2 Oct 2012 | Egypt, Middle East and North Africa
The women of Egypt played a huge role in the uprising that toppled former President Hosni Mubarak. They were on the frontlines, standing shoulder to shoulder with men in Cairo’s Tahrir Square, demanding “Bread, Freedom and Social Justice.” Their participation in the eighteen-day mass protests raised hopes for greater inclusion of women in the decision-making process and an end to the gender discriminatory policies of the past.
However since the January 25 2011 revolution Egyptian women’s voices have been drowned out, and the “new Egypt” continues to marginalise women.
Today, as the country’s new constitution is being written, hopes are fading that Egypt’s new governing code will guarantee full and equal participation of women, and there are growing concerns that women may even lose rights gained in recent years.
Egyptian women celebrate the one year anniversary of the country’s revolution in Cairo. Amr Abdel-Hadi | Demotix
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15 Aug 2012 | Uncategorized
Among the many issues concerning freedom of expression, it becomes easy to forget illiteracy, even though it serves as one of the most basic barriers to freedom of expression. Illiteracy limits the ability to access and receive information as well as to share and pass on information in written form — on — or offline. As such it is a block to participation in social and political life including writing on or engaging with a range of issues and debates. UNESCO in 2008 reported that 796 million adults worldwide are unable to read and write — an 8 per cent increase in literacy globally in the past 20 years. In 1995 the UN Special Rapporteur on the Right to Freedom of Opinion and Expression said “the right to seek or have access to information is one of the most essential elements of freedom of speech and expression”.
Of the 796 million illiterate adults, 64 per cent of them are women, which not only reflects a deficiency in gender equality, but also reflects how in some cases lack of access can be a part of restricting the rights of women. According to UNHCHR resolution 2003/42, higher illiteracy rates can be a part of keeping them from being able to freely communicate, and contributes to constraining their rights to freedom of expression.
While a hindrance to freedom of expression, a high literacy rate does not necessarily correlate with a democratic and free society. While UNESCO estimates China’s literacy rate to be 94 per cent in adults, the single-party state is notorious for its extreme censorship of both the internet and the press, and has earned a ranking of “not free” from the US-based organisation Freedom House this year. Democratic India, meanwhile has a literacy rate of 62.8 per cent in adults.
Illiteracy is not only a problem in developing countries, but also an ongoing obstacle in developed nations. In 2010, the Literacy Trust estimated that 1 in 6 adults in the UK is illiterate. In the United States, the US Education Department released a 2009 report stating that 32 million American adults are practically illiterate — struggling with even the most basic of literacy skills. Lower literacy means less citizens engaged with major debates within a state, or even access to basic information.
Such shocking numbers only mean that a significant portion of the populations of both the United States and United Kingdom are unable to adequately access information about issues, making it difficult to be an informed decision maker — something crucial for every member of a democratic society.
Sara Yasin is an Editorial Assistant at Index on Censorship
8 Mar 2012 | Sub-Saharan Africa
Inspired by Tupac, Public Enemy and others in the USA around 2004, a new tsunami of music crashed over hit Tanzania. Bongo Flavah: raw, real, Swahili. It spoke to people, particularly the disenfranchised 3 million who live in slums and suburbs like Temeke and Mobibo of Dar Es Salaam. Kicking out the popular Congolese Rumba, Sebene (sung mostly in Lingala, a Bantu language spoken in some areas of Africa); Bongo Flavah was R & B mixed with pop, mixed with Puff Daddy, with a dollop of gangsta speak. Young men (and a few young women) performed live. Artists such as Lady Jay Dee, Professor J, Ray C, Fid Q and Juma Nature, shook, shimmied and got down in small local beer halls. The whole business was expressive, chaotic and random, like the streets it came from. Songs were about debt, jealousy, lunacy, power failures, teen pregnancy, corruption, albino body part trafficking. Dancing was lewd, grinding, obvious, as well as highly original, eclectic and thrilling. Critics called them “tsotsi”, hooligans, vandals.
Bongo Flavah. Bongo is the Kiswahili slang word for “brain” street smart, savvy, nous — what you need to hustle a living in the sprawling capital Dar es Salaam. Bongo music is edgy, swaggering, improvised to a CD backing track, spontaneous, aspirational and above all Swahili. It is Tanzania’s wild track, it is everywhere: daladalas (cramped rickety public minivans) shops, homes, cafes and bars.
