13 May 2016 | Digital Freedom, Mapping Media Freedom, mobile, News, Ukraine
Ukraine is again at the center of an international scandal. On 10 May Ukrainian website Myrotvorets, which publishes personal data of alleged separatists, made public information about the journalists who have been accredited in the so-called Donetsk People’s Republic (DPR) — the part of Donbas area beyond Ukraine’s government control.
The website, which announced on Friday 13 May that it was shutting down, leaked personal data of more than 4,000 journalists, including those working for BBC, Reuters, AFP, The Independent, Ceska televize, CNN, Bloomberg, Aljazeera, AP, Liberation, ITAR-TASS and other media.
The site published the names of the journalists, the media outlets they work for, country of origin, cell phones, email and dates of stay in the DPR.
Myrotvorets, or Peacemaker, received the data from Ukrainian hackers who had attacked DPR sites. After the data was illegally disclosed, the hackers declared a boycott and suspended their activities.
The website also accuses the journalists of co-operating with “militants of the terrorist organisation” and claims that “journalists with Russian names work for many non-Russian media (CNN? BBC? AFP?).”
Myrotvorets has long been raising concerns and criticism of Ukrainian human rights activists. Launched in the spring of 2014, it publishes the personal data of people its writers see as supporting separatism in Ukraine.
In particular, it had published the personal data of former Ukrainian lawmaker Oleh Kalashnikov and journalist Oles Buzyna. Both were murdered near their apartments shortly after the release of their information.
Breaking legislation on personal data protection and the presumption of innocence, the site has been operating for two years without any prosecution for its activities.
In April 2015, the Ukrainian parliament’s Commissioner for Human Rights Valeria Lutkovska demanded that the security service and the interior ministry block the website and prosecute those behind it. Instead, she received only threats in response.
As a result, Anton Herashchenko, the MP from the People’s Front faction and the advisor to the Ukrainian Interior Minister, who previously announced his involvement in the creation of Myrotvorets, threatened Lutkovska with dismissal. He said that operation of the website was “extremely important for the national security of Ukraine and the one, who does not understand this or attempts to hinder its operation, is either a puppet in the wrong hands or works against the national security” and the information is collected “exclusively from such open sources as social networks, blogs, online directories, news feeds”.
Lutkovska’s office of ombudsman told Mapping Media Freedom that the police launched a criminal case last year, but there are no tangible results yet and the website continues its work. The sites servers are located outside Ukraine.
In the wake of the publication of journalists’ information, Lutkovska again appealed to the interior ministry and security service aksing for the site to be blocked.
Journalists, whose personal data was published, have already received threats. Ukrainian freelance journalist Roman Stepanovych has published a threat he received via e-mail.
Stepanovych, who currently works mainly for Vice News, told Mapping Media Freedom: “I filmed in Donbas like a stringer for different news agencies like NBC, DW, Reuters and sometimes worked as a fixer for Die Ziet, CCTV, Aftenposten and many more. I am a native of Donetsk, but have always worked for the western media.“
Stepanovych, who is working outside Ukraine, said that he was considering asking police to investigate the threats when he returns to the country.
On May 11, journalists working for Ukrainian and foreign media issued a joint statement with Ukrainian and international media organisations demanding that Myrotvorets immediately take down the personal data of journalists, who had been accredited in the DPR:
“The Ukrainian and foreign journalists, who risked their lives to cover the events impartially and told what was happening in the occupied territories in Ukrainian and international media, were exposed to attack. In particular, it is thanks to their work we found out about the Vostok battalion, crimes of militant known as Motorola and other militants, supply of Russian weapons and many other important facts. These journalists gave information for a qualitative investigation into downing of MH17 flight in the summer of 2014, and their materials about senior officials of the occupied territories formed the basis of many investigative and analytical articles. We especially emphasise that accreditation does not mean and has never meant cooperation of journalists with any party to the conflict. Accreditation is a form of protection and safety of journalists.”
