7 Oct 2016 | Magazine, Russia
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Remembering murdered Russian journalist Anna Politkovskaya
In 2002, the well-known Russian journalist Anna Politkovskaya, was living in Vienna. She had been sent there for her own safety by Dmitry Muratov, editor-in-chief of her newspaper Novaya Gazeta, after she received threats from high-ranking officials over her reports from Chechnya and her criticism of Vladimir Putin’s regime. Her life remained under threat and she was largely confined to her home. She filed this article to Index on Censorship magazine (vol. 31,1) in spring 2002, shortly before she won Index’s Freedom of Expression Award. Four years later in October 2006, she was shot dead in her apartment building after returning to Moscow.
Just before my last trip to Chechnya in mid-September my colleagues at Novaya Gazeta began to receive threats and were told to pass on the message that I shouldn’t go to Chechnya any more. If I did, my life would be in danger. As always, our paper has its ‘own people’ on the general staff and the ministry of defence — people who broadly share our views. We spoke to people at the ministry but, despite their advice, I did go back to Chechnya, only to find myself blockaded in the capital, Grozny. The city was sealed off after a series of strange events. Controls were so tight you couldn’t even move between different districts within the city, let alone make your way out of Grozny on foot. On that day, 17 September, a helicopter carrying a commission headed by Major-General Anatoly Pozdnyakov from the general staff in Moscow was shot down directly over the city. He was engaged in work quite unprecedented for a soldier in Chechnya.
Only an hour before the helicopter was shot down, he told me the task of his commission was to gather data on crimes committed by the military, analyse their findings, put them in some order and submit the information for the president’s consideration. Nothing of the kind had been done before. Their helicopter was shot down almost exactly over the city centre. All the members of the commission perished and, since they were already on their way to Khankala airbase to take a plane back to Moscow, so did all the material they had collected.
That part of the story was published by Novaya Gazeta. Before the 19 September issue was sent to the printers, our chief editor Dmitry Muratov was summoned to the ministry of defence (or so I understand) and asked to explain how on earth such allegations could be made. He gave them an answer, after which the pressure really began. There should be no publication, he was told. Nevertheless, he decided to go ahead, publishing a very truncated version of what I had written.
At that point, the same people at the ministry who had claimed our report was false now conceded it was true. But they began to warn of new threats: they had learned that certain people had run out of patience with my articles. It was, in other words, the same kind of conversation as before my last trip to Chechnya. Then we heard that a particular officer, a Lieutenant Larin, whom I had described in print as a war criminal, was sending letters to the newspaper and similar notes to the ministry. The deaths and torture of several people lie on his conscience and the evidence against him is incontrovertible. Soon there were warnings that I’d better stay at home. Meanwhile, the internal affairs ministry would track down and arrest this self-appointed military hitman, and deputy minister Vasilyev would himself take charge of the operation.
I was supposed to remain at our apartment and go nowhere. But they made no progress in finding Larin, and I began to realise that this was simply another way of forcing me to stop work. The newspaper decided I should leave the country until the editors were sure I could again live a normal life and resume my work.
The paper was forced to omit from my story the sort of detail that is vital to the credibility of an article like this, which suggested the military themselves had downed the helicopter. All my subsequent difficulties began with those details. If these details surface, the ministry of defence warned our chief editor, that’s the end for you . . .
In fact, since I was moving around the city at the time, I can personally testify to what happened, as can others who were there with me. And these were no ordinary citizens: among them were Chechen policemen and Grozny Energy Company employees who, like me, were trapped inside the city. FSB [former KGB] General Platonov was also there. Currently, he is a deputy to Anatoly Chubais, chief executive of United Energy Systems, a key Kremlin player throughout the 1990s and a hawk on Chechnya. All these saw and knew exactly what I know. Platonov is not only Chubais’s deputy but remains a deputy to FSB director Patrushev (in early 2001, the ‘anti- terrorist operation’ in Chechnya was transferred from the military command of the Combined Forces Group to the FSB and its director Patrushevin Moscow placed in overall charge). No one else saw and knew as much about what happened as Platonov — he couldn’t help but see it. Not one person was allowed into the city centre after 9am that morning. And yet a helicopter was downed there.
