Contents: The unnamed

19 Sep 2016 | Magazine, Magazine Contents, mobile, Volume 45.03 Autumn 2016

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The latest issue of Index on Censorship explores anonymity through a range of in-depth features, interviews and illustrations from around the world. The special report looks at the pros and cons of masking identities from the perspective of a variety of players, from online trolls to intelligence agencies, whistleblowers, activists, artists, journalists, bloggers and fixers.

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Former CIA agent Valerie Plame Wilson writes on the damage done when her cover was blown, journalist John Lloyd looks at how terrorist attacks have affected surveillance needs worldwide, Bangladeshi blogger Ananya Azad explains why he was forced into exile after violent attacks on secular writers, philosopher Julian Baggini looks at the power of literary aliases through the ages, Edward Lucas shares The Economist’s perspective on keeping its writers unnamed, John Crace imagines a meeting at Trolls Anonymous, and Caroline Lees looks at how local journalists, or fixers, can be endangered, or even killed, when they are revealed to be working with foreign news companies. There are are also features on how Turkish artists moonlight under pseudonyms to stay safe, how Chinese artists are being forced to exhibit their works in secret, and an interview with Los Angeles street artist Skid Robot.

Outside of the themed report, this issue also has a thoughtful essay by novelist Hilary Mantel, called Blot, Erase, Delete, about the importance of committing to your words, whether you’re a student, an author, or a politician campaigner in the Brexit referendum. Andrey Arkhangelsky looks back at the last 10 years of Russian journalism, in the decade after the murder of investigative reporter Anna Politkovskaya. Uzbek writer Hamid Ismailov looks at how metaphor has taken over post-Soviet literature and prevented it tackling reality head-on. Plus there is poetry from Chilean-French director Alejandro Jodorowsky and Russian writer Maria Stepanova, plus new fiction from Turkey and Egypt, via Kaya Genç and Basma Abdel Aziz.

There is art work from Molly Crabapple, Martin Rowson, Ben Jennings, Rebel Pepper, Eva Bee, Brian John Spencer and Sam Darlow.

You can order your copy here, or take out a digital subscription via Exact Editions. Copies are also available at the BFI, the Serpentine Gallery, MagCulture, (London), News from Nowhere (Liverpool), Home (Manchester), Calton Books (Glasgow) and on Amazon. Each magazine sale helps Index on Censorship continue its fight for free expression worldwide.

Index on Censorship magazine was started in 1972 and remains the only global magazine dedicated to free expression. Past contributors include Samuel Beckett, Gabriel García Marquéz, Nadine Gordimer, Arthur Miller, Salman Rushdie, Margaret Atwood, and many more.

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Does anonymity need to be defended?

Anonymity: worth defending, by Rachael Jolley: False names can be used by the unscrupulous but the right to anonymity needs to be defended

Under the wires, by Caroline Lees : A look at local “fixers”, who help foreign correspondents on the ground, can face death threats and accusations of being spies after working for international media

Art attack, by Jemimah Steinfeld: Ai Weiwei and other artists have increased the popularity of Chinese art, but censorship has followed

Naming names, by Suhrith Parthasarathy: India has promised to crack down on online trolls, but the right to anonymity is also threatened

Secrets and spies, by Valerie Plame Wilson: The former CIA officer on why intelligence agents need to operate undercover, and on the damage done when her cover was blown in a Bush administration scandal

Undercover artist, by Jan Fox: Los Angeles street artist Skid Robot explains why his down-and-out murals never carry his real name

A meeting at Trolls Anonymous, by John Crace: A humorous sketch imagining what would happen if vicious online commentators met face to face

Whose name is on the frame? By Kaya Genç: Why artists in Turkey have adopted alter egos to hide their more political and provocative works

Spooks and sceptics, by John Lloyd: After a series of worldwide terrorist attacks, the public must decide what surveillance it is willing to accept

Privacy and encryption, by Bethany Horne: An interview with human rights researcher Jennifer Schulte on how she protects herself in the field

“I have a name”, by Ananya Azad: A Bangladeshi blogger speaks out on why he made his identity known and how this put his life in danger

The smear factor, by Rupert Myers: The power of anonymous allegations to affect democracy, justice and the political system

Stripsearch cartoon, by Martin Rowson: When a whistleblower gets caught …

Signing off, by Julian Baggini: From Kierkegaard to JK Rowling, a look at the history of literary pen names and their impact

The Snowden effect, by Charlie Smith: Three years after Edward Snowden’s mass-surveillance leaks, does the public care how they are watched?

Leave no trace, by Mark Frary: Five ways to increase your privacy when browsing online

Goodbye to the byline, by Edward Lucas: A senior editor at The Economist explains why the publication does not name its writers in print

What’s your emergency? By Jason DaPonte: How online threats can lead to armed police at your door

Yakety yak (don’t hate back), by Sean Vannata: How a social network promising anonymity for users backtracked after being banned on US campuses

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Blot, erase, delete, by Hilary Mantel: How the author found her voice and why all writers should resist the urge to change their past words

Murder in Moscow: Anna’s legacy, by Andrey Arkhangelsky: Ten years after investigative reporter Anna Politkovskaya was killed, where is Russian journalism today?

