How coronavirus is affecting free speech in Europe

[vc_row][vc_column][vc_single_image image=”60471″ img_size=”full” add_caption=”yes”][vc_column_text]As coronavirus spreads across Europe so too do issues surrounding the transparency and accuracy of information on it. This is deeply troubling given the importance of reliable information about the pandemic. So what exactly are the main roadblocks to accurate facts? Here are the key trends when it comes to coronavirus and free expression in Europe.

Scapegoating

Scapegoating, an unhelpful habit historically used by Russian propagandists to foist blame onto their Cold War opponents, is now being used to suggest that coronavirus may have been brewed in a lab by the Americans in order to cripple the Chinese economy. This is one of many bizarre theories that were spread among the Russian population in a bid to confuse and distract.

Another form of scapegoating has reared its head in France, in particular, in the form of racism against people with Asian heritage.  There have been reports of French-Asians suffering racist abuse on the streets, public transport and in school. This has also been an issue in the USA, where President Donald Trump angered Chinese authorities by referring to coronavirus as the “Chinese Virus”.

Criminalisation of “fake news”

In the USA, the term “fake news” can easily be used to discredit accurate reporting that Trump doesn’t like, which is why the criminalisation of news designated as “fake” by world leaders generally is so dangerous. Hungary’s parliament has passed a law to let Prime Minister Viktor Orban rule by decree for an indefinite period of time, and the state has the power to imprison people considered to have spread false information – aka “fake  news” – about coronavirus.

This trend is present elsewhere in Europe as governments attempt to control information on coronavirus. Patrick Sensburg, a member of the ruling party in Germany, said in an interview that the government should consider “ratcheting up statutory offenses” to penalise those spreading news considered fake by the state.

Republika Srpska, one of the two entities of Bosnia and Herzegovina, has also introduced fines for publishing false news and allegations that “cause panic and fear among citizens” in the mainstream press and social media.

Opaque about the figures

While high numbers of recorded cases and deaths from coronavirus are something every country would rather avoid, transparency is key to members of the public being fully informed and understanding the risks. According to the Financial Times, Kim Jong Un has publicly denied any cases in North Korea while at the same time quietly soliciting aid from abroad. In Europe, Turkey has displayed signs of being unwilling to disclose accurate figures. On 23 March, after data showed fewer and fewer people were being tested over successive days, possibly to reduce the number of cases on record, the Turkish Medical Association urged the Turkish government to test more people. They believe the government figures may be propaganda, designed to flatter the state’s control of the situation, which a doctor, speaking anonymously, claimed was in fact “out of control”.

Ill-informed leaders

At a time of a global pandemic, world leaders would serve their citizens best by bowing to the greater wisdom of medical experts. Unfortunately, some European leaders have appointed themselves as “experts” in the field of cures for coronavirus, an unfortunate echo of leaders who made false claims about cures for Aids when it swept through Africa. Speaking on state television for instance, President Alexander Lukashenko of Belarus claimed that people in the countryside should continue working: “The tractor will heal everyone. The fields heal everyone”. Serbia’s president, Aleksandar Vucic, said he had found a reason to have an extra drink every day, after he claimed health specialists had told him that coronavirus “doesn’t grow wherever you put alcohol”. Please note: there is no scientific evidence to suggest that drinking alcohol has any effect on coronavirus.

We have previously reported on how censorship in China was impacting the way news about coronavirus was being reported, and vital information being distributed. We are also mapping all of the attacks on the media right now, which are growing sharply by the day. This represents one of the most worrying attacks on free speech in Europe right now.

The incidents on the map are collated by our staff, contributors and readers as well as our partners at the Justice for Journalists Foundation and verified by our team before pubication. Please check out the map here and do notify us via the map of any attacks we might have missed.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][/vc_column][/vc_row]

Free Speech and Index: a love letter

[vc_row][vc_column][vc_single_image image=”105876″ img_size=”large”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]14 February 2020 – Valentine’s Day – marks my last day at Index on Censorship after nearly six years at the helm. It feels apt, then, to share how passionate I am about – free speech and the organisation that has spent nearly 50 years defending it.

Let’s start with freedom of speech. When I started at Index, I have to confess I was an armchair enthusiast. I believed in freedom of speech, of course I did – or so I thought. After all, I was a journalist. I’d worked in countries like South Africa and Ireland that had experienced – in differing forms – decades of formal censorship and centuries of informal silencing.