According to the Ukrainian and international media organisations, nearly 80 journalists were taken captive in 2014, many of whom suffered torture. Accreditation is the only, although minor, mechanism for protection of journalists from torture or captivity.
Lutkovska and the journalists also appealed to Ukrainian authorities asking for a launch of criminal proceedings. On the same day, the address of the European Union’s ambassador to the Ukraine, Jan Tombinski, was released. Tombinski said that publication of the journalists’ leaked personal data violated the best international practices and Ukrainian legislation. He urged Ukrainian authorities “to help ensure that this content is no longer published“.
In response, Anton Herashchenko posted on his Facebook page: “Currently, Ukraine has no lawful methods to block harmful content and has no principles of defining which content is illegal and harmful and which is not. Ukraine has also no technical possibility to block any content on the internet.”
On May 11, the Kyiv prosecutor’s office opened criminal proceeding under Article 171 of the Criminal Code of Ukraine (Preclusion of legal professional activities of journalists).
6 May 2016 | Europe and Central Asia, Events, Hungary, mobile, Poland, Turkey, United Kingdom
Join Agnes Heller, Elif Shafak and Adam Zagajewski for a discussion about Europe’s changing environment for freedom. (Photos: Agnes Heller, Elif Shafak: Wikipedia; Adam Zagajewski: Frankie Fouganthin via Wikipedia
“The point of the future is that anything can happen.” – Victor Orban, prime minister of Hungary
Europe was a bastion of hope for more than a million refugees last year. What brought them? A hunger for safety and security? Dreams of freedom? The draw of liberal democracy with its ideals of free expression, equal opportunity and persecution for none?
But look within our own continent and you will see the cracks. In Hungary, Victor Orban’s administration looks increasingly autocratic. Poland’s new conservative government is making changes to its public media that critics have said amount to a takeover. How can we support neighbours like Turkey in their fight to avoid authoritarianism if we can’t fly the banner for freedom at home?
On the eve of the EU referendum, three major cultural figures from Hungary, Poland and Turkey gather in London to compare their stories and ask: is Europe just a place, or a set of values that are rapidly unravelling?
Featuring:
When: Wednesday 15 June, 6.45pm
Where: Free Word Centre, 60 Farringdon Rd, London EC1R 3GA (Map)
Tickets: £5/£3 from Free Word website or 0207 324 8904
This event will be live streamed. Click here to tune in to the Free Word YouTube livestream, which will begin at 6.45pm (BST) on Wednesday 15 June 2016. Join in the conversation by tweeting @IndexCensorship using the hashtag #FWEurope.
Presented in partnership with:
More about the panelists:
Agnes Heller was born in 1929 and is one of the leading thinkers to come out of the tradition of critical theory. Her broad intellectual range and publications include ethics, philosophical anthropology, political philosophy and a theory of modernity and its culture. Hungarian by birth, she was one of the best-known dissident Marxists in central Europe in the 1960s and 1970s. She has held visiting lectureships all over the world and has been the Hannah Arendt Professor of Philosophy at the New School in New York. She now lives in Budapest and is one of the most popular and outspoken critics of the current regime.
Elif Shafak was born in Strasbourg, France, in 1971. She is an award-winning novelist and the most widely read woman writer in Turkey. Critics have named her as “one of the most distinctive voices in contemporary Turkish and world literature”. Her books have been published in more than 40 countries and she was awarded the honorary distinction of Chevalier of the Order of Arts and Letters. Elif has published thirteen books, nine of which are novels. She writes fiction in both Turkish and English. Elif blends Western and Eastern traditions of storytelling, bringing out the myriad stories of women, minorities, immigrants, subcultures, youth and global souls. Her work draws on diverse cultures and literary traditions, as well as a deep interest in history, philosophy, Sufism, oral culture, and cultural politics. Elif’s writing breaks down categories, clichés, and cultural ghettoes. She also has a keen eye for black humour.
