Failure to challenge religious censorship will carry a severe price

On the Saturday before Christmas 2004, the Birmingham Repertory Theatre in Britain’s East Midlands was in a state of siege. Children who had come with their parents for a pantomime were bewildered at the sight of 400 enraged protestors threatening to storm the theatre.

Later that afternoon, the mob attacked the building, shattered glass, destroyed backstage equipment and injured several police officers.

The protesters were Sikhs, mainly men. Their ire was directed at the play Behzti (Dishonour) by Gurpreet Kaur Bhatti, who is herself a Sikh. And so we return to the ongoing saga of intolerance and free expression; censorship and multiculturalism.

Nearly two decades ago, in another UK city, Bradford, Muslim men burned copies of Salman Rushdie’s novel, The Satanic Verses. Iran’s spiritual leader Ayatollah Khomeini had declared a fatwa against Rushdie and British Muslims, many of them from India, Bangladesh and Pakistan, wanted the novel banned in the UK.

I was in Bombay at that time; on Mohammed Ali Road, I saw angry Muslim protesters trying to march towards the British Council a few miles away, which they wanted to burn down. They fought pitched battles with the city’s police, who wanted to stop them. They hurled glass bottles filled with acid; the police fired in response. By the end of the afternoon, nearly a dozen men lay dead. The Indian government had already banned the novel.

It was different in Britain. The Conservative Thatcher and Major governments, initially forcefully but later with decreasing enthusiasm, supported Rushdie’s right to free speech, even though Rushdie had often criticised Conservative rule. In the intervening years – which Rushdie called his plague years – and after many exhausting dialogues between communities, many in Britain thought they had mastered the art of multicultural management.

The British could afford to snigger at the French for imposing laws that ban Muslim schoolgirls from wearing the veil at state-funded schools. They could say, “Never in Britain” when in Amsterdam an irate Dutch Muslim murdered Theo Van Gogh, the film-maker who liked to outrage everybody; who had most recently made a film that criticised Islamic societies for condoning violence against women.

It was supposed to be different in Britain. But for how long?

Birmingham is Britain’s second-largest city with a population of two million, and it takes pride in its multicultural mix. Its Asian community is large and is an important part of the city’s mainstream. Sikhs are fully integrated here; their men have won the right to wear their turban instead of the helmets required in various uniforms. Many Sikhs proudly recount their community’s sterling contribution to the British Army during two world wars.

As with many immigrant communities, younger Sikhs are becoming more cosmopolitan. They are not committed to the outward symbols of their faith. Many marry outside their community, many men are clean-shaven. They question their elders and their practices, and it is this troubles the more orthodox elements. The elders complain about the disintegration of the community; the younger ones feel stifled by the previous generation, most of whom are first-generation immigrants.

Behzti raises uncomfortable questions about the moral corruption within the faith. In its most controversial scene, a young Sikh woman is taken to a gurdwara (Sikh temple) where she is raped by a man who claims he had a homosexual relationship with her father. When she emerges from the experience, confused, embarrassed and angry, she is beaten by other women, including her own mother, who don’t want to believe her.

Such things, devout Sikhs insist, simply do not happen in a gurdwara.

Sewa Singh Mandha, chairman of the Council of Sikh Gurdwaras in Birmingham told BBC radio: ‘In a Sikh temple, sexual abuse does not take place, kissing and dancing don’t take place, rape doesn’t take place, homosexual activity doesn’t take place, murders do not take place.’

Concerned about accurate portrayal of their faith and at the invitation of the theatre director Sikh elders, claiming to represent Britain’s 336,000 Sikhs, had long negotiations with the theatre before the play was staged, requesting that the setting be changed from a gurdwara to a community centre. But the Rep did not budge. With hindsight, the Rep’s fateful mistake perhaps lay precisely in encouraging the impression that it would change the script, by entering into such a dialogue in the first place.

The situation turned ugly and the play closed; Bhatti’s life was threatened and she was forced into hiding. Sikh organisations, to their credit, immediately condemned the threats, but nonetheless praised the play’s closure. Welcoming the cancellation, Mohan Singh, a community leader in Birmingham, asked: ‘Will it happen again when people think peaceful protest is not going to work?’

