2 Aug 2024 | Israel, Middle East and North Africa, News, Palestine, Volume 53.02 Summer 2024
They emerge very slowly from a black hole in the background. Men and women, their faces tired, all take heavy steps. Some are dragging a bag, others have mattresses and household objects. The stage is lit in green and red, illuminating the young actors and dancers one by one, emphasising their individual suffering. The music – rapper Hijazi’s remix of the traditional Palestinian choral song Tarweeda Shamaly – repeats in a hypnotic loop to tell us that, for 70 years, the story of Palestinians has always been the same: moving forward in an exhausting and constantly uprooting process. The Palestinians call it Nakba and this dance-theatre show named The Story is Sick by the Ayyam al Masrah company, the only one active in the strip, was performed just over a year ago live in Gaza. It was a performance like no other which I saw on a reporting mission to the strip. Today it seems to rise again in tragic reality, after 7 October 2023.
The theatre has been destroyed now and no longer exists. The cast and crew have paid a horrific price for living in Gaza. Of the company’s 20 or so actors, aged between 20 and 35, many are displaced in Deir al-Balah. Only one, the stage technician, Ahmad Gheidar, decided to stay in Gaza, risking his life; a couple of actors, Mohannad and Lina, got engaged, left Gaza and did everything they could to escape to Egypt; three have died with all their families. None of the members of the company have a home to return to; their houses are all destroyed. The only thing left to the actors of Ayyam al Masrah is theatre, as the artistic director of the company, Mohammed al-Hessi recalls, constantly disturbed in the background by the buzz of Israeli drones.
For al-Hessi himself it was unimaginable that one of the play’s characters – a Palestinian, forced to abandon his home in 1967 and wander through refugee camps in the region – would be his reality a year later. Displaced from Gaza City after the Israeli bombings of November 2023, he and his wife and three daughters are searching for a fourth refuge, after Khan Younis, Deir al-Balah and Rafah.
“I am very worried,” he told Index in a series of daily voice messages that continue a dialogue that has already lasted more than six months. “There are thousands of people who continue to move by cars and donkeys like us. After being shot in the back and miraculously unharmed, I spent two months on Rafah beach in al-Mawasi. Here, at times I hoped to end it all. The cold in February was excessive and we tried to survive by somehow diluting the salty sea water for drinking. I was morally destroyed by the impossibility of giving a dignified life to my wife and my daughters, but I didn’t believe I would be forced to move again and again to get away from the bombings that reached us as far as the south of the strip”.
Al-Hessi’s fate is also that of a man unafraid to speak truth to power: inconvenient for Israel, to the point of not being able to leave Gaza for seven years now, because he raises political issues in his plays and is not afraid to highlight the impact of the Israeli occupation on Gazans’ daily life; inconvenient for Hamas because the theatre company has been the only one on the strip since 1995 that does not bow to the local powers that be. He has challenged Hamas’s moral police by putting men and women on stage as couples and has had the courage to question the Islamic values on which daily life is based, stimulating debate among spectators. In the audience, men and women sit together, next to each other, condemned by Hamas authorities as a dangerous potential for “promiscuity”.
In Gaza City, the success of The Story is Sick was so overwhelming when it was first staged in February 2023 that the number of performances was doubled to 40. “People loved our show because it manages to generate a great debate between the public and the actors,” al-Hessi told Index proudly. “After the performance everyone asks questions, as if looking for a solution. And the theatre has always been full: those who saw the show brought other people, students, associates. At the debut there were 350 people in the room and there were people waiting outside, sitting on the stairs.”
For those who attended the play last spring, the atmosphere was alive with debate, pulsating even. From the stands, many were wondering about the weight of tradition on family relationships and how the Israeli occupation and segregated life on the Gaza strip made the patriarchal system and male-female dynamics more burdensome and complicated.
Hana Abd al-Nabi, a lively and dynamic actor in the company, wrote the script of The Story is Sick together with the artistic director. She explained: “In this show we faced a new challenge: it was the first year in which we added male figures to the narrators on stage because we had always entrusted the role of the narrator to a female voice and body. The audience so far had not been mixed but was mostly female only.
“We then inserted male characters into the show and encouraged the presence of young men in both to change their point of view on the topics treated in our comedies. The female character tells the story from her point of view, and the male character tells the same story from his point of view. As an author I had to split between genders: if I were a man, would my wife say a certain thing, and would she complain in a certain way? And what would I do if I were a woman? And who would be right between the two? On stage, with respect to individual stories, both genders – man and woman – are right, each from their point of view. Actually, we still find ourselves trapped in the same cultural and social pattern, from the era of the Arabian Nights to the era of social media, where our entire lives, even private, are discovered, exhibited.”
