The high art of lowdown slander
Harassment of reporters such as Sihem Bensedrine (right) shows that Tunisia leads the way in suppression of free expression, writes Rohan Jayasekera
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Harassment of reporters such as Sihem Bensedrine (right) shows that Tunisia leads the way in suppression of free expression, writes Rohan Jayasekera
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In his Nobel Prize acceptance speech, Alexander Solzhenitsyn made an appeal to the writers of the world. Index was proud to be the first publication to print his call to action in English and marks his death last weekend with the following excerpt
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On 4 March, to mark the publication of its latest issue, ‘How Free is the Russian Media?’, Index on Censorship hosted a discussion in London and Moscow on the future of the Russian media under President Medvedev. The discussion featured John Kampfner, Arkady Babchenko (author of One Soldier’s War in Chechnya), Maria Eismont (New Eurasia Foundation, Moscow), Alexander Verkhovsky (Sova Centre, Moscow), Natalia Rostova (Novaya Gazeta), Oleg Panfilov (Centre for Journalism in Extreme Situations), Maria Yulikova (Carnegie Centre) and Sergei Bachinin (Vyatsky Nablyudatel’) and Anna Sevortian (Centre for Development of Democracy).
The event was supported by the Open Society Foundation and the Royal Ministry of Foreign Affairs, Norway.
A Tunisian comic may have paid a high price for making fun of the country’s leader, writes Rohan Jayasekera
Index on Censorship is calling for the release of Tunisian comedian Hédi Ouled Baballah, who has been jailed on the basis of suspect evidence, apparently in punishment for mimicking the country’s president.
The trigger seems to have been a private recording (available here) of comedian Hédi Ouled Baballah’s satirical imitation of Tunisian president Zine el-Abidine Ben Ali that has spread across the country by mobile phone.
Index on Censorship, together with fellow members of the Tunisian Monitoring Group (TMG) of international free speech groups, believes that Ouled Baballah was targeted by police and framed for drugs and currency charges as punishment for the popular satire.