But what I came to realise very quickly is that while support for free speech is easy in theory, in practice it is much, much harder.

What I love about Index is we never pretend otherwise. For us, the work we do is not about defending free speech in principle, but demonstrating how and why it is so important in reality. We don’t pretend we have all the answers instantly. In a world that expects immediate responses, the pressure to provide the answer at once is huge. But we have learned that sometimes we need to say: “Hmmm, we need to think about that one.”

We have wrestled with questions that stretched from whether or not social media platforms should show beheading videos to the question of the Northern Irish bakery asked to ice a cake with words with which they disagreed. We debated the point at which hateful speech amounts to incitement to violence. We tried to address the notion of words that cause harm.

Being thoughtful doesn’t always win you headlines but it’s crucial if you want to convince those who doubt your arguments. I love that Index thinks.

I love that Index has courage. We believe passionately that everyone should have the right to speak freely – and that includes defending the rights of those with whom we profoundly disagree – or whom others find shocking, disturbing and offensive. Never in my wildest dreams did I imagine that I would find myself defending the right of a Scottish YouTuber to teach his girlfriend’s dog to do a Nazi salute. Thankfully, we were not alone.

Sadly, those who defend freedom of expression often are. It was something we fought to counter when we spoke out in defence of Charlie Hebdo – and that experience – of sticking our heads above the parapet when many others would not was a formative experience for me as a relatively new Index CEO.

We are not the courageous ones, though. The courageous ones are those who speak out in the knowledge that they could face dire consequences for doing so.

Free speech is the Turkish playwright Meltem Arikan voicing the pain of exile and the delights of creating a new home in a new language. Free speech is artist Luis Manuel Alcantara, inviting repeated arrest for refusing to make government-sanctioned art in Cuba. Free speech is Zimbabwean activist Evan Mawarire calling for a compassionate government that protects its people. Free speech is journalists like Carole Cadwalladr, Caroline Muscat and Maria Ressa defying attempts to silence them. Free speech is Nabeel Rajab exposing torture in Bahrain’s jails – speech for which he himself was jailed. Free speech is a young Saudi woman appealing for asylum and finding her cause taken up by thousands around the world. Free speech is every one of our brilliant Index on Censorship fellows.

It is also speech that hurts. It is speech that is raw, shocking, offensive – that demeans and diminishes others. In my time at Index we have had to defend words and viewpoints that I abhor. In so doing we have been accused of sharing and condoning those views – of allowing them to become mainstream.

Defending that line is hard. But we do so because none of the examples we have seen of government bans or social media restrictions ends up achieving the outcome desired – one in which we are more tolerant of one another’s differences. 

We believe there is an alternative to censorship. I am hugely proud that last year I was finally able to get off the ground a project close to my heart: our Free Speech Is For Me programme, which brought together activists in Britain and the United States to debate the value of free speech. Along the way, participants learned how better to listen to one another’s ideas. Some even changed their minds. One Brexit supporter told us they had even started reading The Guardian …

Words matter to us. I love that Index continues to produce a magazine that takes a global and long-term look at the issues we face and which publishes original work by leading writers. Where else could you read interviews with legends like Margaret Atwood or Ngũgĩ wa Thiong’o, writing by the likes of Elif Shafak, Xinran, or Ariel Dorfman?  

I love that for an organisation with an impressive back catalogue, we nevertheless look forward. We are grappling with the thorny questions of regulating online speech and tough questions on hate speech and free speech in the workplace. I haven’t always got that right – but we have tried to learn how we can better be the change we want to see in the world.

Index is a small outfit, battling for funds against a million and one other worthy causes. When I started, someone told me we would never be able to compete against those raising money for life-saving healthcare. I don’t want to compete. But I believe more than ever – as we have seen with events recently in China – that life-saving healthcare depends on freedom of speech.

That is why I love this cause. And why I know Index will continue to defend it without fear or favour. And why your heartfelt Valentine vow should be to support it too.

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2020 Arts shortlist: Using rap and YouTube satire to protect free speech

[vc_row][vc_column][vc_single_image image=”112380″ img_size=”large”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]Hip-hop, satirical YouTube videos, a youth arts festival and rap are some of the ways in which art is being used today to protest against restrictions on freedom of expression.

