1 Feb 2018 | Campaigns -- Featured, Statements, Tunisia
The undersigned regional and international NGOs join Tunisian organisations in their demands that the government immediately withdraw a draft law on the broadcasting regulator which fails to meet international standards on freedom of expression and independent broadcasting in democratic countries.
As part of the important process of harmonising Tunisian legislation with the 2014 Constitution, a draft law was submitted to the Assembly of People’s Representatives in December 2017 and it is currently under review by the parliamentary Commission of Rights and Freedoms. The draft law would partly replace the existing legislation in this area -Decree-Law No. 116-2011, on the Freedom of Broadcasting Communication and the creation of the Higher Independent Audio-Visual Communication Authority (HAICA) – with new legislation solely establishing a new broadcasting regulator, the Audio-Visual Commission.
The draft law and associated reforms have already been criticised by civil society, as the bill was prepared by the Tunisian government without substantial prior dialogue with local human rights and professional groups.
In June and again in December 2017, Tunisian and international human rights and professional groups wrote open letters to President Beji Caid Essebsi, Parliament Speaker Mohamed Ennacer and Prime Minister Youssef Chahed, expressing their deep concern about the draft law, its “unsatisfactory wording”, the “dangerous restrictions” of the prerogatives of the broadcasting regulator it would create, and the “deficiencies in the safeguards guaranteeing” its independence. They also explained that fragmenting of the legal framework “would open the door to ambiguity, conflict and limitation of the freedom of audiovisual communication and the independence of the regulatory body.” There has been no response.
Two legal analyses of the draft Law were made public in Tunis in early January 2018 by Vigilance for Democracy and the Civic State (VDCS) and by ARTICLE 19, which concluded that the draft law did not comply with applicable international standards.
We, the undersigned, call on the Tunisian government to immediately withdraw its draft law and initiate a constructive dialogue with relevant civil society and professional groups, independent media experts, and members of parliament. Such a dialogue would help pave the way for the adoption of a comprehensive audiovisual law, in line with the 2014 Constitution and international standards.
Signed,
Vigilance for Democracy and the Civic State
7amleh – Arab Center for the Advancement of Social Media
Adil Soz – International Foundation for Protection of Freedom of Speech
Afghanistan Journalists Center (AFJC)
Africa Freedom of Information Centre (AFIC)
Americans for Democracy & Human Rights in Bahrain (ADHRB)
Arabic Network for Human Rights Information (ANHRI)
ARTICLE 19
Association for Freedom of Thought and Expression (AFTE)
Association for Media Development in South Sudan (AMDISS)
Bahrain Center for Human Rights
Cartoonists Rights Network International (CRNI)
Center for Independent Journalism – Romania
Center for Media Freedom and Responsibility (CMFR)
Committee to Protect Journalists (CPJ)
Digital Rights Foundation
Foro de Periodismo Argentino
Foundation for Press Freedom – FLIP
Freedom Forum
I’lam Arab Center for Media Freedom Development and Research
Independent Journalism Center – Moldova
Index on Censorship
Maharat Foundation
Media, Entertainment and Arts Alliance
Media Institute of Southern Africa (MISA)
Media Watch
National Union of Somali Journalists (NUSOJ)
Pacific Islands News Association
Pakistan Press Foundation
Palestinian Center for Development and Media Freedoms (MADA)
Syrian Center for Media and Freedom of Expression (SCM)
Trinidad and Tobago’s Publishers and Broadcasters Association
World Association of Community Radio Broadcasters (AMARC)
World Association of Newspapers and News Publishers
Arab Society for Academic Freedoms
Association Ifouki Media Bladi (IBM), Morocco
Community Media Solutions (CMSO)
Community Radios Association (ARAM), Morocco
Euromed Rights
Center for Media Freedom (CMF), Morocco
Organization for Freedom of Expression and of the Media (OLIE), Morocco
Forum for alternatives in Morocco (FEMAS)
Freedom Now, Morocco
International Media Support (IMS)
Lawyers for Justice in Libya
Libya Al-Mostakbal Center for Media and Culture
Libyan Center for Press freedom (LCPF)
Moroccan Association for Investigative Journalism (AMJI)
12 Sep 2017 | Volume 46.03 Autumn 2017, Volume 46.03 Autumn 2017 Extras
[vc_row][vc_column][vc_column_text][/vc_column_text][vc_column_text]
In the autumn 2017 issue of Index on Censorship, our special report looks at why the rebirth of radio is delivering more news and how that’s very good for freedom of expression.
