Banned by Beijing: Calling out transnational repression through art

Making art is a defining and treasured trait of being human. Its story is not only weaved into the that of humankind but showcases its essence and wonder - spiritual, philosophical, functional, decorative, conceptual. It is utterly human. A string of ignominious episodes in history tell of those who recognised the unique power of creative expression and sought to crush it. Again and again, it’s been judged an enemy of subjugation and a mortal danger to despots.

A clear case is the Chinese Communist Party’s repression of its peoples’ right to freedom of expression. This has been widely documented, from the 1989 Tiananmen Square Massacre and the more recent Uyghur genocide in Xinjiang to the countless number of writers and artists locked up in jails or under house arrest.

However, few realise that its ceaseless attempts to stifle all criticism of the party and country extend beyond its borders, including into Europe. According to Freedom House, the CCP is currently conducting the most sophisticated, global campaign of transnational repression in the world.

The aim of this exhibition is to highlight the CCP’s transnational repression in Europe by and through the works and stories of dissident artists. It aims not only to warn but also to celebrate those who, whilst in
forced exile, keep facing down the long arm of censorship with the vigour of artistic expression.

Curator:

Euchar Gravina, Artistic Director at St John’s Waterloo, in collaboration with the artists and Index on Censorship. Produced by: Index on Censorship and St John’s Waterloo.

 

Artists:

Badiucao is a Chinese-Australian artists and human rights defender. As well as being subject to harassment and smear campaigns, he has faced multiple efforts to censor his work, including in the Czech Republic, Italy, and most recently, in Poland.

 

Lumli Lumlong are a husband and wife painting duo, whose artwork focuses on social issues, particularly human rights and authoritarianism. They left Hong Kong for the UK in the summer of 2021 after they were accused by the press of promoting Hong Kong independence. Their book, “Liberation of Art”, has been banned in Hong Kong. Even while in Europe, they have been subject to efforts to intimidate them and interfere with their work.

vawongsir is a cartoonist and former secondary school visual arts teacher in Hong Kong. He created cartoons reflecting the 2019 protests that were widely shared by the Hong Kong community at home and abroad. In 2020, he faced disciplinary action over a series of political cartoons deemed “inappropriate” by the Education Bureau in Hong Kong. He continues to make and share art about Hong Kong in exile.

The exhibition:

1. Lumli Lumlong: The Publisher (2016) (oil on canvas, 92cm x 72cm)

2. Lumlong: Scale Man (2011) (oil on canvas, 125cm x 200cm)

3. Lumli: Tank Man (2014) (oil on canvas, 125cm x 200cm)

4. vawongsir: from The Speechless Series (print on foamboard, 29.7cm x 29.7cm)

5. Lumli Lumlong: The Zipper (2012) (oil on canvas, 200cm x 125cm)

6. vawongsir: from The Speechless Series (print on foamboard, 29.7cm x 29.7cm)

7. vawongsir: from The Speechless Series (print on foamboard, 29.7cm x 29.7cm)

8. right: Lumli: The Brainwashed (2012) (oil on canvas, 92cm x 73cm)
left: Lumlong: National Education (2012) (oil on canvas, 51cm x 41cm)

9. Badiucao: The prisoner of umbrella Joshua Huang 伞囚犯 (print on foamboard, 36cm x 29.7cm)

10. Lumli Lumlong: Red Brick Wall People (2022) (oil on canvas, 200cm x 125cm)

11. Lumli Lumlong: Thousand Hands Man (2019) (oil on canvas, 200cm x 125cm)

12. right: Badiucao: “#A4REVOLUTION CHINA” (print on foamboard, 42cm x 29.7cm)
left: Badiucao:Wulumuqi Rd.(M)” (print on foamboard, 42cm x 29.7cm)
Badiucao: “#A4REVOLUTION CHINA” (print on foamboard, 42cm x 29.7cm)

13. Lumli Lumlong: Apple Man (2023) (oil on canvas, 92cm x 73cm)

14. right: Badiucao:XI IS WATCHING YOU” (print on foamboard, 42cm x 29.7cm)
left: vawongsir: from The Speechless Series (print on foamboard, 29.7cm x 29.7cm)

15. right: Badiucao: Devouring II (print on foamboard, 39cm x 29.7cm)
left: Badiucao: Devouring I (print on foamboard, 39cm x 29.7cm)

16. right: Lumli Lumlong: Hong Kong Fooide (2023) (oil on canvas, 51cm x 41cm)
left: Lumli Lumlong: Hidden Agenda (2023) (oil on canvas, 41cm x 51cm)

17. Badiucao:FREE UYGHURS” (print on foamboard, 42cm x 29.7cm)

With China becoming an increasingly dominant world power, there is growing evidence that an emboldened Chinese Communist Party (CCP) is employing a range of tools aimed at pressuring or manipulating those beyond its borders to respect – or even align with – the CCP’s political agenda. Examples are numerous, but include demands made to a French history museum to remove certain words from its exhibition about Mongol emperor Genghis Khan in 2020. The exhibition did not end up going ahead.

