27 Mar 2026 | Europe and Central Asia, News, United Kingdom
When a school librarian from Greater Manchester came to Index with a shocking story about nearly 200 books being hauled from her shelves and losing her career to a “safeguarding” complaint, we promised to conceal her identity. At her request, we renamed her Emily and we did not name the school. She was terrified about the repercussions if her name was known, both from the school and from other people who might target her online. We kept our promise.
Now, a local media outlet has uncovered and published the name of the school. Emily’s identity remains hidden. The school in question is the Lowry Academy in Salford, part of the United Learning Trust.
There were extra details Index could not reveal when the name of the school was concealed. We can now address these issues, which are in the public interest. We can reveal how the local authority upheld the safeguarding complaint that destroyed a librarian’s career, the evidence that contradicts the school’s response and the bigger concerns for both Greater Manchester and the United Learning Trust.
Initially, Emily told Index, she thought the situation “was a sick joke”.
She first heard of the threat to her job when the Lowry Academy’s headteacher took umbrage at Laura Bates’ book Men Who Hate Women in the school library. The nonfiction title, where Bates goes undercover to expose vast misogynist networks and communities, had been ordered by Emily for the Life 101 section for older students, after training she had received about incel culture. The school launched an investigation into both the library and Emily. She was soon reported to the local authority as a safeguarding risk, simply for stocking books. Nearly 200 books were removed and AI was used to categorise the reasons for each book’s removal. You can read more about what happened to Emily in our investigation.
While the name Lowry Academy is new, the public might be more familiar with it as the former Harrop Fold School, featured on the Channel 4 documentary Educating Greater Manchester. The school, whose leadership changed after it was fully academised in 2020, had a “good” Ofsted rating in 2024, but it was noted that pupils in key stage 4 had limited time devoted to personal, social and health education.
The academy is now part of the United Learning Trust, which says on its website that its ethos “is our expression of our Christian roots, in schools which are fully inclusive and both welcome and respect students and staff of all faiths and none”.
A former student from Lowry Academy got in contact with Index, after the name of the school was revealed.
He studied at the school until 2024, and said he spent all of his break times in the library. He described the vast and inclusive set of books, spanning across genres.
He said he found the library purge and the way Emily was treated “quite grotesque.”
“It was disgusting how it was all handled,” he added.
He was shocked by the list of targeted books, and said he’d read a few of the biographies. He also read a lot of George Orwell, while he has friends who read many of the manga books.
He believes the loss of titles from the library will have a big impact on current students who, like him, find a safe space in the library.
“They won’t have the freedom of reading what they want to read,” he said.
While the Lowry Academy did not respond to Index for comment, the Manchester Mill reported that the school told them: “It is not the case that books have been ‘banned’ by the school. Following concerns that a number of books within the library were neither age nor content appropriate, an audit was conducted. Following this, books have been placed into age-appropriate categories and returned to the shelves. A very small number of books were deemed inappropriate even for older children due to their content and have been removed.”
It may be true some books have now been returned, but they were undoubtedly removed in the first instance. Lowry Academy refused to engage with Index or other organisations to explain what had happened to the books. Index has documentary evidence to support the claim that the books were indeed initially removed from the library during an “audit”.
In an email from the school to Emily during the investigation, she was told: “Attached is the list of books [the designated safeguarding lead] has removed from the library. Please note that the audit is still ongoing, and the DSL has confirmed that she is alleging these books are not suitable to remain in the library. The investigation will be based on the attached list.”
Further to this, in the school’s investigation report, they concluded with the recommendation: “Continue the audit of all library resources until the Designated Safeguarding Lead (DSL) is satisfied that any material deemed inappropriate for a school setting has been removed.”
Index has seen extensive documentary evidence proving Emily’s claims. These documents have also been seen by the Chartered Institute of Library and Information Professionals (CILIP) and their School Libraries Group (SLG), who have both been supporting Emily.
During their investigation, evidenced in these documents, the school shared examples of the removed books with the trust’s safeguarding lead, who said: “The school should ensure that library materials reflect the values and ethos of the school”.
The values described on the school website are “aspiration, respect, confidence, creativity and resilience”.
The investigation report said that the trust’s safeguarding lead had stated: “Some of these books would be indefensible to parents and expressed concern that the material does not represent a balanced view aligned with the values the trust seeks to promote.”