Gurdwara means the gate to the Guru, and Sikh temples are remarkably open. As a faith that does not profess to separate its laity from the clergy, anyone familiar with the scriptures can lead prayers there, but it also means controls may be lax. Bhatti’s question is: ‘What if the men and women who manage the gurdwara are not up to the task?’

In her foreword, she says: “Clearly the fallibility of human nature means that simple Sikh principles of equality, compassion and modesty are sometimes discarded in favour of outward appearance, wealth and the quest for power. I feel that distortion in practice must be confronted and our great ideals must be restored. I believe that drama should be provocative and relevant. I wrote Behzti because I passionately oppose injustice and hypocrisy.”

But by bringing these issues into the open, Bhatti was effectively washing the community’s dirty linen in public. In the eyes of the militants, Bhatti’s play Dishonour brought dishonour on the community; shamed it in public.

Ah, that word again: shame. In his novel, Shame Rushdie writes: “Sharam, that’s the word. For which this paltry shame is a wholly inadequate translation. A short word, but one containing encyclopaedias of nuance,” which include “embarrassment, discomfiture, decency, modesty, shyness, the sense of having an ordained place in the world, and other dialects of emotion for which English has no counterparts. No matter how determinedly one flees a country, one is obliged to take along some hand-luggage … (and) what’s the opposite of shame? That’s obvious: shamelessness.”

How do you define shamelessness? Picture a metro station in Paris. A purdah-clad immigrant woman stands waiting for her train. Behind her, the advertising billboard sells toothpaste, an obligatory naked woman draped around the toothbrush.

For the devout immigrant, that billboard personifies occidental shamelessness. But her seclusion behind the veil, if against her will, is also a matter of shame; all the more so if the naked model is a second-generation immigrant herself. Such are the nuances that platitudes on multiculturalism usually fail to address.

The defiant and deviant will inevitably face the community’s shame and dishonour. When someone from a close-knit community does not respect its sense of honour that’s an act of shamelessness; and shamelessness, as one goes East, implies losing face.

As Ian Buruma shows in Wages of Guilt, which explores German and Japanese responses to World War II, German guilt resulted in a response to the Holocaust through a dramatic gesture: its Chancellor, Willy Brandt fell to his knees in December 1970 in front of the Warsaw Ghetto. It allowed Germans the ability to apologise. In contrast, Japanese Prime Ministers, concerned about face, and unable to deal with shame, continue to bow to the Yasukuni Shrine, where World War II war criminals are venerated, causing much anger in East Asian countries that suffered from Japanese occupation during the war.

The Behzti controversy goes beyond the Sikh community. It raises questions about the kind of society modern Britain wants to be. Is it to be a liberal country where free speech is honoured? Or does it want to accommodate minorities and ensure their feelings are not offended by holding its tongue?

In early January this year, evangelical Christians sent 47,000 emails to the BBC protesting its decision to broadcast the West End hit Jerry Springer: The Opera because it offends their religious beliefs. Other Christians were similarly offended when Channel Four TV promoted its Shameless Christmas Special with billboards parodying The Last Supper, in which Jesus looked merrily drunk. In December, an irate Christian toppled the waxworks models of English soccer hero David Beckham and his glamorous pop star wife Victoria Beckham at Madam Tussaud’s waxworks in London, because the couple was dressed up as Joseph and Mary in a Nativity Scene. The secular also take offence: in 2002, an angry left-leaning activist beheaded a statue of former Prime Minister Margaret Thatcher in London’s Guildhall.

Coexistence isn’t just about noodle shops, disco bhangra and kebab houses in Europe, but also about the co-existence of different ideas, such as those on freedom of expression. Multiculturalism is based on the premise that all faiths and customs should be tolerated and respected. But that tolerance is the product of liberal enlightenment, an outcome of centuries of churning in the West, and it is not a quality valued highly by devout believers of some of the faiths now practiced in increasingly large numbers in Europe.

