini, to express her concerns over the “judicial harassment of family members of prominent Bahraini activist, Sayed Ahmed Alwadaei, who are being subjected to a collective punishment ”.

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#IndexAwards 2018: Museum of Dissidence creators remain fiercely loyal to their project

[vc_row][vc_column][vc_video link=”https://youtu.be/-6JnYDCLKIE”][vc_column_text]The Museum of Dissidence in Cuba is an online website and public art project celebrating dissent in Cuba. It was set up in the summer of 2016 by acclaimed young artist Luis Manuel Otero Alcántara and his partner, curator and art historian Yanelys Nuñez Leyva. Their stated aim is to reclaim the word “dissident” and to give it in Cuba a positive connotation.

Index on Censorship Freedom of Expression Awards Fellowship 2018

This is a daring and unique project, created by representatives of a new, young generation of artists who are not afraid to challenge the still repressive regime and promote freedom of expression. The repercussions have been fierce: Nuñez was sacked from her job at state sponsored magazine Revolution and Culture for founding the site. Otero was arrested in November 2017 for organising an unofficial #00Havana Biennal through the museum and threatened with prison for being a “counter-revolutionary”.

Cuba is still a one-party communist state. Political pluralism is outlawed and dissent repressed. There are also severe restrictions on press freedom, assembly, speech and association, according to Freedom House. The project aims to bring people from inside and outside Cuba together online, but specialises in radical public art projects and installations, concentrated in the poorer districts of Havana. The founders say that because it is not on either side of the political divide it is particularly vilified and attacked.

On his Index Awards nomination, Alcántara said “having won this prize is super important, for the MDC as well as for all Cuban activism, because it’s an acknowledgement from a prestigious international institution. This legitimises the work that we’ve been doing in favour of a future of freedom on the island, makes it more visible and brings protection and a certain empowerment to keep working despite all the unfairness and insecurity that we experience here.”

In 2017 the site promoted artistic projects round the island. The museum worked with a group of graffiti artists to create murals of aliens and balaclava clad men on the dilapidated walls of Havana in September 2017 to show up the government, which only allows political slogans and pictures of Cuban revolutionaries.

In another striking project they have reexamined the work and lives of important Cuban writers who committed suicide in suspicious circumstances. A terrifying art installation by Amaury Pacheco depicted a man hanging above the street in homage to the poet Juan Carlos Flores. The museum held a series of artistic events in San Isidro, a poor neighbourhood of Old Havana to honour the poets who had killed themselves because of the repressive Cuban regime.

The project #00 Biennial of Havana is the museum’s latest action, born as an act of protest against the decision of the Ministry of Culture to postpone until 2019, the celebration of the XIII Biennial of Havana. It was this project which led to founder Otero being arrested. He is now free on bail.

With this Index Award nomination, the work is being recognised for its bravery. In response, curator Yanelys Levya notes that “living on an island makes us believe we are alone in everything that we do. To know that there’s someone, in any part of the world, that supports our struggle and that their dreams are close to ours, makes us feel safer, stronger and gives us hope.”

See the full shortlist for Index on Censorship’s Freedom of Expression Awards 2018 here.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]

#IndexAwards 2018: los creadores del Museo de la Disidencia siguen ferozmente fieles a su proyecto

El Museo de la Disidencia representa a una nueva generación de jóvenes artistas que no temen desafiar al todavía represor régimen cubano

El Museo de la Disidencia en Cuba es una página web y proyecto de arte público que celebra el acto de disidir en Cuba, creado el verano de 2016 por el aclamado joven artista Luis Manuel Otero Alcántara y su pareja, la comisaria e historiadora del arte Yanelys Núñez Leyva. Su objetivo es reclamar la palabra “disidente” y otorgarle una connotación positiva en el contexto cubano.