During the investigation, the school also showed concern for their reputation, writing in a report: “I believe there has been a failure to prevent students accessing inappropriate books, this constitutes a serious safeguarding breach under KCSIE 2025. Had parents been aware of this, the school’s reputation could have been brought into significant disrepute.”
The Lowry Academy story is not simply a case of one overzealous headteacher. Not only have several senior members of staff been involved, but the trust and the local authority have also played key roles.
Margaret Woodhouse, the chair of the school’s governing body, is also the independent chair of the Greater Manchester Learning Partnership, where school leaders across the region work together.
Emily was reported to the local authority as a safeguarding risk on 9 December 2025 and her hearing was held on 5 January 2026, after she had resigned. When the committee, known as a LADO, made their decision in January 2026, they substantiated the allegation, stating that Emily had not caused direct harm but that she had failed to follow safeguarding procedures. Index has seen redacted minutes of the meeting.
The meeting was held by Salford City Council, and there were four people in attendance. Two were from the school, one was the LADO chair and one was the LADO administration officer.
The allegations against Emily were specifically around “introducing inappropriate material into the school library” and nothing else. No previous concerns about her had been raised.
In the meeting, the school’s senior vice-principal explained that the referral was made “after discovering multiple books in the school library containing inappropriate content. These books had been loaned to children and did not align with the school’s curriculum”.
They confirmed that the investigation was prompted by their discovery of Men Who Hate Women, saying: “the content was inappropriate for children and even challenging for adults to access”.
At one point, the LADO chair asked why Emily “began ordering controversial titles and whether this was a recent development”. She later “confirmed several books were adult literature and therefore unsuitable for a school setting”.
Some of the books removed include Michelle Obama’s Becoming, Dan Brown’s The Da Vinci Code and Andrew Flintoff’s autobiography Second Innings.
As Caroline Roche, chair of the School Libraries Group (SLG) told Index, librarians all make different decisions about which books to stock based on their students and communities, and are ready to defend their collections. Indeed, many GCSE English set texts were not written for children, including Mary Shelley’s Frankenstein, William Shakespeare’s Macbeth and To Kill A Mockingbird by Harper Lee. They contain challenging topics, as do many others.
In Salford City Council’s decision, there appears to have been a lack of understanding of the role of a school library – an increasing occurrence when it comes to school leadership, when there is an absence of statutory guidance for school libraries.
The Lowry Academy boasts on its website that “reading is central to the development of our students”, and talks of how students can read all kinds of genres – horror, graphic novels and classics among them. Students will “be exposed to unfamiliar topics to broaden their understanding of the world around them,” the school writes. Many titles in these genres were indeed removed from the school library during the purge.
The school’s investigation discussed the removal of a Nineteen-Eighty-Four graphic novel. And mere paragraphs later described how a senior staff member felt the library’s ‘Life 101’ section (where Emily kept books for school leavers) was inappropriate, “based on the association with the television program Room 101, where undesirable items are symbolically discarded”. They were seemingly oblivious to Room 101’s origins in Orwell’s Nineteen-Eighty-Four.
The day Index published our investigation, the Lowry Academy posted a Facebook video promoting a The Traitors-style game, where staff would be “banished”. It was filmed in the school library.
“It has come to our attention that among our staff we have some traitors,” one staff member says on the video, without an ounce of irony. Not for the fact that one of their staff has already been “banished”, not for the fact that books have been banished and not for the fact that The Traitors is a programme about murder and deception, not made exclusively for young people. Although, of course, enjoyed by many.
Index believes this story is of huge public interest. Not only because the freedom to read and intellectual freedom are under attack in a school setting, but also because important safeguarding procedures appear to have been misused by multiple people. We fear we will see more stories like this if changes are not made, and that school librarians will self-censor through fear.
Index has approached the Lowry Academy, United Learning Trust and Salford City Council for comment. United Learning acknowledged the request but did not provide a comment before publication. The others have not replied.
Read the first part of our investigation here
20 Mar 2026 | Europe and Central Asia, News, United Kingdom
In November 2025, a school library in Greater Manchester underwent a purge. Inspired by the headteacher’s dislike of one particular title, books were pulled off the shelves, in a case unlike any previously seen in the UK. Within weeks, more than 130 books had been targeted – nearly 200 if each issue of the numerous graphic novels is counted. The books included a graphic novel of George Orwell’s Nineteen-Eighty-Four, young adult books like Dean Atta’s Black Flamingo and Alice Oseman’s chart-topping Heartstopper graphic novel series. Black Flamingo has since been reinstated, but the fate of many books on the list is unclear.