Writing in riddles, by Hamid Ismailov: Too much metaphor has restricted post-Soviet literature

Owners of our own words, by Irene Caselli: Aftermath of a brutal attack on an Argentinian newspaper

Sackings, South Africa and silence, by Natasha Joseph: What is the future for public broadcasting in southern Africa after the sackings of SABC reporters?

“Journalists must not feel alone”, by Can Dündar: An exiled Turkish editor on the need to collaborate internationally so investigations can cross borders

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Bottled-up messages, by Basma Abdel Aziz: A short story from Egypt about a woman feeling trapped. Interview with the author by Charlotte Bailey

Muscovite memories, by Maria Stepanova: A poem inspired by the last decade in Putin’s Russia

Silence is not golden, by Alejandro Jodorowsky: An exclusive translation of the Chilean-French film director’s poem What One Must Not Silence

Write man for the job, by Kaya Genç: A new short story about a failed writer who gets a job policing the words of dissidents in Turkey

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Global view, by Jodie Ginsberg: Europe’s right-to-be-forgotten law pushed to new extremes after a Belgian court rules that individuals can force newspapers to edit archive articles

Index around the world, by
 Josie Timms: Rounding up Index’s recent work, from a hip-hop conference to the latest from Mapping Media Freedom

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”END NOTE” css=”.vc_custom_1481880278935{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]

What ever happened to Luther Blissett? By Vicky Baker: How Italian activists took the name of an unsuspecting English footballer, and still use it today

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”SUBSCRIBE” css=”.vc_custom_1481736449684{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]Index on Censorship magazine was started in 1972 and remains the only global magazine dedicated to free expression. Past contributors include Samuel Beckett, Gabriel García Marquéz, Nadine Gordimer, Arthur Miller, Salman Rushdie, Margaret Atwood, and many more.[/vc_column_text][vc_row_inner][vc_column_inner width=”1/2″][vc_single_image image=”76572″ img_size=”full”][/vc_column_inner][vc_column_inner width=”1/2″][vc_column_text]In print or online. Order a print edition here or take out a digital subscription via Exact Editions.

Copies are also available at the BFI, the Serpentine Gallery, MagCulture, (London), News from Nowhere (Liverpool), Home (Manchester), Calton Books (Glasgow) and on Amazon. Each magazine sale helps Index on Censorship continue its fight for free expression worldwide.

SUBSCRIBE NOW[/vc_column_text][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row][vc_column][vc_basic_grid post_type=”post” max_items=”4″ element_width=”6″ grid_id=”vc_gid:1483444808560-b79f752f-ec25-7″ taxonomies=”8927″ exclude=”80882″][/vc_column][/vc_row]

Montenegro: Mayor accused of repeatedly undermining press freedom

19 Sep 2016 | Europe and Central Asia, Mapping Media Freedom, Montenegro, News and features

montenegro-kolasin-journalist-mmf

In the past two months three threats to media freedom involving the mayor of Kolasin, a town in Montenegro, have been reported to Mapping Media Freedom.

Kolasin, which is the centre of a regional municipality of about 10,000 people, has a small media market that includes just one local newspaper named Kolasin and four correspondents working for the national  dailies — Pobjeda, Dan, Vijesti and Dnevne Novine. There is no local TV station. The local government is run by a coalition of opposition parties — Democratic Front, the Social Democratic Party of Montenegro (SDP) and the Socialist People’s Party of Montenegro — while the Democratic Party of Socialists is the majority party in the national parliament and it runs the Government.

Mapping Media Freedom

This article is a case study drawn from the issues documented by Mapping Media Freedom, Index on Censorship’s project that monitors threats to press freedom in 42 European and neighbouring countries.

In two of the cases, the local official, Zeljka Vuksanovic, an opposition politician belonging to SDP, had intentionally not invited Zorica Bulatovic, Kolasin correspondent for the governing party-aligned daily newspaper Dnevne Novine, to press conferences. In the third case, Bulatovic reported that she was verbally harassed.

Bulatovic told MMF that she is being blocked from reporting on Kolasin’s administration as a result of her critical reporting. In a statement to MMF, the mayor said that Bulatovic’s politically motivated reporting is the reason the journalist is not being invited to press conferences. “If you read her articles you will see why I am not communicating with her. You will see that those articles are not articles written by a journalist,”  Vuksanovic wrote.

According to CDM, a media outlet owned by the Greek businessman Petros Stathis, who also owns the Dnevne Novine and another daily, Pobjeda, Bulatovic was not invited to an 8 July press session organised by the municipality. The news outlet also reported that Vuksanovic forbid municipality departments from cooperating with or providing information to Bulatovic.

Ten days later, on 18 July, the reporter was the only local journalist not included in a press conference organised after the visit of the national government’s minister for human and minority rights, Suad Numanovic, who called on officials to reverse their decision regarding Bulatovic.