Se trata de un proyecto atrevido y extremadamente original, creado por los representantes de una nueva generación de jóvenes artistas que no temen desafiar al régimen, aún represor, y promover la libertad de expresión. Han sufrido duras represalias: Núñez fue despedida de su trabajo en la revista Revolución y Cultura, financiada por el estado, por fundar la web. A Otero lo arrestaron en noviembre de 2017 por organizar la #00Bienal de La Habana —un evento no oficial— a través del museo, y se enfrentó a penas de prisión por “contrarrevolucionario”.

Cuba sigue siendo un régimen comunista de partido único. La pluralidad política es ilegal y la disidencia, reprimida. También existen duras restricciones a la libertad de prensa, reunión, expresión y asociación, según informa Freedom House. El proyecto busca favorecer el encuentro online de personas dentro y fuera de Cuba, pero se especializa en proyectos e instalaciones de arte público y radical, concentrados en los distritos más pobres de La Habana. Los fundadores afirman que es el hecho de no encontrarse ni a un lado ni al otro de la división política lo que hace que sean objeto de tantos ataques e intentos de descrédito.

Sobre su nominación a los Index Awards, Alcántara dijo: «haber ganado este premio es súper importante, tanto para el MDC como para todo el activismo cubano, porque supone el reconocimiento de una institución de prestigio internacional. Legitima el trabajo que hemos estado haciendo a favor de un futuro de libertad en la isla, lo visibiliza y nos facilita protección y cierto empoderamiento para seguir trabajando pese a toda la injusticia y la inseguridad que vivimos aquí».

En 2017 la web promocionó proyectos artísticos de toda la isla. En septiembre del año pasado, el museo trabajó con un grupo de artistas de grafiti en la creación de murales de extraterrestres y hombres con pasamontañas sobre los deteriorados muros de La Habana para ridiculizar al gobierno, que solo permite eslóganes políticos e imágenes de revolucionarios cubanos.

En otro de sus llamativos proyectos, han reexaminado las vidas y obras de escritores cubanos de renombre que se suicidaron en circunstancias sospechosas. Una aterradora instalación de Amaury Pacheco representó a un hombre ahorcado sobre la acera en un homenaje al poeta Juan Carlos Flores. El museo celebró una serie de eventos artísticos en San Isidro, un barrio pobre de La Habana Vieja, en honor a los poetas que se han quitado la vida a causa de la represión del régimen cubano.

El proyecto #00Bienal de La Habana, la última acción del museo, nació como un acto de protesta contra la decisión del Ministerio de Cultura de posponer hasta 2019 la celebración de la XIII Bienal de la Habana. Fue este proyecto el que resultó en el arresto de Otero, quien actualmente se encuentra en libertad bajo fianza.

La nominación a los Index Awards reconoce la valentía de esta obra. En respuesta, la comisaria Yanelys Leyva ha declarado: «vivir en una isla nos hace creer que estamos solos en todo lo que hacemos. Saber que hay alguien, en alguna parte del mundo, que apoya nuestra lucha y cuyos sueños son cercanos a los nuestros nos hace sentir más seguros y fuertes, y nos da esperanza».

Traducción de Arrate Hidalgo

Accede a la lista completa de nominados a los Index on Censorship’s Freedom of Expression Awards 2018 aquí.[/vc_column_text][/vc_column][/vc_row][vc_row full_width=”stretch_row_content” equal_height=”yes” el_class=”text_white” css=”.vc_custom_1490259018105{background-color: #cb3000 !important;}”][vc_column width=”1/2″][vc_custom_heading text=”Support the Index Fellowship” font_container=”tag:p|font_size:28|text_align:center” use_theme_fonts=”yes” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2Fnewsite02may%2Fsupport-the-freedom-of-expression-awards%2F|||”][vc_column_text]

By donating to the Freedom of Expression Awards you help us support

individuals and groups at the forefront of tackling censorship.

Find out more

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El periodismo de investigación transnacional en la UE contará con nuevos fondos.