The school leadership pointed the finger at the librarian. She was threatened with disciplinary action, labeled as a safeguarding risk and at one point she was under risk of police involvement. She resigned from her job under severe stress.
The librarian, who we have called Emily, spoke to Index in an exclusive interview, and Index has seen extensive documents to support her claims.
Emily described this period as the worst in her life. She is too scared to use her real name, or allow the school to be named. She fears that the school will try to take legal action against her and does not want to become a public figure, where she worries she may be targeted. Considering the abuse levelled at librarians in the USA for defending their collections, she may have a point.
It began with Laura Bates’ nonfiction title Men Who Hate Women, which is a book about the growing network of incels and misogynists. Emily had ordered the book for older students as a result of safeguarding training on incel culture. The school goes up to year 11, and the library has a special section for students who are about to leave school – this is where the book was housed.
Emily included Men Who Hate Women on a slide deck of recommended reading (which she says she checked with her line manager). The headteacher saw the slides, and demanded the book be removed from the library, due to the exposure of misogynistic beliefs. Ironically, Emily says no students had actually checked out Men Who Hate Women.
“I was disappointed and upset, but it was just one book,” Emily told Index.
She complied, and moved it to the staff library, which isn’t accessible to students. The headteacher was not only of the opinion that the book was too disturbing for young people, but that it could be disturbing for adults too.
The school launched an investigation. Emily says she was at her desk when she was asked to step outside by the designated safeguarding lead (DSL). The head of HR was also waiting. Emily says she was taken into a meeting.
Emily is autistic, and she described how she “always assumes that surely people will see the common sense in things”.
During the discussion with HR and the safeguarding lead she defended the importance of books like Little Bang by Kelly McCaughrain, shortlisted for the Carnegie Medal (a prize for writing for children), which deals with teen pregnancy and abortion in Northern Ireland.
“I went home that night feeling very uncomfortable and kind of knowing in the pit of my stomach that things were about to get very bad, but I had no idea quite how bad,” Emily said.
The next morning when she arrived at school, her “librarian senses were tingling”. She knew something was wrong. She knew the placement of the books in the library and could see gaps where they had once been. Books had been pulled from the shelves.
“There were comic books missing, graphic novels,” Emily said. She was soon told that the library would be closing as a temporary safeguarding measure.
“We have the exact same group of children who come in every single day, and a lot of them are LGBTQ+, a lot of them are neurodivergent, and they come into the library because it’s their safe place,” Emily said. That safe place had been removed.
Emily says she was asked to conduct an audit of the books in the library. There were three criteria for removal: books that were not written for children, books with themes that could be upsetting to children and books that could be inappropriate or constitute a safeguarding risk. No definition of “inappropriate” was provided, Emily said.
“I ended up removing biographies of World War II airmen, literally less than a week after Remembrance Day, because they weren’t children’s books,” she said. Many classics fell under one or more of these criteria.
“God help me, I cooperated because I thought ‘I’m already in a lot of trouble here,’” she said, explaining how she thought there would be the opportunity for discussion about the books.
There were plenty of books she was compelled to remove that had already been in the library before Emily joined in 2023, including Heartstopper.
“It took me all day to take about 15 to 20 books off the shelves, and it was killing me,” she remembers.
And then things got worse. The designated safeguarding lead had reported her to the local authority as a safeguarding risk due to introducing books into the school library which were allegedly inappropriate for a school setting. There would be an investigation, and there was also a case for gross misconduct.
“I was absolutely gobsmacked. When I’m shocked, I kind of shut down. So, I stopped speaking, but I remember I was stamping books or something, and I just kept on doing that because I couldn’t believe what I was hearing,” Emily said.
Emily signed off sick due to stress. In the meantime, she spoke to the School Library Association (SLA), the Chartered Institute of Library and Information Professionals (CILIP) and their School Libraries Group (SLG), to get their support behind the scenes. The SLG were utterly shocked and said it is completely unprecedented. When they tried to talk to the school, they got no response.
