Killings, imprisonments and other methods to silence journalists happens all too often, in Europe as elsewhere in the world. In this editorial, the importance of being on the side of those who are threatened
10 October 2016: Belarus Free Theatre project Ai Weiwei’s symbol of freedom of expression onto five iconic buildings across London to highlight the case of Oleg Sentsov. Credit: Graeme Robertson
The Belarus Free Theatre, which campaigns for free expression in Belarus, is calling on the British government to pressurise the Russian authorities to release prisoners whose only crime is to have opposed the annexation of Crimea, an act that the British Government has declared illegal.
“We urgently call upon British politicians to put justice, human rights and international law ahead of business interests and to look afresh at the cases of the Kremlin hostages, [and] all political prisoners held by Russia, including our friend Oleg Sentsov,” co-founding artistic director of Belarus Free Theatre, Natalia Kaliada said.
On Monday 10 October, the theatre company hosted Freedom of Expression in Ukraine, an event at the House of Commons, in solidarity with Oleg Sentsov, a popular film director and pro-Ukrainian activist serving a 20-year prison sentence as well as all other Ukrainian political prisoners currently detained in Russian jails.
Sentsov is currently imprisoned in Siberia and is facing 18 more years in jail on charges of being part of a terrorist conspiracy. Sentsov has stated that he was tortured by investigators, and that a key witness recanted in the courtroom on the grounds that evidence had been extorted under torture. His lawyers describe the case against him as “absurd and fictitious”.
The night included a film calling for Sentsov’s release featuring actor Simon Callow, Belarusian Nobel Laureate for Literature Svetlana Alexievich, Polish film director and chair of European Film Academy Agnieszka Holland, actor Will Attenborough, film director Yuri Khaschevatsky and fashion designer and activist, Vivienne Westwood.
Natalia Kaplan, a cousin of Sentsov, could not be in London for the event but recorded a special video appeal for his release.
Pussy Riot’s Maria Alyokhina and members of Belarus Free Theatre read extracts of letters from Sentsov and short scenes from Belarus Free Theatre’s latest production, Burning Doors. Other speakers included Andrei Khliyvynuk, activist and frontman of Ukrainian supergroup Boombox, and film and theatre-director-turned-soldier Eugene Stepanenko.
Nobel Laureate for Literature Svetlana Alexievich and British filmmaker Lord Puttnam both recorded a special message for the event.
Sentsov first came to the attention of the international film world with Gamer, a debut feature inspired by the computer and video-gaming club for young people that he had founded. It opened to great acclaim at the Rotterdam International Film Festival in 2012.
The European Film Academy together with leading international film directors, including Pedro Almodóvar, Wim Wenders, Stephen Daldry, Mike Leigh and Ken Loach, have campaigned for Sentsov’s release, echoing the grave concerns of Amnesty International that his trial was a “total fiasco” and that the “entire case for the prosecution is built on a house of cards”.
Fernando Bovaira named Sentsov an honorary member of the 62nd San Sebastian Film Festival’s main competition jury, and a chair was reserved for him in solidarity.
During the evening, an image of Ai Weiwei’s middle finger was projected onto five iconic buildings in London: The National Gallery’s Sainsbury Wing, The Forth Plinth in Trafalgar Square, Royal Opera House, Soho’s Gerrard Street and Tate Modern, together with a short film of Sentsov’s “sham trial” to garner UK public support and attention to his plight.
Ai’s finger, is used as a symbol of freedom “a powerful reminder of the need to strive for justice and freedom of expression,” explained Kaliada.
Credit: Graeme Robertson.
Credit: Graeme Robertson
Credit: Graeme Robertson
Credit: Graeme Robertson
Credit: Graeme Robertson
The demonstration was part of Belarus Free Theatre’s I’m with the Banned campaign which is an artist-led effort to bring together those who live in political freedom in solidarity with artists and activists who are censored or imprisoned in Belarus, Russia, Ukraine and anywhere else in the world where justice and freedom are denied.
Kaliada said: “In recent months, Ukraine has disappeared off the public radar even though the war rages on and Russia continues to drag the world into a new Cold War at a highly sophisticated level that endangers people living in the geopolitical knot known as Ukraine, Belarus and Russia, as well as threatening the global security of people further across the world.”
She said that London is where the founding members of Belarus Free Theatre sought shelter five years ago when they arrived in the UK as political refugees from Belarus.”For one night, the walls of the city will speak on behalf of those who are silenced, and one of the greatest capitals of the world will stand with us in solidarity with Oleg Sentsov,” she said. “As contemporary artists and human beings we have only one tool: creativity.”
Free speech advocates have warned about new prosecuting guidelines which open the door to social media users being jailed for “offensive” and “sinister” posts.
Experts from the Index on Censorship and English PEN both voiced unease that moves in the UK to further outlaw offending people online could lead down a dark road. Read the full article
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CREDIT: ra2studio / Shutterstock
Securing your connection
Activists in countries where the web is heavily censored and internet traffic is closely monitored know that using a virtual private network or VPN is essential for remaining invisible.
A VPN is like a pair of curtains on a house: people know you are in but cannot see what you are doing. This is achieved by creating an encrypted tunnel via a private host, often in another country, through which your internet data flows. This means that anyone monitoring web traffic to find out persons of interest is unable to do so. However, the very fact that you are using a VPN may raise eyebrows.
An increasing number of VPNs promise truly anonymous access and do not log any of your activity, such as ExpressVPN and Anonymizer. However, access to some VPN providers is blocked in some countries and their accessibility is always changeable.
Know your onions
One of the internet’s strengths is also one of its weaknesses, at least as far as privacy is concerned. Traffic passes over the internet in data packets, each of which may take a different route between sender and recipient, hopping between computer nodes along the way. This makes the network resilient to physical attack – since there is no fixed connection between the endpoints – but also helps to identify the sender. Packets contain information on both the sender’s and recipient’s IP address so if you need anonymity, this is a fatal flaw.
