15 Apr 1984 | Magazine Editions, Volume 13.02 April 1984
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The April 1984 issue of Index on Censorship magazine.
By Olle Wästberg
Index on Censorship has received about fifty letters and postcards about what is called ‘The Felderer Case’.
Swedish courts found Dietlieb Clüwer Felderer guilty of ‘Agitation against an ethnic group’, according to the Swedish Penal Code, Chapter 16, Paragraph 8, which reads as follows:
‘If a person publicly or otherwise in a statement or other communication which is spread among the public threatens or expresses contempt for a group of a certain race, skin colour, national or ethnic origin or religious creed, he shall be sentenced for agitation against an ethnic group to imprisonment for a maximum of two years or, if the offence is petty, to pay a fine.’
The law is very seldom used. Felderer is the first Swedish citizen to get a prison sentence of this length — 10 months.
The charge against Felderer was as follows: ‘Felderer has on each of several copies of written material, dealing with the subject of the Auschwitz concentration camp in Poland, fastened a strand of hair and a piece of soap, and in some cases also a condom, and in one case a piece of a nail. He wrote on each copy that the piece of soap consisted of pure Jewish fat with the scent of Hungarian Jew. In several cases he stapled an apparently used condom and wrote that it had been used by a named representative of Jewish victims on a visit to a Nazi brothel. Felderer sent these communications to recipients in Sweden, Holland, Austria, Germany, Canada and the USA.’
A few examples from Felderer’s mailings: He published a caricature of a Jew, naked, with the following caption (his spelling is given): ‘The naked truth. Childrens’ contest. The name of this handsome-looking fellow is Zyklon B. Goldman. In 1944’s beauty contest at AUSWITCH he was unanimously selected as the prettiest chap of AUSWITCH. Mr Zyklon B. Goldman has just come out of the gas chamber, spick-and span, for his 16th time. Each time he is looking better and better. Each time he is getting healthier and healthier. Mr Zyklon B. Goldman really digs the AUSWITCH gas. How did he look before he entered the gas chamber? Dress Mr Zyklon B. Goldman up and send us your picture. FIRST PRIZE: Sweets for a total of 100 kronor or our book Auschwitz Exit, Vol 1.’
Pamphlets with soap and the text ‘Pure Jewish Fat — Scent: Hungarian Gas Chamber 3, Birkenau’ were posted to different organisations and museums for victims of the Nazi era.
Individual Jews who had been victims of Nazi persecution were sent offensive material. For example, Gideon Hausner, the prosecutor, was sent a used condom with the message that it had been used by Simon Wiesenthal on his 239th visit to a Nazi brothel during the Hitler era.
To see if Mr Felderer’s mental state was such that he should get exemption from punishment the court asked that he be given a psychiatric examination. However, Felderer was found sane. Felderer was not charged for his opinion that Jews were not killed during the Nazi era.
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He was not charged for thinking that ‘what was gassed was lice’. He was charged for the way he was expressing contempt for the Jews and spreading his material.
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NOTE
The letters received by Index support Felderer and characterise him as a victim of the establishment, a political prisoner. A group in Sweden called ‘European Human Rights’ disseminates material on his behalf and claims to be working for freedom of speech. It vilifies Amnesty, PEN and others for ‘working covertly to destroy freedom of speech’. Felderer is an adherent of the ‘Institute for Historical Review’, a US-based group which puts out pamphlets and books denying the existence of the Nazi holocaust and asserting that it is all a hoax by Zionists seeking support for Israel. Felderer is a friend of David McCalden who works from California where he runs ‘Truth Missions’ and promotes the letter campaign for Felderer. These anti-semitic groups use the terminology of liberal protest, human rights bulletins or academic life, as appropriate, to suggest respectability and innocence. The booklists of the Institute for Historical Review, for example, include reputable academic and journalistic books.
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_column_text]The winter 2017 Index on Censorship magazine explores 1968 – the year the world took to the streets – to discover whether our rights to protest are endangered today.
With: Ariel Dorfman, Anuradha Roy, Micah White[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_single_image image=”96747″ img_size=”medium”][/vc_column][vc_column width=”1/3″][vc_column_text]In print, online. In your mailbox, on your iPad.