Caroline Roche, chair of the SLG told Index that they had no doubts about Emily’s claims, and had seen the supporting evidence. Librarians all make different decisions about which books to stock, she said, and this should never be grounds for a safeguarding complaint. When it comes to books in school libraries “there aren’t any noes’”.
What the school should have done, she said, is to have a discussion with Emily about specific books and should have a library policy in place. “This is over the top. It’s ruined her career.”
When Emily contacted her union, which has helped her through the process, her local representative told her that their place of work was on lockdown due to threats from the far right.
The full list of books which the school deemed might be inappropriate was shared with Emily. The spreadsheet contains almost 200 titles. It is called the “final List of alleged books with inappropriate content” (a copy of which is pasted below).
It is unclear what has happened to the majority of these books now, and whether or not they have been returned to the library.
One report from the school states: “It appears that several books have been removed based on assumptions about potential themes or their classification as adult texts by the DSL.”
Some of the books were ordered by people other than Emily, and she says her line manager signed off on all purchases – the school claimed that was for budgetary reasons only.
Emily couldn’t help but laugh when the first book she saw on the list was Twilight by Stephenie Meyer. The reason given on the spreadsheet was “mature romantic themes, sexual tension, and violence involving vampires and werewolves.” She realised how ridiculous the whole situation was, if they were pulling a book that she’d read aged 12. She held out hope it was a misunderstanding.
There were many LGBTQ+ books on the list too, ones that were written for children and young adults. One of the books brought into particular focus was Queerly Autistic: The Ultimate Guide For LGBTQIA+ Teens On The Spectrum by Erin Ekins. The book has a recommended reading age of 12-18.
“As an autistic child, you are very vulnerable to certain predatory behaviours that you may not understand, and that was one of the reasons why I thought it was so important to have this book,” Emily said. “They were making out like I was teaching children how to perform sex acts by having this book in the library.”
Reni Edo-Lodge’s Why I’m No Longer Talking to White People About Race was on the list too, with the reason for removal: “race, discrimination”.
The school also paid close attention to the graphic novel The Crow by James O’Barr, which Emily bought after talking about it with some Year 11s (15-16 year olds), who were interested in Goth subculture and keen to read it. She kept the book near her desk, away from younger readers, as a safeguarding measure. When students borrowed the book, she gave them content warnings, as she did for all books with challenging themes.
“There are some scenes in it that are graphic, because a woman is raped and killed. That’s the basis of the story. There’s rape in The Handmaid’s Tale, and Tess of the d’Urbervilles and An Inspector Calls and all kinds of books that we had in the library,” she added.
The SLG were given the list by Emily and added comments, before sending it back to the school as part of Emily’s argument that the books were not inappropriate. Next to The Crow the SLG wrote: “One of the best-selling independent black-and-white graphic novels of all time.”
Some of the other reasons for removal given include racism and political themes for Michelle Obama’s autobiography Becoming and “romantic drama about enduring love and memory loss” for The Notebook by Nicholas Sparks. Other reasons for removal include political intrigue, espionage and even betrayal. Terry Pratchett’s Soul Music was removed for: “Adult audience content – may include sexual material, violence, abuse, substance misuse, or psychologically distressing themes.” The SLG said none of this is true.
In one of the documents seen by Index, the school admits that the categorisations of the books were written using AI, writing: “Although the categorisation was generated using AI, I consider this classification to be broadly accurate.”
Louis Coiffait-Gunn, CEO of CILIP, told Index that he was deeply concerned about a few school leaders using these methods to work out what is acceptable or not, citing the sinister use of AI, “rather than relying on a trained professional whose entire career is about working out what are the right books for different children and making sure that they’re provided.”
He described how every child in this school is entitled under the UN Charter of Human Rights to access information appropriate for their age, as long as it’s not illegal, and that what has happened in Emily’s case sets a worrying precedent.
“You’ve only got to look over at America and to think about who our next prime minister might be to see the risks for our children,” he said.
Emily decided to resign, which also halted the disciplinary action.
“I’ve done that job for over a decade, and it was my dream job, and I was brilliant at it,” Emily said.
The Local Authority meeting about the safeguarding complaint went ahead after Emily’s resignation. The LADO meeting as it is known focused solely on the allegations of “introducing inappropriate material into the school library”.
