19 Apr 2013 | Digital Freedom, Newswire
The Chinese government’s two main bodies of censorship, SARFT (State Administration for Radio, Film, and Television) and GAPP (General Administration for Press and Publications), are to merge and become one super administration.
Although some denied the reports, the merge was announced during the 2013 session of China’s parliament, with the motion passed in March.
Zhang Jin, deputy editor at technology publisher Popular Science Press, told state news agency Xinhua:
Over the last 30 years of the opening up and reform period, both GAPP and SARFT have developed tremendously, but with this development of industry and flourishing of culture, many new problems have risen, for example the lockdown of departments, and individual management by each media type of themselves, and approval [for content] department by department.
GAPP and SARFT didn’t want, under any under circumstances, to deal with each other. GAPP only paid attention to newspapers and print media and not broadcast media, and SARFT doesn’t get the support of the print media, making the merging of industries difficult.
The new body replacing SARFT and GAPP — unofficially translated as the General Administration of Press and Publication, Radio, Film and Television — will be responsible for regulating and overseeing print media, radio, film, television, as well as the internet. It will also handle rights and contents.
SARFT is the body that censors films — recently facing controversy for cutting science fiction film Cloud Atlas by 40 minutes. GAPP also came under fire earlier this year for overseeing the censoring of newspaper Southern Weekly New Year’s editorial. The Guangdong provincial propaganda chief rewrote the paper’s heading and editorial without consulting editorial staff, forcing the reform-orientated paper to run a piece toeing the official Party line.
While both SARFT and GAPP monitored the internet, the specifics of their responsibilities were never clear — but now new and uniform regulations have been revealed.
The China Press and Publishing Journal reported that there will be three new rules for internet use under the new body: use of news reports from abroad on websites will be forbidden without permission; editorial staff must not use the Internet for illegal content; and the microblog accounts of news media must be supervised, and an account holder appointed.
Whether the merge will create or lessen the chaos surrounding content control still remains to be seen.
19 Apr 2013 | China
The Chinese government’s two main bodies of censorship, SARFT (State Administration for Radio, Film, and Television) and GAPP (General Administration for Press and Publications), are to merge and become one super administration.
Although some denied the reports, the merge was announced during the 2013 session of China’s parliament, with the motion passed in March.
Zhang Jin, deputy editor at technology publisher Popular Science Press, told state news agency Xinhua:
Over the last 30 years of the opening up and reform period, both GAPP and SARFT have developed tremendously, but with this development of industry and flourishing of culture, many new problems have risen, for example the lockdown of departments, and individual management by each media type of themselves, and approval [for content] department by department.
GAPP and SARFT didn’t want, under any under circumstances, to deal with each other. GAPP only paid attention to newspapers and print media and not broadcast media, and SARFT doesn’t get the support of the print media, making the merging of industries difficult.
The new body replacing SARFT and GAPP — unofficially translated as the General Administration of Press and Publication, Radio, Film and Television — will be responsible for regulating and overseeing print media, radio, film, television, as well as the internet. It will also handle rights and contents.
SARFT is the body that censors films — recently facing controversy for cutting science fiction film Cloud Atlas by 40 minutes. GAPP also came under fire earlier this year for overseeing the censoring of newspaper Southern Weekly New Year’s editorial. The Guangdong provincial propaganda chief rewrote the paper’s heading and editorial without consulting editorial staff, forcing the reform-orientated paper to run a piece toeing the official Party line.
While both SARFT and GAPP monitored the internet, the specifics of their responsibilities were never clear — but now new and uniform regulations have been revealed.
The China Press and Publishing Journal reported that there will be three new rules for internet use under the new body: use of news reports from abroad on websites will be forbidden without permission; editorial staff must not use the Internet for illegal content; and the microblog accounts of news media must be supervised, and an account holder appointed.
Whether the merge will create or lessen the chaos surrounding content control still remains to be seen.
19 Apr 2013 | Newswire
WATCH A LIVE PERFORMANCE OF THE ARREST OF AI WEIWEI FROM 7.30pm GMT
A few days after China’s most famous dissident artist Ai Weiwei was released from jail in June 2011, writer Barnaby Martin called his old mobile phone number. Unexpectedly, Ai answered call. Through subsequent meetings and conversations Martin recorded a full and unparalleled account of Ai Weiwei’s incarceration, from his airport detention to final release.
#aiww: The Arrest of Ai Weiwei is a new play by Howard Brenton, based on Barnaby Martin’s novel and directed by James Macdonald, showing now at the Hampstead Theatre. Index on Censorship is taking part in the worldwide live web streaming of the play, from 1930GMT on Friday 19 April.
This elegant performance centres on communication and miscommunication. In a series of baffling scenes the artist tries and fails to convey his version of events to a steady stream of guards, interrogators and officials who do not want to know. Challenged about his blog, Ai replies, “It’s the net, it’s freedom, why can I not say what I want? I’m human.”
He might as well be inhabiting a different world. In rare moments when we watch prisoner and guards communicating, for instance about how to cook Beijing noodles, it feels like Ai Weiwei might have won. His belief in the basic human need to think, believe and act freely has permeated even the Party’s most brain-washed foot soldiers.
These moments don’t last long, however. Although he was never beaten, Ai emerged from 81 days of imprisonment and psychological torture a different man.
This production serves as a reminder that arguments for national security and “harmony” will always be used in authoritarian regimes to limit freedom and condemn artists as “hooligans” and “conmen”, guilty of subverting state power. But all that Ai Weiwei claims to have been doing was depicting “humanity”, “nakedness” and “life”.
Index is glad to support Hampstead Theatre’s live streaming of #aiww: The Arrest of Ai Weiwei. You can watch it live from 19:30GMT on Friday 19 April
19 Apr 2013 | religion & culture
WATCH A LIVE PERFORMANCE OF THE ARREST OF AI WEIWEI FROM 7.30pm GMT
A few days after China’s most famous dissident artist Ai Weiwei was released from jail in June 2011, writer Barnaby Martin called his old mobile phone number. Unexpectedly, Ai answered call. Through subsequent meetings and conversations Martin recorded a full and unparalleled account of Ai Weiwei’s incarceration, from his airport detention to final release.
#aiww: The Arrest of Ai Weiwei is a new play by Howard Brenton, based on Barnaby Martin’s novel and directed by James Macdonald, showing now at the Hampstead Theatre. Index on Censorship is taking part in the worldwide live web streaming of the play, from 1930GMT on Friday 19 April.
This elegant performance centres on communication and miscommunication. In a series of baffling scenes the artist tries and fails to convey his version of events to a steady stream of guards, interrogators and officials who do not want to know. Challenged about his blog, Ai replies, “It’s the net, it’s freedom, why can I not say what I want? I’m human.”
He might as well be inhabiting a different world. In rare moments when we watch prisoner and guards communicating, for instance about how to cook Beijing noodles, it feels like Ai Weiwei might have won. His belief in the basic human need to think, believe and act freely has permeated even the Party’s most brain-washed foot soldiers.
These moments don’t last long, however. Although he was never beaten, Ai emerged from 81 days of imprisonment and psychological torture a different man.
This production serves as a reminder that arguments for national security and “harmony” will always be used in authoritarian regimes to limit freedom and condemn artists as “hooligans” and “conmen”, guilty of subverting state power. But all that Ai Weiwei claims to have been doing was depicting “humanity”, “nakedness” and “life”.
Index is glad to support Hampstead Theatre’s live streaming of #aiww: The Arrest of Ai Weiwei. You can watch it live from 19:30GMT on Friday 19 April