Multiculturalists have wanted it both ways: they want artistic freedom, and they want to respect the feelings and sensitivities of minorities. Julian Baggini, editor of the Philosophers’ Magazine, told the Guardian of the ‘unsustainability of the liberal multiculturalist orthodoxy that maintained tolerance and respect would be enough to allow people of different beliefs to live together. Europeans had forgotten or ignored the fact that their inclusive values were not universally shared.’

At some point, the Scylla and Charybdis of outrageous statements intended to provoke and ‘right-minded’ censorship have to be confronted. Voltaire may defend the right of people he disagrees with till his death; but will those who oppose Voltaire return the favour?

Politicians prefer what Benjamin Franklin called ‘temporary safety’ to ‘essential liberty’. The Behzti controversy has coincided with discussion about a proposed new law in the UK that would make incitement to religious hatred a crime.

Artists, atheists, secularists, politicians and Christian groups have formed an unusual alliance against the bill. Rowan Atkinson, the comedian who once showed a bunch of Muslims kneeling to pray with a voice-over saying, “And the Ayatollah seems to have lost his contact lens,” has led the campaign against the bill.

The legislation is a cynical ploy to placate Britain’s Muslims, who feel estranged from the party they have traditionally backed, because of Prime Minister Tony Blair’s sustained support to the United States in the war on terror. Liberal Democrats engineered the biggest turnaround in recent British electoral history last year when in a by-election they wrested the Brent East constituency, which has a sizable minority population, from Labour’s hands.

After Birmingham, Fiona Mactaggart, a Home Office minister, spoke like a safe, cultural relativist: “When people are moved by theatre to protest … it is a great thing… that is a sign of the free speech which is so much a part of the British tradition.”

She misses the point. As Rushdie says: “It looks like we are going to have to fight and win the Enlightenment thinkers’ battle for freedom of thought all over again. One must never forget that that battle was not against the state, but the Church. (As George Santayana said over a century ago) ‘Those who forget the past are condemned to repeat it’.”

Equating violent protesters with a playwright is wrong. Such pusillanimity will only embolden the intolerant, who will increasingly dictate what the rest of us should read and watch, narrowing the discourse.

That wasn’t part of any British tradition.

(more…)

The importance of giving offence

There are two questions I want to address here. In a plural society, should it be incumbent on people to refrain from giving offence to other groups and cultures? And should it be incumbent on governments to legislate to ensure that free speech is used responsibly?

The underlying, often unstated, assumption in much of the debate on hate speech, free speech and responsibility is that expression must inevitably be less free in plural societies. We live in societies, so the argument runs, that are more diverse than ever before.

For such societies to function and to be fair, we need to show respect for other peoples, cultures, and viewpoints. And we can only do so by being intolerant of people whose views give offence or who transgress firmly entrenched moral boundaries.

‘If people are to occupy the same political space without conflict,’ the sociologist Tariq Modood points out, ‘they have mutually to limit the extent to which they subject each other’s fundamental beliefs to criticism.’ One of the ironies of living in a more inclusive, more diverse society appears to be that the preservation of diversity requires us to leave increasingly less room for a diversity of views.

So it is becoming increasingly common these days for liberals to proclaim that free speech is necessary in principle – but also to argue that in practice we should give up that right. The Behzti affair, in which a play about Sikhs, written by a Sikh playwright, was closed down after violent protests by the Sikh community in Birmingham towards the end of 2004, is a case in point.

Shortly afterwards, Ian Jack, editor of Granta magazine, wrote an essay in which he suggested that whatever liberals believe in principle, in practice we need to appease religious sensibilities because they are so deeply felt.

Talking about Islam, Jack pointed out that: ‘The state has no law forbidding a pictorial representation of the Prophet and I cannot see how a portrait of Him would cause people to think less of Islam or its believers. But I never expect to see such a picture. On the one hand, there is the individual’s right to exhibit or publish one; on the other hand, the immeasurable insult and damage to life and property that the exercise of such a right would cause.’

In other words, because we live in a plural society, there should be self-imposed limits on what we say or do. Or, as Umberto Eco once put it, ‘To be tolerant, one must first set the boundaries of the intolerable’.

I disagree. In fact, I say the very opposite. It is precisely because we do live in a plural society that there should be no such limits. In a truly homogenous society, where everybody thinks in exactly the same way then giving offence could be nothing more than gratuitous.