The meeting was originally scheduled for December 2025, but was cancelled at the last minute, because the Greater Manchester Police had been invited and they didn’t show. It was later agreed the police weren’t actually needed.
When the LADO made their decision in January 2026, they substantiated the allegation, believing that Emily had not caused direct harm but that she had failed to follow safeguarding procedures. Emily had to put in a subject access request to find out why.
In the hearing, the senior vice-principal outlined how the allegation was raised “after discovering multiple books in the school library containing inappropriate content. These books had been loaned to children and did not align with the school’s curriculum”.
There was no mention of the vast quantity of books removed, with only a few titles focused on.
“The fact it’s gone through safeguarding means Emily will never be able to work in a school again,” Roche from the SLG said.
During their investigations, the school referred to their statutory obligations under the government’s Relationships and Sex Education (RSE) and Keeping Children Safe in Education guidance documents and said that materials in the school should align to them.
There is in fact no statutory guidance for school libraries because there is no obligation in law to have either a school library or a school librarian. Following Index’s investigation into school library censorship in 2024, many librarians and supporting bodies have spoken to Index about the confusion this causes, with support for librarians and their books left to the whim of their schools’ senior teams.
“We need the Department for Education to think about how to make the most of school librarians,” Coiffait-Gunn said. “Why is it that prisoners and general citizens are entitled to prison and public libraries, but our children are not entitled to school libraries?”
Mass book removals like this are more common in the USA, where conservative right-wing lobbying groups like Moms for Liberty are well organised and put pressure on schools. There is also coordination with political groups.
Roche said threats of safeguarding accusations being levelled at librarians for stocking books will mean “we will be too scared to support our vulnerable teenagers. Too scared to stock certain books”.
When Emily first started at the school, books like Heartstopper and Black Flamingo were in the library, but there wasn’t much in the way of an LGBTQ+ offering. On an open evening, she put those two books on a table. She says a parent complained to the school that he “didn’t want his son exposed to gender bending”.
“The school defended me and defended those books and their right to be in there, and then two years later, completely forgot about it and changed their mind and said they’re inappropriate,” she said.
Index believes this story is of huge public interest. It is an unprecedented attack on the freedom to read and intellectual freedom, where important safeguarding measures have been misused to threaten and target a school librarian. This librarian is no longer able to do her job. Without this story being surfaced and changes being made, the risk is that it will happen again.