Then came Mchiriku, it’s even more rowdy sister. Its roots are in Uswahilini, the less prestigious parts of Dar-es salaam, where residents are generally considered loud and uncultured, the music cacophonous. Read poor and voiceless. When it’s recorded, it gets massive airplay, and thousands of listeners.
But there’s a less savoury side to this very male, undoubtedly anarchic and truly democratic medium: blatant misogyny, and sexual favours for access. “It’s a kind of open secret in the music business” says Ayesha*, 19, a trainee journalist at a private radio station on Zanzibar “you have to sleep with radio producers, or station owners if you want to get airplay, basically sexual favours for airtime.”
Part of the reason for this is that women — dressed in tiny tops and lycra leggings — in Bongo Flavah and Mchiriku make much of their pelvic flexibility and suppleness: there’s not much doubt what they’re showing off. The versions of female sexuality are fairly standard rap stuff.
Maya Van Lekow, an established Kenyan blues and jazz singer has been in the music business for seven years: “Yes, absolutely, the music business for women is dreadful. It’s not even challenged, it’s blatant: of course you sleep with the whomever, for a record deal, for radio play, to get an interview. It’s unquestioned. A younger singer approached me recently, she said for two years she’d not been able to get airplay, at local stations for over two years, and was forced to sleep with older station managers. She was tearful and desperate.”
Male rapper and record promoter Mzungu K’Chaa concurs: “Bongo flavah started as hip hop; it’s definitely for men only, the music industry generally is very discriminatory to women, and yes, women do have to sleep with the music producers and radio station owners to get airplay. It does need to change.”
Khadija Othman, a sexual health worker on Zanzibar works with young people. “There are two issues here, the first is that women are kept in complete ignorance about their bodies, and their rights. Even to mention a condom a woman will get beaten. The second is that men here think it’s normal for young DJ’s and radio producers to expect sex. And for women to provide sex if the man wants it. Sex is extremely secretive in our society, and until we open up, confront it, we’re going to see more problems. We really really need to talk about these things.”
Her views are shared by young journalists, Salouma* and Carla* who work in the capital, Dar. For women music journalists, or aspirant journalists, the music industry is considered a den of vice. “Our parents literally think we are whores because we work in journalism. Things are very backward here. We don’t tell them about the music bit, it would literally terrify them, and yes, we do see young women coming in off the street, with their tapes, and maybe they get a ‘boyfriend’ for a night. We just try and ignore it. We’re not senior here, we’re female, there’s nothing we can do. It’s shameful really.”
Things are slowly changing. Music creation and production was once dominated by men in Tanzania, Kenya and Zanzibar, and women rarely got actively promoted or showcased. Research is probing into the hidden, and unspoken culture of teen pregnancy and gender based violence against women and girls in Tanzania and Zanzibar. The idea that “you need to sleep with your boss” to get anywhere if you are female is being questioned. Recent figures from local NGO Tanzania Media Women’s Association (TAMWA) and United Nations Development Programme (UNDP) indicates that more that 39 per cent of women aged 15-49 have experienced physical violence in the last 12 months, One in five women have ever experienced sexual violence, and 10 per cent of women had their first sexual intercourse forced against their will.
The last year has seen a marked change in discussion and debate. These issues are finally in the public sphere. Yusuf Mahmoud, Festival Director for the Busara Festival, and President of the Indian Oceans Festival Association: “When we started in 2004, it was difficult to programme women musicians as there were so few in the region. However, looking back, it’s the women who have provided many of the highlights. We have showcased some of the best from the continent including Thandiswa (South Africa), Chiwoniso (Zimbabwe), Nyota Ndogo and Muthoni the Drummer Queen(Kenya) and Tausi Taarab (Zanzibar) — the first all-women orchestra ever in East Africa made their debut at Sauti za Busara.”
Maya Von Lekow says: “I do see myself first as a musician, an artist, but I can also be an advocate, whether for women’s rights generally: in society, in refugee camps, and in the music industry, the two are not incompatible. I can sing, and I also can talk! We’re moving on, talking about our pasts, things are changing, we’re speaking freely, it’s inspiring really!”
