6 Oct 2016 | Europe and Central Asia, Magazine, Russia, Student Reading Lists, Volume 45.03 Autumn 2016 Extras
A man lays flowers near the picture of murdered journalist Anna Politkovskaya, during a rally in Moscow, Russia, 7 October 2009. CREDIT: EPA / Alamy Stock Photo
On 7 October 2006 investigative journalist Anna Politkovskaya was shot and killed in her apartment building in Moscow. In the latest issue of Index on Censorship magazine, Russian journalist Andrey Arkhangelsky reflects on Politkovskaya’s legacy 10 years on and looks at the state of journalism in the country today.
Politkovskaya, who worked for newspaper Novaya Gazetta, was known for her investigative reporting, particularly looking into the atrocities committed by Russian armed forces in Chechnya, and her criticism of the Putin administration.
She was a recipient of an Index on Censorship Freedom of Expression Award in 2002.
Ahead of the anniversary of her death, Index has compiled a reading list of articles written for the magazine both by Politkovskaya and about her. The collection also includes articles exploring media freedom in Russia and why the deaths are Russian journalists seem to go unnoticed and uninvestigated.
From The Cadet Affair: the Disappeared; an extract, written by Anna Politkovskaya, was published in the winter 2010 issue of Index on Censorship magazine
From The Cadet Affair: the Disappeared
December 2010; vol. 39, 4: pp. 209-210.
In 2010 Index published this extract from Nothing But the Truth: Selected Dispatches, a collection of Politkovskaya’s best writings. In this piece, she writes about the disappeared in Chechnya.
Standing Alone
January 2002; vol. 31, 1: pp. 30-34.
An interview with Politkovskaya who, at the time of publication, was living in Vienna, having been sent there for her own safety by Dmitry Muratov, editor-in-chief of Noveya Gazetta, after receiving threats from high-ranking officials who had been annoyed by her reports from Chechnya.
Codes of conduct
March 2012; vol. 41, 1: pp. 85-95.
Irena Maryniak considers the hidden network of relationships that continue to shape Russian society, undermine the rule of law and protect the status quo. In this article Maryniak highlights Politkovskaya’s concerns of the effects of the Kremlin’s reach and her work reporting on the atrocities inflicted on the Chechen population by the Russian armed forces and the Russian-backed administration of Akhmad Kadyrov.
Years of Living Dangerously
November 2009; vol. 38, 4: pp. 44-58.
Grit in the engine by Robert McCrum, in the 40 year anniversary issue of Index on Censorship magazine.
Maria Eismont talks to Dmitry Muratov, editor of the newspaper Novaya Gazeta, at which Politkovskaya spent seven years as a journalist, about his struggle for press freedom and justice in Russia.
Stopping the Killers
November 2009; vol. 38, 4: pp. 31-43.
In this article Joel Simon, of the Committee to Protect Journalists, discusses how impunity is an urgent issue facing press freedom campaigners; and, after reflecting on Politkovskaya’s murder, outlines a roadmap for action
The Big Squeeze
February 2008; vol. 37, 1: pp. 26-34.
Edward Lucas explains how during Putin’s presidency media freedom has moved from the imperfect to the moribund, in an adaption from his book The New Cold War: how the Kremlin menaces Russia and the West.
Grit in the engine
March 2012; vol. 41, 1: pp. 12-20.
Into the Future; Index interviews Anna Politkovskaya in the winter 2005 issue of Index on Censorship magazine.
Robert McCrum considers Index’s role in the history of the fight for free speech, from the oppression of the Cold War to censorship online; and highlights how Politkovskaya turned to Index for help in making the west understand the dangers Russian journalists face.
Into the Future
November 2005; vol. 34, 4: pp. 120-125.
Index interviews Politkovskaya at the Edinburgh Festival, in which she discusses the future of Russia.
“We lost journalism in Russia”
September 2015; vol. 44, 3: pp. 32-35.
Andrei Aliaksandrau examines the evolution of censorship in Russia, from Soviet institutions to today’s blend of influence and pressure.
Power of the pen
December 2010; vol. 39, 4: pp. 17-23.
