Kim Jong Un is more afraid of Korean television drama series than he is of foreign attacks
Kim Jong Un is more afraid of Korean television drama series than he is of foreign attacks
Volume 54.03 Autumn 2025
AI tools can make reporters lives easier but also challenges their very existence
Index takes a deep dive into the data around the US president’s flurry of activity after returning to the White House
Librarians and public institutions in the US are facing a growing threat to independent thinking and tolerant values
The defunding of USAID has had a catastrophic impact on Radio Free Asia and other independent news sources
What does the erosion of the press amid a rapid increase in citizen journalism mean for American democracy?
Speaking out about societal issues such as poverty, hunger and police abuse is perilous and risks attention from authorities and terror groups
Young Chinese people are spontaneously breaking into song while commuting and it’s all about signalling their resistance to CCP control
Nigerians are increasingly turning to social media to voice their concerns about societal issues
A quarterly journal set up in 1972, Index on Censorship magazine has published oppressed writers and refused to be silenced across hundreds of issues.
The brainchild of the poet Stephen Spender, and translator Michael Scammell, the magazine’s very first issue included a never-before-published poem, written while serving a sentence in a labour camp, by the Soviet dissident Aleksandr Solzhenitsyn, who went on to win a Nobel prize later that year.
The magazine continued to be a thorn in the side of Soviet censors, but its scope was far wider. From the beginning, Index declared its mission to stand up for free expression as a fundamental human right for people everywhere – it was particularly vocal in its coverage of the oppressive military regimes of southern Europe and Latin America but was also clear that freedom of expression was not only a problem in faraway dictatorships. The winter 1979 issue, for example, reported on a controversy in the United States in which the Public Broadcasting Service had heavily edited a documentary about racism in Britain and then gone to court attempting to prevent screenings of the original version. Learn more.