But in the real world, where societies are plural, then it is both inevitable and important that people offend the sensibilities of others. Inevitable because where different beliefs are deeply held, clashes are unavoidable and we should deal with those clashes rather than suppress them.

Important because any kind of social change or social progress means offending some deeply held sensibilities. ‘If liberty means anything,’ George Orwell once wrote, ‘it means the right to tell people what they do not want to hear.’

Not to give offence would mean not to pursue change. Imagine what Galileo, Voltaire, Paine or Mill would have made of Ian Jack’s argument that one should not depict things that may cause offence. Imagine he’d lived 700 years ago and had said, ‘In principle it’s right to depict the earth orbiting the sun, but imagine the immeasurable insult that the exercise of such a right would cause…’

Part of the problem in this debate is that there is a continuous blurring of the distinctions between giving offence, fomenting hatred and inciting violence. In the debate about The Satanic Verses, many suggested that Salman Rushdie was fomenting hatred by using abusive words about Islam. Giving offence, in other wards, is seen as creating hatred.

At the same time, many believe that fomenting hatred is tantamount to inciting violence. We can see this in the debates about the role of the broadcast media in the mass killings in Rwanda.

These distinctions between giving offence, fomenting hatred and inciting violence are critically important: giving offence is not only acceptable but necessary in a healthy democratic society. Fomenting hatred may well create political and social problems; but these are not problems that can be solved by legislation restricting free speech. The incitement to violence should be an offence, but only if incitement is tightly defined, much more so than it is at present.

Why should giving offence not only be acceptable but necessary? Because it is the freedom to blaspheme, to transgress, to move beyond the pale that is at heart of all intellectual, artistic and political endeavour.

Far from censoring offensive speech, a vibrant and diverse society should encourage it. In any society that is not uniform, grey and homogenous there are bound to be clashes of viewpoints. Inevitably some people will find certain ideas objectionable.

This is all for the good. For it is the heretics who take society forward. From Galileo’s vision of the universe to Darwin’s theory of evolution, from the drive towards secularism to the struggle for equal rights, every scientific or social advance worth having began by outraging the conventions of its time.

Without such heresies and transgressions, society may be more ordered, and more polite, but it will also be less progressive and less alive.

Societies have always been plural in the sense that they have always embodied many conflicting views. What is different today is first that such differences are increasingly viewed in cultural terms, and second that cultures have come to occupy an almost sacred role in society.

The plural view is that society is composed of a number of distinct cultures, each different from the other and each homogenous in its beliefs, and that it is important for all individuals to have their particular cultures and values respected.

An individual’s cultural background, the argument runs, frames identity and helps define who s/he is. If we want to treat individuals with dignity and respect we must also treat with dignity and respect the groups that furnish them with their sense of personal being.

‘The liberal is in theory committed to equal respect for persons,’ the political philosopher Bhikhu Parekh argues. ‘Since human beings are culturally embedded, respect for them entails respect for their cultures and ways of life.’

I don’t want to get into a debate about culture and identity, but I do want to suggest that this is not just an implausible view of culture but a regressive one. Anthropologists long ago gave up on the idea of cultures as fixed, bounded entities because this is not how real societies work.

When I was growing up in the 1980s, for instance, there existed a strong secular movement within British Muslim communities that challenged both racism and traditional Muslim values.

It helped establish an alternative leadership that confronted traditionalists on issues such as the role of women and the dominance of the mosque. But this tradition became expunged in the late-1980s and early-1990s.

Why? Partly because policy makers and government institutions decided to create links with mosques and mosque leaders, to afford them greater political leverage and, in the process, establish their views – and only their views – as ‘authentically’ Muslim.

Cultures are not homogenous. But if we treat them as homogenous we may make them in reality less diverse than they really are. Certain ideas are offensive to devout Muslims.

Certain Islamic ideas are offensive to secularists. That’s the nature of society. But what we’ve come to do, and not just with Muslim communities, is to define cultures by their more conservative elements, and to allow those elements to determine what their cultures supposedly stand for and what is acceptable in terms of free expression.