Carole Seymour-Jones celebrates the achievements of 50 years of fighting for authors’ freedoms and explains why there is so much more work to be done.
You can read Andrey Arkhangelsky’s article by subscribing to the magazine or taking out a digital subscription from anywhere in the world via Exact Editions (just £18* for the year). Each magazine sale helps Index on Censorship fight for free expression worldwide.
*Will be charged at local exchange rate outside the UK.
Magazines are also on sale in bookshops, including at the BFI and MagCulture in London, News from Nowhere in Liverpool and Home in Manchester; as well as on Amazon and iTunes. MagCulture will ship to anywhere in the world.
22 Sep 2016 | Events
For the London Press Club’s monthly social evening, Index on Censorship has teamed up with the Frontline Club to present a discussion examining the changing role of the foreign correspondent within a rapidly evolving media landscape.
In the past twenty years budget cuts across the foreign news industry have seen the near-demise of Western foreign correspondents posted abroad. In their place, local-national stringers have become increasingly important providers of foreign news stories. While the nature of conflicts changes and reporting from high-risk zones becomes more dangerous, the traditional model of the foreign correspondent has shifted. The majority of foreign news is no longer gathered by traditional foreign correspondents posted abroad, but by local nationals who were born and raised in the country they report on.
Is the foreign correspondent an endangered species in the news industry? What new models of foreign reporting are emerging alongside new information-gathering technologies? We will be joined by an expert panel to discuss trends in the industry and the future role of the foreign correspondent.
Chair: Rachael Jolley, editor of Index on Censorship magazine.
Speakers:
Kim Sengupta
Defence correspondent at The Independent.
Dr Haider Al Safi
London-based Iraqi journalist and media consultant covering middle eastern politics.
Caroline Lees
Former news and foreign correspondent who has worked as South Asia correspondent for the Sunday Times.
Samira Shackle
London-based freelance journalist who has reported extensively on Pakistan over the last five years
When: 1 November 2016, 7pm
Where: The Frontline Club (map)
Tickets: This is a free ticketed event. Fully booked.
19 Sep 2016 | Magazine, Magazine Contents, mobile, Volume 45.03 Autumn 2016
[vc_row][vc_column][vc_custom_heading text=”Does anonymity need to be defended? Contributors include Hilary Mantel, Can Dündar, Valerie Plame Wilson, Julian Baggini, Alejandro Jodorowsky and Maria Stepanova “][vc_row_inner][vc_column_inner width=”1/2”][vc_column_text]
The latest issue of Index on Censorship explores anonymity through a range of in-depth features, interviews and illustrations from around the world. The special report looks at the pros and cons of masking identities from the perspective of a variety of players, from online trolls to intelligence agencies, whistleblowers, activists, artists, journalists, bloggers and fixers.
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Former CIA agent Valerie Plame Wilson writes on the damage done when her cover was blown, journalist John Lloyd looks at how terrorist attacks have affected surveillance needs worldwide, Bangladeshi blogger Ananya Azad explains why he was forced into exile after violent attacks on secular writers, philosopher Julian Baggini looks at the power of literary aliases through the ages, Edward Lucas shares The Economist’s perspective on keeping its writers unnamed, John Crace imagines a meeting at Trolls Anonymous, and Caroline Lees looks at how local journalists, or fixers, can be endangered, or even killed, when they are revealed to be working with foreign news companies. There are are also features on how Turkish artists moonlight under pseudonyms to stay safe, how Chinese artists are being forced to exhibit their works in secret, and an interview with Los Angeles street artist Skid Robot.
Outside of the themed report, this issue also has a thoughtful essay by novelist Hilary Mantel, called Blot, Erase, Delete, about the importance of committing to your words, whether you’re a student, an author, or a politician campaigner in the Brexit referendum. Andrey Arkhangelsky looks back at the last 10 years of Russian journalism, in the decade after the murder of investigative reporter Anna Politkovskaya. Uzbek writer Hamid Ismailov looks at how metaphor has taken over post-Soviet literature and prevented it tackling reality head-on. Plus there is poetry from Chilean-French director Alejandro Jodorowsky and Russian writer Maria Stepanova, plus new fiction from Turkey and Egypt, via Kaya Genç and Basma Abdel Aziz.
