Marie Colvin, Pierre Zakrzewski, Simon Cumbers – just a few of the journalists killed whilst reporting from some of the most dangerous places on earth.
Between 2000 and 2022, 16 UK journalists were killed while reporting from warzones, and a new campaign is set to honour these newsgatherers with both a physical and digital monument.
The campaign, titled On the Record, is running a competition to decide on the design of the monument, with entries open until 9 January. Judging will take place in March and a planned unveiling during spring 2027.
The National Memorial Arboretum, which describes itself as “the UK’s year-round centre of remembrance” is set to host the memorial, alongside existing pieces dedicated to the armed services.
Sarah Sands, former editor of BBC Radio 4’s Today programme and Chair of Trustees for the campaign, stressed the importance of the journalist as a physical witness during conflicts.
She said: “Their role in testimony and truth-telling seems incredibly important at the moment… the sense of someone who’s there, for no other reason than to observe and tell and bring back the truth and let the world know what’s happening.”
Among the other trustees is former BBC foreign editor Jon Williams, executive director of the Rory Peck Trust, a charity providing support to freelance journalists and which was set up following the 1993 death of freelance cameraman Rory Peck.
Discussing the importance of the proposed monument, Williams said: “The sacrifices that people make in service of finding out the facts and verifying the truth is a public service that all of us should be grateful for and those who pay the ultimate price deserve to be remembered.”
“More journalists have been killed in 2025 than at any time in history of journalism, and so it’s not as if the problem is going away. If anything, it’s getting worse.”
The CPJ reported 127 journalists and media workers killed globally last year, surpassing the previous record set in 2024.
Williams went on to say: “It’s about remembering the collective endeavour of journalism and the importance of eyewitness reporting. And the best way to do that is to salute those who’ve lost their lives in the service of the truth.”
Williams talked about his connection to photojournalist Tim Hetherington, who was killed whilst covering the Libyan civil war in 2011: “He was a little bit younger than me, but we’ve grown up pretty close to each other, just north of Liverpool. And in fact, when I took Mark Thompson to Libya in the autumn of 2011 we went to Misrata and laid some flowers at the site where Tim had been killed.”
The physical monument will not include names, however an online digital tribute, which Williams described as a “living memorial”, will include names as well as contributions from family and colleagues.
Williams said: “Nobody should have to die in the service of the truth alone, and we try to ensure that nobody does.”
Karola Zakrzewska got involved with the campaign after her brother Pierre was killed whilst reporting for Fox News in Ukraine. She said: “Just before he died, we were talking to him, and were saying, ‘It’s getting a bit dangerous now.’
“He said: ‘No, I’ve got to stay. I’ve got to stay to tell people what Putin’s doing.’”
She described how war journalists like her brother want to keep reporting because they have to continue to tell the stories.
“They have to put themselves, unfortunately, at risk to be able to bring us the stories back as we watch it on our very comfortable sofas, in our very comfortable lives,” she said.
“But without them, we wouldn’t know what was happening. It’s incredibly important that we just spend a minute as we walk past and remember them, or just take a couple of minutes thinking about why they’re the guys who tell us what’s happening in the world.”
The project aims to raise £1 million, with half going to the monument itself and the rest to its upkeep. Already having received pledges by organisations such as Bloomberg and News UK, according to Sands, the campaign is still seeking donors.
The Ukrainian government has confirmed the death of journalist Victoria Roshchyna, who died during a prisoner swap in September. Free expression organisations, including Index on Censorship, are calling on Russia to disclose the circumstances in which the 27-year-old died.
According to Russian news outlet Mediazona, she died whilst being transferred from a prison in Taganrog, a city in the southwest of Russia near the Ukrainian border, to Moscow.
Petro Yatsenko, a Ukrainian government spokesperson for prisoner of war coordination, and Yaroslav Yurchyshyn, head of the Ukrainian parliament’s committee on freedom of speech, yesterday confirmed Roshchyna’s death. Her father has been notified of her death by the Russian authorities, according to Yurchyshyn.
Roshchyna wrote from the front line for several Ukrainian media outlets before she was seized by Russian forces in August 2023 whilst travelling to east Ukraine for a report. Her capture was confirmed by Russia in April 2024.
