[vc_row][vc_column][vc_single_image image=”114632″ img_size=”large”][vc_column_text]Banned Books Week 2020 (27 September–3 October) takes place four months after George Floyd’s murder led to a global resurgence of the Black Lives Matter movement, and three months after the publication of the Rethinking Diversity in Publishing report, which demonstrated the particular challenges writers of colour still encounter.
Taking Banned Books Week’s theme as its starting point – a celebration of the freedom to read – our panel take stock of the commitments to inclusion and representation that have been made in publishing over the last few months. With representatives from the books industry – from editors to heads of writers’ organisations – this webinar will explore how we work together to celebrate marginalised voices in literature.
Adam Freudenheim is the Publisher and Managing Director of Pushkin Press. He has worked in publishing since 1998 and was Publisher of Penguin Classics, Modern Classics and Reference from 2004 to 2012. Adam joined Pushkin in May 2012, where he has launched the Pushkin Children’s Books, Pushkin Vertigo and ONE imprints, and he is particularly proud to have published the first translation of The Letter for the King by Tonke Dragt and Jakob Wegelius’s dazzlingly original The Murderer’s Ape; as well as to have introduced the acclaimed American short story writer Edith Pearlman to British readers (with Binocular Vision) and Israeli writer Ayelet Gundar-Goshen (her most recent novel is Liar).
Sharmaine Lovegrove is the Publisher of Dialogue Books, the UK’s only inclusive imprint, part of Little, Brown Book Group and Hachette UK. Dialogue Books is a home for a variety of stories from illuminating voices often missing from the mainstream. Sharmaine was the recipient of the Future Book Publishing Person of the Year 2018/19 and is inspired by innovative storytelling, and has worked in public relations, bookselling, events management and TV scouting. She was the literary editor of ELLE and set up her own bookshop and creative agency when living in Berlin. Sharmaine serves on the boards of The Black Cultural Archives, The Watershed and is an founding organiser of The Black Writers Guild. Home is London, she lives in Berlin and her roots are Jamaican – Sharmaine is proud to be part of the African diaspora and books make her feel part of the world.
Claire Malcolm is the founding Chief Executive of the literary charity New Writing North where she oversees flagship projects such as the David Cohen Literature Award, Gordon Burn Prize, the Northern Writers’ Awards and Durham Book Festival and award-winning work with young people. She works with partners from across the creative industries and charity and public sectors including Penguin Random House, Hachette, Faber and Faber, Channel 4 and the BBC to develop talent in the North. Claire is a trustee of the reading charity BookTrust, the Community Foundation Tyne and Wear and a board member of the North East Cultural Partnership.
Aki Schilz is the Director of The Literary Consultancy, which runsediting services, mentoring and literary events. At TLC Aki co-ordinates partnerships and programmes, including running the Quality Writing for All campaign which focuses on inclusivity and diversity. In 2018 Aki was named as one of the FutureBook 40, a list of people innovating the publishing industry, and was also nominated for an h100 Award for her work with the #BookJobTransparency campaign. In 2019 she was shortlisted for the Kim Scott Walwyn Prize for women in publishing, and in 2020 was named as one of INvolve’s Top 100 Ethnic Minority Future Leaders.
In partnership with the Royal Society of Literature, English PEN, the British Library and the Black Writers’ Guild.
This event is FREE for all. Please register here.[/vc_column_text][vc_single_image image=”114627″ img_size=”large”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]Banned Books Week is an annual event celebrating the freedom to read.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_column_text][/vc_column_text][/vc_column][/vc_row]
[vc_row][vc_column][vc_single_image image=”113272″ img_size=”full” alignment=”center” onclick=”custom_link” link=”https://www.indexoncensorship.org/indexawards20live/”][vc_column_text]A Russian artist currently under house arrest for her work on gender and sexual equality and one of the first free investigative journalism and fact-checking websites in Poland are among the winners of the 2020 Index on Censorship Freedom of Expression Awards. The winners, who were announced today on Twitter as part of a digital gala hosted by BBC presenter Timandra Harkness, also include a prominent lawyer fighting for the release of activists and journalists unlawfully detained in Turkey, a Bahraini activist living in exile in the UK and an Arab non-profit promoting digital rights of Palestinians.
Awards were presented in four categories: arts, campaigning, digital activism and journalism. The winners are: Russian artist Yulia Tsvetkova (arts); Turkish lawyer Veysel Ok and Bahraini activist Sayed Ahmed Alwadaei (campaigning); Arab Center for the Advancement of Social Media, also known as 7amleh (digital activism); and OKO Press (journalism).