The consequence has been that the demand for the ‘responsible’ use of free speech has in many cases been used to undermine progressive movements for change and to silence critics of tradition. I know because I, like many others, have been dismissed as Islamophobe for my criticisms of Islam.

It is true that many who today cause offence, such as racists or homophobes, are not progressive at all, but objectionable creatures with odious ideas, heretics who wish to drag society back to the dark ages rather than take it forward. But the right to transgress against liberal orthodoxy is as important as the right to blaspheme against religious dogma or the right to challenge reactionary traditions.

‘We believe in free speech,’ Greville Janner, chairman of the Holocaust Educational Trust says. ‘But there’s a limit, and arousing racial hatred is beyond the limit.’ Free speech for everyone except anti-Semites and racist demagogues is, however, no free speech at all.

It is meaningless to defend the right of free expression for people with whose views we agree. The right to free speech only has political bite when we are forced to defend the rights of people with whose views we profoundly disagree.

But what about the incitement to hatred? It is one thing to offend sensibilities, quite another to foment hatred of certain groups. Should not such hatred be banned? We need to be careful of blurring the distinction between giving offence and fomenting hatred.

Opposition to hatred, as I have suggested, is often wielded to outlaw the giving of offence.

But clearly there are cases in which some speech, some article crosses the boundary between offence and hatred. Should such speech be banned?

No it should not: neither as a matter of principle nor with a mind to its practical impact.

I oppose such laws in principle because free speech is meaningless if those we despise, including racists, don’t have free speech; and in practice, you can’t challenge racism by banning it. You simply let the sentiments fester underground.

As Milton once memorably put it, ‘To keep out evil doctrine by licensing is like the exploit of that gallant man who sought to keep out crows by shutting his park gate.’

Censoring ugly ideas will not make them go away. It is simply a means of abrogating our responsibility for dealing with them. It is only through freedom of expression that we can articulate our disagreements with such people and challenge their ideas.

Free speech should not be ‘free and easy’ as Richard Sambrook puts it, but banning hate speech is actually to take the easy way out. Putting on the censor’s hat suggests a striking lack of confidence in one’s ability to persuade an audience of an alternative viewpoint, not to mention a certain contempt for people’s capacity to consider the evidence rationally.

Free speech does not mean accepting all views. It means having all views in the open so that we can challenge the ones we find unconscionable. Today, we do the exact opposite: we ban certain views because they are deemed unpalatable. But there are others we are also frightened of challenging because we don’t want to give offence to diverse cultures.

The very fact that we talk of ideas as ‘offensive’ is indicative of the problem. There are many ways of disagreeing with someone’s views – we may see them as irrational, reactionary or just plain wrong.

But to deem an idea ‘offensive’ is to put it beyond the bounds of rational debate.

Offensiveness is an affront to an entrenched tradition, a religious precept or one’s emotional sensibilities that cannot be erased by reasoned argument. It is a notion that sits well with the moralising, emoting, often irrational approach to politics that we all too often see today.

But hatred, of course, exists not just in speech. Hatred has physical consequences. Racism can lead to racist attacks, homophobia to anti-gay violence. In November 2005, two men were sentenced to life for murdering black teenager Anthony Walker with an axe simply because of his skin colour.

Isn’t it important, then, to limit the fomenting of hatred to protect the lives of those who may be attacked? Simply by asking this question, we are revealing the distinction between speech and action: saying something is not the same as doing it. But in these post-ideological, post-modern times, it has become very unfashionable to insist on such a distinction.

In blurring the distinction between speech and action, what is really being blurred is the idea of human agency and moral responsibility because lurking underneath the argument is the idea that people respond like automata to words or images.

But people are not like robots. They think and reason and act upon their thoughts and reasoning. Words certainly have an impact on the real world, but that impact is mediated through human agency.

Racists are, of course, influenced by racist talk. But it is they who bear responsibility for translating racist talk into racist action. Ironically, for all the talk of using free speech responsibility, the real consequence of the demand for censorship is to moderate the responsibility of individuals for their actual actions.

Having said that, there are circumstances where there is a direct connection between speech and action, where someone’s words have directly led to someone else taking action. Such incitement should be illegal, but it has to be very tightly defined. Incitement is, rightly, very difficult to show and to prove legally.