Hoy, el Centro Europeo para la Libertad de Prensa y Libertad de Expresión (ECPMF por sus siglas en inglés) y el Instituto Internacional de la Prensa (IPI por sus siglas en inglés), lanzan una subvención de hasta 450.000€ para apoyar el periodismo de investigación y transnacional en la UE.

http://www.ij4eu.net/

El Fondo para el Periodismo de Investigación en Europa (#IJ4EU) tiene como objetivo promover y fortalecer la colaboración entre periodistas y redacciones en Europa para la investigación de noticias de interés público, que afecten a más de un país de la UE. El Fondo pretende apoyar investigaciones periodísticas que reflejen el papel de “observador” de los medios de comunicación, y que, además, confieran al público el poder de exigir responsabilidad a aquellos que estando en el poder, hayan incumplido con sus obligaciones y funciones. De esta manera, el Fondo busca contribuir a que se mantenga la estabilidad democrática y el estado de derecho en la UE.

El Fondo será administrado por el IPI, una comunidad global de directores de medios de comunicación, redactores y periodistas, que defiende la libertad de prensa desde 1950.

Durante el 2018 aquellos equipos de periodistas de investigación transnacionales y/o medios de comunicación con sedes en al menos dos países de la UE, podrán solicitar una subvención de un máximo de 50.000€, para realizar una investigación sobre cualquier tema de interés público que afecte a más de un país de la UE.

Los proyectos presentados deberán revelar nueva información sobre el tema elegido. Podrán solicitar esta subvención equipos de investigación ya existentes o que hayan sido especialmente creados para este proyecto de #IJ4EU. También podrán participar investigaciones en curso o incompletos, siempre y cuando se cumpla con el objetivo final de terminar la investigación y proceder a su publicación. Animamos especialmente a que soliciten esta subvención, equipos de periodistas o medios de comunicación que trabajan en sedes fuera de la capital del país o de las grandes urbes o bien en países donde el periodismo de investigación resulte particularmente difícil.

El programa incluye subvenciones para todas las plataformas, prensa tradicional, digital, audiovisual, documentales y story-telling a través de múltiples plataformas o canales.

Para ser seleccionado, las propuestas deberán poder ser publicadas por medios de comunicación o plataformas reputados (y disponibles en formato publicable) en al menos dos países de la UE antes del 31 de diciembre 2018.

El plazo máximo para entregar la solicitud es el 3 mayo 2018, Día Internacional de la Libertad de Prensa. Todas las solicitudes deberán realizarse en inglés. Se deberá presentar una descripción detallada del proyecto, descripción del equipo de investigación, un plan de investigación y publicación, un presupuesto y una evaluación de riesgos.

Un jurado independiente seleccionará los proyectos que recibirán los fondos, con la intención de presentar las propuestas seleccionados el 15 de julio 2018.

Para poder realizar la solicitud y leer toda la información sobre requisitos, solicitud y proceso de selección, por favor accedan a la página web: http://www.ij4eu.net/

“El periodismo de investigación, que desempeña una función esencial en toda democracia, se encuentra, bajo presión en toda la UE”, comenta Barbara Trionfi, Directora Ejecutiva del IPI. “Apoyar económicamente a proyectos de investigación, es una manera de asegurar que temas como la corrupción, crímenes financieros, abusos de derechos humanos y daños medioambientales, lleguen al público.”

Además, añadió que “Como hoy en día, estas investigaciones no suelen estar limitadas a un único estado o país, es fundamental que los equipos periodísticos trabajen estos temas, “cruzando fronteras”: necesitan ser transnacionales”. Estamos orgullosos de que #IJ4EU nos dé esta oportunidad.

For any questions, please contact:

Javier Luque
Head of Digital Media
IPI
Email: [email protected]
Tel.: +43 1 5129011

Should we ban books denying the Holocaust from high street shops? (New Statesman)

A campaign to remove hateful works from retailers like Waterstones and Foyles has kicked off a censorship row. Read the full article

Index on Censorship CEO Jodie Ginsberg’s comment to the New Statesman:

Stopping the spread of ideas we find abhorrent is an old tendency rather than a “new trend”, and not solved by making information inaccessible, argues the Index on Censorship’s chief executive Jodie Ginsberg. “Encouraging bookshops not to stock certain content because it’s considered hateful I think is problematic,” she says.