Different branches of the military are split over future policy in Chechnya. There are good reasons why the recent public statements of defence ministry spokesmen all repeat the same phrases: ‘We deny the possibility of negotiations’; ‘It’s out of the question’; ‘We are just doing our job.’ Indeed they are: their ‘sweep and cleanse’ operations have become even more brutal. Let us suppose that those representing certain other branches of the military on the ground in Chechnya are pursuing a rather different policy. That is where you should seek the reason for the deaths of all the commission members. I’m just a small cog in that machine — someone who happened to be in the thick of events when no other journalists were around.
Those who want to continue fighting seem to have the upper hand; they represent the more powerful section within the so-called CFG, the Combined Forces Group. To avoid repetition of the disastrous lack of coordination between ministries of defence and internal affairs and the FSB during the first Chechen conflict in 1994—96, overall command of army, police and other paramilitary and special units (CFG) in the present war was given to the military. Although the FSB supposedly now exercise overall control of the ‘anti-terrorist operation’, the military are too strong for them. On the fateful day the helicopter was downed and the commission perished, not even servicemen and officers were permitted to enter the central, cordoned-off area of Grozny. Only defence ministry officials were allowed through. Even FSB and ministry of justice people were kept out; that was extraordinary. No one was permitted to enter the area where the helicopter was about to fall: representatives of other military bodies and organisations, even ranking officers, had no right to go there.
I don’t think we should expect too much from the defence ministry, nor from President Putin [in the light of the US-led campaign in Afghanistan. Ed]. He has received carte blanche to take the measures and employ the forces he considers necessary in Chechnya. I’m thinking of Prime Minister Blair’s recent activities and words spoken by Chancellor Schroeder when Putin was visiting Germany. As you know, it was then said that Europe should re-examine its stance on Chechnya.
Their position was already pretty feeble and bore no relation to the real state of affairs in Chechnya and the abuse of human rights there. If, however, they are going t o alter their position, then it’s clear what will happen. I n practical terms they’ll support Putin. Whatever he does will be fine by them. I think he’s been working steadily and persistently towards that end for some time. And I’m sure he’ll make good use of it now. Not for the first time in the present war, there’s been a battle to see whose nerve is stronger. Putin held back [over the West’s ‘anti-terrorist operation’] for some while: we shan’t support the Northern Alliance in Afghanistan, he said, but we’ll offer them back-up. Then he agreed to supply them with arms and, evidently, advisers. In exchange he received a free hand in Chechnya. That’s the way things are likely to go, I’m afraid.
I can’t say when it will happen, but whatever happens there will be a more intensive ‘liquidation of Chechen partisans’. As always in Russia, however, it all depends on the methods to be used. What will the ‘liquidation of Chechen bandits’ amount to this time? Will they herd everyone else into concentration camps or hold repeated sweep operations in all the population centres in Chechnya?
I can’t answer for Chechen President Maskhadov, but will offer a brief analysis of his actions. In my view, he is doing nothing whatsoever. He has retreated into his shell and is thinking, to the exclusion of all else, about his own immediate future — he’s forgotten the Chechen nation. Just as the federal authorities in Moscow have abandoned the Chechens, so now have the other side. The nation has to fend for itself, with no leadership or protection. It survives as best it can. If people need to take revenge for their tortured and murdered relatives, they will. If they need to say nothing, they’ll keep their mouths shut. In such circumstances, which are the equivalent of a civil war, and under continuing pressure from the federal forces, no one today can say whom the Chechen nation would vote for if elections were held. No one now has any idea whom they’d elect and in that respect everyone has committed the same enormous mistake.
Maskhadov has obviously been driven into a corner. But the struggle for independence has become an obsession with him: he will hear of nothing else. I don’t really understand what use independence will be to him, when he, Shamil Basayev and his immediate bodyguard are all that’s left. The first duty of a president is to fight for the well-being of his nation. I have my own president and it makes no difference that I personally did not vote for Putin. He remains the most important figure in the Russian state. And I’d like him to enable me, and everyone else, to live a normal life. I’m referring to the laws that should govern our existence. I find myself in a situation, however, where no one gives a damn how I survive. I’m cut off from my family. I don’t know what will happen in the future to my two children. It is not law that rules Russia today. There’s no person and no organisation to which you can turn and be certain that the laws have any force.