We should not lower the burden of proof just because hate speech may be involved. Incitement to violence in the context of hate speech should be as tightly defined as in ordinary criminal cases.

The argument that one can only have free speech if people use speech responsibly is in fact to deny free speech. After all who is to decide when free speech is being used irresponsibly?

The government. The authorities. Those with the power to censor and the necessity to do so. The regimes in Iran, North Korea, China all accept that free speech must be used responsibly.

That is why they close down irresponsible newspapers, ban irresponsible demonstrations, restrict irresponsible access to the Internet. ‘Responsibility,’ as the writer Phillip Henscher puts it, ‘is in the eye of the Government, the Church, the Roi Soleil, the Spanish Inquisition and, no doubt, Ivan the Terrible.’

Edmund Burke once complained that Thomas Paine sought to ‘destroy in six or seven days’ that which ‘all the boasted wisdom of our ancestors has laboured to perfection for six or seven centuries’.

To which Paine replied: ‘I am contending for the rights of the living and against their being willed away, and controlled, and contracted for, by the manuscript-assumed authority of the dead’. Paine had no time for custom, no reverence for the past, no notion of deference to authority.

We could do with a few less Edmund Burkes and a few more Tom Paines today.

Kenan Malik is a broadcaster & commentator. This is an edited version of his comments to the EU / NGO Forum in London, 8-9 December 2005. This article also appears in issue 1/06 of Index on Censorship: Small Wars You May Have Forgotten.

Awards 2004

[vc_row css=”.vc_custom_1485877611406{margin-bottom: 20px !important;}”][vc_column][vc_row_inner][vc_column_inner width=”1/2″][vc_custom_heading text=”FREEDOM OF EXPRESSION AWARDS 2004″ font_container=”tag:h1|text_align:center” use_theme_fonts=”yes” css=”.vc_custom_1483540269057{background-color: #ffffff !important;}”][vc_column_text css=”.vc_custom_1483540280886{background-color: #ffffff !important;}”]

Index on Censorship’s Freedom of Expression Awards exist to celebrate individuals or groups who have had a significant impact fighting censorship anywhere in the world.

Awards were offered in: Books, Film, Journalism, Whistleblowing, a special award and Censor of the Year. Winners were honoured at a gala celebration in London at City Hall