“When you’re suggesting [the removal of books from] some of the largest bookshops in the country, which are the ones most people can access, then you are limiting people’s access to information… Anything that limits people’s inability to find out information is a threat to freedom of expression.”

Removing titles from bookshops is threat to free expression

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Index on Censorship believes a recent call to remove Holocaust-denial books from major British retailers by campaign group Hope Not Hate is a threat to freedom of expression.

“Encouraging bookshops not to stock certain content because it’s considered hateful is problematic,” Index CEO Jodie Ginsberg said, “When you’re suggesting removing titles from some of the largest bookshops in the country, which are the ones most people can access, then you are limiting people’s access to information. Anything that limits people’s ability to find out information is a threat to freedom of expression

 [/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Don’t lose your voice. Stay informed.” use_theme_fonts=”yes”][vc_separator color=”black”][vc_row_inner][vc_column_inner width=”1/2″][vc_column_text]Index on Censorship is a nonprofit that campaigns for and defends free expression worldwide. We publish work by censored writers and artists, promote debate, and monitor threats to free speech. We believe that everyone should be free to express themselves without fear of harm or persecution – no matter what their views.

Join our mailing list (or follow us on Twitter or Facebook) and we’ll send you our weekly newsletter about our activities defending free speech. We won’t share your personal information with anyone outside Index.[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/2″][gravityform id=”20″ title=”false” description=”false” ajax=”false”][/vc_column_inner][/vc_row_inner][vc_separator color=”black”][/vc_column][/vc_row][vc_row][vc_column][vc_basic_grid post_type=”post” max_items=”12″ style=”load-more” items_per_page=”4″ element_width=”6″ grid_id=”vc_gid:1521711003986-1a22655f-cb95-0″ taxonomies=”6534″][/vc_column][/vc_row]

Novi program potpore istraživačkom novinarstvu u EU

Međunarodni institut za medije (IPI) i Europski centar za medijske slobode (ECPMF) objavili su danas novi program potpore prekograničnim projektima istraživačkog novinarstva u zemljama Europske unije vrijedan do 450 tisuća eura.

http://www.ij4eu.net/

Fond “Istraživačko novinarstvo za Europu – #IJ4EU” (Investigative Journalism for Europe) namijenjen je poticanju i jačanju suradnje među novinarima i redakcijama u Europskoj uniji na projektima u javnom interesu i od prekograničnog značaja. Fond ima za cilj podržati istrage koje odražavaju kontrolnu ulogu medija i one projekte koji omogućavaju javnosti da one na vlasti drži odgovornim za svoje postupke i dužnosti na funkcijama koje drže. Na taj način nastoji se pridonijeti održivosti demokracije i vladavine prava u EU.

Fondom će upravljati Međunarodni institut za medije (IPI), globalna mreža urednika, medijskih rukovoditelja i vodećih novinara koja se bavi zaštitom slobode medija još od 1950. godine.

Za potpore u maksimalnom iznosu od 50 tisuća eura se mogu prijaviti prekogranični timovi istraživačkih novinara iz najmanje dvije zemlje članice Europske unije, a koji će sprovesti istraživanje u javnom interesu i od prekograničnog značaja.

Predloženi projekti moraju imati za cilj otkivanje novih informacija. Jednako su poželjni već postojeći istraživački timovi, kao i oni novo oformljeni za potrebe #IJ4EU konkursa. U tijeku, ali nedovršene istrage, također ispunjavanju uvjete konkursa i mogu dobiti podršku iz ovog fonda kako bi istraga bila završena i objavljena u medijima. Posebno se potiču na prijavu timovi novinara ili redakcija koji rade izvan glavnih ili najvećih gradova u zemlji, ili u onim zemljama u kojima je istraživačko novinarstvo posebno izloženo riziku.

