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Read the full text of the policy paper “Belarus: Time for media reform” here. | Поўны тэкст аналітычнага дакладу “За рэформы медыя ў Беларусі” можна пабачыць тут.
Following launches in Minsk and Brussels, join Index on Censorship for the UK launch of our important new policy paper ‘Belarus: Time For Media Reform’.
Belarus continues to have one of the most restrictive and hostile media environments in Europe. Recent years have brought no genuine improvements to the media situation. In a country that has not held a free and fair election since 1994 the authorities keep tight control over the media as a means of preserving their power.
Join us to ask:
With Andrei Bastunets (Belarusian Association of Journalists, Minsk) and Andrei Aliaksandrau (Index on Censorship, London).
WHEN: Thursday 27th February 2014, 18:30 – 20:00 inc. drinks
WHERE: Free Word Centre, 60 Farringdon Road, EC1R 3GA
TICKETS: RSVP here
@IndexEvents – #Belarus
Presented in collaboration with the Belarusian Association of Journalists
Over the past few weeks, the ruling Justice and Development Party (AKP) in Turkey has deployed a curated mix of paid-for advertising, op-eds in pro-government newspapers, tweets and off-the-cuff press statements to justify their curbs on internet freedom.
One of the most persistent tactics used by AKP has been so-called “porn lobby” smearing. Back in 2011, Umit Boyner, an ex-retail executive and president of the Turkish Industry and Business Association, was decried as “pro-porn” for being anti-censorship. Not only porn – “violent websites,” “instructions on how to kill your mother”, “sex with animals” and more lurid possibilities would come about, argued Bulent Arinc, deputy prime minister, if access to the web was unfettered.
More recently, pro-government newspaper The Star, convinced readers that censorship opposition was coming from the vaguely described “porn lobby.” “So would you want your child to be a victim of sexual abuse, porn, gambling or other hideous acts?” asked editors.
Tweets from AKP deputy Necdet Unuvar (“Today is safer Internet day, they used to call this a censure but they do not anymore,”) and another deputy, Cevdet Erdol, (“All forms of addiction: tobacco, drugs, alcohol, weed, Internet whatever they might be, we continue our struggle against them. For our kids“) sought to conjoin 5651 censorship with AKPs conservative, quasi-religious philosophy: As one analyst translated it “high moral laws: morals to protect the youth.”
The AKP also launched a paid-for advertising campaign: A bruised woman, clearly the victim of domestic violence, with the strapline “Violence is a crime. What about the Internet? Absence of rules does not mean liberty!”
Internet commentator Glyn Moody, who blogged about the bizarre campaign for Techdirt, told Index on Censorship “This extraordinary ad belongs to a tradition of regarding the online world as a kind of lawless “Wild West,” that needed to be tamed.”
Erdogan has also been keen to draw comparisons internationally. On the same day as 2000 protesters clashed with water-cannons in Istanbul, he told a journalist working for Al Jazeera TV network “Turkey is almost more free than some states of the European Union.” He justified his claim: “When you refer to the Gezi Park events, why do you not see the events in Frankfurt, Hamburg? Have you seen what the police did there? Why do you not see [sic] what happens in England?”
Prosecutors in Germany and England were accused of being heavy-handed after protests and street unrest in Frankfurt, Berlin and London in 2011 were met with long jail sentences.
Bulent Arinc has also argued, that Turkey is “freer compared to many other countries,” and “has freedom of the press,” although a week later international NGO Reporters Without Borders slammed the nation in a global survey of journalistic freedoms, ranking it 154th globally.
Pro-government newspapers have even posited a slightly dubious economic argument : Sabah, a daily newspaper considered very favourable towards AKP, argued that Silicon Valley giants would be keener to participate in the Turkish market as the legislation removed prison sentences in favour of punitive fines.
So did all this work? It depends on how you judge success. Emre Kizilkaya, a Turkish journalist, sees censorship as a partisan issue anyway.