This Greater Manchester school’s library was decimated and the young people who seek answers in books have been terribly let down. Without proper library policies and the reassurance they will be supported, school librarians will no doubt hear about cases like Emily’s and self-censor through fear. Meanwhile young people will not find fulfilling safe spaces in their schools and look for information elsewhere – most likely, on the unregulated internet.
Index approached the school for comment and they have not responded.
Read the follow up to our investigation here
This is the list of books described by the school as the “final List of alleged books with inappropriate content”
| 1 |
She Gets the Girl |
Rachael Lippincott & Alyson Derrick |
| 2 |
Heartstopper vol 4 & 5 |
Alice Oseman |
| 3 |
The Black Flamingo |
Dean Atta |
| 4 |
The Art of Being Normal |
Lisa Williamson |
| 5 |
The Song of Achilles |
Madeline Miller |
| 6 |
The Outrage |
William Hussey |
| 7 |
Inferno |
Dan Brown |
| 8 |
The Lost Symbol |
Dan Brown |
| 9 |
Angels and Demons |
Dan Brown |
| 10 |
The Da Vinci Code |
Dan Brown |
| 11 |
Deception Point |
Dan Brown |
| 12 |
The Bourne Imperative |
Eric Van Lustbader & Robert Ludlum |
| 13 |
The Bourne Retribution |
Eric Van Lustbader & Robert Ludlum |
| 14 |
The Bourne Identity |
Robert Ludlum |
| 15 |
Five Survive |
Holly Jackson |
| 16 |
Bad Bones |
Graham Marks |
| 17 |
Dark Winter |
Andy McNab |
| 18 |
We Were Liars |
E. Lockhart |
| 19 |
Twilight |
Stephenie Meyer |
| 20 |
Till Death |
Busayo Matuluko |
| 21 |
Needy Little Things |
Channelle Desamours |
| 22 |
If You Find Me |
Emily Murdoch |
| 23 |
Nobody’s Girl |
Sarra Manning |
| 24 |
Dark Inside |
Jeyn Roberts |
| 25 |
Dune: The Graphic Novel |
Frank Herbert & Brian Herbert |
| 26 |
Soul Music |
Terry Pratchett |
| 27 |
American Gods |
Neil Gaiman |
| 28 |
Good Omens |
Terry Pratchett & Neil Gaiman |
| 29 |
The Time Traveler’s Wife |
Audrey Niffenegger |
| 30 |
Girl, Woman, Other |
Bernardine Evaristo |
| 31 |
1984 Graphic Novel |
Matyáš Namai & George Orwell |
| 32 |
White Teeth |
Zadie Smith |
| 33 |
Batman: Year One |
Frank Miller |
| 34 |
Little Bang |
Kelly McCaughrain |
| 35 |
One |
Sarah Crossan |
| 36 |
I Have No Secrets |
Penny Joelson |
| 37 |
The Absolutely True Diary of a Part-Time Indian |
Sherman Alexie |
| 38 |
Underworld |
Cathy MacPhail |
| 39 |
All Better Now |
Neal Shusterman |
| 40 |
What’s the T? |
Juno Dawson |
| 41 |
Men Who Hate Women: the extremism no-one is talking about |
Laura Bates |
| 42 |
Feminists Don’t Wear Pink (And Other Lies): Amazing Women on What the F-Word Means to Them |
Scarlett Curtis |
| 43 |
Rebel Bodies |
Sarah Graham |
| 44 |
Can We Ever Kill? |
Robert Crawford |
| 45 |
Why I’m No Longer Talking to White People About Race |
Reni Eddo-Lodge |
| 46 |
The Trans Guide to Mental Health and Wellbeing |
Katy Lees |
| 47 |
We Should All Be Feminists |
Chimamanda Ngozi Adichie |
| 48 |
The Book of Non-Binary Joy |
Ben Pechey |
| 49 |
The Good Ally |
Nova Reid |
| 50 |
Becoming |
Michelle Obama |
| 51 |
Taking Up Space |
Chelsea Kwakye & Ore Ogunbiyi |
| 52 |
Queerly Autistic |
Erin Ekins |
| 53 |
The Woman in Me |
Britney Spears |
| 54 |
Backstory |
David Mitchell |
| 55 |
Second Innings |
Andrew Flintoff |
| 56 |