Program je namijenjen financiranju svih platformi, uključujući tisak, radio, TV, online medije, produkciju dokumentarnog filma i izvještavanje na kombiniranim platformama (multi-platform story-telling).

Financirani mogu biti samo projekti planirani za objavu (i dostupni u formatu koji se može objaviti) u uglednim medijima ili na platformama u najmanje dvije zemlje EU najkasnije do 31. prosinca 2018. godine.

Rok za prijave je 3. svibanj 2018. što je ujedno i Međunarodni dan slobode medija. Prijave moraju biti dostavljene na engleskom jeziku uz detaljan opis projekta, pojedinosti o istraživačkom timu, plan istraživanja i objavljivanja, budžet i procjenu rizika.

Neovisni žiri će odabrati projekte koji će biti financirani, a sklapanje ugovora o korištenju sredstava sa uspješnim kandidatima planirano je do 15. lipnja 2018.

Za prijave i više informacija o uvjetima natječaja i prijavljivanja te o postupku odabira kandidata, posjetite web stranicu fonda.

“Istraživačko novinarstvo, koje ima ključnu ulogu u bilo kojoj funkcionalnoj demokraciji, pod pritiskom je u cijeloj Europskoj uniji”, izjavila je izvršna direktorica Međunarodnog instituta za medije (IPI), Barbara Trionfi. “Pružanje financijske podrške istraživačkim projektima je način jamčenja da informacije o problemima poput korupcije, financijskog kriminala, zloupotreba ljudskih prava i uništavanja okoliša dospiju do javnosti”.

Ona je također dodala: “Budući da se takva istraživanja danas rijetko ograničavaju na jednu državu, od suštinskog je značaja da novinarske ekipe koje pokrivaju ove teme – rade preko granica. Ponosni smo što će #IJ4EU fond pružiti mogućnost za to”.

For any questions, please contact:

Javier Luque
Head of Digital Media
IPI
Email: [email protected]
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#IndexAwards2018: Silvanos Mudzvova’s performances protest Zimbabwe regime

[vc_row][vc_column][vc_video link=”https://youtu.be/YgtBa8yoc80″][vc_column_text]Zimbabwean performance artist and activist Silvanos Mudzvova uses theatre to protest against the repressive regime of former president Robert Mugabe and to agitate for greater democracy and LGBT rights. 2018 Freedom of Expression Awards link

“Artists in Zimbabwe have a lot of fear and only artists who support the regime can openly critique freely,” Mudzvova says. “However, I have started a revolution, where so many artists are producing resistance art works. I have managed to employ fellow artists to openly condemn the Mugabe regime leading to the term ‘arts activism’ becoming popular in Zimbabwe.”

Many of Mudzvova’s recent works in Zimbabwe have involved “guerrilla” theatre. He has specialised in performing “hit-and-run” actions in public places to grab the attention of politicians and defy censorship laws which forbid public performances without police clearance.

Mudzvova has been abducted, beaten and arrested for his work. In April 2016, he put on a one-man play outside the country’s parliament. The play, Missing Diamonds, I Need My Share, was inspired by the controversy surrounding Mugabe’s admission that the country lost $15 billion to diamond companies without any legal consequences. Mudzvova was arrested as a result. In September 2016, Mudzvova was abducted from his home, beaten and left for dead for participating in the Tajamuka (We Are Rising Up) protest group.

Mudzova has been vocal about the recent political change in Zimbabwe, stating that the new government should “engage the international community and rebuild relations and above all end corruption and improve the human rights situation. He should work with opposition to create an environment conducive for free and fair elections.”

His play In Chains has been replicated in several anti-government demonstrations in Zimbabwe and across the world by Zimbabweans as a creative protest against the regime. And Mudzova himself has continued to use his position as a prominent theatre activist to post videos on his Facebook site BhanditTV.

“The nomination motives me to work extra hard for the removal of censorship laws and it has given exposure to my profile as a human rights defender,” he told Index on Censorship. “This also improves my personal security from the junta government as they now know the world is watching.”