“Most AKP voters support it, while almost all opposition voters are against it. So, it has become a partisan issue. As such, the PR campaign probably didn’t swing votes – but it further cemented the position of AKPs own voters.”
Pinar Tremblay, a Turkish analyst and academic, thought understanding of the laws was limited. “The majority of the people are not yet aware what the law entails, because they have not yet experienced it.”
“No matter what the government may say about protecting children or stopping violence against women through censorship,” said Gurkan Ozturan, a citizen journalist and blogger based in Turkey. “everybody knows that those issues are not being addressed to in real life, physically on the street.”
He goes on “This bill has been prepared to re-initiate the government of fear in Turkey. But as with OccupyGezi protests the people have passed beyond the fear-threshold.”
If polling data is to be believed, the AKP now commands 40-50% of Turkish approval ratings. But 5651 has provoked intense street protests, condemnation from human rights groups, and even comparisons with the early days of the Third Reich.
The passing of the legislation provoked half a million tweets, according to media reports, split across English and Turkish hashtags. The pro-censorship hashtag received a handful in comparison.
Still, President Gul – who still needs to ratify the bill, has indicated he will. Turkey is going dark, soon.
This article was posted on February 17, 2014 at indexoncensorship.org
Inna Lillahi wa inna ilaihi raji’un. I am informing all brave Muslims of the world that the author of The Satanic Verses, a text written, edited, and published against Islam, the Prophet of Islam, and the Qur’an, along with all the editors and publishers aware of its contents, are condemned to death. I call on all valiant Muslims wherever they may be in the world to kill them without delay, so that no one will dare insult the sacred beliefs of Muslims henceforth. And whoever is killed in this cause will be a martyr, Allah Willing. Meanwhile if someone has access to the author of the book but is incapable of carrying out the execution, he should inform the people so that [Rushdie] is punished for his actions. Rouhollah al-Mousavi al-Khomeini.”
On 14 February 1989, 25 years ago today, the supreme leader of the Islamic Republic of Iran handed down a death sentence not just on British author Salman Rushdie, but on anyone associated with the publication of his novel the Satanic Verses.
It’s always worth writing down exactly what happened. A medievalist tyrant decided a novelist and his editors and publishers should die, because he was offended by a book he could not claim to have read.
Rushdie went into hiding. Hitoshi Igarashi, the novel’s Japanese translator, was murdered. Because he had translated a novel.
The controversy did not begin with Khomeini – he merely attempted to capitalise on it. No, the first countries where the book stoked the ire of Islamists were South Africa and India, both countries whose divide-and-rule laws (the Indians’ law inherited from British colonial law, the South Africans’ in a diabolical league of its own) meant it paid to promote communal grievance.
Khomeini’s fatwa seems, in hindsight, a desperate bid to distract the people of Iran, and the rest of the Muslim world, from the fact that his reign, about to end, had been a disaster. Iranians had hoped their 1979 revolution would deliver them from the oppression of the Peacock Throne. Instead they just found their oppressors had simply grown beards.
The disaster was not entirely of Khomeini’s own making, perhaps. He could not be blamed for having the equally psychopathic Saddam Hussein as a neighbour, but nonetheless, he had sent hundreds of thousands of Iranians to their death, promised martyrdom as they marched into Saddam’s poisoned gas during the Iran-Iraq war that raged for almost the whole of the 1980s.
The Iran Iraq War ended in 1988. Neither side could legitimately claim victory. The Islamic Republic had not swept all before it. And Khomeini needed something new to establish his Shia theocracy as the leader of the Islamic world. He found it in harnessing the mounting anger over Rushdie’s book.
In Britain, this was the moment for political Islam. Young second generation South Asian Islamists exploited their parents’ folk memories of anti-Muslim violence during the torturous period before and after partition in 1947 (the subject of Rushdie’s great work, Midnight’s Children) to mobilise Muslims against Rushdie.
