12 Sep 19 | Magazine, Magazine Contents, Volume 48.03 Autumn 2019
[vc_row][vc_column][vc_custom_heading text=”With contributions from Kerry Hudson, Chen Xiwo, Elif Shafak, Meera Selva, Steven Borowiec, Brian Patten and Dean Atta”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]
Border forces – how barriers to free thought got tough
The autumn 2019 Index on Censorship magazine looks at how borders are getting tougher, journalists are being stopped, visas refused and border officials are snooping into our social media profiles and personal messages. Nations are looking to surveil our thoughts before allowing us to come into their countries and so limiting freedom of expression and the free flow of ideas.
In this issue Steven Borowiec reports from South Korea about how the law means that you can be prosecuted for contacting your relatives in the north without permission; Meera Selva looks at how internet shutdowns are being used round the world to prevent people communicating, most recently in Kashmir; Mark Frary gives tips for LGBT people on how to protect themselves when crossing borders into countries where they might face discrimination. Charlotte Bailey and Jan Fox look at how it is getting tougher in the UK and USA for artists, writers and academics to get visas; and Kaya Genç digs into Turkey’s censorship of the internet. In the rest of the magazine, writers Emilie Pine, Elif Shafak and Kerry Hudson, and theatre director Nicholas Hytner reflect on past famous Index contributors, Václav Havel, Nadine Gordimer, Samuel Beckett and Arthur Miller. We have an extract of the script of the 1977 film Le Camion by Marguerite Duras which has never appeared in English before, and poems by taboo-breaking poet Dean Atta and the Liverpool Poet Brian Patten. We also have an extract of a story by censored Chinese writer Chen Xiwo about a mother and her daughter and their abusive relationship. Plus Index magazine’s first ever crossword by Herbashe.
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Special Report: Border forces: how barriers to free thought got tough”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]Big brother at the border by Rachael Jolley
Switch off, we’re landing! by Kaya Genç Be prepared that if you visit Turkey online access is restricted
Culture can “challenge” disinformation by Irene Caselli Migrants trying to cross the Mediterranean to Europe are often seen as statistics, but artists are trying to tell stories to change that
Lines of duty by Laura Silvia Battaglia It’s tough for journalists to visit Yemen, our reporter talks about how she does it
Locking the gates by Jan Fox Writers, artists, academics and musicians are self-censoring as they worry about getting visas to go to the USA
Reaching for the off switch by Meera Selva Internet shutdowns are growing as nations seek to control public access to information
Hiding your true self by Mark Frary LGBT people face particular discrimination at some international borders
They shall not pass by Stephen Woodman Journalists and activists crossing between Mexico and the USA are being systematically targeted, sometimes sent back by officials using people trafficking laws
“UK border policy damages credibility” by Charlotte Bailey Festival directors say the UK border policy is forcing artists to stop visiting
Ten tips for a safe crossing by Ela Stapley Our digital security expert gives advice on how to keep your information secure at borders
Export laws by Ryan Gallagher China is selling on surveillance technology to the rest of the world
At the world’s toughest border by Steven Borowiec South Koreans face prison for keeping in touch with their North Korean family
Stripsearch by Martin Rowson Bees and herbaceous borders
Inside the silent zone by Silvia Nortes Journalists are being stopped from reporting the disputed north African Western Sahara region
The great news wall of China by Karoline Kan China is spinning its version of the Hong Kong protests to control the news
Kenya: who is watching you? by Wana Udobang Kenyan journalist Catherine Gicheru is worried her country knows everything about her
Top ten states closing their doors to ideas by Mark Frary We look at countries which seek to stop ideas circulating[/vc_column_text][/vc_column][/vc_row][vc_row disable_element=”yes”][vc_column][vc_custom_heading text=”Global View”][vc_column_text]Small victories do count by Jodie Ginsberg The kind of individual support Index gives people living under oppressive regimes is a vital step towards wider change[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”In Focus”][vc_column_text]Germany’s surveillance fears by Cathrin Schaer Thirty years on from the fall of the Berlin wall and the disbanding of the Stasi, Germans worry about who is watching them
Freestyle portraits by Rachael Jolley Cartoonists Kanika Mishra from India, Pedro X Molina from Nicaragua and China’s Badiucao put threats to free expression into pictures
Tackling news stories that journalists aren’t writing by Alison Flood Crime writers Scott Turow, Val McDermid, Massimo Carlotto and Ahmet Altan talk about how the inspiration for their fiction comes from real life stories
Mosul’s new chapter by Omar Mohammed What do students think about the new books arriving at Mosul library, after Isis destroyed the previous building and collection?