Selected from hundreds of nominations from across the globe – a list of some of the most inspiring and courageous individuals and organisations operating today – the winners of the awards represent those who have had a significant impact fighting censorship. Now celebrating their twentieth year, previous recipients of the awards include activist Malala Yousafzai, Chinese author Ma Jian and journalists Anna Politkovskaya, Rafael Marques de Morais and Mimi Mefo.
“Today we acknowledge the winners of the Index 2020 awards as amazing people who do amazing things, while overcoming incredible challenges in difficult times. They fight for freedom of expression when others can’t,” said Rachael Jolley and Matt Townsend from Index on Censorship.
“This is the 20th year of the Index on Censorship awards, and we would also like to mark the winners of the previous ceremonies here today. It’s a highly unusual ceremony this year. We were forced to move online at the last minute, but it has meant that people from across the globe can join us today in noting the work that our winners 7amleh, Veysel Ok, Sayed Ahmed Alwadaei, Yulia Tsvetkova and OKO Press have done,” they added.
Each winner is now part of a year-long fellowship, which involves them working closely with Index who offer long-term, structured support. The goal is to help winners maximise their impact, broaden their support and ensure they can continue to excel at fighting censorship and free expression threats on the ground.
This year’s panel of judges included New York-based artist Molly Crabapple, award-winning Guardian journalist Amelia Gentleman and Cindy Gallop, founder of social sex video platform MakeLoveNotPorn. Speaking on the awards, Gallop said:
“I am in awe of all of the candidates we were asked to review for these awards and just blown away by what they are doing around the world. And I am thrilled that the Freedom of Expression Awards exist to celebrate that courage and those triumphs at a time when the need could not be greater.”
All of the winners spoke of how the awards had given them hope.
“It shows that our work has found support from the international community,” Ok said, while Nadim Nashif of 7amleh said the award would motivate them “to work more to advance digital rights and to achieve our vision of a safe, fair and free digital world”.
“The award pretty much reminds me that not everything is that bad. That there are still people who believe that [what I do] is important. For me, it changes pretty much everything. So thank you,” said Tsvetkova, who explained that over the last year she had received death threats and found it hard to focus on why what she was doing was important.
They also spoke about the greater challenges posed as a result of the coronavirus crisis. Alwadaei said:
“During the coronavirus crisis, I would like to pay tribute to those imprisoned in Bahrain for speaking out against the regime. This award is very special to me because my dear friend, Nabeel Rajab, was awarded this prize in 2012. Nabeel is currently serving 5 years in prison for criticising the government on Twitter.”
He added: “In these difficult times, it is more important than ever that freedom of speech is protected and that independent, critical voices are heard.”
But looking ahead OKO Press sounded a note of optimism:
“We believe the danger will wane, both epidemic and political. We will wake up in a healthier world.”[/vc_column_text][vc_single_image image=”113163″ img_size=”full” add_caption=”yes”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]Winning in the Arts category was Yulia Tsvetkova, a Russian artist and activist promoting women’s well-being and LGBTQ awareness. Her work has brought about positive change in discussions towards body positivity and gender stereotypes in Russia. But this acclaim has also made her a target. In 2018 she began a campaign promoting body positivity which resulted in her being named a suspect in a criminal pornography distribution case. Tsvetkova, currently under house arrest, could face up to six years in prison if convicted. In March 2019, her youth arts festival was cancelled after officials accused Tsvetkova of illegally trying to hold a gay pride event under the guise of a youth theatre festival.
The award for Campaigning went to two individuals. The first is Veysel Ok. Ok is a prominent Turkish lawyer providing pro-bono legal support to journalists, activists and academics who have been subjected to intimidation, surveillance, smear campaigns and harassment. His work has been instrumental in the release of several unlawfully detained journalists and writers. Ok is one of the first to challenge the Turkish laws of accreditation which determine whether a journalist meets official requirements to do their job. As part of his work, he received a five month suspended sentence for criticising the independence of the Turkish judiciary. He has been subject to surveillance and harassment ever since.
The second winner in the Campaigning category is Sayed Ahmed Alwadaei, a Bahraini activist currently living in exile in the UK. He was forced to flee Bahrain in 2011 after being arrested for taking part in anti-government protests. The Bahraini government revoked his citizenship and launched a smear campaign labelling him a terrorist. As the director of advocacy at the Bahrain Institute for Rights and Democracy, his work has become a vital resource for international media and NGOs. One such case was the discovery that institutions supported by UK taxpayers have been implicated in torture and other human rights abuses. Despite the danger faced by him and his family, Alwadaei continues his work as a prominent critic of the Bahraini government.