I have no thoughts about my future. And that’s the worst of all. I just want everything to change so I can go back and live in Moscow again. I can’t imagine spending any length of time here. Or in any other place, for that matter. I must do all in my power to return to Moscow. But I have no idea when that will be.
If people in my country have no protection from this lawless regime, that means I survive here while others are dying. Over the last year I’ve been in that position too often. People who were my witnesses and informants in Chechnya have died for that reason, and that reason alone, as soon as I left their homes. If it again proves the case, then how can I go on living abroad while others are dying in my place?
[/vc_column_text][vc_row_inner][vc_column_inner width=”1/2″][vc_single_image image=”78078″ img_size=”full”][/vc_column_inner][vc_column_inner width=”1/2″][vc_column_text]In the autumn 2016 issue of Index on Censorship magazine, Russian journalist Andrey Arkhangelsky reflected on Politkovskaja’s legacy 10 years on, and looks at the state of journalism in the country today. You can get your copy here, or take out a digital subscription from anywhere in the world via Exact Editions (just £18* for the year). Each magazine sale helps Index on Censorship fight for free expression worldwide.
*Will be charged at local exchange rate outside the UK.
Copies will be available at the BFI, the Serpentine Gallery, MagCulture, (London), News from Nowhere (Liverpool), Home (Manchester), Red Line Books (Colchester) and on Amazon. Each magazine sale helps Index on Censorship continue its fight for free expression worldwide.
The full contents page of the magazine can be read here.[/vc_column_text][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row][vc_column][vc_basic_grid post_type=”post” max_items=”12″ style=”load-more” items_per_page=”4″ element_width=”6″ grid_id=”vc_gid:1535620669542-cd67c3af-4d46-5″ taxonomies=”1305″][/vc_column][/vc_row]
6 Oct 2016 | Europe and Central Asia, Magazine, Russia, Student Reading Lists, Volume 45.03 Autumn 2016 Extras
A man lays flowers near the picture of murdered journalist Anna Politkovskaya, during a rally in Moscow, Russia, 7 October 2009. CREDIT: EPA / Alamy Stock Photo
On 7 October 2006 investigative journalist Anna Politkovskaya was shot and killed in her apartment building in Moscow. In the latest issue of Index on Censorship magazine, Russian journalist Andrey Arkhangelsky reflects on Politkovskaya’s legacy 10 years on and looks at the state of journalism in the country today.
Politkovskaya, who worked for newspaper Novaya Gazetta, was known for her investigative reporting, particularly looking into the atrocities committed by Russian armed forces in Chechnya, and her criticism of the Putin administration.
She was a recipient of an Index on Censorship Freedom of Expression Award in 2002.
Ahead of the anniversary of her death, Index has compiled a reading list of articles written for the magazine both by Politkovskaya and about her. The collection also includes articles exploring media freedom in Russia and why the deaths are Russian journalists seem to go unnoticed and uninvestigated.
From The Cadet Affair: the Disappeared; an extract, written by Anna Politkovskaya, was published in the winter 2010 issue of Index on Censorship magazine
From The Cadet Affair: the Disappeared
December 2010; vol. 39, 4: pp. 209-210.
In 2010 Index published this extract from Nothing But the Truth: Selected Dispatches, a collection of Politkovskaya’s best writings. In this piece, she writes about the disappeared in Chechnya.
Standing Alone
January 2002; vol. 31, 1: pp. 30-34.
An interview with Politkovskaya who, at the time of publication, was living in Vienna, having been sent there for her own safety by Dmitry Muratov, editor-in-chief of Noveya Gazetta, after receiving threats from high-ranking officials who had been annoyed by her reports from Chechnya.
Codes of conduct
March 2012; vol. 41, 1: pp. 85-95.
Irena Maryniak considers the hidden network of relationships that continue to shape Russian society, undermine the rule of law and protect the status quo. In this article Maryniak highlights Politkovskaya’s concerns of the effects of the Kremlin’s reach and her work reporting on the atrocities inflicted on the Chechen population by the Russian armed forces and the Russian-backed administration of Akhmad Kadyrov.
