18 Aug 2010 | Uncategorized
The Guardian reports that West Yorkshire police chief Sir Norman Bettison is to ask Home Secretary Theresa May to ban the English Defence League from marching through Bradford later this month, after 10,000 people in the town signed a petition against the march.
The key word here is “march”. The police are clear that they have no powers to stop the “anti-Muslim” EDL from holding a “static demonstration” — i.e. the boring standing around bit, which one doubts appeals to the average EDL supporter.
One could, open and shut, say that this is the end of the argument, free-expression wise: the EDL aren’t being stopped from speaking, they’re just being stopped from moving and speaking.
Of course, that’s disingenuous on two counts. Firstly, the EDL march would be aimed at the city’s Asian neighbourhoods — part provocation, part harassment of the Muslims of the city.
Secondly, can we truly say that the right to free expression is adequately protected if police and politicians control where and when we can exercise it in the public sphere?
Provocative marches are, of course, nothing new to these islands. The most frequently cited example is Oswald Mosley’s Blackshirts’ attempt to march through the then-predominantly Jewish East End — the “Battle of Cable Street“. That ended in rioting, and is widely remembered as a defeat for the British Union of Fascists.
When I last cited this incident myself, I asked if the locals had actually been wrong to block the march.
The Times’s Oliver Kamm responded, suggesting that yes, they probably had been:
Yes, those who tried to stop the British Union of Fascists from marching in the East End in October 1936 were wrong. The BUF had a democratic right to march in peacetime, and the attempt to stop them did them a power of good. Mosley was looking for a way to call it off anyway, so that he could get to Berlin and secretly marry Diana Mitford Guinness in Goebbels’s drawing room (which he managed to do two days later). Support for Mosley in the East End increased after the Battle of Cable Street, as did antisemitic violence. Thugs attacked Jews and their properties, in the so-called Pogrom of Mile End, a week later.
This is an interesting answer, but it perhaps implies that the people who attempted to block the BUF’s march were more tactically incorrect than morally wrong.
More recently, last weekend saw the annual Apprentice Boys’ Parade in Derry pass without incident. Northern Ireland’s parade season has proved a flashpoint for many years now, most infamously at Drumcree yet no one has ever seriously suggested banning marches. There is, of course, arbitration and negotiation on routes, insignia and the like. Could the Parades Commission model be applied to groups such as Islam4UK and the English Defence League?
21 Apr 2010 | News

Google discloses demands for censorship, user data. It’s new government search tool exposes state censorship and demands for user information. Emily Butselaar reports
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14 Apr 2010 | Uncategorized
Traditional Ulster Voice leader Jim Allister has failed in his attempt to have leaflets printed by election rival Ian Paisley Junior banned.
Mr Allister, a QC hoping to win his young party’s first Westminster seat, maintains that the leaflets contain libellous material.
Mt Justice Gullen noted:
“It is open to argument that the words complained of do not amount to an untrue statement of fact but are part and parcel of the political opinions that seem to have been the hallmark of the campaign to date between these two candidates.
“In coming to this conclusion I am conscious of the need to ensure the free expression of opinion by those who put themselves into the democratic process for election by the population at large.
“I pause to observe again that I am far from ruling that these words may not be capable of defamatory meaning or that a jury may not come to a conclusion favourable to the plaintiff.
“I am not satisfied, however, that it is appropriate that an interlocutory injunction should be granted at this time and accordingly I refuse the plaintiff’s application.”
Mr Allister says he will press ahead with a defamation suit. So it seems, at least in North Antrim, libel is very definitely an election issue.
7 Apr 2010 | Events

APRIL 29 2010 – 2PM
MAKING POLITICAL FILMS ABOUT THE NORTH: THEN AND NOW
The troubles in the North of Ireland have long been the subject of film-makers. The film-making landscape has changed over the years, as has the political landscape. Both self censorship and political censorship have been key factors in defining which films get made and which don’t. The panel will discuss selected issues relating to censorship — what forms of censorship influence the work being made? is there any difference to the types of films being made 30 years ago and now?
The panel will include:
Mark Cousins director of The First Movie, screening at the Belfast Film Festival, has a first class degree in Film and Media Studies and Fine Art from the University of Stirling. He has since lectured on film history, been published internationally and made documentary films on arts and political themes. A former Director of the Edinburgh Film Festival, he now presents Scene-by-Scene on BBC television, conducting career interviews with actors and directors including Martin Scorcese, Woody Allen, Roman Polanski, Shohei Imamura, Jack Lemmon, Sean Connery, Tom Hanks, Dennis Hopper, Kirk Douglas, Rod Steiger, Jeanne Moreau, Lauren Bacall, the Coen Brothers, Bernardo Bertolucci, David Cronenberg, David Lynch, Donald Sutherland, Ewan McGregor and Jayne Russell. He lives in Edinburgh, Scotland.
James Flynn commenced his career in the Irish film industry with John Boorman’s Merlin Films International as Head of Development having previously worked for the Investment Bank of Ireland. After working as Business Manager of the fledgling Irish Film Board, he, along with Juanita Wilson, established Metropolitan Film Productions Limited with the intention of making strong, independent and resonant films for the international market. In-house projects developed and produced by Metropolitan Films include H3 and Nora.
He established Octagon Films in 2002. Octagon developed and produced Inside I’m Dancing, written by Jeffrey Caine (Goldeneye, The Constant Gardener) and directed by Damien O’Donnell (East Is East, Heartlands). Produced in conjunction with Working Title/Universal, it won the Audience Award at the Edinburgh International Film Festival and was released in the UK and Ireland by Momentum Pictures in autumn ‘04. It was screened as Rory O’Shea Was Here at the 2005 Sundance Film Festival and subsequently released in the U.S. by Focus. He is currently jointly producing Neil Jordan’s Ondine, starring Colin Farrell, in West Cork this summer and this will be released internationally during the Summer and/or Autumn of 2009.
For more information please visit their website http://www.belfastfilmfestival.org