Banned by Beijing seeks to raise awareness of the CCP’s subversion of freedom of expression in Europe by creating a repository of reports and articles on the issue, and by providing a platform to those who are most affected by transnational repression

“I never feel the freedom that I wanted. I never feel such freedom because of a chain-like thing from China on my neck.” - Anonymous (Germany) in an interview with Index on Censorship

“I never thought people would get censored in Europe. I never thought that China would have such a long arm to choke someone’s throat. You cannot see it physically, but you know it’s there.”- Nyrola Elimä (Sweden) in an interview with Index on Censorship

“After I started speaking out and I became more prominent in the news, the first form of intimidation was in an email in Uyghur, which told me to ‘stay put or else.’” - Alerk Ablikim (Netherlands) in an interview with Index on Censorship

“France is of course much freer than China, but it is less ideal than I thought. How to protect the freedom of the individual, including that of the artist, when the limits of government power are ever expanding, is a question for the whole world.” - Chiang Seeta (France) in an interview with Index on Censorship

A night for Afghanistan

BOOK YOUR TICKET

Afghanistan is many things to many people. It's an ancient and beautiful land of rugged mountains and dazzling poppy fields, a place of literature and music. Its people are known to be welcoming, its food delicious, and its history - once an important stop on the Silk Road - is rich. But it's also a place of conflict, a place caught in so many cycles of violence over the decades that many people know it simply through the prism of war. Beautiful and battered - these sides exist together, and it is with both of them in mind that we invite you to an evening in honour of Afghanistan.

The first part of the evening, which is generously hosted by Somerville College, will see a panel of experts on and from the region discuss the current situation under the Taliban, homing in on how it affects both women and journalists. It will discuss the UK government's broken promise to open up a pathway for Afghan refugees and what that means, and finally what exactly we in the UK can do to help. Zahra Joya, a journalist from Afghanistan, and Zehra Zaidi, a lawyer and advocate for Action for Afghanistan, will join Martin Bright, editor-at-large of Index on Censorship, for this important and timely discussion.

A drinks reception will follow, after which there will be a concert. This will showcase the history of traditional Afghan music and explore how that tradition can be maintained and expanded at a time when making music in Afghanistan is forbidden. It will be curated and conducted by Oxford Philharmonic’s Conducting Fellow Cayenna Ponchione-Bailey and will feature new compositions by Afghan composers living in exile.

An evening in honour of Afghanistan will be truly memorable, a night that seeks to both celebrate Afghanistan's proud heritage and elucidate its current conflict.

The talk in the first part is free but booking is essential. Register your place now below. The concert afterwards is ticketed and information on this can be found here.

Venue: Flora Anderson Hall, Somerville College, University of Oxford

Agenda:

4:45 PM Doors open

5:00 PM Panel discussion

6:15 PM - 6:45 PM Drinks Reception

BOOK YOUR TICKET

Stopping SLAPPs: UK Anti-SLAPP Coalition’s Website Launch

The UK Anti-SLAPP Coalition website is a resource that will serve as a repository for everything related to SLAPPs, including the model UK anti-SLAPP law, case studies of SLAPPs, a resource library, and practical advice for those targeted with SLAPPs.

The website will be launched with an event highlighting the importance of support and solidarity when facing legal harassment

CHAIR

Mark Stephens, Partner, Howard Kennedy and Trustee, Index on Censorship

SPEAKERS

Jessica Ní Mhainín, Policy and Campaigns Manager, Index on Censorship and Co-Chair, UK Anti-SLAPP Coalition

Tasmin Allen, Partner and Head of Media and Information Law, Bindmans

Annelie Östlund, Swedish investigative journalist

BACKGROUND

The UK Anti-SLAPP Coalition was established in 2021 to bring together civil society organisations, lawyers, journalists, and human rights defenders with the joint aim of putting a stop to strategic lawsuits against public participation (SLAPPs).

SLAPPs are brought by powerful and wealthy entities against public watchdogs in an effort to compel them to withhold or remove critical coverage, even if it is accurate and in the public interest. When SLAPPs successfully drive information out of the public domain, they can make it difficult to hold power to account. SLAPPs threaten not only our freedom of information, but our human rights, our rule of law, and our democracies.

What is a SLAPP?

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The Coalition was founded by Jessica Ní Mhainín (Index on Censorship) and Susan Coughtrie (Foreign Policy Centre), who have since been joined by co-chairs Charlie Holt (CliDef), Dalia Nasreddin (English PEN), and Nik Williams (Index on Censorship).

This online event has been organised with support from the Justice for Journalists Foundation. The UK Anti-SLAPP Coalition website has been built with support from the Open Society Foundations

SUPPORT INDEX'S WORK