This was not the first time Roshchyna had been taken by the Russian forces in eastern Ukraine. In April 2022, Index published a powerful piece about her experience of being arrested while travelling from Zaporizhzhia to Mariupol. It is an exemplary piece of level-headed reporting. But it contains some chilling detail, including the moment when a member of the FSB, the Russian secret service, tells her: “If we bury you somewhere here, no one will ever find out. You will be lost forever.”
Index on Censorship will ensure that the memory of Victoria Roshchyna will never be lost.
Jemimah Steinfeld, chief executive of Index on Censorship, said: “The death in custody of any journalist is always gut-wrenching but especially so when it is one we have published. Victoria Roshchyna was a talented young journalist with her life ahead of her. We are proud to count her as an Index writer.
“Her death is a great loss, one that has shaken the Index team. It is also a stark reminder of the threat that Putin’s regime poses to freedoms more generally and to media freedom specifically, which has only increased several years into Russia’s full-scale invasion of Ukraine.
“We call for an immediate and thorough investigation into the cause of her death and for those responsible to be held accountable. And our thoughts go out to her family, friends and colleagues at this challenging time. May her memory be a blessing.”
The family of murdered journalist and Sunday Times correspondent Marie Colvin has filed a lawsuit against the Syrian government, accusing it of being responsible for her death while she was reporting in the country in 2012.
The suit, filed to a federal court in Washington, alleges that Colvin was killed in a deliberate attack, planned by President Bashar al-Assad’s government, to silence the media “as part of its effort to crush political opposition”.
Colvin, a veteran war reporter, was killed alongside French photojournalist Remi Ochlik when a rocket attack was launched against a makeshift broadcast studio in the rebel-controlled area of Baba Amr in Homs, the country’s third city.
Colvin’s work and legacy is discussed in the latest issue of Index on Censorship magazine, which has a special report on the risks of reporting worldwide. In a piece debating whether journalists should work in war zones, Channel 4 New’s Lindsey Hilsum writes: “In February 2012, Marie and photographer Paul Conroy crawled through a sewer to get to Homs, as the Syrian regime’s bombs turned the buildings of rebel-controlled Baba Amr to burnt-out carcasses and rubble. In her dispatches, Marie described the makeshift beds on which children slept underground to avoid the bombs, the operations without anaesthetic, the despair of people who felt they had been abandoned by the world. It was classic, old-fashioned eyewitness reporting […]
“Marie felt she had a responsibility to report; she refused to leave it to YouTube. Yet, on this occasion, the risk was too great. Was she brave, or – in her own words – was it bravado? Either way, we are all the poorer because Marie Colvin is no longer reporting from Syria.”
[vc_row][vc_column][vc_custom_heading text=”Index on Censorship has dedicated its milestone 250th issue to exploring the increasing threats to reporters worldwide. Its special report, Truth in Danger, Danger in Truth: Journalists Under Fire and Under Pressure, is out now.”][vc_row_inner][vc_column_inner width=”1/2″][vc_column_text]
Highlights include Lindsey Hilsum, writing about her friend and colleague, the murdered war reporter Marie Colvin, and asking whether journalists should still be covering war zones. Stephen Grey looks at the difficulties of protecting sources in an era of mass surveillance. Valeria Costa-Kostritsky shows how Europe’s journalists are being silenced by accusations that their work threatens national security.
Kaya Genç interviews Turkey’s threatened investigative journalists, and Steven Borowiec lifts the lid on the cosy relationships inside Japan’s press clubs. Plus, the inside track on what it is really like to be a local reporter in Syria and Eritrea. Also in this issue: the late Swedish crime writer Henning Mankell explores colonialism in Africa in an exclusive play extract; Jemimah Steinfeld interviews China’s most famous political cartoonist; Irene Caselli writes about the controversies and censorship of Latin America’s soap operas; and Norwegian musician Moddi tells how hate mail sparked an album of music that had been silenced.
The 250th cover is by Ben Jennings. Plus there are cartoons and illustrations by Martin Rowson, Brian John Spencer, Sam Darlow and Chinese cartoonist Rebel Pepper.