Years of Living Dangerously
November 2009; vol. 38, 4: pp. 44-58.
Grit in the engine by Robert McCrum, in the 40 year anniversary issue of Index on Censorship magazine.
Maria Eismont talks to Dmitry Muratov, editor of the newspaper Novaya Gazeta, at which Politkovskaya spent seven years as a journalist, about his struggle for press freedom and justice in Russia.
Stopping the Killers
November 2009; vol. 38, 4: pp. 31-43.
In this article Joel Simon, of the Committee to Protect Journalists, discusses how impunity is an urgent issue facing press freedom campaigners; and, after reflecting on Politkovskaya’s murder, outlines a roadmap for action
The Big Squeeze
February 2008; vol. 37, 1: pp. 26-34.
Edward Lucas explains how during Putin’s presidency media freedom has moved from the imperfect to the moribund, in an adaption from his book The New Cold War: how the Kremlin menaces Russia and the West.
Grit in the engine
March 2012; vol. 41, 1: pp. 12-20.
Into the Future; Index interviews Anna Politkovskaya in the winter 2005 issue of Index on Censorship magazine.
Robert McCrum considers Index’s role in the history of the fight for free speech, from the oppression of the Cold War to censorship online; and highlights how Politkovskaya turned to Index for help in making the west understand the dangers Russian journalists face.
Into the Future
November 2005; vol. 34, 4: pp. 120-125.
Index interviews Politkovskaya at the Edinburgh Festival, in which she discusses the future of Russia.
“We lost journalism in Russia”
September 2015; vol. 44, 3: pp. 32-35.
Andrei Aliaksandrau examines the evolution of censorship in Russia, from Soviet institutions to today’s blend of influence and pressure.
Power of the pen
December 2010; vol. 39, 4: pp. 17-23.
Carole Seymour-Jones celebrates the achievements of 50 years of fighting for authors’ freedoms and explains why there is so much more work to be done.
You can read Andrey Arkhangelsky’s article by subscribing to the magazine or taking out a digital subscription from anywhere in the world via Exact Editions (just £18* for the year). Each magazine sale helps Index on Censorship fight for free expression worldwide.
*Will be charged at local exchange rate outside the UK.
Magazines are also on sale in bookshops, including at the BFI and MagCulture in London, News from Nowhere in Liverpool and Home in Manchester; as well as on Amazon and iTunes. MagCulture will ship to anywhere in the world.
22 Sep 2016 | Events
For the London Press Club’s monthly social evening, Index on Censorship has teamed up with the Frontline Club to present a discussion examining the changing role of the foreign correspondent within a rapidly evolving media landscape.
In the past twenty years budget cuts across the foreign news industry have seen the near-demise of Western foreign correspondents posted abroad. In their place, local-national stringers have become increasingly important providers of foreign news stories. While the nature of conflicts changes and reporting from high-risk zones becomes more dangerous, the traditional model of the foreign correspondent has shifted. The majority of foreign news is no longer gathered by traditional foreign correspondents posted abroad, but by local nationals who were born and raised in the country they report on.
Is the foreign correspondent an endangered species in the news industry? What new models of foreign reporting are emerging alongside new information-gathering technologies? We will be joined by an expert panel to discuss trends in the industry and the future role of the foreign correspondent.
Chair: Rachael Jolley, editor of Index on Censorship magazine.
Speakers:
Kim Sengupta
Defence correspondent at The Independent.
Dr Haider Al Safi
London-based Iraqi journalist and media consultant covering middle eastern politics.
Caroline Lees
Former news and foreign correspondent who has worked as South Asia correspondent for the Sunday Times.
Samira Shackle
London-based freelance journalist who has reported extensively on Pakistan over the last five years
When: 1 November 2016, 7pm
Where: The Frontline Club (map)
Tickets: This is a free ticketed event. Fully booked.