Adam Zagajewski is an award-winning poet, novelist, translator and essayist. Born in Lwow in 1945, he first became well-known as one of the leading poets of the Generation of ‘68’ or the Polish New Wave (Nowa Fala). His poems and essays have been translated into many languages. Among his honors and awards are a fellowship from the Berliner Kunstlerprogramm, the Kurt Tucholsky Prize, a Prix de la Liberté, and a Guggenheim Fellowship. Since 1988, he has served as visiting associate professor of English in the Creative Writing Programme at the University of Houston. In 2010, he was nominated for the Nobel Prize in Literature. Adam is currently co-editor of Zeszyty Literackie (Literary Review). He lives in Krakow.
15 Apr 2016 | About Index, Awards, Fellowship, Fellowship 2016, News
Words by Alessio Perrone and Sean Gallagher
Photos: Sean Gallagher
“I invite people like this: I just say – you paint now.” That’s how it works with street artist Murad Subay.
His murals grew from the frustration he felt as his homeland, Yemen, descended into chaos and factionalism. Amid the destruction and anger, Subay picked up his brush. With friends, he went out into the streets and began painting in broad daylight. Days passed, then people from the community joined him. All of them driven by their desire for peace amid Yemen’s civil war.
Since 2011 he’s created campaigns to encourage Yemenis to express their outrage at what their country has become. He and his collaborators have coloured walls, named the disappeared and marked ruins.
He always works during the day. It’s always part performance, part collaboration. Thursday 14 April was no different. Only the location had changed.
For his first mural outside Yemen, Subay took his brushes and paint to the corner of Hackney Road and Cremer Street to send a pointed message about the international community’s lack of humanity, especially toward his homeland. Even dogs are better than some of the global institutions and structures.
In London, to receive the 2016 Freedom of Expression Arts Award for his work, which Subay stressed is for Yemen. His acceptance speech was dedicated to the “unknown people who struggle to survive”.
Invited by Jay, the community curator of Art Under the Hood, Subay set up his equipment — with the help of new friends — and began transforming a hoarding into his vision using stencils he had laboured over since arriving on Saturday.
“I’m doing a sun dance.”
“I’m not the type of artist who zones out and thinks this is precious. It’s an ordinary thing for me”
“How long will it take for it to dry?”
“In Sana’a, three minutes!” Then a few seconds later “Here, I don’t know”
“Do you want me to do anything”
“Yes of course. Come here”
“Welcome to the holy state of Hackney, my friend. This is not a borough, not a city, it’s a state.”
“I’ve worked on these stencils from time to time for four days. It’s hard to say how long it takes. Sometimes it takes three, four hours, other times five … Depends on what I do”
“First, try it on the cardboard to see how strong or light it is. Then press in the shape, light, not strong. Keep it at an angle close to the margins, so you can make sure you don’t spray outside the shape. Then perpendicular in the middle. Keep it light, light!”
“Can I have a go?” a young woman asks.
“Yes of course!”
She stops for a moment, hesitant. Then she ends up staying until the very end. And in the end, Subay gives her, Éléa, the stencils when he finishes the mural.
“Do you paint?”
“A bit”
“Not a bit, you have to paint a lot! Painting is beautiful.”
“They have artists in Yemen? First time I hear that!”
“You know how to spray right? Come and learn a bit!”
“When I started out, I was alone, and I did it all in one week. I am slow. In the beginning, I never thought people could join. But then they did. They say: ‘Oh look, the artist!’ And they join”
“These stencils, I made in Yemen. I staged a photo, printed it, then cut it out. That chained man is one of my relatives. He’s a very nice person. He jokes a lot and loves painting. I really like him. We work together a lot, on street art of course but also many different things.”
“It’s all about how the man is suffering. He’s not just Yemen or anybody in particular. It could be any man. The dog is trying to help, and is showing more kindness then the other man. The dog shows that it’s possible to help out, but the other man doesn’t want to do anything.”