The [REDACTED] crossword by Herbashe The first ever Index crossword based on a theme central to the magazine
Cries from the last century and lessons for today by Sally Gimson Nadine Gordimer, Václav Havel, Samuel Beckett and Arthur Miller all wrote for Index. We asked modern day writers Elif Shafak, Kerry Hudson and Emilie Pine plus theatre director Nicholas Hytner why the writing is still relevant
In memory of Andrew Graham-Yooll by Rachael Jolley Remembering the former Index editor who risked his life to report from Argentina during the worst years of the dictatorship[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Culture”][vc_column_text]Backed into a corner by love by Chen Xiwo A newly translated story by censored Chinese writer about the abusive relationship between a mother and daughter plus an interview with the author
On the road by Marguerite Duras The first English translation of an extract from the screenplay of the 1977 film Le Camion by one of the greatest French writers of the 20th century
Muting young voices by Brian Patten Two poems, one written exclusively for Index, about how the exam culture in schools can destroy creativity by the Liverpool Poet
Finding poetry in trauma by Dean Atta Male rape is still a taboo subject, but very little is off-limits for this award-winning writer from London who has written an exclusive poem for Index[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Column”][vc_column_text]Index around the world: Tales of the unexpected by Sally Gimson and Lewis Jennings Index has started a new media monitoring project and has been telling folk stories at this summer’s festivals[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Endnote”][vc_column_text]Endnote: Macho politics drive academic closures by Sally Gimson Academics who teach gender studies are losing their jobs and their funding as populist leaders attack “gender ideology”[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_custom_heading text=”Subscribe”][vc_column_text]In print, online, in your mailbox, on your iPad.
Subscription options from £18 or just £1.49 in the App Store for a digital issue.
Every subscriber helps support Index on Censorship’s projects around the world.
SUBSCRIBE NOW[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_custom_heading text=”Read”][vc_column_text]The playwright Arthur Miller wrote an essay for Index in 1978 entitled The Sin of Power. We reproduce it for the first time on our website and theatre director Nicholas Hytner responds to it in the magazine
READ HERE[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_custom_heading text=”Listen”][vc_column_text]In the Index on Censorship autumn 2019 podcast, we focus on how travel restrictions at borders are limiting the flow of free thought and ideas. Lewis Jennings and Sally Gimson talk to trans woman and activist Peppermint; San Diego photojournalist Ariana Drehsler and Index’s South Korean correspondent Steven Borowiec
LISTEN HERE[/vc_column_text][/vc_column][/vc_row]
10 Sep 19 | Mexico, News and features, North Korea, South Korea, United Kingdom, United States, Volume 48.03 Autumn 2019
In the Index on Censorship autumn 2019 podcast, we focus on how travel restrictions at borders are limiting the flow of free thought and ideas. Lewis Jennings and Sally Gimson discuss the latest issue of the magazine and reveal what to expect. Guests include trans woman and activist Peppermint, runner-up of RuPaul’s Drag Race season nine, who opens up about a transphobic experience in a Russian airport; San Diego photojournalist Ariana Drehsler talks about her detainment at a Mexican border and how this compares to a similar situation that happened in Egypt; and Steven Borowiec, a regular contributor to the magazine based in South Korea, discusses the laws surrounding the toughest border in the world.
Print copies of the magazine are available on Amazon, or you can take out a digital subscription via Exact Editions. Copies are also available at the BFI, the Serpetine Gallery and MagCulture (all London), News from Nowhere (Liverpool). Red Lion Books (Colchester) and Home (Manchester). Each magazine sale helps Index on Censorship continue its fight for free expression worldwide.
The autumn 2019 podcast can also be found on iTunes.
02 Apr 17 | Magazine, Magazine Contents, Volume 46.01 Spring 2017
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The spring issue of Index on Censorship magazine looks at how pressures on free speech are currently coming from many different angles, not just one. Richard Sambrook, former director of global news at the BBC, shows how journalists are in a bind, caught between what advertisers want and what readers want. Also looking at journalists, Duncan Tucker casts his eye on the grave situation in Mexico, where getting to the truth involves working against the government, violent cartels and even coworkers.
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Meanwhile, in the Maldives Zaheena Rasheed shows how a mix of forces conspire against those who want to write anything beyond the usual tourist sale pitch.
But the squeezes on free expression don’t just concern journalists. Annemarie Luck reports from Japan, where penis festivals are popular, but women struggle to discuss their own bodies. Can they find a voice through art and manga? For musician Smockey from Burkina Faso, art should indeed be a way to confront truth and yet that’s not always the case. Expectations run high for him to not be “too political” in his lyrics.