The podcast includes interviews from several people featured in the magazine, who show how innovations in radio are allowing hard-to-reach populations to receive vital information. Ida Jooste from Internews talks about how radio helped curtail a cholera epidemic in the Central African Republic, Peter Kettler from Coffee Lifeline discusses radio in Rwanda and Joe Hynek talks about a station in a remote area of Iowa, USA.
Also in the podcast is an interview with Ghassan Ferghiani, a bookseller operating between the UK and Libya.
Print copies of the magazine are available on Amazon, or you can take out a digital subscription via Exact Editions. Copies are also available at the BFI, the Serpentine Gallery, MagCulture, (London), News from Nowhere (Liverpool), Home (Manchester) and on Amazon. Each magazine sale helps Index on Censorship continue its fight for free expression worldwide.
[/vc_column_text][/vc_column][/vc_row][vc_row content_placement=”top”][vc_column width=”1/3″][vc_custom_heading text=”Free to air” font_container=”tag:p|font_size:24|text_align:left” link=”url:%20https%3A%2F%2Fwww.indexoncensorship.org%2F2017%2F09%2Ffree-to-air%2F|||”][vc_column_text]Through a range of in-depth reporting, interviews and illustrations, the autumn 2017 issue of Index on Censorship magazine explores how radio has been reborn and is innovating ways to deliver news in war zones, developing countries and online
With: Ismail Einashe, Peter Bazalgette, Wana Udobang[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_single_image image=”95458″ img_size=”medium” alignment=”center” onclick=”custom_link” link=”https://www.indexoncensorship.org/2017/09/free-to-air/”][/vc_column][vc_column width=”1/3″ css=”.vc_custom_1481888488328{padding-bottom: 50px !important;}”][vc_custom_heading text=”Subscribe” font_container=”tag:p|font_size:24|text_align:left” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2Fsubscribe%2F|||”][vc_column_text]
In print, online. In your mailbox, on your iPad.
Subscription options from £18 or just £1.49 in the App Store for a digital issue.
Every subscriber helps support Index on Censorship’s projects around the world.
SUBSCRIBE NOW
[/vc_column_text][/vc_column][/vc_row]
12 Sep 2017 | Magazine, Magazine Contents, Volume 46.03 Autumn 2017
[vc_row][vc_column][vc_custom_heading text=”Contributors include Madeleine Thien, Xinran, Peter Bazalgette, Laura Silvia Battaglia, Mahesh Rao, Chawki Amari and Amie Ferris-Rotman”][vc_column_text]
The retro medium of radio is back, as we explore in the Autumn issue of Index on Censorship magazine 2017, which is excellent news for the delivery of well, news. Laura Silvia Battaglia reports from Mosul on the radio station that is giving a voice to the people there, while Claire Kopsky interviews people behind “radio boats“, boats that are broadcasting information on cholera in the Central African Republic in a bid to educate the population about the disease.
[/vc_column_text][vc_single_image image=”95458″ img_size=”full” alignment=”center”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]
Then there are the examples of radio proving a perfect outlet for people to share their most private inner thoughts and experiences, as Wana Udobang writes about from a Nigerian context and Xinran remembers back in China.
Part of the increased popularity of radio is that it’s managed to evolve and we have an article on how podcasts are being made in some of the least likely – and most censored – places, such as China, and smuggled into North Korea. We also have a handy guide on making your own podcasts, for those with an idea.
But radio’s ability to reach the masses also means that this powerful tool can get into the wrong hands. Ismail Einashe explores this in his article on al-Shabaab in Somalia, who operate a very popular radio station. Then there’s Rwanda, which two decades ago saw the airwaves being monopolised by voices promoting genocide. The country has moved on a lot, but radio is still far from free.
Outside the special report, we take you to Russia where a seemingly innocent film about the last tsar has angered the country’s church. With Banned Books Week coming up, we ask a selection of writers to choose the books that made them think most about free speech. What would be your pick? And we have an extract from a forthcoming novel highlighting the dangers of being a journalist in Mexico, with superb illustrations to accompany.
Finally, don’t miss our cut-out-and-keep male nipple template, a handy tool to ensure female nipples are social media friendly.
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Special report: Free to air “][vc_column_text]
Why the rebirth of radio is delivering more news
Fear for the airwaves, by Ismail Einashe: In Somalia al-Shabaab control a prominent radio station and a fifth of the country. Meet the radio presenters who brave danger to keep reporting
Project freedom? by Sally Gimson: Radio Free Europe was at the frontline of Cold War reporting. Three decades on, is it still needed?