Freddie Mercury: The Definitive Biography |
Lesley-Ann Jones |
| 57 |
Madly, Deeply |
Alan Rickman |
| 58 |
Friends, Lovers and the Big Terrible Thing |
Matthew Perry |
| 59 |
War and Peace: My Story |
Ricky Hatton |
| 60 |
If I Did It |
O. J. Simpson |
| 61 |
Through My Eyes |
Cheryl Cole |
| 62 |
Does the Noise in My Head Bother You? |
Steven Tyler |
| 63 |
Will |
Will Smith & Mark Manson |
| 64 |
Pageboy |
Elliot Page |
| 65 |
Red, White & Royal Blue |
Casey McQuiston |
| 66 |
Little Fires Everywhere |
Celeste Ng |
| 67 |
It Ends With Us |
Colleen Hoover |
| 68 |
It Starts With Us |
Colleen Hoover |
| 69 |
Hopeless |
Colleen Hoover |
| 70 |
Heart Bones |
Colleen Hoover |
| 71 |
Reminders of Him |
Colleen Hoover |
| 72 |
Call Me By Your Name |
André Aciman |
| 73 |
Interview With a Vampire |
Anne Rice |
| 74 |
Memoirs of a Geisha |
Arthur Golden |
| 75 |
If It Bleeds |
Stephen King |
| 76 |
The Witch’s Trinity |
Erika Mailman |
| 77 |
He Said/She Said |
Erin Kelly |
| 78 |
The Lost Bookshop |
Evie Woods |
| 79 |
A Dance with Dragons: Part 2 After the Feast |
George R. R. Martin |
| 80 |
A Storm of Swords: Part 1 Steel and Snow |
George R. R. Martin |
| 81 |
A Storm of Swords: Part 2 Blood and Gold |
George R. R. Martin |
| 82 |
A Clash of Kings |
George R. R. Martin |
| 83 |
A Dance with Dragons |
George R. R. Martin |
| 84 |
A Storm of Swords |
George R. R. Martin |
| 85 |
A Game of Thrones |
George R. R. Martin |
| 86 |
A Poetry Book for Sad, Messed-Up Teenagers |
Gracie Adams |
| 87 |
We Sold Our Souls |
Grady Hendrix |
| 88 |
The Casual Vacancy |
J. K. Rowling |
| 89 |
The Crow |
James O’Barr |
| 90 |
When the World Tips Over |
Jandy Nelson |
| 91 |
I’m Glad My Mom Died |
Jennette McCurdy |
| 92 |
Sing You Home |
Jodi Picoult |
| 93 |
Handle with Care |
Jodi Picoult |
| 94 |
One Day in December |
Josie Silver |
| 95 |
Game Over |
Adele Parks |
| 96 |
Tell Me Something |
Adele Parks |
| 97 |
Love Lies |
Adele Parks |
| 98 |
Conjure Women |
Afia Atakora |
| 99 |
The Silent Patient |
Alex Michaelides |
| 100 |
Stalker |
Lisa Stone |
| 101 |
The Cottage |
Lisa Stone |
| 102 |
Things We Left Behind |
Lucy Score |
| 103 |
The Holiday Swap |
Maggie Knox |
| 104 |
Stone Mattress |
Margaret Atwood |
| 105 |
Madame Frankenstein |
Megan Levens & Jamie S. Rich |
| 106 |
Cleat Cute |
Meryl Wilsner |
| 107 |
Why Not Me? |
Mindy Kaling |
| 108 |
I’m Not Scared |
Niccolò Ammaniti |
| 109 |
The Notebook |
Nicholas Sparks |
| 110 |
Great Goddesses |
Nikita Gill |
| 111 |
Coffin Road |
Peter May |
| 112 |
Morganville Vampires (series) |
Rachel Caine |
| 113 |
I Am Legend |
Richard Matheson |
| 114 |
The 48 Laws of Power |
Robert Greene |
| 115 |
Alchemised |
SenLinYu |
| 116 |
Pride and Prejudice and Zombies |
Seth Grahame-Smith & Jane Austen |
| 117 |
Not a Happy Family |
Shari Lapena |
| 118 |
The Witness |
Simon Kernick |
| 119 |
Driving Forwards |
Sophie L. Morgan |
| 120 |
Looking for Adventure |
Steve Backshall |
| 121 |
The Girl Who Played with Fire |
Stieg Larsson |
| 122 |
Bored Gay Werewolf |
Tony Santorella |
| 123 |
Detransition, Baby |
Torrey Peters |
| 124 |
Black Butler Vol. 1 |
Yana Toboso |
| 125 |
Black Butler Vol. 2 |
Yana Toboso |
| 126 |
Black Butler Vol. 3 |
Yana Toboso |
| 127 |