The Journalism award and Digital Activism award both went to organisations doing invaluable work in the digital sphere. One of the first free investigative journalism and fact-checking websites in Poland, OKO Press picked up the journalism award. OKO investigate and evaluate statements made by politicians, monitor public spending and fight for access to public information. In so doing they’ve paved the way for other news sources to follow suit. This has contributed to a safer and stronger public sphere, fighting for immunity from government propaganda.
Their work also supports grassroots activism; crucial in Poland, a country which is sliding further and further into authoritarianism and censorship. Indeed, the environment in which they work is becoming increasingly hostile. Political polarisation, lack of transparency, suspicion, threats and withholding of information are common. In the face of this, OKO Press shows resilience and determination. As they said in their acceptance speech:
“We are honoured to receive the award, but also humbled but the fact that other nominees, from Hong Kong, Venezuela and Burundi are acting in much harder circumstances. Friends, we admire your courage, determination and quality of work.
Kaczyński is no Maduro, Nkurunziza, Putin, or Erdogan, but apparently he takes his inspiration from them. We are not a dictatorship yet, though we are close to the so-called electoral authoritarianism, where all forms of public scrutiny, besides the elections, are being suppressed.”
Finally, the Digital Activism award went to the Arab Center for the Advancement of Social Media, or 7amleh as they’re known, a non-profit organisation focused on protecting the human rights of Palestinians in the online space. As Israel increases online monitoring, Palestinians are taking to social media to express disdain. 7amleh’s work protecting online safety and digital rights has been crucial. Through capacity building, research, advocacy and campaigning, 7amleh works to ensure that policies and companies are complying with human rights and are working towards greater accountability. Their campaign work with NGOs has seen huge numbers of participants. They’ve worked towards amendments in the Palestinian Authority’s Cybercrimes Law, the development of the first Arabic Digital Security Manual and digital training being implemented into the Palestinian education system.
If you believe in the work Index do please think about donating. For more information on how to donate click here.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][/vc_column][/vc_row]
[vc_row][vc_column][vc_video link=”https://www.youtube.com/watch?v=UkvLmjiTmrQ”][vc_column_text]The Arab Center for the Advancement of Social Media, or 7amleh, is a non-profit organisation focused on protecting the human rights of Palestinians in the online space.
As Israel increases online monitoring, Palestinians are taking to social media to express disdain. 7amleh’s work protecting online safety and digital rights has been crucial.
Through their work in capacity building, research, advocacy and campaigning, 7amleh works to ensure that policies and companies are complying with human rights and are working towards greater accountability.
Their campaign work with NGOs has seen huge numbers of participants. They’ve worked towards amendments in the Palestinian Authority’s Cybercrimes Law, the development of the first Arabic Digital Security Manual and digital training being implemeted into the Palestinian education system.
“Hello, my name is Nadim Nashif, Founder and Director of 7amleh, The Arab Centre for the Advancement of Social Media. Thank you Index on Censorship, for awarding us this year’s Digital Activism Award.
Since our founding, 7amleh has been working to raise public awareness about Palestinian digital rights, locally and internationally. 7amleh works to advocate for the digital rights of Palestinians who are especially vulnerable due to the Israeli occupation and blockade, and digital discrimination from the tech companies. We also work on building digital security and advocacy capacities of activists and organisations.
Major achievements include developing the first Arabic digital security manual and [gender] sensitive digital security curriculum.
This award will motivate us to work more to advance digital rights and to achieve our vision of a safe, fair and free digital world.
[vc_row][vc_column][vc_single_image image=”112844″ img_size=”full”][vc_column_text]When the political scientist and historian Benedict Anderson wrote about nations in his 1983 book Imagined Communities, he said that belonging to them was particularly felt at certain moments. Reading the daily newspaper for one; watching those 11 men representing your country on the football field another. If Anderson were alive today, he might add “getting a government text message” to the list. Last Tuesday people throughout the UK all shared in this experience. Following Prime Minister Boris Johnson’s announcement the night before that we must all stay in, with few exceptions, the nation’s phones pinged to the alert “New rules in force now: you must stay at home. More info and exemptions at gov.uk/coronavirus Stay at home. Protect the NHS. Save lives.” It was a first. The government had never before used the UK’s mobile networks to send out a message on mass.