Universities, normally the cradle of free expression, aren’t faring too well either, as two articles show. Jan Fox reports from the USA, where bias response teams are becoming a staple of US collegiate life. In South Africa Fees Must Fall has created a divide between right and left, writes Natasha Joseph, with neither side talking to each other and those in the middle being silenced altogether.
Outside of our special report, Roger Law, creator of the iconic TV satire Spitting Image, talks about the great fun he had with the series back in the day and questions whether the show would be able to air today. Alfonso Lázaro de la Fuente might say no. He was one of the Spanish puppeteers arrested last year for a show that referenced Basque-separatist organisation ETA. In an Index exclusive, he explains what the charges have meant for his personal and professional life.
Want to know how to spot fake news? Then read Reel-time news in which Index’s team of experienced global reporters offer tips on how to spot fake news from a mile/screen away. And don’t miss Martin Rowson‘s fake o’clock news, a hilarious – and sinister – take on what a future of alternative facts would look like.
Index also publish an interview with Turkish journalist Canan Coşkun, whose coworkers are currently in jail, and a pair of writers discuss the situation of free speech in Poland, which is tumbling down global charts following the election of the Law and Justice party. And in the UK, former attorney general Dominic Grieve reveals that MPs are avoiding hard talk in parliament.
Finally, the culture section includes a short story from award-winning French writer Karim Miské and original work from Vyacheslav Huk, a Crimean novelist who is unable to publish work in his mother tongue.
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”SPECIAL REPORT: THE BIG SQUEEZE” css=”.vc_custom_1481731933773{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]
The Big Squeeze: Freedom of speech under pressure
Fact-filled future? by Rachael Jolley: Journalists need to step up, and produce more detailed news coverage. The public needs it
Between a rock and a hard place, by Duncan Tucker: Mexico’s journalists face threats from cartels, the government and each other
Reality rapped, by Smockey: An award-winning musician from Burkina Faso explains why he won’t water down his lyrics to avoid rocking the boat, despite pressure to do so
Talking a tightrope, by
Kaya Genç: Despite the crackdown in Turkey, the post-Gezi spirit still survives among the determined
Taking the bait, by Richard Sambrook: The quest for instant gratification online is seriously compromising news reporting
Dangerous minds, by Natasha Joseph: Rather than creating an alliance, Fees Must Fall is limiting free speech at South Africa’s universities, leaving some early supporters disheartened
Japan’s Madonna complex, by Annemarie Luck: Japan’s contradictory attitudes include highly sexualised images of women and women not being allowed to talk about sex-related subjects
Squeezed in the closet, by Hannah Leung: Get married and be quiet are the messages China’s LGBT community is given
Degrees of separation, by Jan Fox: The author investigates units appearing on US campuses suggesting students should report lecturers who they feel are biased
Dying to tell a story, by Sadaf Saaz: The list of what Bangladesh writers cannot talk about is getting longer, but that isn’t stopping some from writing
Trouble in paradise, by Zaheena Rasheed: Behind the image of palm-lined beaches is a side of the Maldives the government doesn’t want you to see
Your cover is shown, by Mark Frary: Tech giants and governments are out to get your data. Soon it might be impossible to remain anonymous
Stripsearch cartoon, by Martin Rowson: Tune in to the fake o’clock news
Composing battle lines, by Steven Borowiec: Why have South Korean pop stars found themselves caught in crossfire between their country and China?