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12 Sep 2025 | Asia and Pacific, Nepal, News
On Monday 8 September I drove into Bouddha on the north eastern corner of Kathmandu from my home in Besigaun. It was just like any other day at this time of year with the streets crowded with cars and scooters and local buses stopping at every junction, their conductors with the doors swung open, shouting out their lists of destinations, cramming passengers into every available space for a 20 rupee bus ride into town. I was on my way to Yaks recording studio around lunchtime to continue work on an audio project and once settled into the soundproof room on the 5th floor of the building began my session reading from the script. Less than two hours into the recording I took off my headphones, surprised by the noises filtering through the walls and into the mic rendering the session useless. That’s not normal. I waited a few minutes, and then, rather than making a complaint to the management, I decided I had done enough for the day and packed up. As I left, I noticed the workstations in the design studio all vacant. Something is not right.
It wasn’t until I arrived home around 4pm that the news of the shooting and killing of Gen-Z protesters outside the parliament buildings became apparent. The shock of the tragedy was starting to reveal itself on social media. It was only then that I connected the commotion outside the recording studio with the protest taking place in other parts of the city and I began to realise the gravity of the situation. The videos of protesters in what appeared to be quite harmless situations being shot and killed by the Nepal Police was something I had never expected to see in Nepal, or anywhere else for that matter. It wasn’t until I woke the following morning to the angry sounds of demonstrators in our neighbourhood that I realised that the Nepal I had known as my second home for the last 13 years would never be the same again. I was overwhelmed with sadness for this country and its people who have bravely worked hard and suffered so long to lift themselves out of poverty despite the setbacks caused by natural disasters, economic hardship and political incompetence.
So what was it that brought Gen Z out onto the streets to protest that fateful Monday morning in September? On the Thursday before, the government announced that they were blocking 26 social media apps—ostensibly because those companies were not registered in Nepal, and until they registered and paid their dues, they would be banned from conducting their business in Nepal. That, in principle, seemed fair enough to me. Businesses should be registered, but why had the government waited more than 15 years to implement the ruling? This was not a step-by-step plan which would have caused mild irritation to most Nepalis. It was a serious threat to millions who depend on social media as vital sales channels through which they conduct their small businesses. A blanket ban, instantly executed, wreaked instant economic hardship on a significant proportion of the entrepreneurial sector of the population and sent them into panic mode overnight. Added to that, the younger generation understands the value of social media as their main avenue of expression through which they can express their grievances and frustrations with the current situation in Nepal. The older generation in government positions were largely ignorant of the importance of social media to the younger generation and dismissed them out of hand. They misjudged the situation and ignored the signals coming from the young to their peril. By Tuesday morning the ban on social media had been lifted, but the damage had already been done.
To understand better just how dependent Nepalis are on social media, one should be aware that Nepal’s economy depends to a large extent on remittances from family members working abroad—mostly in the Middle East, Japan, Korea and Malaysia. These families, split families, through no fault of their own, are torn apart because of a lack of well paid jobs in their own country. They rely heavily on social media to keep connected—to keep the fragile thread of family alive—and to dream of a life where they can live in the same house as their loved ones, instead of decades in forced exile just to survive. The children of these migrant workers are using the savings of their parents and leaving the country by the million every year to study abroad and take jobs in a variety of professions in the developed world, with never the intention to return. Nepal is haemorrhaging its young blood faster than it can ever replace it and the cost to the nation is literally a question of life or death.
This blocking of social media was the spark that ignited the flame of discontent that motivated Gen Z to get out on the streets of Kathmandu and protest their dissatisfaction to the government. But the protest was not about the blocking of social media – that was the straw that broke the camel’s back. The protest was about the rampant corruption in government, cronyism and nepotism and lack of transparency in a government hopelessly entrenched in its ways—turning a blind eye to the chronic needs of its people. The evidence of corruption became even more apparent when the social media profiles of the grown-up children of members of the government and other political parties showed them living in lavish apartments around the world, having expensive holidays and sporting Rolex watches and Gucci handbags and driving cars worth hundreds of thousands of dollars, while their fathers were apparently only earning a measly 400 USD a month in Nepal.
So where did all that money come from to furnish these people with such lavish lifestyles? To my mind you don’t have to look further than the half-completed infrastructure projects littering the countryside. Projects lying unfinished for five years or more – disintegrating before my eyes, washed away by a monsoon of diverted funds. But what do I really know about the inner workings of the governing of this country? Very little. I don’t have the evidence. I just see unfinished projects everywhere and a population whose patience has run out. Add to that the pictures allegedly showing the children of government officials living lifestyles abroad well beyond the reach of many middle class Europeans and you have a powder keg of emotional dynamite ready to blow up the Houses of Parliament. That is what happened.