Sound unbound, by Oleg Shynkarenko: How a new radio station was built from scratch using crowdfunding to break away from oligarchs and government pressure
Don’t touch that dial, by Kieran Etoria-King, Rachael Jolley, Jemimah Steinfeld: Interviews with a pirate rain DJ, comedian Robin Ince, a Hong Kong presenter, the controller of BBC World Service English and the editor of a refugee radio station
Syrians speaking, by Rhodri Davies: Syrians in exile on why they set up a new radio station and what it covers
Power to the podcast, by Mark Frary: Podcasting is bringing a whole new audience to radio and giving investigative journalism a boost. Plus, our handy guide to making your own podcasts
Stripsearch cartoon, by Martin Rowson: There’s a new app out called Smart Ink. Will it become a dictator’s favourite tool?
Tuning into a brave new world, by Jan Fox: Grassroots radio is on the rise in the USA, where a 98-year-old granny is a station superstar, but it’s not without challenges
Under the rad(io)ar, by Kaya Genç: A radio station in Turkey, known for its criticism of the government, is somehow surviving the current crackdown
Taboos and telephones, by Xinran: Radio was one of the first outlets where Chinese women spoke about personal issues such as forced abortions. Is the same honesty possible today?
Stationed in the warzone, by Laura Silvia Battaglia: Radio presenters in Mosul tell Index how the station is giving a voice to the people, but it has not been easy operating under bombardment
Secrets, lies and Lagos lives, by Wana Udobang: Exorcisms and illicit affairs are just some of the topics callers to a popular talk show in Nigeria wanted to share
New waves, by Claire Kopsky: Radio took to riverboats in the Central African Republic to bring information and news about a cholera epidemic
Chat rooms, by Milton Walker: Talk about interactivity, Jamaican radio shows sometimes receive as many as 4,000 text messages
Sound and fury, by Graham Holliday. Two decades ago Rwandan radio was monopolised by voices promoting genocide, but radio is still not free from controversy
Let’s get this show on the road, by Silvia Nortes: Meet the Spanish comedians behind Radio Gaga, a television show about radio which visits overlooked communities
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”In focus”][vc_column_text]
China’s other great wall, by Madeleine Thien: 1980s Beijing saw the creation of another wall, one promoting democracy. The Booker Prize nominee discusses its legacy today
Closing access to the back door, by Iona Craig: Investigative journalists working in hostile environments need encrypted apps to work more safely. This is being forgotten in the current debate on encryption
No one owns language, by Jemimah Steinfeld: The 2016 Man Booker Prize winner Paul Beatty discusses “offensive” language and teaching styles
Risky business, by Charlotte Bailey: Amid confiscations and threats, one chain of bookstores continues to operate in Libya
Tracking down the F word in fiction, by Mahesh Rao, Sean Gallagher, Kieran Etoria-King, Grainne Maguire, Ryan McChrystal: Ahead of Banned Books Week, writers choose the books that make them think about free speech
Costume drama, by Amie Ferris-Rotman: Russia’s religious right claim God is annoyed about a film on the last tsar, just part of a new censorship culture
Bulldozing his way through the media, by Natasha Joseph: Tanzania’ current president has been nicknamed “the bulldozer” and the media is in his sight
Big brother we’re watching you, by Jason Daponte: Members of a new, hip London club claim to have empowered voters in the UK General Election
Making a killing, by Duncan Tucker: A special Index investigation looking at why Mexico is an increasingly deadly place to be a journalist as reporters face threats from corrupt police to deadly drug gangs
New tribal instinct, by Peter Bazalgette: Our pact mentality has become more pronounced as we spend more time online, the author argues
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Culture”][vc_column_text]
Parallel lives and unparalleled risks, by Tim MacGabhann: The author discusses his time reporting from Mexico, how the death of one journalist particularly affected him and introduces an excerpt from his forthcoming book
The people’s poet, by Wiji Thukul: Nearly 20 years since Indonesia’s famous poet disappeared, Eliza Vitri Handayani introduces the man and some new translations of his poems
The disappeared, by Chawki Amari: The award-winning Algerian writer talks about prison in Algeria and the media landscape in France. Plus a short story
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Column”][vc_column_text]
Index around the world, by Kieran Etoria-King: Top comedy acts discuss the importance of humour following our event Stand up for Satire, plus news of other Index summer highlights
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Endnote”][vc_column_text]
Uncovering the nipple cover-up, by Jemimah Steinfeld: The battle to give the female nipple equal rights as one woman heads to the Supreme Court. Plus, a cut-out-and-keep male nipple for social media use
[/vc_column_text][/vc_column][/vc_row][vc_row content_placement=”top”][vc_column width=”1/3″][vc_custom_heading text=”Free to air” font_container=”tag:p|font_size:24|text_align:left” link=”url:%20https%3A%2F%2Fwww.indexoncensorship.org%2F2017%2F09%2Ffree-to-air%2F|||”][vc_column_text]Through a range of in-depth reporting, interviews and illustrations, the autumn 2017 issue of Index on Censorship magazine explores how radio has been reborn and is innovating ways to deliver news in war zones, developing countries and online
With: Ismail Einashe, Peter Bazalgette, Wana Udobang[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_single_image image=”95458″ img_size=”medium” alignment=”center” onclick=”custom_link” link=”https://www.indexoncensorship.org/magazine”][/vc_column][vc_column width=”1/3″ css=”.vc_custom_1481888488328{padding-bottom: 50px !important;}”][vc_custom_heading text=”Subscribe” font_container=”tag:p|font_size:24|text_align:left” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2Fsubscribe%2F|||”][vc_column_text]In print, online. In your mailbox, on your iPad.