19 Sep 2016 | Magazine, Magazine Contents, mobile, Volume 45.03 Autumn 2016
[vc_row][vc_column][vc_custom_heading text=”Does anonymity need to be defended? Contributors include Hilary Mantel, Can Dündar, Valerie Plame Wilson, Julian Baggini, Alejandro Jodorowsky and Maria Stepanova “][vc_row_inner][vc_column_inner width=”1/2”][vc_column_text]
The latest issue of Index on Censorship explores anonymity through a range of in-depth features, interviews and illustrations from around the world. The special report looks at the pros and cons of masking identities from the perspective of a variety of players, from online trolls to intelligence agencies, whistleblowers, activists, artists, journalists, bloggers and fixers.
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Former CIA agent Valerie Plame Wilson writes on the damage done when her cover was blown, journalist John Lloyd looks at how terrorist attacks have affected surveillance needs worldwide, Bangladeshi blogger Ananya Azad explains why he was forced into exile after violent attacks on secular writers, philosopher Julian Baggini looks at the power of literary aliases through the ages, Edward Lucas shares The Economist’s perspective on keeping its writers unnamed, John Crace imagines a meeting at Trolls Anonymous, and Caroline Lees looks at how local journalists, or fixers, can be endangered, or even killed, when they are revealed to be working with foreign news companies. There are are also features on how Turkish artists moonlight under pseudonyms to stay safe, how Chinese artists are being forced to exhibit their works in secret, and an interview with Los Angeles street artist Skid Robot.
Outside of the themed report, this issue also has a thoughtful essay by novelist Hilary Mantel, called Blot, Erase, Delete, about the importance of committing to your words, whether you’re a student, an author, or a politician campaigner in the Brexit referendum. Andrey Arkhangelsky looks back at the last 10 years of Russian journalism, in the decade after the murder of investigative reporter Anna Politkovskaya. Uzbek writer Hamid Ismailov looks at how metaphor has taken over post-Soviet literature and prevented it tackling reality head-on. Plus there is poetry from Chilean-French director Alejandro Jodorowsky and Russian writer Maria Stepanova, plus new fiction from Turkey and Egypt, via Kaya Genç and Basma Abdel Aziz.
There is art work from Molly Crabapple, Martin Rowson, Ben Jennings, Rebel Pepper, Eva Bee, Brian John Spencer and Sam Darlow.
You can order your copy here, or take out a digital subscription via Exact Editions. Copies are also available at the BFI, the Serpentine Gallery, MagCulture, (London), News from Nowhere (Liverpool), Home (Manchester), Calton Books (Glasgow) and on Amazon. Each magazine sale helps Index on Censorship continue its fight for free expression worldwide.
Index on Censorship magazine was started in 1972 and remains the only global magazine dedicated to free expression. Past contributors include Samuel Beckett, Gabriel García Marquéz, Nadine Gordimer, Arthur Miller, Salman Rushdie, Margaret Atwood, and many more.
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”SPECIAL REPORT: THE UNNAMED” css=”.vc_custom_1483445324823{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]
Does anonymity need to be defended?
Anonymity: worth defending, by Rachael Jolley: False names can be used by the unscrupulous but the right to anonymity needs to be defended
Under the wires, by Caroline Lees : A look at local “fixers”, who help foreign correspondents on the ground, can face death threats and accusations of being spies after working for international media
Art attack, by Jemimah Steinfeld: Ai Weiwei and other artists have increased the popularity of Chinese art, but censorship has followed
Naming names, by Suhrith Parthasarathy: India has promised to crack down on online trolls, but the right to anonymity is also threatened
Secrets and spies, by Valerie Plame Wilson: The former CIA officer on why intelligence agents need to operate undercover, and on the damage done when her cover was blown in a Bush administration scandal
Undercover artist, by Jan Fox: Los Angeles street artist Skid Robot explains why his down-and-out murals never carry his real name
A meeting at Trolls Anonymous, by John Crace: A humorous sketch imagining what would happen if vicious online commentators met face to face
Whose name is on the frame? By Kaya Genç: Why artists in Turkey have adopted alter egos to hide their more political and provocative works
Spooks and sceptics, by John Lloyd: After a series of worldwide terrorist attacks, the public must decide what surveillance it is willing to accept
Privacy and encryption, by Bethany Horne: An interview with human rights researcher Jennifer Schulte on how she protects herself in the field
“I have a name”, by Ananya Azad: A Bangladeshi blogger speaks out on why he made his identity known and how this put his life in danger
The smear factor, by Rupert Myers: The power of anonymous allegations to affect democracy, justice and the political system
Stripsearch cartoon, by Martin Rowson: When a whistleblower gets caught …
Signing off, by Julian Baggini: From Kierkegaard to JK Rowling, a look at the history of literary pen names and their impact
The Snowden effect, by Charlie Smith: Three years after Edward Snowden’s mass-surveillance leaks, does the public care how they are watched?