Boruto Vol. 3 |
Ukyō Kodachi & Mikio Ikemoto |
| 128 |
Chainsaw Man series |
Tatsuki Fujimoto |
| 129 |
Death Note Vol. 1 |
Tsugumi Ohba & Takeshi Obata |
| 130 |
Death Note Vol. 10 |
Tsugumi Ohba & Takeshi Obata |
| 131 |
Death Note Vol. 11 |
Tsugumi Ohba & Takeshi Obata |
| 132 |
Death Note Vol. 12 |
Tsugumi Ohba & Takeshi Obata |
| 133 |
Death Note Vol. 13 |
Tsugumi Ohba & Takeshi Obata |
| 134 |
Death Note Vol. 3 |
Tsugumi Ohba & Takeshi Obata |
| 135 |
Death Note Vol. 4 |
Tsugumi Ohba & Takeshi Obata |
| 136 |
Death Note Vol. 5 |
Tsugumi Ohba & Takeshi Obata |
| 137 |
Death Note Vol. 7 |
Tsugumi Ohba & Takeshi Obata |
| 138 |
Death Note Vol. 8 |
Tsugumi Ohba & Takeshi Obata |
| 139 |
Death Note Vol. 9 |
Tsugumi Ohba & Takeshi Obata |
| 140 |
Demon Slayer (Manga) series |
Koyoharu Gotouge |
| 141 |
Demon Slayer Vol. 10 |
Koyoharu Gotouge |
| 142 |
Demon Slayer Vol. 11 |
Koyoharu Gotouge |
| 143 |
Demon Slayer Vol. 12 |
Koyoharu Gotouge |
| 144 |
Demon Slayer Vol. 13 |
Koyoharu Gotouge |
| 145 |
Demon Slayer Vol. 14 |
Koyoharu Gotouge |
| 146 |
Demon Slayer Vol. 15 |
Koyoharu Gotouge |
| 147 |
Demon Slayer Vol. 16 |
Koyoharu Gotouge |
| 148 |
Demon Slayer Vol. 2 |
Koyoharu Gotouge |
| 149 |
Demon Slayer Vol. 22 |
Koyoharu Gotouge |
| 150 |
Demon Slayer Vol. 23 |
Koyoharu Gotouge |
| 151 |
Demon Slayer Vol. 3 |
Koyoharu Gotouge |
| 152 |
Demon Slayer Vol. 4 |
Koyoharu Gotouge |
| 153 |
Demon Slayer Vol. 5 |
Koyoharu Gotouge |
| 154 |
Demon Slayer Vol. 6 |
Koyoharu Gotouge |
| 155 |
Demon Slayer Vol. 7 |
Koyoharu Gotouge |
| 156 |
Fairy Tail Vol. 1 |
Hiro Mashima |
| 157 |
Fairy Tail Vol. 10 |
Hiro Mashima |
| 158 |
Fairy Tail Vol. 11 |
Hiro Mashima |
| 159 |
Fairy Tail Vol. 2 |
Hiro Mashima |
| 160 |
Fairy Tail Vol. 3 |
Hiro Mashima |
| 161 |
Fairy Tail Vol. 4 |
Hiro Mashima |
| 162 |
Fairy Tail Vol. 5 |
Hiro Mashima |
| 163 |
Fairy Tail Vol. 6 |
Hiro Mashima |
| 164 |
Fairy Tail Vol. 7 |
Hiro Mashima |
| 165 |
Fairy Tail Vol. 8 |
Hiro Mashima |
| 166 |
Fairy Tail Vol. 9 |
Hiro Mashima |
| 167 |
Given (manga) series |
Natsuki Kizu |
| 168 |
Jujutsu Kaisen Vol. 1 |
Gege Akutami |
| 169 |
Jujutsu Kaisen Vol. 2 |
Gege Akutami |
| 170 |
Jujutsu Kaisen Vol. 3 |
Gege Akutami |
| 171 |
Jujutsu Kaisen Vol. 5 |
Gege Akutami |
| 172 |
Jujutsu Kaisen Vol. 6 |
Gege Akutami |
| 173 |
Jujutsu Kaisen Vol. 7 |
Gege Akutami |
| 174 |
Jujutsu Kaisen Vol. 8 |
Gege Akutami |
| 175 |
Lenore: Noogies |
Roman Dirge |
| 176 |
Lenore: Pink Bellies |
Roman Dirge |
| 177 |
Lenore: Purple Nurples |
Roman Dirge |
| 178 |
Lenore: Swirlies |
Roman Dirge |
| 179 |
Lenore: Wedgies |
Roman Dirge |
| 180 |
The Cat with a Really Big Head |
Roman Dirge |
| 181 |
One-Punch Man Vol. 10 |
ONE & Yusuke Murata |
| 182 |
One-Punch Man Vol. 3 |
ONE & Yusuke Murata |
| 183 |
Tokyo Ghoul: Re Vol. 7 |
Sui Ishida |
| 184 |
Tokyo Ghoul Vol. 6 |
Sui Ishida |
| 185 |
Tokyo Ghoul: Vol. 1 |
Sui Ishida |
| 186 |
Tokyo Ghoul: Vol. 10 |
Sui Ishida |
| 187 |
Tokyo Ghoul: Vol. 14 |
Sui Ishida |
| 188 |
Tokyo Ghoul: Vol. 16 |
Sui Ishida |
| 189 |
Tokyo Ghoul: Vol. 4 |
Sui Ishida |
| 190 |
Tokyo Ghoul: Vol. 5 |
Sui Ishida |
| 191 |
Tokyo Ghoul: Vol. 6 |
Sui Ishida |
| 192 |
Tokyo Ghoul: Vol. 8 |
Sui Ishida |
| 193 |
Tokyo Ghoul: Vol. 9 |
Sui Ishida |