There is art work from Molly Crabapple, Martin Rowson, Ben Jennings, Rebel Pepper, Eva Bee, Brian John Spencer and Sam Darlow.
You can order your copy here, or take out a digital subscription via Exact Editions. Copies are also available at the BFI, the Serpentine Gallery, MagCulture, (London), News from Nowhere (Liverpool), Home (Manchester), Calton Books (Glasgow) and on Amazon. Each magazine sale helps Index on Censorship continue its fight for free expression worldwide.
Index on Censorship magazine was started in 1972 and remains the only global magazine dedicated to free expression. Past contributors include Samuel Beckett, Gabriel García Marquéz, Nadine Gordimer, Arthur Miller, Salman Rushdie, Margaret Atwood, and many more.
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Does anonymity need to be defended?
Anonymity: worth defending, by Rachael Jolley: False names can be used by the unscrupulous but the right to anonymity needs to be defended
Under the wires, by Caroline Lees : A look at local “fixers”, who help foreign correspondents on the ground, can face death threats and accusations of being spies after working for international media
Art attack, by Jemimah Steinfeld: Ai Weiwei and other artists have increased the popularity of Chinese art, but censorship has followed
Naming names, by Suhrith Parthasarathy: India has promised to crack down on online trolls, but the right to anonymity is also threatened
Secrets and spies, by Valerie Plame Wilson: The former CIA officer on why intelligence agents need to operate undercover, and on the damage done when her cover was blown in a Bush administration scandal
Undercover artist, by Jan Fox: Los Angeles street artist Skid Robot explains why his down-and-out murals never carry his real name
A meeting at Trolls Anonymous, by John Crace: A humorous sketch imagining what would happen if vicious online commentators met face to face
Whose name is on the frame? By Kaya Genç: Why artists in Turkey have adopted alter egos to hide their more political and provocative works
Spooks and sceptics, by John Lloyd: After a series of worldwide terrorist attacks, the public must decide what surveillance it is willing to accept
Privacy and encryption, by Bethany Horne: An interview with human rights researcher Jennifer Schulte on how she protects herself in the field
“I have a name”, by Ananya Azad: A Bangladeshi blogger speaks out on why he made his identity known and how this put his life in danger
The smear factor, by Rupert Myers: The power of anonymous allegations to affect democracy, justice and the political system
Stripsearch cartoon, by Martin Rowson: When a whistleblower gets caught …
Signing off, by Julian Baggini: From Kierkegaard to JK Rowling, a look at the history of literary pen names and their impact
The Snowden effect, by Charlie Smith: Three years after Edward Snowden’s mass-surveillance leaks, does the public care how they are watched?
Leave no trace, by Mark Frary: Five ways to increase your privacy when browsing online
Goodbye to the byline, by Edward Lucas: A senior editor at The Economist explains why the publication does not name its writers in print
What’s your emergency? By Jason DaPonte: How online threats can lead to armed police at your door
Yakety yak (don’t hate back), by Sean Vannata: How a social network promising anonymity for users backtracked after being banned on US campuses
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Blot, erase, delete, by Hilary Mantel: How the author found her voice and why all writers should resist the urge to change their past words
Murder in Moscow: Anna’s legacy, by Andrey Arkhangelsky: Ten years after investigative reporter Anna Politkovskaya was killed, where is Russian journalism today?
Writing in riddles, by Hamid Ismailov: Too much metaphor has restricted post-Soviet literature
Owners of our own words, by Irene Caselli: Aftermath of a brutal attack on an Argentinian newspaper
Sackings, South Africa and silence, by Natasha Joseph: What is the future for public broadcasting in southern Africa after the sackings of SABC reporters?