On the day after the Gen Z protest, the public took to the streets in anger and frustration at the government’s lack of empathy for the loss of life of their children. There were no apologies—no statements of regret. No taking responsibility for this act of aggression. For every child murdered by the Nepal Police there were thousands who came out into the streets. What followed became one of the blackest days in Nepal’s history—a day of utter devastation with historic government buildings, hotels, police stations and businesses set on fire and routes for fire engines blocked by the mobs to prevent any access to the properties by the emergency services. Ministers were tracked down and subjected to mob violence, their houses ransacked and burned to the ground—the stashes of their ill-gotten wealth reduced to flames, floating into the smoke-filled sky.
This morning I ventured out into a city reeling from the shock of the events of the previous three days. With no interim government yet established, the army has taken control of the city, imposing a curfew with twice daily access to shops and essential services amounting to five daylight hours split between early morning and late afternoon. I set off with my camera and international press card to take a few shots of what I had only witnessed on social media. It was a heartbreaking reconnaissance. The streets were littered with burned out carcasses of cars and trucks. The local police headquarters was a blackened skeleton of brick and concrete. The army stopped me the second I parked my scooter outside the burned-out shell of the local superstore, ignored my press card and told me in no uncertain terms to leave the area immediately. I left.
But the feeling on the street was not one of fear or trepidation. People were going about their business shopping at the small local stalls and supermarkets with only the slightest sense of anxiety to get home before the 10am curfew. Electricians were busy repairing cables damaged by the rioting and local groups were clearing the streets of the flotsam and jetsam of the days before. On social media there was progress being made by representatives of the Gen Z generation–the young hopefuls on whose shoulders the future of Nepal now rests. And they have a strong contender to take responsibility for an interim cabinet who has the advantage of age and experience to guide them. Former Chief Justice of Nepal Sushila Karki is perceived by most of my close friends as good news for the country. She is smart, honest, and a woman with a commendable track record. And she knows the law. There is a lot of work to be done to undo the decades of corruption and poor governance, but I get the feeling that the will of the Nepalese is strong enough to endure the years it will take to achieve a more fair and balanced society that will turn this tragedy into a solid and lasting period of prosperity not only for Gen Z but for future generations to come.
—
Index asked Gary to speak to Nepalis about their hopes and fears following the violence of the last few days.
The author and translator Viplob Pratik said, “I have a clear understanding of the Gen Z movement, and I deeply admire their courage. This movement did not emerge overnight; it took shape after a long period of simmering dissatisfaction and suffocation among the youth regarding the government system of Nepal. Consequently, this Gen Z resistance is a reaction to prolonged repression — thoughts and emotions subdued by a ruling party that has consistently neglected the desires, needs, and interests of young people. The government’s tendency to take the youth’s voice for granted, to ignore them, and to underestimate their capacity for mature decision-making, played a significant role in igniting the current situation. As a result, Nepal witnessed the pivotal events of 8 September 2025.”
He added, “We do not need to teach Gen Z; they know what they are doing. However, now that the initial wave of the movement has calmed and it is evolving, I am disheartened to see various entities—whether from the old political parties, insiders, or outsiders—trying to capitalise on the moment. They are essentially attempting to exploit the loopholes for their own gain. Witnessing such a scenario fills me with profound concern. I strongly believe that if the outcome of this movement is not guided onto the right path by fair and deserving hands, it will be a tragedy that history will mourn.”
Rajan Ghimire, a humanitarian, development and rights activist, recounted his own thoughts on the past three days.
“Day 1: The morning began with optimism, but by the afternoon I felt deep anger at the government’s brutal response toward the youth.
Day 2: I started the day still angry, but by midday that anger gave way to fear. In the evening I felt a growing sense of hopelessness. Near my home, there is a gas station with a garage attached. After hearing that people had set fire to Bhatbhateni in Koteshwor, I was alarmed to learn that someone set a vehicle on fire in the garage near the gas station. We feared the gas station might explode. Thankfully, the fire was contained, but none of us could sleep that night.
Day 3: The day passed under a cloud of uncertainty, not knowing what would happen next.”
He added, “Thankfully no major infrastructure damage was reported but we lost human lives. It feels as if our country has been pushed back by years, even decades. I hold on to hope that we can rise from the ashes and rebuild but I remain confused about how.”
