NEWS

Nominees for the 2023 Freedom of Expression Awards – Arts
Meet the artists and arts producers whose work challenges repression and injustice and celebrates artistic free expression
18 Sep 23

Visual Rebellion (Myanmar)

Visual Rebellion was established in December 2021 as a platform to showcase and support the edited work of journalists, filmmakers and artists across post-coup Myanmar.

Launched on International Human Rights day on 1 December 2021 by a team led by Nadja Houben (Human Rights in the Picture foundation) and Laure Siegel (Mediapart), Visual Rebellion is a platform to showcase and support the edited work of journalists, filmmakers and artists across post-coup Myanmar. The activities of Visual Rebellion consist mainly of a free public information service on what is happening in Myanmar and in Thailand, continuing education for their members in English, Thai and Burmese language on a range of topics including cybersecurity, investigations, photojournalism, as well as coordinating the production of photo exhibitions, documentary screenings and book publications to finance their studies or visas.

Toomaj Salehi (Iran)

Toomaj Salehi is an Iranian rapper who has been singing about injustice and abuses by the Iranian authorities against civil society. In 2022, during the ongoing protests, he was arrested and charged for his work.

Salehi is a well-known Iranian hip-hop artist who has released protest songs including Mousehole, Turkmenchay and Pomegranate. Many of his songs explicitly reference the human rights situation in Iran, as well as threats to civil society. This has led him to being targeted by the authorities, long before his recent detention.

Following the release of Mousehole, Toomaj was arrested in the middle of the night on 12 September 2021. He was charged with "spreading propaganda against the state," but after more than a week he was released on bail. In January 2022, he was sentenced to six months in prison but was released on a suspended sentence in February. He later appeared in front of the prison where he had been imprisoned as part of a music video for a song written in memory of the victims of Aban.

Due to Toomaj’s support of the the protests that erupted after the killing of Mahsa Amini while in custody, he was violently taken into custody on 30 October 2022. In November, Iran's judiciary charged Salehi with a number of crimes, including spreading "corruption on Earth," a charge that could see him sentenced to death, as well as charges that each carry 1-10 years of imprisonment: “propaganda against the state,” “formation and management of illegal groups with the aim of undermining national security,” “collaboration with hostile governments,” and “spreading lies and inciting violence through cyberspace and encouraging individuals to commit violent acts.”  While in detention, state media published a video purporting to show Salehi blindfolded, with bruising on his face, apologising for his words. Family members and human rights organisations have accused the authorities of torturing Salehi in prison to force him to make a false confession.

In July 2023, Toomaj was sentenced to over 6 years in prison for “corruption on earth”, as well as being banned from leaving Iran for 2 years. He is also banned from preparing, singing and producing music for 2 years. It has also been reported that he has been acquitted of two other charges - “insulting the supreme leader” & “communicating with hostile governments”.

Maria Lanko and Pavlo Makov (Ukraine)

In the midst of Russia’s unlawful invasion of Ukraine, the artist and curator worked to secure and transport Ukrainian art out of the warzone to ensure it could be protected and presented as part of the Venice Biennale. 

Maria Lanko (right) was a co-curator of Kyiv-based gallery, The Naked Room, who was selected to co-curate the Ukrainian national pavilion at the 2022 Venice Biennale. The piece selected to represent Ukraine was entitled ”Fountain of Exhaustion” by artist Pavlo Makov (left), which is a kinetic sculpture consisting of 78 bronze funnels, arranged in the form of a pyramid. The water poured into the top funnel divides into two streams, feeding the funnels below. “Only a few drops reach the bottom, symbolizing exhaustion on a personal and global level,” the curators said in a press release.

On the evening of 24 February 2022, the day that Russia invaded Ukraine, Lanko packed the installation into her car and she drove, heading for Venice. The journey took three weeks, after taking a week just to make it to the border between Ukraine and Romania. Due to Maria’s decision, the piece was able to be presented at the Biennale to enable Ukrainian art to be seen in this unique and important showcase of international art. The importance of this was highlighted by Lanko in an interview with Deutsche Welle: “When the sheer right to existence for our culture is being challenged by Russia, it is crucial to demonstrate our achievements to the world".