The project started with a workshop between 23 actors to understand how to tell a story. The cast of Ayyam al Masrah had gathered the voices of three generations of Palestinians from Jaffa, Haifa and all of historic Palestine. Stories of the first Intifada, the second, and life today. Stories of couples who got married or who lived together or who had a love story. Each actor brought six stories. “In this journey,” said al-Hessi, “we saw something happen in front of us: in this story of the Palestinian people there was something sick. From 1948 to today, love and life have progressively disappeared. And we saw that the future in the eyes of the young was already broken, and that each of us was torn to pieces. We saw how each event – an intifada, an offensive, a siege – had an increasingly worse effect on social life. In the difficulties of everyday life, in looking for a job, in family life: even love stories have disappeared.”
The only moment al-Hessi smiles is when he talks about his workshops in refugee camps: “Our first show in 1995 was called Mothers. 200 women came to see it, and a long discussion started there too. Instead of an hour we stayed there for three hours because all the women wanted to talk. From there we started our storytelling programme for women. Now I have built a 20-minute show that stages our displacement in which women are once again the main characters and we will have three female actors on the stage. And I wrote another script, and I have three male actors on stage: it is a show tailored to the needs of children up to 12 years of age.”
Al-Hessi’s recipe is simple. At the end of the day, his bread is life: tragic, absurd, unexpected, constantly balanced between the grimace of pain and the laughter of survival.
12 Jul 2024 | News, Newsletters, Russia, United Kingdom
It’s been a hectic week in British politics after a Labour government was elected in a landslide last week. There are reported to be 30 new bills which will be announced in the King’s speech as part of the state opening of parliament next Tuesday.
As our CEO Jemimah Steinfeld indicated in last week’s newsletter, we at Index are keeping a beady eye on how much new Prime Minister Keir Starmer and his government will prioritise freedom of expression at home and abroad. To help guide his thinking, we have put together this manifesto, a wishlist for freedom of expression under the new government.
So far the signs are encouraging. As one of his first acts in office, the new foreign secretary David Lammy called for the immediate release of Russian-British journalist Vladimir Kara-Murza whose plight Index highlighted in April this year. Kara-Murza is languishing in a Russian penal colony in Omsk and there were fears this week for his health after it was reported that he had been moved to the prison’s hospital.
Lammy said in his statement : “His [Kara-Murza’s] absurd 25-year sentence shows the Kremlin’s deep fear that more Russians will know the reality of Putin’s illegal war – and is further evidence of the targeted repression of the opposition.” He also called for his lawyer to have permission to visit him, which subsequently happened.
In other encouraging news for free speech in the UK, human rights lawyer Richard Hermer KC was appointed attorney general. A former colleague of Starmer’s, he will serve in government from the House of Lords. He has a distinguished career fearlessly standing up for human rights highlighted today in a Guardian profile. He recently gave legal advice that the so-called BDS bill proposed by the Conservative government, would stifle free speech. The bill (which never became law) was introduced by the then communities secretary Michael Gove to stop local councils and other public bodies economically boycotting countries like Israel. The new solicitor general, freshly elected MP Sarah Sackman, also worked with Hermer at Matrix Chambers.
Meanwhile Index – as co-chairs of the Anti-SLAPP coalition – has written a letter to the Prime Minister to ask for a bill to be introduced next Tuesday, putting protections in place which prevent Strategic Lawsuits Against Public Participation (SLAPPs). Legislation had been introduced as a private members bill in the last parliament. It garnered cross-party support, but never became law. The letter, signed by Index’s Jessica Ní Mhainín and Nik Williams, calls for that bill to be revived and strengthened. As we highlight, these kind of lawsuits not only hinder clampdowns on fraud and corruption, but silence many ordinary people including “sexual violence survivors speaking out after the police or the CPS have refused to bring criminal charges, patients of healthcare services posting reviews to highlight concerns regarding their care, as well as members of the public scrutinising a wide variety of services they have received.” If the Labour government were to introduce a comprehensive Anti-SLAPP law early in their administration, it would be a brave and tangible indication of their commitment to free expression. In the meantime we are holding an event in Dublin on SLAPPs in October and you can sign up for tickets here.
3 Jul 2024 | Albania, Europe and Central Asia, Kosovo, News, Serbia, Switzerland
Following the controversy of the 2022 World Cup when organising body FIFA faced major criticism over the decision to hold one of the biggest sporting events on the planet in Qatar, a state with a terrible record on human rights, governing body UEFA have attempted to steer clear of any politics whatsoever at this summer’s European Championships.
This year’s competition – which is currently ongoing – has stressed a message of unity, togetherness and inclusion, with UEFA being determined to avoid the negative press garnered by FIFA two years ago by remaining tight-lipped on political issues.