Subscription options from £18 or just £1.49 in the App Store for a digital issue.
Every subscriber helps support Index on Censorship’s projects around the world.
SUBSCRIBE NOW[/vc_column_text][/vc_column][/vc_row]
6 Jun 2017 | News and features, Turkey
[vc_row][vc_column][vc_column_text]
Index on Censorship contributor Ece Temelkuran’s latest novel is Women Who Blow on Knots.
Turkish author Ece Temelkuran is growing increasingly anxious about life under President Erdogan, she told Index on Censorship.
“After the failed coup attempt, the crackdown began on journalists, but we thought that writing fiction would provide a safe shelter,” she said. “Now we are seeing even the novelists are being targeted, and it makes you think there is no haven for anyone with critical thought.”
Asked whether her worries have begun to affect her own work, she paused before adding: “There is no justice in Turkey as we know it in the West. We don’t know what tweet, what thing you write could be the thing that puts you under the spotlight. The unhappiness in Turkey is so big, so palpable that you can touch it. It paralyses the human mind. Turkey does not let you do any intellectual work.”
However, Temelkuran, speaking to Index in London at an event to promote her new book The Women Who Blow on Knots, insisted that she would never allow Erdogan to force her to flee her homeland.
“The idea of leaving Turkey permanently is horrible because it deprives you of home, which I believe is inhumane. The supporters of Erdogan are constantly claiming that they are the ‘real people’ of Turkey, and I feel we have to constantly remind them that we are also real people.”
With the country heading down an authoritarian path following Erdogan’s success in a recent referendum that granted him vast new powers, Temelkuran believes Turkey faces a long road back. “It’s not easy to be hopeful, but one can be easily inspired by the people who are resisting,” she said, giving the example of two educators, Nuriye Gulmen and Semih Ozakca, who went on hunger strike in March 2017 in protest at losing their public sector jobs in the post-coup purge. Soon after Temelkuran’s interview, the pair were arrested and charged with membership of a terrorist organisation. They vowed to continue striking in prison.
The Women Who Blow on Knots tells the story of a group of women travelling through the Middle East during 2011’s Arab Spring. In conversation with author Diana Darke, Temelkuran explained that the title of her book is a reference to a passage from the Koran warning of the evil of women who performed witchcraft by blowing onto knotted rope, inverting the idea into an acknowledgement of female power.
“If our breath is so strong why not use it,” she said. “The main idea is that women blow life into things, into men, into children, into anything. They create life.”
The novelist also referred to one scene in which a group of Libyan militia women are watching Sex and the City, saying that she believes cultural divisions are overrated. “We’re watching the same TV series, using the same brands, reading the same books, we are watching the same Trump, whatever. The world is not completely like one village, but the cultural references are getting more and more common.”
However, in the context of a divided Turkey, she said that “it is as if there is this soundproof wall” in the middle of the country, with neither east nor west caring to learn about life on the other side. “This is something that I learned in early ages – the ones who stand in the middle get shot by both sides.”[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_basic_grid post_type=”post” max_items=”12″ style=”load-more” items_per_page=”4″ element_width=”6″ grid_id=”vc_gid:1496743531699-19a91ff0-06b4-6″ taxonomies=”8607″][/vc_column][/vc_row]