The third incident occurred on 28 August when, in a speech, Vuksanovic said that the local ruling coalition had succeeded in triumphing over “crime, political corruption and media sputum”. Incensed by the speech, the five reporters that were present asked the mayor for an apology and further clarification on her points. The following day, Vuksanovic addressed her reply to four of the journalists, again omitting Bulatovic.

In the response, the mayor said that the term “media sputum” was not directed to the four journalists, but to the “media sputum that is hiding behind journalism as a profession”.

“It’s clear from the incident that the ‘media sputum’ comment was in fact verbal harassment of Zorica Bulatovic,” MMF project officer Hannah Machlin said. “This type of comment only serves to undermine the press as whole.”

Bulatovic told MMF that the negative climate between herself and the mayor has been going on for two years. She said that not only is she facing closed doors at the mayor’s office, but also at the municipal administrations.

The mayor disagrees with Bulatovic’s assertions, saying that the journalist is not barred from attending press conferences. “It is true that I don’t send her invitations for the press conferences, but I have never physically banned her presence at the press center,” Vuksanovic wrote MMF in an email.

Bulatovic maintains that she is barred from entering the press center. She also said that in the five years she has been reporting for Dnevne Novine, she has not had to make any corrections to her articles.

While Bulatovic is facing daily obstacles to her reporting, the four other local journalists are in a slightly better position since they are invited to press conferences. Yet, according to her, all the journalists face a common problem: despite the 2012 freedom of information law local politicians consistently throw up obstacles to documents or sources that would put them in a negative light.

“This whole situation is enormously impacting my work because it’s impossible for me to get an official statement from the local municipality,” Bulatovic said.

(Self)censorship always happens to someone else

Marijana Camovic, a journalist and head of the Trade Union of Media of Montenegro, said that while she was not fully aware of the situation in Kolasin, she did not know of another case where a reporter has been under a constant ban from press conferences. The usual practice for Montenegrin politicians is to publicly denigrate the work of journalists who are putting them and their administrations under scrutiny.

Camovic said the issue journalists in small communities with limited news sources, like Kolasin, most often grapple with is self-censorship.

“I personally think that self-censorship is an even bigger problem than censorship, as in that circumstance journalists know what is expected from them to write,” she said.

In her experience, it is rare for a journalist to be openly censored by their editor. The union recently undertook research, which will be published in October, that amongst other things asked journalists to comment on censorship and self-censorship in Montenegro. Camovic called the preliminary results very interesting.

“Generally, journalists answer that there are self-censorship and censorship in Montenegro. But, when you asked them whether they have personally been censored or succumbed to self-censorship, then only a few of them answer positively. So the conclusion is that there are self-censorship and censorship, but it always happens to someone else, which is paradoxical in itself,” Camovic said.   

Her hypothesis is that journalists are probably ashamed to admit that they adjust to the official media policy to keep their jobs. It is not a secret that media outlets are politically engaged, she said.

“They openly support one and criticise the other political option. This is done without  consideration of ethics and the role of the media in the democratic society.”  

Mapping Media Freedom


Click on the bubbles to view reports or double-click to zoom in on specific regions. The full site can be accessed at https://mappingmediafreedom.org/

19 Oct: How does a climate of censorship affect art?

19 Sep 2016 | Events

Kiryl Kanstantsinau, Siarhei Kvachonak, Andrei Urazau and Pavel Haradnitski performing in Burning Doors. (Photo by Nicolai Khalezin for Belarus Free Theatre)

Kiryl Kanstantsinau, Siarhei Kvachonak, Andrei Urazau and Pavel Haradnitski performing in Burning Doors. (Photo by Nicolai Khalezin for Belarus Free Theatre)

Body Politic is Dance Umbrella’s strand of discussions and debates focusing on key cultural issues affecting dance and performance.

How does a climate of censorship affect art? There are different ways of not being allowed to speak. In this discussion, we ask artists how issues of censorship, both public and private, are reflected in their art. How does censorship affect the language of the body? Are there things we cannot say, even when not using language?

This event will be chaired by Julia Farrington, Index on Censorship.

The panel will include Dance Umbrella 2016 (DU16) Festival choreographer Jamila Johnson-Small, Natalia Kaliada, founding co-artistic director of Belarus Free Theatre and Pelin Başaran, an arts curator and producer from Turkey.

This is a Dance Umbrella initiative, presented in partnership with Free Word, Index on Censorship and One Dance UK.

When: 17:15 Wednesday 19 Oct 2016

Where: Free Word Centre, 60 Farringdon Road, London EC1R 3GA (map)

Tickets: £5 from Free Word Centre

Hilary Mantel warns writers they must stand by what they say (The Guardian)

16 Sep 2016 | Index in the Press

Hilary Mantel has revealed how her childhood was marked by a reluctance to speak, in a provocative essay in which she urges writers that “if you don’t mean your words to breed consequences, don’t write at all”.

Writing in the new issue of Index on Censorship’s magazine, Mantel, who has won the Man Booker prize twice for her historical novels set around the life of Thomas Cromwell, says her muteness was “prolonged … to the point of enquiry: ‘Doesn’t she talk, what’s wrong with her?’”, and that “throughout childhood I felt the attraction of sliding back into muteness”.

Read the full article

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