However, no matter how hard you try, politics cannot be removed from football. A number of issues related to freedom of speech have given UEFA headaches during the tournament, showing that censorship can be experienced anywhere, even when you try to avoid it.
One of the most significant examples of free speech being curtailed at the Euro 2024 was the case of Kosovan journalist Arlind Sadiku, who was barred by UEFA from reporting on the remainder of the tournament after he aimed an Albanian eagle sign towards Serbia fans during a broadcast.
Kosovo, Sadiku’s home state, has a population made up of 93% ethnic Albanians and the countries have a strong connection. Serbia does not recognise the independence of Kosovo and there is a history of conflict between the two nations, with relations remaining tense since the end of the brutal Kosovo War in 1999. The eagle symbol made by Sadiku represents the one on Albania’s flag and was deemed by UEFA to be provocative.
Sadiku told the Guardian: “People don’t know how I was feeling in that moment because I have trauma from the war. My house was bombed in the middle of the night when I was a child.
“I know it was unprofessional from a journalist’s perspective, but seeing my family in that situation was traumatic for me and I can’t forget it.”
The conflict between Serbia and Kosovo has caused free speech issues in sport before. In 2021, a Kosovan boxing team was denied entry to Serbia for the AIBA Men’s World Boxing Championships. It was a similar story at the European Under-21 Table Tennis Championships in 2022, which were held in Belgrade, as Kosovo athletes were once again not permitted to participate by Serbian authorities.
Even in football this has been a long-standing issue. At the 2018 World Cup, Swiss duo Xherdan Shaqiri and Granit Xhaka were charged by FIFA for each making the eagle salute after scoring against Serbia for Switzerland. They were each fined £7,600 for their celebrations.
Granit Xhaka’s father spent more than three years as a political prisoner in Yugoslavia due to his support for Kosovan independence and Xherdan Shaqiri came to Switzerland as a refugee and couldn’t go back to visit his family due to the war. Such context was again not enough to mitigate the players’ actions according to FIFA.
Of course, there is an argument to be made that the symbol made by Sadiku, Shaqiri and Xhaka was incendiary and risked provoking aggravation among fans, which could potentially be a safety hazard. However, if those who have personally experienced persecution are then punished when making a peaceful protest, then there is surely no room for any dissent in sport at all.
Many of the other conversations around free speech at Euro 2024 have been centred around nations in the Balkans.
Jovan Surbatovic, general secretary of the Football Association of Serbia, suggested that the country may withdraw from the tournament completely due to hate chants he claimed were made by Croatia and Albania fans. Serbia themselves have been the subject of a number of complaints – they were charged by UEFA after supporters unveiled a banner with a “provocative message unfit for a sports event”, while the Kosovo Football Federation also lodged a complaint about their fans spreading “political, chauvinistic, and racist messages” declaring their supremacy to Kosovo. One Albanian player, Mirlind Daku, was banned for two games for joining in with fans’ anti-Serbia chants after their draw with Croatia.
When nations have such complex relationships and history outside of football it can easily spill out on the pitch. The heightened emotion and passion of sport makes for a compelling watch, but can also increase tensions between nations. In such a convoluted context it is sometimes difficult to know where to draw the line between the right to free speech and the protections against hate speech.
Global conflicts have thrown up more sticking points – when calls were made for Israel to be barred from competing at Euro 2024 due to their ongoing bombardment of Gaza – which has killed more than 37,000 Palestinians – in response to the 7 October attacks by Hamas, UEFA refused. Niv Goldstein, chief executive of the Israel Football Association, told Sky News: “I am trusting Fifa not to involve politics in football. We are against involving politicians in football and being involved in political matters in the sport in general.”
This doesn’t quite match up with the fact that UEFA banned Russia from the competition soon after their invasion of Ukraine, demonstrating the difficulties in finding where to draw the line when attempting to regulate political speech and expression in football. UEFA were spared the headache of dealing with further protest at the tournament after Israel failed to qualify.
Similar issues were raised when German authorities ruled that only flags of participating teams would be allowed into stadiums, which was widely seen as an attempt to avoid potential conflict over Palestine and Israel flags being displayed, but which raised concerns that it would limit support for Ukraine. Blanket bans are often difficult to reconcile with the idea of free speech.
Football can’t ever be fully separated from politics. Just look at the case of Georgian MP Beka Davituliani, who weaponised the country’s shock victory against Portugal in his attempt to roll back on human rights, stating that the country needed defending from so-called LGBTQ+ propaganda like Giorgi Mamardashvili defended his goal. For the most part, fans and players have been able to express themselves freely, but we have a duty to highlight any issues when they arise – and unfortunately, at this summer’s tournament, they have.
11 Jun 2024 | Israel, Moldova, News, Russia, Ukraine
Israel’s High Court of Justice this week heard a petition challenging new legislation allowing a ban on foreign broadcasters deemed a threat to national security.