By “force” the message meant exactly that. Police now have the power to fine those who flout the new rules. Quickly videos have emerged of officers approaching people on the streets, such as one showing sunbathers in Shepherd’s Bush being told to leave, and photos of a 25-person strong karaoke party that was dispersed this weekend. Almost overnight we went from being a nation where most people could come and go as they pleased to one in which we can barely leave our front door.
State-of-emergency measures are necessary in a real crisis, which is where we land today. Hospital beds are filling up fast, the death toll is rising, the threat of contagion is real and high. Few would argue that something drastic didn’t need to be done. But that does not mean we should blindly accept all that is happening in the name of our health. Proportionality – whether the measures are a justified or over-reaching response to the current danger – and implication – how they could be used in other aspects – are questions we should and must ask.
The new rules of UK life have been enshrined in the Coronavirus Bill. The bill, a complex and lengthy affair, gives the government a lot of power. Take for example the rules that allow authorities to isolate or detain individuals who are judged to be a risk to containing the spread of Covid-19. What exactly does a risk mean? Would it be the journalist Kaka Touda Mamane Goni from Niger, who last week was arrested because he spoke of a hospital that had a coronavirus case and was quickly branded a threat to public order? Or how about Blaž Zgaga, a Slovenian journalist who contacted Index several weeks back to say he had been added to a list of those who have the disease (something he denies) and must be detained? This followed him calling up the government on their own coronavirus tactics. He’s currently terrified for his life.
It’s easy to dismiss these examples as ones that are happening elsewhere and not here, until one day we wake up and that’s no longer the case.
And while many of us might be far away from authoritarian nations like China, whose government is tracking people’s movements through a combination of monitoring people’s smartphones, utilising now ubiquitous video surveillance and insisting people report their current medical condition, it might only be a matter of time before we catch up.
Singapore, another country with a state that has a tight grip on its population, has already offered to make the app they’re currently using to track exposure to the virus available to developers worldwide. The offer is free but at what other costs? The Singaporean government has been working hard to allay privacy concerns and yet some linger. Will people invite this new technology in their lives? Amid the panic that coronavirus has created, it’s not hard to imagine a scenario in which such tools are imported, embraced and normalised. As Israeli historian Yuval Noah Harrari writes in the FT:
“A big battle has been raging in recent years over our privacy. The coronavirus crisis could be the battle’s tipping point. For when people are given a choice between privacy and health, they will usually choose health.”
The coronavirus bill was meant to come with an expiry date, a “sunset clause” of two years, at which stage all former laws fall back into place. The sunset clause has since been removed, and instead in its place is a clause stating the legislation will be reviewed every six months. Politicians have also sought assurances that the measures will only apply to fighting the virus, to which they have been told yes they will only be used “when strictly necessary” and will remain in force only for as long as required. All positive and stuff we should welcome. And yet how often do politicians say one thing and do another? We must be watchful and hold them to their word.
This is particularly important with the clause that enables authorities to close down, cancel or restrict an event or venue if it poses a threat to public health, a clause that has bad implications for the ability to protest. Of course in the digital age there are many ways beyond going out on to the streets to make your voice heard. And even without the internet, we’ve seen several creative forms of protest from inside the home, such as the Brazilians who have shouted “get out” and bashed kitchenware at the window as a way to voice anger at President Jair Bolsonaro.
Marching on the streets in huge numbers is, however, amongst the most effective, hence its endurance. If in six months’ time the virus is under control and social distancing is no longer essential, this clause should at point-of-review be removed. And if it isn’t, we need to fight really hard until it is. Protest is one of the key foundations of a robust civil society. It’s not a right we want to see disappear.
The great British philosopher John Stuart Mill argued in On Liberty that “the only purpose for which power can be rightfully exercised over any member of a civilized community, against his will, is to prevent harm to others.”
The coronavirus crisis passes Mill’s liberty test. It is causing harm to a great number of people. It’s therefore important to take it seriously and to provide the state with adequate powers to fight the pandemic, even if that means losing some of our freedoms in the here and now. At the same time we must make sure politicians do not use this moment to tighten their grip in ways that, as stated, are disproportionate and easily manipulated. And once this is all over we expect the bill to expire too, and any apps that might no longer be necessary. Our freedoms, so hard fought for, can be easily squandered. Let’s not lose liberties on top of lives.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][/vc_column][/vc_row]