“Journalists must not feel alone”, by Can Dündar: An exiled Turkish editor on the need to collaborate internationally so investigations can cross borders
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”CULTURE” css=”.vc_custom_1481731777861{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]
Bottled-up messages, by Basma Abdel Aziz: A short story from Egypt about a woman feeling trapped. Interview with the author by Charlotte Bailey
Muscovite memories, by Maria Stepanova: A poem inspired by the last decade in Putin’s Russia
Silence is not golden, by Alejandro Jodorowsky: An exclusive translation of the Chilean-French film director’s poem What One Must Not Silence
Write man for the job, by Kaya Genç: A new short story about a failed writer who gets a job policing the words of dissidents in Turkey
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”COLUMNS” css=”.vc_custom_1481732124093{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]
Global view, by Jodie Ginsberg: Europe’s right-to-be-forgotten law pushed to new extremes after a Belgian court rules that individuals can force newspapers to edit archive articles
Index around the world, by
Josie Timms: Rounding up Index’s recent work, from a hip-hop conference to the latest from Mapping Media Freedom
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”END NOTE” css=”.vc_custom_1481880278935{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]
What ever happened to Luther Blissett? By Vicky Baker: How Italian activists took the name of an unsuspecting English footballer, and still use it today
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”SUBSCRIBE” css=”.vc_custom_1481736449684{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]Index on Censorship magazine was started in 1972 and remains the only global magazine dedicated to free expression. Past contributors include Samuel Beckett, Gabriel García Marquéz, Nadine Gordimer, Arthur Miller, Salman Rushdie, Margaret Atwood, and many more.[/vc_column_text][vc_row_inner][vc_column_inner width=”1/2″][vc_single_image image=”76572″ img_size=”full”][/vc_column_inner][vc_column_inner width=”1/2″][vc_column_text]In print or online. Order a print edition here or take out a digital subscription via Exact Editions.
Copies are also available at the BFI, the Serpentine Gallery, MagCulture, (London), News from Nowhere (Liverpool), Home (Manchester), Calton Books (Glasgow) and on Amazon. Each magazine sale helps Index on Censorship continue its fight for free expression worldwide.
SUBSCRIBE NOW[/vc_column_text][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row][vc_column][vc_basic_grid post_type=”post” max_items=”4″ element_width=”6″ grid_id=”vc_gid:1483444808560-b79f752f-ec25-7″ taxonomies=”8927″ exclude=”80882″][/vc_column][/vc_row]
16 Sep 2016 | mobile, News and features, Tim Hetherington Fellowship, United Kingdom
Photo: Liverpool John Moores University
Liverpool John Moores University officially opened its Infidel exhibition, a display of photographs by Tim Hetherington, on Wednesday night. The Liverpool-born photojournalist, who died in Libya under mortar fire in 2011, took the photos during the year he spent embedded with the US Army in Afghanistan’s Korangal Valley while shooting his 2010 Oscar-nominated documentary Restrepo.
Stephen Mayes, a personal friend of Hetherington’s and the director of the Tim Hetherington Trust, spoke at the launch, and highlighted three moments from Hetherington’s short film Diary, which he felt summed up the photographer’s feelings about dividing his time between west London and west Africa. Mayes also recalled a conversation he had with Hetherington around a month before his death, about how photography is great at portraying the “hardware” of war – the guns, the bombs, the carnage – but that Hetherington preferred to work with what he called the “software”, the young men who fight and the people caught in the middle.
The photographs in the Infidel exhibit are a perfect example of what was so impressive about Hetherington’s work. Despite having weathered a year of almost constant combat alongside a platoon of US soldiers, he took striking images that stepped back from the front line. His portraits featured men hugging, relaxing and playing games, highlighting their individual humanity and vulnerability in an environment that treats them as means to an end.
As the new recipient of the Tim Hetherington Fellowship, the result of Index on Censorship’s collaboration with the trust and LJMU (where I graduated in journalism), I’m inspired by the spirit of that work. I’m struck by the bravery and moral fortitude of a man who frequently put himself in harm’s way out of a sense of duty to the people around him. His determination to immerse himself in the lives of his subjects and portray the emotional truth of their experience has reminded me why I always wanted to be a journalist. Journalism is about letting people tell their stories.
Index on Censorship fights for the rights of people to be heard. Hetherington spent his life trying to tell untold stories. It’s an honour to be part of his legacy.
Infidel is open now at the John Lennon Art and Design Building, Duckinfield Street, Liverpool until Friday September 23. Admission is free, 10am to 5pm, Monday to Friday.