Known as the Al Jazeera law, in honour of its inaugural target, this allows the communications minister, with the consent of the prime minister and the committee of national security, to impose far-reaching sanctions.
“There is no doubt that there is a violation of freedom of expression here,” the High Court panel’s head, Justice Yitzhak Amit, told the hearing.
Yet Israel’s May shuttering of Al Jazeera – described as a “terror channel” by Prime Minister Benjamin Netanyahu – passed without much domestic concern.
Any outrage was limited to Israel’s small liberal left wing, even though in banning Al Jazeera, Israel joins the august ranks of countries including Saudi Arabia, Egypt and Bahrain.
The issue is, of course, rife with politicisation. Al Jazeera is headquartered in Qatar, as is part of the Hamas leadership, and is hardly free from bias. Nonetheless, this law can be used in the future to ban other foreign broadcasters that are deemed to pose an amorphous “threat to national security”.
And crucially, it includes an “override clause” that even Israel’s high court cannot overturn.
It’s important to note that countries often introduce special legislation affecting media in times of war and crisis, amid legitimate national security considerations.
Ukraine is an obvious case in point, not least because it faces such a particularly sharp threat from Russian disinformation.
A year before Russia’s full-scale invasion in February 2022, President Volodymyr Zelensky moved to shut down three pro-Russian TV channels judged to effectively be weapons in Russia’s information war.
Immediately after the full-scale invasion, all national news channels were united into a 24-hour broadcast, and a subsequent newly revised media law was intended to be muscular enough to withstand Russian malign influence.
Yet while criticism of the government in times of war – especially one being fought with a citizen’s army – is not easy, Ukrainian journalists have quite effectively held their leaders to account.
Reporting on corruption in the defence ministry, for instance, heralded the minister’s resignation of defence minister Oleskiy Reznikov and government pledges for greater transparency.
And critically, the Government’s moves in the information sphere have not gone unchallenged. Ukraine, with its history of authoritarian government and a media scene under the sway of oligarchs and political interests, knows all too well how fragile free expression can be.
While officials made clear that the telethon would be completely free of government intervention, not all outlets were included, and critics note that some of those excluded such as Espresso, Channel 5, and Priamyi, had often criticised Zelensky and to varying degrees were associated with his predecessor Petro Poroshenko.
And there was widespread criticism of the March 2023 media law for handing too much power to government intervention, with the same measures to counter Russian disinformation all too easily abused to limit critical voices.
In neighbouring Moldova, scores of pro-Russian outlets were banned under the state of emergency declared immediately after Russia’s full-scale invasion of Ukraine. More than two years later, the TV channels and websites remain blocked despite the end of the state of emergency, and many critics would argue that the country remains as vulnerable as ever to Russian propaganda.
What is needed to ensure that national security considerations do not become a tool to control free expression is a robust civil society push back and an ongoing debate on the boundary between freedom of speech and the fight against fake news.
In Israel, where the national narrative has become an inextricable part of the conflict itself, the public appears increasingly supine in the face of the official version of events.
Israel has long championed its diverse and outspoken media sector as a sign of a vibrant democracy, alongside robust laws that purport to protect free expression. But civil society and media are now experiencing repression from both official and non-state sources, with Palestinian citizens of Israel bearing the brunt.
Anti-war protests have been curtailed and violently repressed; Jewish and Arab teachers fired over left-wing posts on social media, while students have faced disciplinary actions for simply supporting a ceasefire.
Dissenting voices and journalists are being directly targeted and doxxed. Just after 7 October, Communications Minister Shlomo Karhi suggested police be empowered to arrest those accused of spreading information that could harm morale or fuel enemy propaganda.
Haaretz journalist Rogel Alpher this week noted a column in Yisrael Hayom which called for articles in the penal law that mandate execution or life imprisonment enforced on those disseminating “defeatist propaganda” or “abetting the enemy”.
Of course, Israel is not about to start executing journalists. The vast majority of extreme proposals do not make it into law, just as most anti-war arrests do not lead to indictments. Even bans on specific outlets are not total; Al Jazeera can still be accessed with absolute ease online.
But this all helps create a chilling atmosphere, serving to normalise such actions and increasing self-censorship.
Israel’s Hebrew-language media has chosen to self-censor to such a large extent that Jewish Israelis experience what Esther Solomon, editor-in-chief of Haaretz English, describes as a “cognitive gap” between the content they consume and what the rest of the world sees.
This means that anything confronting the profoundly uncomfortable reality of war and contradicting the accepted IDF narrative is seen as traitorous and a threat to national security.
The public acceptance of vaguely worded censorious media laws seems to fit all too well with the ongoing slow and creeping deterioration of Israel’s democracy.