Suraj Ghimire said, “Right now, leaders from different parties are trying to break the unity of the protesters, taking advantage of divisions and pushing their own agendas online. They think this will help them regain power, but the people have spoken, the ones that were out on the streets don’t want them back. What they want is simple and clear: the president’s resignation and the dissolution of the current parliament.”
Medical student Nabin Poudel said, “The ongoing Gen Z movement is undeniably legitimate, embodying years of accumulated frustration over systemic corruption and decades of ineffective leadership. Yet, the prolonged indecision regarding the dissolution of the lower house and the formation of an interim government threatens to deepen political instability rather than resolve it.”
The winter 2025 edition of Index on Censorship magazine will look at both the silencing of Gen Z around the world and how influencers like Charlie Kirk, who was murdered in September, became important voices for this demographic.
17 Jan 2025 | Asia and Pacific, News, Vietnam, Volume 53.04 Winter 2024
This article first appeared in Volume 53, Issue 4 of our print edition of Index on Censorship, titled Unsung Heroes: How musicians are raising their voices against oppression. Read more about the issue here. The issue was published on 12 December 2024.
Hoàng Minh Tường has published 17 novels. Seven of these have been banned from re-publication or circulation in Vietnam and two had to be published overseas due to political sensitivities. But the Hanoi-based writer remains upbeat.
“I have been blessed by the heavenly gods,” said the 76-year-old, who used to work as a teacher and journalist. “Many times, I was afraid that I might be imprisoned. Yet I still remain alive.”
The award-winning novelist is currently seeking help to have his best- known novel Thời của Thánh Thần (The Time of the Gods) translated into English. On release in 2008, it was widely regarded as a literary phenomenon yet was immediately recalled and has been banned ever since.
Hoàng, and many other writers I spoke to for this article, agreed that censorship is accepted as part of living and working in Vietnam, where the Communist Party monopolises the publishing industry. The 2012 Publishing Law emphasises the need to “fight against all thoughts and behaviour detrimental to the national interests and contribute to the construction and defence of the Socialist Republic of Vietnam”.
But censorship of fiction is just one part of the country’s free expression quandary. Reporters Without Borders has long categorised Vietnam as being among the worst countries for freedom of the press. The Ministry of Information and Communications (MIC) is the government agency responsible for state management of press, publishing and printing activities. Writers have to regularly negotiate with censors – and then creatively rise above them or patiently wait for the individuals or agencies in charge to change their minds.
Living with censorship
Hoàng, a Communist Party member, said that The Time of the Gods, written between 2005 and 2008, was a turning point in his literary career, which has spanned three decades.
“After finishing writing the book in 2008, my biggest concern was how to get it published,” he said. “I gave it to three influential friends in three publishing houses, all of whom rejected it because if they published it they would be sent to jail.”
In his banned novel, the characters are multi-faceted. Four brothers navigate different sides of armed conflicts, align with various factions and transcend the simplistic “us versus the enemy” narrative often depicted by the Communist Party.
They endure many of the hidden, historical tribulations of Vietnam – from the Maoist land reform in the 1950s, which seized agricultural land and property owned by landlords for redistribution, to the fall of Saigon in 1975, which ended the Vietnam War and resulted in a mass exodus to escape the victorious communist regime.
“The story of a family is not just the story of a single family but the story of the times, the story of the nation, the story of the two communist and capitalist factions, of the North and South regions of Vietnam and the United States,” said Hoàng. “Perhaps that is why, for the past 15 years, tens of thousands of illegal copies of the book have been printed and people still seek it out to read.”
The ban has created fertile ground for black market circulation, he said, with online and offline pirated copies often full of mistakes. There have never been any official government documents justifying the book ban, nor has there been any explanation for the sensitivities surrounding his works. He asserted that this lack of transparency and accountability was a common occurrence for novelists. “Most of the bans [on my books] were purely by word of mouth,” he said.
For years, Hoàng has communicated with editors at the state-owned Writers’ Association Publishing House (which originally published the book), but to no avail. However, the novel has made its way to global audiences, being translated into Korean, French, Japanese and Mandarin Chinese.
His 2014 novel Nguyên khí (Vitality) was originally rejected for publication, and again reasons were not disclosed. The story, revolving around Nguyễn Trãi – a 15th century historical figure who was a loyal and skilled official falsely accused of killing an emperor – symbolises the still strained relationship between single-party rule and patriotic intellectuals. In response, Hoàng revised the narrative of the novel by getting rid of a character – a security agent doubling as a censor and eavesdropper. He retitled the work to The Tragedy of a Great Character, a rebranding that managed to pass through pre-print censorship. Subsequently, in 2019, the book was published and sold out. However, its previous ban was soon recognised, so it didn’t secure a permit for republication.