Inayat Bunglawala of the Muslim Council of Britain wrote in 2007:
So on February 14 1989, when the Iranian Islamic leader, Imam Khomeini delivered his fatwa calling for Salman Rushdie’s death, I was truly elated. It was a very welcome reminder that British Muslims did not have to regard themselves just as a small, vulnerable minority; they were part of a truly global and powerful movement. If we were not treated with respect then we were capable of forcing others to respect us.
Yusuf Islam, formerly known as cuddly hippy musician Cat Stevens, told a television audience at the time that he felt Rushdie deserved to die. Some on the British right were pleased, seeing the death sentence as comeuppance for a man who was a vicious critic of the racist establishment.
Khomeini is dead and Rushdie is a knight of the realm (though some, such as Shirley Williams, considered that elevation in 2007 unwise). But it is perhaps on those grounds only that victory can be claimed for free speech. As Kenan Malik has suggested, writing for Index on Censorship, we live still in the “shadow of the fatwa”.
Religious sensitivity has become an excuse for threats. “Offence” is something to be taken greedily, and then pumped back out with a mixture of aggression and self pity.
And the shadow of that fatwa does not only fall on Islam. Every zealot of every creed will now offer up special pleading for their right to be protected from mockery, debate and challenge with the line “You wouldn’t say that about Islam.” What they mean, always, is “We want you to be scared. We want you to be as scared as Salman Rushdie was when he received that threat. We want you to be so scared that you will never question our literalism, our version of events. Truth is ours and ours alone.”
Rushdie’s friend, the late Christopher Hitchens, wrote that the fatwa represented “an all out confrontation between the ironic and the literal mind: between every kind of commissar and inquisitor and bureaucrat and those who know that, whatever the role of social and political forces, ideas and books have to be formulated by individuals”.
That struggle goes on.
(Image: Eloïse Bollack/Demotix)
Palestinian Arab Idol winner Mohammad Assaf says he has been banned from performing at the World Cup opening ceremony this summer — and that Shakira is boycotting.
He said at a press conference earlier this week that he was supposed to sing at the show kicking off the FIFA World Cup in Brazil, but that because of some “countries” or “groups” — no one was specified — his record company was told this won’t happen after all. He also said that Colombian superstar Shakira, who sang the 2010 World Cup anthem “Waka Waka,” has refused to perform at the ceremony because of it.
Assaf rose to fame last year when he won the regional singing competition Arab Idol, and was especially lauded for his performances of traditional Palestinian music:
In the process, he gained some high-profile fans. FIFA President Sepp Blatter visited Palestine last summer, and said he would invite Assaf to sing at this summer’s World Cup
It was reported then that Assaf and Shakira might sing together in Brazil, but now it appears both will be staying away from the festivities.
Assaf, a former wedding singer, has become somewhat of Palestinian hero; when his victory was announced, people in Gaza and Ramallah poured onto the streets in celebration.
In addition to singing patriotic Palestinian songs, Assaf has made political statements on a number of occassions: “We are searching for our rights, for peace, unity and the end of the occupation and illegal Israeli settlements,” he said to the New York Times in December.
But Assaf’s popularity, which has made headlines abroad, has also drawn criticism.
In an email complaining to Secretary of State John Kerry, Israeli Prime Minister Benjamin Netanyahu said that Palestinian children are “educated to hate Jews, while Palestinian officials continue to call for their deaths.” He also included a link to one of Assaf’s performance of ali al-keffiyeh, a Palestinian folk song.
“We are not aware of the Arab Idol. Details concerning the official ceremony are still being defined,” a FIFA representative said to PolicyMic in response to his comments.
The 2014 FIFA World Cup has attracted serious criticism for the high costs to the public purse, the lack of transparency and the unsafe conditions at building sites, which have seen workers lose their lives. The dissatisfaction culminated last summer with widespread demonstrations, during which police targeted journalists and protests. Brazilians have also taken to the streets more recently, and authorities have “embraced measures aimed at containing protests.”
It remains to be seen whether this will become yet another controversial issue FIFA and the organising committee have to answer to in the 119 days left until the World Cup kicks off.
Reposted with permission from PolicyMic