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”IN FOCUS” css=”.vc_custom_1481731813613{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]
We have no time for fear, by Canan Coşkun: A Turkish journalist on the perils of reporting in her country when fellow reporters are imprisoned
Reel-time news, by Natasha Joseph, Kaya Genç, Jemimah Steinfeld, Duncan Tucker, Abraham T Zere, Raymond Joseph: As “fake news” dominates headlines, Index’s global team of experienced journalists offers tips on how to spot falsehoods before you click and share
Singing from the same hymn sheet, by Suhrith Parthasarathy: Rising Indian nationalism is creating a repressive state where non-conformity is deemed unpatriotic
Poland: Special Focus, by Wojciech Przybylski, Marcin Król: Poland has gone from free speech hero to villain almost overnight. Two writers discuss the shift and why history is being rewritten
Shooting from the hip, by Irene Caselli: A new mayor in a Mexican border city believes he will make it less dangerous for journalists
Silence in the house, by Dominic Grieve: The former UK attorney general says MPs are shying away from tough topics in parliament
Puppet masters, by Roger Law: The creator of iconic TV satire Spitting Image on whether we still have our sense of humour
Drawing the line, by John Power: Australia is debating free speech, one cartoon at a time. Cartoonist Bill Leak interviewed just before he died
Puppet state, by Alfonso Lázaro de la Fuente: A Spanish puppeteer, arrested after terrorism charges related to a show, discusses the impact on his life
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”CULTURE” css=”.vc_custom_1481731777861{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]
Novel take on terror, by
Karim Miské: The award-winning crime writer on why fiction and reality overlap. Plus his short story featuring a future where tech rules supreme. Interview by Sally Gimson
The war of the words, by Amira Hanafi: Translated extracts from an American-Egyptian writer’s project to capture the shifting linguistic landscape in Egypt since 2011. Interview by Sally Gimson
Crimean closedown, by Vyacheslav Huk: The Crimean novelist on being unable to publish in his mother tongue and a story of the narrator’s memories. Introduced and translated by Steve Komarnyckyj
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”COLUMNS” css=”.vc_custom_1481732124093{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]
Index around the world, by
Kieran Etoria-King: What to look out for at Index’s Freedom of Expression Awards 2017, alongside news of other projects that Index has been working on in the last few months
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”END NOTE” css=”.vc_custom_1481880278935{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]
Getting print out, by Jemimah Steinfeld: Self-publishing may be a new solution to censorship in China and other countries
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”SUBSCRIBE” css=”.vc_custom_1481736449684{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]Index on Censorship magazine was started in 1972 and remains the only global magazine dedicated to free expression. Past contributors include Samuel Beckett, Gabriel García Marquéz, Nadine Gordimer, Arthur Miller, Salman Rushdie, Margaret Atwood, and many more.[/vc_column_text][vc_row_inner][vc_column_inner width=”1/2″][vc_single_image image=”76572″ img_size=”full”][/vc_column_inner][vc_column_inner width=”1/2″][vc_column_text]In print or online. Order a print edition here or take out a digital subscription via Exact Editions.
Copies are also available at the BFI, the Serpentine Gallery, MagCulture, (London), News from Nowhere (Liverpool), Home (Manchester), Calton Books (Glasgow) and on Amazon. Each magazine sale helps Index on Censorship continue its fight for free expression worldwide.
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15 Dec 15 | Asia and Pacific, mobile, News and features, South Korea
Bartomeu Marí at the charity launch of a calander at the MACBA, from which he controversially resigned earlier this year. Credit: Flickr/Mossos. Generalitat de Catalunya
The South Korean art community has released a statement requesting that the Ministry of Culture, Sports and Tourism (MCST) implement reforms to protect artistic freedom ahead of the appointment of Bartomeu Marí as director of the National Museum of Modern and Contemporary Art (MMCA).
The decision to appoint Marí has been met with objections due to his controversial resignation as director of the Barcelona Museum of Contemporary Art (MACBA) in March, after he was accused of attempting to have a sculptor removed from an exhibition called La Bestia y el Soberano (The Beast and the Sovereign).
The satirical sculpture by Ines Doujak, titled Not Dressed for Conquering, featured former Spanish King Juan Carlos and Bolivian labour leader and feminist Domitila Chúngara involved in a sexual act with a dog on a bed of SS helmets. The exhibition went ahead despite Marí’s alleged attempts to cancel the whole exhibition when curators refused to remove the sculptor, leading to him firing two curators and his own resignation.
The Korean art community released their statement in November when Marí was the leading candidate for the position. They stated: “We demand that both the MMCA and its overseeing body, the MCST, offer plausible explanations regarding the appointment of the new MMCA director and institute fully fledged reforms to protect and foster artistic freedom so they may perform the duties they were originally intended as proponents of the arts.”
They also used the statement, which has been signed by nearly 800 artists, to highlight their concerns about the South Korean government’s mounting censorship of and bureaucratic restrictions on artistic freedom. They state: “We strongly oppose all variants of censorship and surveillance that harm the autonomy of art, and we pledge multifaceted, continued efforts to recover the autonomy and independence of art.”
Marí, who is also currently the president of the International Committee for Museums and collections of Modern Art (CiMAM), was officially appointed as director on 2 December leading the group to release a new statement again asking the newly appointed director and the MCST institute reforms protecting artistic freedom, which would be submitted to the culture minister and director on his appointment today.
The new director took nearly two weeks to respond to the complaints by stating he opposes censorship of any kind. He told a press conference in Seoul: “I stand against all kinds of censorship, and I support the freedom of expression. These are my values.”
He added: “I am sad there are artists who opposed my nomination. But there are many who support me. I hope I can be judged by what I do here, not by what some people say happened in the past.”