See the full shortlist for Index on Censorship’s Freedom of Expression Awards 2018 here.[/vc_column_text][/vc_column][/vc_row][vc_row full_width=”stretch_row_content” equal_height=”yes” el_class=”text_white” css=”.vc_custom_1490258749071{background-color: #cb3000 !important;}”][vc_column width=”1/2″][vc_custom_heading text=”Support the Index Fellowship.” font_container=”tag:p|font_size:28|text_align:center” use_theme_fonts=”yes” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2Fnewsite02may%2Fsupport-the-freedom-of-expression-awards%2F|||”][vc_column_text]

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Sergey Smirnov: By banning Russian propaganda, the UK will help Putin in his campaign against press freedom

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This article by Sergey Smirnov, editor-in-chief of MediaZona, was originally published at openDemocracy Russia.

The poisoning of Sergey Skripal has led to a sharp deterioration in UK-Russia relations. For now, London’s official moves, such as deporting 23 Russian diplomats and searching planes inbound from Russia, look moderate. But Boris Johnson’s statement on 16 March was likely unexpected for Moscow. The British foreign minister came to the conclusion that Vladimir Putin sanctioned the attack on Skripal too quickly, though the Kremlin has, for now, merely commented that Johnson’s tone was “unacceptable”.

Immediately after the attack, the British parliament began discussing possible responses to Moscow. One of the first proposals was to stop the Russia Today TV channel, which is financed by the Russian government and is openly involved in propaganda, from broadcasting in the UK. And here it’s important to understand that British MPs have raised an important topic — one that’s painful not just for the Kremlin, but the whole of Russian society, including the opposition.

Banning the Russian propaganda channel in the UK will provoke a predictable reaction in Moscow. And London needs to understand beforehand what will happen (though the Kremlin hasn’t particularly hidden its intentions). First, Maria Zakharova, spokesperson for Russia’s Foreign Ministry, then Margarita Simonyan, head of RT, made it clear: all British media will be banned in response. This will concern first and foremost the BBC. It’s unclear what will happen to the work of other British media in Russia.

The Kremlin brought independent media in Russia under control long ago. If they managed to deal with television by the mid-2000s, then the internet didn’t really attract the attention of the Russian authorities for some time after. But in recent years the pressure has increased: independent media are often brought under control via oligarchs loyal to the Kremlin. For big internet publications, every year it gets harder to work. High-class independent journalists are fired if they choose not to betray their principles. Meanwhile, the authorities aren’t in a rush to pressure foreign media working in Russia.

Here, it’s important to explain the actions of the Russian authorities, which have been and will be demonised quite enough. The issue is that Vladimir Putin and his team don’t have — and have never had — a clearly worked-out programme to destroy democracy, including freedom of speech. As a rule, all their decisions are situative. Russian television was taken under control after Putin was sharply criticised by the oligarchs Boris Berezovsky and Vladimir Gusinsky. The Russian president likes to act in response to any threats.

Take the events of the past six years. In 2011, hundreds of thousands of people, dissatisfied with the prospect of Putin returning to power, came onto the streets of Russian cities. The protest was suppressed, but the Russian authorities were seriously worried. They set themselves the task of makingeverything dependent on them, in order to ensure these scenes would never be repeated. The authorities undertook various actions: from formally liberalising the political sphere to passing repressive laws at the very moment when people stopped protesting.

Once again, it’s important to understand that the Kremlin’s reaction was a response to street protest. Although these laws may have been prepared beforehand, it seems they were thought up on the spot. Take the “Foreign Agents” law as an example — this law banned NGOs which take foreign funds from being involved in “political activity”. As is often the case in Russia, this law didn’t only touch on the work of human rights organisations, but many others, from environmental NGOs to, most recently, a diabetes society.

Why did they pass this law? Because the authorities believed that the 2011-2012 protests were organised from abroad. The mass protest started after election observers found large-scale falsifications at the parliamentary elections. The Golos election monitoring association prepared the observers. Golos received foreign funding. This is how the Kremlin put it together.