15 Apr 2016 | Awards, mobile, News
Index on Censorship CEO Jodie Ginsberg (Photo: Elina Kansikas for Index on Censorship)
You can donate to Index on Censorship here.
This is the text of a speech give by Index on Censorship CEO Jodie Ginsberg at the Freedom of Expression Awards on April 13, 2016.
In the very first edition of Index on Censorship magazine – published in 1972 – the then editor Michael Scammell wrote that a definite need existed for such an organisation… only time will tell whether the need is temporary or permanent.
Sadly, 43 years later – as evidenced by tonight’s winners – the need seems permanent. Our aim though, remains to be temporary – our goal is nothing less than an end to all censorship. That’s some target, but if those whom we have honoured here this evening have shown us anything, I hope it’s that is this a target worth aiming for.
Index challenges censorship and celebrates the value of free expression in four ways. The first is through the publication of works by censored writers and artists and about censorship.
We do this through our magazine, a copy of which you all receive this evening, and through our website and social media. If you want a reminder of how censorship remains as live an issue as it was in 1972, in this issue you will find a story from Azeri playwright and poet Akram Aylisi, whose books were burned and his title of “People’s Writer” revoked after he dared to discuss the Armenian genocide. Just this month he was barred from leaving the country.
We challenge censorship through campaigning. This year we will be campaigning along with other like-minded organisations to ensure the government’s planned new extremism bill contains none of its proposed new curbs on free speech.
We challenge by encouraging debate such as one held here at Unicorn Theatre last year following the cancellation of Homegrown — whose director Nadia was one of tonight’s guest presenters, by the National Youth Theatre.
And we challenge censorship by supporting those on the frontlines of its defence. Each of tonight’s winners becomes an Index fellow and we will work with them for the next year to help make sure we can magnify their impact at home and abroad.
We have heard stories tonight of what censorship means in practice. Tonight I want to share with you another slice of Index history: a video made for Index 30 years ago that I think drives home all of those stories.
Free expression needs defenders. It needs defenders to ensure that Zunar does not go to prison for 43 years – another Index lifetime – for drawing cartoons of Malaysia’s Prime Minister. It needs defenders to help ensure that the world in which Zaina’s six-week-old baby, who joined her in London this week, grows up to be a woman who can speak freely, and – if she so chooses – report freely. It needs defenders so that Nabeel Rajab, one of this year’s awards judges, is free to travel and speak freely without fear of jail, harassment or torture.
So what I want you to do this evening is very simple. I want you to reach into your programme and take out the pledge card you’ll find there. Then I want you to take a moment to think what you might otherwise have spent this evening. Then I want you to take a pen and write down that figure – or a higher one – to help ensure that Index can continue to defend free speech. If you can’t do analogue, you can text FEXY16 £10 to give us £10 right now. We might not end censorship immediately but with your help we can make ourselves a little less permanent.
Thank you. To end this evening I am delighted to introduce Martyn Ware, who will present our inaugural Music In Exile Fellowship.
The MIEF is a joint initiative with the producers of the film Music in Exile, which explores the plight of Mali’s musicians after jihadists banned music in the country. Moved by their experiences, producers Johanna Schwartz and Sarah Mosses approached Index to see what we could do to support persecuted artists like those featured in the film. Indeed, one group featured, Songhoy Blues, was shortlisted for an Arts award last year. The MIEF, funded through money from special screenings of the film and other events, will support one musician each year as part of the Index awards fellowship. I’m delighted that MW of Human League and Heaven 17 fame is here to present it.
#IndexAwards2016
Index announces winners of 2016 Freedom of Expression Awards
2016 Freedom of Expression Awards: The acceptance speeches
Bolo Bhi: “What’s important is the process, and that we keep at it”
Zaina Erhaim: “I want to give this award to the Syrians who are being terrorised”
GreatFire: “Technology has been used to censor online speech — and to circumvent this censorship”
Murad Subay: “I dedicate this award today to the unknown people who struggle to survive”
Smockey: “The people in Europe don’t know what the governments in Africa do.”