[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/2″][vc_single_image image=”83392″ img_size=”full”][/vc_column_inner][/vc_row_inner][vc_custom_heading text=”WINNERS” font_container=”tag:h2|text_align:center” use_theme_fonts=”yes” css=”.vc_custom_1483465213837{margin-top: 0px !important;}”][vc_row_inner][vc_column_inner width=”1/3″][staff name=”Satyendra Kumar Dubey” title=”Whistleblower” color=”#28a7cc” profile_image=”83333″]Satyendra Kumar Dubey was a senior engineer working on the giant Golden Quadrilateral road project in the Bihar province in India. His murder on 27 November 2003 was probably connected with his anti-corruption campaign.[/staff][/vc_column_inner][vc_column_inner width=”1/3″][staff name=”Mordechai Vanunu” title=”Index Special Award” color=”#28a7cc” profile_image=”83334″]Between 1976 and 1985 Mordechai Vanunu worked as a nuclear technician at Dimona in the Negev desert. He was kidnapped, tried in secret on charges of treason and espionage and sentenced to 18 years imprisonment for exposing Israel’s possession of nuclear weapons to the press. On 21 April 2004 he was released conditionally and has since then been fighting for the right to leave the country.[/staff][/vc_column_inner][vc_column_inner width=”1/3″][staff name=”Kaveh Golestan” title=”The Index / Hugo Young Journalism Award” color=”#28a7cc” profile_image=”83329″]Pulitzer Prize winning photo-journalist Kaveh Golestan often risked his own life to report about events nobody else covered like the gas attacks on Kurdish towns in Iraq or the situation in Iran during the war with Iraq. He was killed by a landmine in Northern Iraq in 2003.[/staff][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=”1/3″][staff name=”Amandla! A Revolution in Four Part Harmony, Director Lee Hirsch” title=”Index Film Award” color=”#28a7cc” profile_image=”83328″]Amandla! by Lee Hirsch tells the story of black South African freedom music and reveals the central role it played in the long struggle against apartheid. The film focuses on how music was used to circumvent other forms of state censorship.[/staff][/vc_column_inner][vc_column_inner width=”1/3″][staff name=”Slave by Mende Nazer and Damien Lewis” title=”Index Book Award” color=”#28a7cc” profile_image=”83331″]The book Slave by Mende Nazer and Damien Lewis gives an account of modern day’s slavery telling the story of Mende herself who was abducted in Sudan at the age of 12 and were held in slavery for 7 years. She managed to escape after being passed on by her master to a relative in London.[/staff][/vc_column_inner][vc_column_inner width=”1/3″][staff name=”West-Eastern Divan Orchestra” title=”Index Music Award” color=”#28a7cc” profile_image=”83332″]Despite criticism conductor Daniel Barenboim and Palestinian philosopher Edward Said created the West-Eastern Divan Orchestra, a youth orchestra whose musicians cross the Israeli-Palestinian divide. Its performances in Arab and Western countries have been a huge success.[/staff][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=”1/3″][/vc_column_inner][vc_column_inner width=”1/3″][staff name=”John Ashcroft” title=”Censor of the Year” color=”#28a7cc” profile_image=”83330″]From the Patriot Act to Guantanamo, as Attorney general of the US, John Ashcroft has set the standard of repression that is not only an affront to liberty in the US, but a negative model authoritarian governments throughout the world are following.[/staff][/vc_column_inner][vc_column_inner width=”1/3″][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row disable_element=”yes”][vc_column][vc_row_inner][vc_column_inner][/vc_column_inner][/vc_row_inner][vc_custom_heading text=”JUDGING” font_container=”tag:h1|text_align:center” use_theme_fonts=”yes”][vc_row_inner el_class=”mw700″][vc_column_inner][vc_column_text]

Criteria – Anyone involved in tackling free expression threats – either through journalism, campaigning, the arts or using digital techniques – is eligible for nomination.

Any individual, group or NGO can nominate or self-nominate. There is no cost to apply.

Judges look for courage, creativity and resilience. We shortlist on the basis of those who are deemed to be making the greatest impact in tackling censorship in their chosen area, with a particular focus on topics that are little covered or tackled by others.

Nominees must have had a recognisable impact in the past 12 months.

Where a judge comes from a nominee’s country, or where there is any other potential conflict of interest, the judge will abstain from voting in that category.

Panel – Each year Index recruits an independent panel of judges – leading world voices with diverse expertise across campaigning, journalism, the arts and human rights.

The judges for 2005 were:

[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=”1/3″][staff name=”Jason Burke” title=”Journalist” color=”#28a7cc” profile_image=”83295″]Jason Burke is a prize-winning author and Chief Reporter for the Observer. Having lived in Middle East and Southwest Asia for more than a decade, Burke has become an expert on terrorism and saw many of the key events described in his books on Al-Qaeda at first hand.  His writing gives a critical perspective to the foundations of the ‘War on Terror.'[/staff][/vc_column_inner][vc_column_inner width=”1/3″][staff name=”Geoffrey Hosking” title=”Professor” color=”#28a7cc” profile_image=”83297″]Geoffrey Hosking is Professor of Russian History at University College London and the author of several books. In 1988, he delivered the BBC Reith Lectures on Gorbachev’s forms and their implications for free speech. He was involved in setting up of voluntary association’s post-Soviet Russia and is now writing a history of Russians in the USSR.[/staff][/vc_column_inner][vc_column_inner width=”1/3″][staff name=”Baroness Helena Kennedy” title=”Barrister” color=”#28a7cc” profile_image=”83293″]Baroness Helena Kennedy has acted in many leading cases including the Brighton Bombing Trial, the Guildford Four Appeal and many of the trials of battered women who kill their partners. She is Chair of the Human Genetics Commission and a member of the World Bank Institute’s External Advisory Council. Her new book Just Law on the changing face of British justice will be published in paperback in March of this year.[/staff][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=”1/3″][staff name=”Hari Kunzru” title=”Journalist” color=”#28a7cc” profile_image=”83296″]Hari Kunzru is a freelance journalist and editor living in London. He has worked as a travel journalist since 1998, writing for the Guardian, Time Out and the Daily Telegraph. His first novel The Impressionist won the 2002 Betty Trask Prize and the 2003 Somerset Maugham award and was also shortlisted for several awards, including the 2002 Whitbread First Novel Award.[/staff][/vc_column_inner][vc_column_inner width=”1/3″][staff name=”Bill Nighy” title=”Actor” color=”#28a7cc” profile_image=”83298″]After training at Guildford School of Dance and Drama, Bill Nighy has won countless awards for his stage and screen performances including the Evening Standard Best Actor Award for Love Actually. Other films include Still Crazy, Lawless Heart, Shaun of the Dead and I Capture the Castle. Most recently he was nominated for an Olivier Award for his stage performance in Blue/Orange.[/staff][/vc_column_inner][vc_column_inner width=”1/3″][staff name=”Chris Woodhead” title=”Writer and academic” color=”#28a7cc” profile_image=”83294″]In 2002, Professor Chris Woodhead resigned as Chief Inspector of Schools in order to be able to speak out on educational and political issues. He now writes for the Sunday Times and other national newspapers and appears regularly on many television and radio programmes questioning half-baked orthodoxies and ridicule the jargon that so often these days passes for thought. He also holds the Sir Stanley Kalm Chair in Education at the University of Buckingham.[/staff][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row css=”.vc_custom_1483537690629{margin-top: 0px !important;margin-bottom: 20px !important;padding-top: 0px !important;padding-right: 15px !important;padding-bottom: 0px !important;padding-left: 15px !important;}”][vc_column css=”.vc_custom_1473325567468{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”][awards_gallery_slider name=”GALLERY” images_url=”83356,83357,83358,83359,83360,83361,83362,83363,83364,83365,83366,83367,83368,83369,83370,83371,83372,83373,83374,83375,83376,83377,83378,83379,83380,83381,83382,83383,83384,83385,83386,83387,83388,83389,83390,83391,83392″][/vc_column][/vc_row]

Index on Censorship Award winners 2004

The Index on Censorship Book Award

The book Slave by Mende Nazer and Damien Lewis gives an account of modern day’s slavery telling the story of Mende herself who was abducted in Sudan at the age of 12 and were held in slavery for 7 years. She managed to escape after being passed on by her master to a relative in London.

The Index on Censorship Film Award

Amandla! by Lee Hirsch tells the story of black South African freedom music and reveals the central role it played in the long struggle against apartheid. The film focuses on how music was used to circumvent other forms of state censorship.

The Index on Censorship/Guardian Hugo Young Award (Journalism)

Pulitzer Prize winning photo-journalist Kaveh Golestan often risked his own life to report about events nobody else covered like the gas attacks on Kurdish towns in Iraq or the situation in Iran during the war with Iraq. He was killed by a landmine in Northern Iraq in 2003.

The Index on Censorship Whistleblower Award 

Satyendra Kumar Dubey was a senior engineer working on the giant Golden Quadrilateral road project in the Bihar province in India. His murder on 27 November 2003 was probably connected with his anti-corruption campaign.

The Index on Censorship Music Award

Despite criticism conductor Daniel Barenboim and Palestinian philosopher Edward Said created the West-Eastern Divan Orchestra, a youth orchestra whose musicians cross the Israeli-Palestinian divide. Its performances in Arab and Western countries have been a huge success.

http://www.danielbarenboim.com/index.html

Index Special Award

Between 1976 and 1985 Mordechai Vanunu worked as a nuclear technician at Dimona in the Negev desert. He was kidnapped, tried in secret on charges of treason and espionage and sentenced to 18 year’s imprisonment for exposing Israel’s possession of nuclear weapons to the press. On 21 April 2004 he was released conditionally, since then fighting for the right to leave the country.

http://www.serve.com/vanunu/

Censor of the Year

From the Patriot Act to Guantanamo, as Attorney general of the US, John Ashcroft set the standard of repression that is not only an affront to liberty in the US, but a negative model authoritarian governments throughout the world are following.

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