Learning from history
In his 2022 article Banishing the Poets: Reflections on Free Speech and Literary Censorship in Vietnam, Richard Quang Anh Trần, assistant professor of Southeast Asian studies at Ca’ Foscari University of Venice, concluded that the literary landscape in Vietnam was “as limited as political speech itself”.
“The boundaries of permissible speech, moreover, are ever changing that one may find oneself caught in the crosshairs and on the wrong side at any given moment,” he wrote.
Trần identified two turning points when writers were fooled into believing that the Communist Party had allowed them to challenge the established literary norms of serving the party. The first occurred in the 1950s, during a cultural-political movement in Hanoi, called the Nhân Văn-Giai Phẩm Affair. A group of party-loyal writers and intellectuals launched two journals, Nhân Văn (Humanity) and Giai Phẩm (Masterpieces). They sought to convince the party of the need for greater artistic and intellectual freedom. Despite their distinguished service to the state, they were condemned in state media and their publications were banned.
The second case came in the late 1980s and early 1990s during Doi Moi (the Renovation Period), a series of economic and political reforms which started in 1986. Vietnam’s market liberalisation breathed new life into war-centric literature, and many writers crafted brilliant post-war novels that challenged prevailing narratives – but their works were censored. This was done through limiting the number of approved copies, recalling and confiscating books from libraries and bookshops, and destroying original drafts.
Censorship was at its worst when the party decided to burn the books of those it regarded as its enemies. Following the fall of Saigon on 30 April 1975, it embarked on a campaign to eliminate what it classified as decadent and reactionary culture, including many books and magazines published in the Republic of Vietnam (South Vietnam).
“South Vietnamese publications were the main target, plus much of popular music, movies and the fine arts,” said Dr Tuấn Hoàng, associate professor of great books at Pepperdine University’s Seaver College in California. “Government workers entered businesses and private residences suspected of having such materials and took away what they could find.”
“Those materials were burned or recycled at factories,” he said. “Citizens were urged to give up banned materials to the government, or to destroy them themselves. A lot of materials were therefore destroyed in the first few years after the war.”
But some materials were hidden, circulated clandestinely or sold on the black market. Phạm Thị Hoài is one of the most celebrated writers of the post- Renovation Period, whose debut novel The Crystal Messenger was a success both at home and abroad. The first edition (1988) and second edition (1995) were published by the Writers’ Association Publishing House, bar a few censored paragraphs, according to Phạm. But it was later banned by the government.
After leaving Vietnam for Germany, in 2001 she established Talawas, an online forum dedicated to reviving literary works by Vietnamese writers. She says she has been banned from travelling back to her home country since 2004, a fact she attributes to Talawas and her literary works, which have been ambiguously deemed to be “sensitive”. Her books have not been permitted to be republished in Vietnam.
“A few years ago, a friend in the publishing industry also tried to inquire about reprinting a collection of my short stories, which were entirely about love, but no publishing house accepted it,” she said.
In 2018, the government introduced a new cybersecurity law, which has made censorship worse. Critical voices that challenge the state’s version of history online are deemed to be hostile forces that are seeking to discredit the party’s revolutionary achievements.
Appreciate, don’t criticise
Censorship also makes its way into education as, in Vietnam, literature is first and foremost intended to inculcate party- defined patriotism into young minds.
According to Dr Ngọc, a high-school literature teacher in Hanoi, Vietnamese authors who are featured in school textbooks normally have very “red” (communist) backgrounds or hold party leadership positions. She added that the higher an author’s position in government, the more focus is given to their work in textbooks. “Many great writers were unfortunately not selected for the literature textbooks,” she said.
Ngọc provides tutoring for high- school students to help them prepare for their national entrance exams. These exams mostly focus on wartime hardship and heroism. Students’ responses need to show that they revere communist leaders and revile invaders. But this teaching method is not best placed to help them appreciate literature.
But ill-fated books still find their way to readers, often through the black market. Phương (not her real name) has been selling books in Hanoi for the past two decades. She says that every now and then people still look for banned books, which she collects and sells. However, these are reserved only for her closest customers.
“I would not sell sensitive books to a random buyer,” she said. “They might be disguised security agents trying to recall the book from the market.”