You can order your copy here, or take out a digital subscription via Exact Editions. Copies are also available at the BFI, the Serpentine Gallery, MagCulture, (London), News from Nowhere (Liverpool), Home (Manchester) and on Amazon. Each magazine sale helps Index on Censorship continue its fight for free expression worldwide.
Index on Censorship magazine was started in 1972 and remains the only global magazine dedicated to free expression. It has produced 250 issues, with contributors including Samuel Beckett, Gabriel García Marquéz, Nadine Gordimer, Arthur Miller, Salman Rushdie, Margaret Atwood, and many more.
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”SPECIAL REPORT: DANGER IN TRUTH, TRUTH IN DANGER” css=”.vc_custom_1483444455583{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]
Journalists under fire and under pressure
Editorial: Risky business – Rachael Jolley on why journalists around the world face increasing threats
Behind the lines – Lindsey Hilsum asks if reporters should still be heading into war zones
We are journalists, not terrorists – Valeria Costa-Kostritsky looks at how reporters around Europe are being silenced by accusations that their work threatens national security
Code of silence – Cristina Marconi shows how Italy’s press treads carefully between threats from the mafia and defamation laws from fascist times
Facing the front line – Laura Silvia Battaglia gives the inside track on safety training for Iraqi journalists
Giving up on the graft and the grind – Jean-Paul Marthoz says journalists are failing to cover difficult stories
Risking reputations – Fred Searle on how young UK writers fear “churnalism” will cost their jobs
Inside Syria’s war – Hazza Al-Adnan shows the extreme dangers faced by local reporters
Living in fear for reporting on terror – Ismail Einashe interviews a Kenyan journalist who has gone into hiding
The life of a state journalist in Eritrea – Abraham T. Zere on what it’s really like to work at a highly censored government newspaper
Smothering South African reporting – Carien Du Plessis asks if racism accusations and Twitter mobs are being used to stop truthful coverage at election time
Writing with a bodyguard – Catalina Lobo-Guerrero explores Colombia’s state protection unit, which has supported journalists in danger for 16 years
Taliban warning ramps up risk to Kabul’s reporters – Caroline Lees recalls safer days working in Afghanistan and looks at journalists’ challenges today
Writers of wrongs – Steven Borowiec lifts the lid on cosy relationships inside Japan’s press clubs
The Arab Spring snaps back – Rohan Jayasekera assesses the state of the media after the revolution
Shooting the messengers – Duncan Tucker reports on the women investigating sex-trafficking in Mexico
Is your secret safe with me? – Stephen Grey looks at the difficulties of protecting sources in an age of mass surveillance
Stripsearch cartoon – Martin Rowson depicts a fat-cat politician quashing questions
Scoops and troops – Kaya Genç interviews Turkey’s struggling investigative reporters
A world away from Wallander – An exclusive extract of a play by late Swedish crime writer Henning Mankell
“I’m not prepared to give up my words” – Norman Manea introduces Matei Visniec, a surreal Romanian play where rats rule and humans are forced to relinquish language
Posting into the future – An extract from Oleh Shynkarenko’s futuristic new novel, inspired by Facebook updates during Ukraine’s Maidan Square protests
The lost art of letters – Vicky Baker looks at the power of written correspondence and asks if email can ever be the same
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”SUBSCRIBE” css=”.vc_custom_1481736449684{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]Index on Censorship magazine was started in 1972 and remains the only global magazine dedicated to free expression. Past contributors include Samuel Beckett, Gabriel García Marquéz, Nadine Gordimer, Arthur Miller, Salman Rushdie, Margaret Atwood, and many more.[/vc_column_text][vc_row_inner][vc_column_inner width=”1/2″][vc_single_image image=”76572″ img_size=”full”][/vc_column_inner][vc_column_inner width=”1/2″][vc_column_text]In print or online. Order a print edition here or take out a digital subscription via Exact Editions.
Copies are also available at the BFI, the Serpentine Gallery, MagCulture, (London), News from Nowhere (Liverpool), Home (Manchester), Calton Books (Glasgow) and on Amazon. Each magazine sale helps Index on Censorship continue its fight for free expression worldwide.