28 Dec 2011 | Egypt
A Cairo civilian court has ordered an end to the practice of forced virginity tests on female detainees in military prisons.
Judge Ali Fekry, head of the Egyptian Administrative Court, read out the ruling at noon on Tuesday in a courtroom packed with pro-democracy activists and journalists. The crowd immediately erupted in cheers of jubilation and anti-military chants. Activists outside the courtroom hugged and congratulated each other flashing the victory sign.
Samira Ibrahim, the 25-year-old woman who had filed a lawsuit against the army for ordering the virginity checks, is one of several female protesters who were subjected to the humiliating tests after being arrested by the military during a protest in Tahrir Square on 9 March.
In that demonstration, staged less than a month after President Hosni Mubarak was forced to step down, the Egyptian military had appeared to deliberately target the protesters. Soldiers dragged dozens of pro-democracy activists from Tahrir Square and through the gates of the Egyptian Museum.
Salwa Hosseini, a 20-year-old hairdresser who was among the protesters rounded up by the army later told CNN that uniformed soldiers had tied her up , forced her to the ground and repeatedly slapped her. They shocked her with a stun gun, calling her a prostitute.
Bowing to public pressure, the army later suspended the one year prison sentence it had handed the protesters. Hosseini and the other female protesters later told reporters “The army wanted to teach us a lesson. They wanted to make us feel that we do not have dignity.”
An Amnesty International report, published weeks after the March 9 protest, claimed female demonstrators were beaten, given electric shocks, strip-searched, threatened with prostitution charges and forced to submit to virginity tests .
After repeated denials by military authorities that the virginity tests had been conducted, a senior Egyptian military general finally admitted to CNN on 30 May 30 that the virginity checks had indeed been performed. The general however defended the practice.
“The girls who were detained were not like your daughter or mine,” the general said. “These were girls who had camped out in tents with male protesters in Tahrir Square.”
He added that the army had carried out the tests in “self-defence so that the women wouldn’t later claim they had been raped by Egyptian authorities.”
Wiping away tears of joy, Samira told reporters outside the courtroom Tuesday that “justice had at last been served.”
The court had postponed a hearing in November leading activists to suspect the case may drag on for months.
Human Rights lawyer Hossam Bahgat said the case was a “victory for all women” adding that it was the first crack in the army’s impunity.
Samira’s case marked the second “victory” for pro-democracy activists this week in rulings involving the army. Another court had ordered the release on bail of prominent blogger Alaa Abdel Fattah a day earlier. Alaa was accused of inciting violence against the military and attacking soldiers in deadly clashes between security forces and Coptic protesters demanding protection of their churches last October.
The military generals running the country since President Hosni Mubarak was forced out in February have faced mounting pressure from pro-democracy activists in recent weeks for rights violations. A series of nationwide protests broke out last week after the local and international media flaunted pictures of military brutality against pro- democracy activists who had staged a sit in outside cabinet headquarters demanding an end to military rule. A picture of a half-naked female protester being dragged and beaten by soldiers who had torn off her clothes, triggered public outrage and prompted thousands of Egyptian women to take to the streets last week chanting that “Girls are the red line” and “No to military rule”.
Similar slogans were repeated on Tuesday as Samira and the activists marched from the courtroom in Dokki to Cairo’s Tahrir Square to celebrate the ruling. Egypt’s first female presidential candidate, Bothayna Kamel, a staunch supporter of women’s and minority rights marched alongside Samira, leading the crowd over Kasr el Nil bridge to Tahrir. Male activists joined the rally forming a “protective cordon” to shield the women against any harrassers as they had done in the women’s march earlier in the week.
With calls growing louder in Egypt in recent weeks for a quick handover to civilian rule, the army appears jittery and willing to make concessions to appease a disgruntled public. The generals have expressed regret for the widely publicised photograph of the half-naked woman under attack from army soldiers. The apology, the release of blogger Alaa Abdel Fattah and the ruling to stop the virginity checks on female detainees all signal a clear policy shift by the army, away from the repressive tactics. But sceptics here wonder if it may be “too little too late” as plans are already underway for “a second revolution” on 25 January 2012 in Tahrir to force out the autocratic military rulers.