Leave no trace, by Mark Frary: Five ways to increase your privacy when browsing online
Goodbye to the byline, by Edward Lucas: A senior editor at The Economist explains why the publication does not name its writers in print
What’s your emergency? By Jason DaPonte: How online threats can lead to armed police at your door
Yakety yak (don’t hate back), by Sean Vannata: How a social network promising anonymity for users backtracked after being banned on US campuses
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Blot, erase, delete, by Hilary Mantel: How the author found her voice and why all writers should resist the urge to change their past words
Murder in Moscow: Anna’s legacy, by Andrey Arkhangelsky: Ten years after investigative reporter Anna Politkovskaya was killed, where is Russian journalism today?
Writing in riddles, by Hamid Ismailov: Too much metaphor has restricted post-Soviet literature
Owners of our own words, by Irene Caselli: Aftermath of a brutal attack on an Argentinian newspaper
Sackings, South Africa and silence, by Natasha Joseph: What is the future for public broadcasting in southern Africa after the sackings of SABC reporters?
“Journalists must not feel alone”, by Can Dündar: An exiled Turkish editor on the need to collaborate internationally so investigations can cross borders
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”CULTURE” css=”.vc_custom_1481731777861{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]
Bottled-up messages, by Basma Abdel Aziz: A short story from Egypt about a woman feeling trapped. Interview with the author by Charlotte Bailey
Muscovite memories, by Maria Stepanova: A poem inspired by the last decade in Putin’s Russia
Silence is not golden, by Alejandro Jodorowsky: An exclusive translation of the Chilean-French film director’s poem What One Must Not Silence
Write man for the job, by Kaya Genç: A new short story about a failed writer who gets a job policing the words of dissidents in Turkey
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”COLUMNS” css=”.vc_custom_1481732124093{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]
Global view, by Jodie Ginsberg: Europe’s right-to-be-forgotten law pushed to new extremes after a Belgian court rules that individuals can force newspapers to edit archive articles
Index around the world, by
Josie Timms: Rounding up Index’s recent work, from a hip-hop conference to the latest from Mapping Media Freedom
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”END NOTE” css=”.vc_custom_1481880278935{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]
What ever happened to Luther Blissett? By Vicky Baker: How Italian activists took the name of an unsuspecting English footballer, and still use it today
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”SUBSCRIBE” css=”.vc_custom_1481736449684{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]Index on Censorship magazine was started in 1972 and remains the only global magazine dedicated to free expression. Past contributors include Samuel Beckett, Gabriel García Marquéz, Nadine Gordimer, Arthur Miller, Salman Rushdie, Margaret Atwood, and many more.[/vc_column_text][vc_row_inner][vc_column_inner width=”1/2″][vc_single_image image=”76572″ img_size=”full”][/vc_column_inner][vc_column_inner width=”1/2″][vc_column_text]In print or online. Order a print edition here or take out a digital subscription via Exact Editions.
Copies are also available at the BFI, the Serpentine Gallery, MagCulture, (London), News from Nowhere (Liverpool), Home (Manchester), Calton Books (Glasgow) and on Amazon. Each magazine sale helps Index on Censorship continue its fight for free expression worldwide.
SUBSCRIBE NOW[/vc_column_text][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row][vc_column][vc_basic_grid post_type=”post” max_items=”4″ element_width=”6″ grid_id=”vc_gid:1483444808560-b79f752f-ec25-7″ taxonomies=”8927″ exclude=”80882″][/vc_column][/vc_row]
