UK: School bans play fearing community tensions

A production of a new play about the British National Party and homophobia has been pulled from the stage in Dudley. Philip Ridley’s Moonfleece was due to be performed at the Mill Theatre – based in Daunton Community School – on Thursday, two days before a protest by the English Defense League was scheduled in the town. The play was pulled by the school on the basis that “some of the issues raised within the play were [not] suitable for a school or community setting”. The production already toured some of the country’s most racially-sensitive areas without protest. In 2004, Birmingham Repertory Theatre was forced to close a play which depicted rape and murder in a Sikh temple, after it prompted riots from the city’s Sikh community.

Silent and Unmoving

This is a guest post by Candice Holdsworth

As part of the 17 September launch of Index on Censorship’s latest edition, I attended an event at the Free Word Centre in Farringdon entitled: “Time for a Revolution”. The event and the new edition of the magazine both marked the 20-year anniversary of the transformations in eastern Europe in 1989, with a panel discussion following the performance of two rarely-performed plays from that era.

The two plays in question were Václav Havel’s ‘Mistake’ and Samuel Beckett’s ‘Catastrophe.’ Beckett had in 1982 dedicated ‘Catastrophe’ to the then-imprisoned Havel, whom the Czech authorities had sentenced to four and half years in prison for ‘subversive activities.’ Havel had been greatly moved by this gesture of solidarity; upon his release one year later, he dedicated ‘Mistake’ to Beckett. These two plays are rarely performed. But they retain their brevity and pathos today, even though decades removed from the historical and political context in which they were originally conceived.
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Indonesia: banned theatre

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