A similar situation happened with the Kremlin’s response to Ukraine. Putin was sure that he was simply responding to attempts by the west to take Ukraine further from Moscow’s influence — and, at the same time, breaking Putin’s agreements with Viktor Yanukovych. The 2012 ban on adopting Russian children (the “Dima Yakovlev” law) was also perceived as a response to hostile actions from the west.

Here, I’m trying to explain the Kremlin’s logic, which becomes even clearer in the case of Russia Today in the US. After RT was registered under the Foreign Agent Registration Act in November last year, Moscow started feverishly searching for return measures. The initial suggestions were more reminiscent of North Korea, e.g. banning all independent media, including social networks and even the internet. But then the Kremlin softened its position. All US media, which receive state financing, were declared foreign agents. Other US media have yet to fall under this law’s purview.

For me, there’s two reasons for this. The first, as I wrote above, is that the Kremlin is convinced that it’s defending itself from attacks. It has to respond. The second is that Moscow still leaves itself room for manoeuvre and bargaining. If you ban everything at once, there’s nothing to discuss further — and the Kremlin doesn’t want to end up isolated like North Korea. But the risk of isolation has risen after the Skripal poisoning, and the Russian authorities see this. They won’t make any sudden moves on their own.

This is what western states need to understand about the Kremlin’s behaviour. Currently, there’s no signs that Putin will change his traditional tactics after re-election. The Russian authorities will still monitor the domestic opposition and the actions of the west (and will respond to them). The west needs to understand that the Kremlin’s reaction vis-a-vis freedom of speech and human rights depends on their reaction. Not least of all because the Russian authorities love appealing to the west’s double standards. All actions in connection with RT are seen as the west’s hypocrisy in the field of freedom of speech.

By banning Russian propaganda, the western world helps Putin in his fight against freedom of speech.

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No one should have to live like this simply for being a journalist

We write to you as former winners of the Index on Censorship Freedom of Expression Award for journalism – and as exiles from our homes. All three of us have been forced into exile because of our work as journalists: in Saudi Arabia, Syria and the Maldives respectively. All three of us in the past three years.

No one wants to be forced to leave their place of birth. We reported on war, corruption and cover-ups in the countries in which we were raised and which we love – and our punishment has been expulsion and persecution. We write to you, separated from our families, and from homes that are not homes.

We have all received death threats. Repeatedly.

Zaina – who survived the Syrian regime’s crackdown on the uprising then the war, finally had to leave after she became a target for militias and troops. Safa, who spent three years covertly filming a mass uprising in Saudi Arabia’s Eastern Province, now moves from country to country. Zaheena, editor of an online newspaper, fled the Maldives after a police raid on her office following a long period of harassment in which she received death threats and a colleague was disappeared.

None of us consider ourselves brave or courageous. We are not reckless. We are women who simply want to write and broadcast freely about what is happening in the world. We continue to do this, even as exiles*.

But no one should have to live like this simply for being a journalist.

We need to speak out on media freedom. We need to support those speaking out. To continue to do this effectively in the challenging times ahead, Index needs your help.

A donation of £20 ensures a verified attack against media freedom is mapped publicly online; a gift of £100 enables an official report to pressure governments; a gift of £1000 supports our work helping journalism fellows.

Our goal is to raise at least £15,000 by the end of March for our work on media freedom over the next six months.

We hope you will join us in supporting Index and your right to a free press. Please donate today.

Yours,

Safa Al Ahmad, Zaina Erhaim, Zaheena Rasheed

*Zaina works for the Institute for War and Peace Reporting, Zaheena for Al Jazeera, and Safa continues to work as a freelance journalist.

Index on Censorship: Беларусь – в лидерах по преследованию журналистов (Хартыя’97)

Правозащитная организация Index on Censorshipподготовила «Карту свободы масмедиа», в котором зафиксированы угрозы для свободы прессы в разных странах мира, в том числе в Беларуси. Read the full article