Four individuals and organisations have been shortlisted in the Arts category for Index on Censorship’s 2020 Freedom of Expression Awards, which will be held at the May Fair Hotel in London on 30 April. The Arts is one of the four categories that will be recognised at the awards, alongside Campaigning, Digital Activism and Journalism.

Cameroonian rapper and pro-democracy activist Gaston Serval Abe, known as Général Valsero, has been using hip-hop to criticise government corruption in the country and to call for more transparency, and encourage civil engagement.

His music has seen him gain international recognition but he was banned from performing and radio stations rarely play his material. Despite being arrested and detained in 2019, Valsero remains courageous in his mission for justice and equality. Valsero was released last October after Cameroonian President Paul Biya ordered the discontinuance of proceedings against him and other political opponents.

Until its dissolution in April 2019, Casablanca-based NGO Racines worked to promote Moroccan culture and protect free speech, addressing taboo subjects such as politics, religion and sex.

The organisation, co-founded in 2010 by Dounia Benslimane and Aadel Essaadani, was forced to close after its offices were used to host an episode of the satirical YouTube series 1 Dîner 2 Cons (One Dinner, Two Fools). Racines itself had not organised the filming of the show nor had it posted the resultant clip, which included criticism of Morocco’s King Mohammed VI; it was viewed more than half a million times.

The Casablanca civil court ordered the closure of the NGO in December 2019 expressing “political views were far removed from the purposes for which the association was created”.

The organisation took the case to the Supreme Court but, in April 2019, the appeal was rejected and the dissolution of the organisation confirmed.

Rap Against Dictatorship is a Thai rap group which has produced anti-military rap songs criticising the Thai government.

The group released their hit song Prathet Ku Mee (What My Country’s Got) on 14 October 2018 “to mark the 45th anniversary of the 1973 popular uprising against a coup-installed prime minister in which 77 people died”, according to the Bangkok Post.

The song’s lyrics confront corruption, nepotism, the lack of accountability and transparency, poor healthcare, suppression of freedom of speech and the privileges afforded to the rich while the poor suffer.

The song went viral, eliciting a response from Prime Minister Prayut Chan-o-cha who argued “Is life really that hard? Is it that oppressive? Am I so dictatorial?”

Yulia Tsvetkova is a Russian artist and activist promoting women’s well-being and LGBTQ awareness. Her work has brought about positive change in discussions towards body positivity and gender stereotypes in Russia. However, this acclaim has made her a target.

In 2018 she began a campaign promoting body positivity which resulted in her being named a suspect in a criminal pornography distribution case. Tsvetkova, currently under house arrest, could face up to six years in prison if convicted.

In March 2019, her youth arts festival was cancelled after officials accused Tsvetkova of illegally trying to hold a gay pride event under the guise of a youth theatre festival.

In 2019, the winner of the Arts award was Kurdish painter and journalist Zehra Doğan.

Doğan had been arrested after painting the destruction in the town of Nusaybin in Turkey’s Kurdish region and sharing it on social media. She did this after realising that reports from the region were being ignored by mainstream media,

Speaking at her trial, a judge told Doğan about one of her works of art that “This picture has crossed the line between art and criticism.”

While in prison Doğan was denied access to materials for her work but made dyes made from crushed fruit and herbs, even blood, and used newspapers and milk cartons as canvases.

During her imprisonment she refused to be silenced and continued to produce journalism and art. She collected and wrote stories about female political prisoners, reported on human rights abuses in prison.

Doğan was released on 24 February 2019.

Accepting the word at the 2019 Freedom of Expression Awards after her release, Doğan said, “The limits of art, which the artistic world has not been able to agree upon for centuries, have apparently been figured out by the decision of a Turkish court.”

“It is not only art that has had boundaries drawn around it in Turkey: the things that can be said between friends, the topics you can write about, and the concepts you can debate at school with your students have all been limited by the authorities.”

The winner of the 2020 Arts award will be chosen by a panel of judges which includes artist Molly Crabapple, award-winning Guardian journalist Amelia Gentleman and Cindy Gallop, founder of social sex video platform MakeLoveNotPorn.[/vc_column_text][/vc_column][/vc_row]

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