“Onion” routing offers more privacy. In this, data packets are wrapped in layers of encryption, similar to the layers of an onion. At each node, a layer of encryption is removed, revealing where the packet is to go next, the benefit being that the node only knows the address details of the preceding and succeeding nodes and not the entire chain.
Using onion routing is not as complicated as it may sound. In the mid-1990s, US naval researchers created a browser called TOR, short for The Onion Routing project, based on the concept and offered it to anyone under a free licence.
Accessing the dark web with the Tor browser is a powerful method of hiding identity but is not foolproof. There are a number of documented techniques for exploiting weaknesses and some people believe that some security agencies use these to monitor traffic.
Put the trackers off your scent
Every time you visit a popular website, traces of your activity are carefully collected and sifted, often by snippets of code that come from other parts of the web. A browser add-on called Ghostery (ghostery.com) can show you just how prevalent this is. Firing up Ghostery on a recent visit to The Los Angeles Times website turned up 102 snippets of code designed to track web activity, ranging from well-known names such as Facebook and Google but also lesser known names such as Audience Science and Criteo.
While some of this tracking has legitimate uses, such as to personalise what you see on a site or to tailor the ads that appear, some trackers, particularly in countries where there are lax or no rules about such things, are working hard to identify you.
The problem is that trackers can work out who you are by jigsaw identification. Imagine you have visited a few places on the web, including reading an online article in a banned publication and then flicking through a controversial discussion forum. A third-party tracker used for serving ads can now learn about this behaviour. If you then subsequently log into another site, such as a social network, that includes your identity, this information can suddenly be linked together. Open-source browser extensions such as Disconnect (disconnect.me) offer a way to disable such trackers.
Use the secure web
A growing number of popular websites force visitors to connect to them securely. You can tell which ones because their addresses begin with https rather than http. Using https means that the website you are visiting will be authenticated and that your communications with the site are encrypted, stopping so-called man-in-the-middle attacks – where a malicious person sits between two people who believe they are communicating directly with each other and alters what is being communicated. Google, as well as using https for both Gmail and search, is also encouraging other websites to adopt it by boosting such sites up the search rankings.
Rather than remembering to check you are using https all the time, some people employ a browser extension created by the Electronic Frontier Foundation and the Tor Project called HTTPS Everywhere to do it for them. It is available for Chrome, Firefox and Opera and forces browsers to user https versions of sites where available.
Hide your fingerprints
Traditional identification methods on the web rely on things like IP addresses and cookies, but some organisations employ far more sophisticated techniques, such as browser fingerprinting. When you visit a site, the browser may share information on your default language and any add-ons and fonts you have installed. This may sound innocuous, but this combination of settings may be unique to you and, while not letting others know who you are, can be used to associate your web history with your browser’s fingerprint. You can see how poorly you are protected by visiting panopticlick.eff.org.
One way to try to avoid this is to use a commonly used browser set-up, such as Chrome running on Windows 10 and only common add-ins activated and the default range of fonts. Turning off Javascript can also help but also makes many sites unusable. You can also install the EFF’s Privacy Badger browser add-on to thwart invisible trackers.
Mark Frary is a journalist and co-author of You Call This The Future?: The Greatest Inventions Sci-Fi Imagined and Science Promised (Chicago Review Press, 2008)
This article is from the Autumn issue of Index on Censorship Magazine. You can order your copy here, or take out a digital subscription via Exact Editions. Copies are also available at the BFI, the Serpentine Gallery, MagCulture, (London), News from Nowhere (Liverpool), Home (Manchester), Calton Books (Glasgow) and on Amazon. Each magazine sale helps Index on Censorship continue its fight for free expression worldwide.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”From the Archives”][vc_row_inner][vc_column_inner width=”1/3″][vc_single_image image=”90642″ img_size=”213×289″ alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1080/03064220008536724″][vc_custom_heading text=”Anonymous now” font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1080%2F03064220008536724|||”][vc_column_text]
May 2000
Surfing through cyberspace leaves a trail of clues to your identity. Online privacy can be had but it doesn’t come easy, reports Yaman Akdeniz.
[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”89179″ img_size=”213×289″ alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1080/03064220701738651″][vc_custom_heading text=”Evasion tactics” font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1080%2F03064220701738651|||”][vc_column_text]
November 2007
Nart Villeneuve provides an overview of how journalists and bloggers around the world are protecting themselves from censorship.
[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”89164″ img_size=”213×289″ alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1177/0306422010363345″][vc_custom_heading text=”Tools of the trade” font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1177%2F0306422010363345|||”][vc_column_text]
March 2010
As filtering becomes increasingly commonplace, Roger Dingledine reviews the options for beating online censorship.
[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_separator][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_custom_heading text=”The unnamed” font_container=”tag:p|font_size:24|text_align:left” link=”url:%20https%3A%2F%2Fwww.indexoncensorship.org%2F2017%2F09%2Ffree-to-air%2F|||”][vc_column_text]The autumn 2016 Index on Censorship magazine explores topics on anonymity through a range of in-depth features, interviews and illustrations from around the world.
With: Valerie Plame Wilson, Ananya Azad, Hilary Mantel[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_single_image image=”80570″ img_size=”medium” alignment=”center” onclick=”custom_link” link=”https://www.indexoncensorship.org/2016/11/the-unnamed/”][/vc_column][vc_column width=”1/3″][vc_custom_heading text=”Subscribe” font_container=”tag:p|font_size:24|text_align:left” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2Fsubscribe%2F|||”][vc_column_text]In print, online. In your mailbox, on your iPad.
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