MEDIA FREEDOM
Duncan Tucker: Financial pressures are undermining Latin America’s media

This article is part of a series exploring the impact of commercial interference in the world's newsrooms

08 Jan 2018
BY DUNCAN TUCKER
Latin America is home to a growing number of independent publications, like Venezuela's Efecto Cocuyo, that do not depend on government advertising

Latin America is home to a growing number of independent publications, like Venezuela’s Efecto Cocuyo, that do not depend on government advertising

With general elections scheduled in six Latin American countries this year, and another six to follow in 2019, the relationship between the media and democracy could have a major impact on the future of the region. However, mounting financial pressures are robbing many media outlets of their objectivity and forcing them to toe pro-government lines.

With traditional advertising revenue in decline, Latin American governments are using vast publicity budgets to keep cash-strapped publications afloat. In return, the media are expected to portray their benefactors in a favourable light.

According to the NGO Freedom House, much of the media in Brazil, Colombia, Ecuador, Honduras and Mexico is heavily dependent on government advertising, resulting in widespread self-censorship and collusion between public officials, media owners and journalists.

“The history of journalism in Latin America is a history of collusion between the press and powerful people,” said Rosental Alves, a Brazilian journalist and founder of the Knight Center for Journalism in the Americas, in an interview with Index. Sections of the media have become subservient, he explained, as any critical coverage could be punished with audits or a loss of advertising revenue.

Financial pressures on the media are particularly pronounced in Venezuela. Alves observed that the Nicolás Maduro regime has applied “waves of censorship” to the media by first decrying it as “the enemy of the people” and then buying up media companies to “make them friendly.”

Freedom House notes that “although privately owned newspapers and broadcasters operate alongside state outlets, the overall balance has shifted considerably toward government-aligned voices in recent years. The government officially controls 13 television networks, dozens of radio outlets, a news agency, eight newspapers, and a magazine.”

This is compounded by Venezuela’s severe economic problems and the virtual government monopoly on newsprint supplies that have led to newspaper closures, staff cutbacks and reduced circulation of critical media.

Mexico’s government has taken the more subtle approach of co-opting swathes of the media through unprecedented expenditure on advertising. According to the transparency group Fundar, President Enrique Peña Nieto has spent almost £1.5 billion on advertising in the past five years, more than any president in Mexican history. On top of that, state and municipal administrations have also spent millions on publicity in local media.

Darwin Franco, a freelance journalist in Guadalajara, told Index that government spending has led to some publications telling reporters “who they can and cannot criticise in their work.”

Then there is the infamous chayote, a local term for bribes paid to journalists in return for favourable coverage. Franco said Mexican reporters are particularly vulnerable to economic pressures or under-the-table incentives because it’s so hard for them to make a living.

“Freelance journalists in Mexico don’t receive the benefits that employees are legally entitled to,” he said. “National media outlets — and even some international ones — pay us minimal fees for stories, which in some cases don’t even cover the costs of reporting.”

Franco, who also teaches journalism at a local university, added that many reporters take on second jobs to supplement their income. With Mexican journalists making less than £450 per month on average, he acknowledged that “there may be people who are tempted” to take money from the government.

Despite these financial pressures, Alves is encouraged by the technology-driven democratisation of the media across Latin America, with increased internet penetration and the affordability of smartphones allowing people who could not afford computers to access nontraditional media for the first time.

These include rudimentary blogs, social media accounts and more sophisticated media startups, Alves said, with countries like Argentina, Brazil, Colombia, Mexico and even Venezuela home to a growing number of independent publications that do not depend on government advertising.

“We are living a time of the decline of advertisements as the main source of revenue for news organisations. On the one hand you have this huge decline in traditional advertising because of Google and Facebook getting all this money, and on the other hand you see the virtual disappearance of the entry barriers for becoming a media outlet,” Alves noted.

“We’re moving from the mass media to a mass of media because there’s this proliferation of media outlets that don’t depend on a lot of money,” he added. “If you can gather some philanthropic support or membership, or you’re just doing it by yourself, like many courageous bloggers are doing in many parts of the region, you don’t make any money but you don’t spend any money either.”

Survey: How free is our press?

Are you a working journalist? Do you want to see better protections and freedoms for reporters?

This survey aims to take a snapshot of how financial pressures are affecting news reporting. The openMedia project will use this information to analyse how money shapes what gets reported – and what doesn’t – and to advocate for better protections and freedoms for journalists who have important stories to tell.

More information

Bishop's Stortford Independent

Tracey Bagshaw: Is compromise compromising news?

Commercial interference pressures on the UK’s regional papers are growing. Some worry that jeopardises their independence.

Mapping Media Freedom

Jean-Paul Marthoz: Commercial interference in the European media

Commercial pressures on the media? Anti-establishment critics have a ready-made answer: of course, journalists are hostage to the whims of corporate owners, advertisers and sponsors. Of course, they cannot independently cover issues which these powers consider “inconvenient”.

Man reading a newspaper, May 21, 2012. Image by Flickr/Frank Knaack

Why we’re launching openMedia

Forget fake news. Money can distort media far more disturbingly – through advertorials, and through buying silence. Here’s what we’re going to do about it.

This article is also available in Dutch | French | German | Hungarian | Italian |

Serbian | SpanishRussian

Don't lose your voice. Stay informed.

Index on Censorship is a nonprofit that campaigns for and defends free expression worldwide. We publish work by censored writers and artists, promote debate, and monitor threats to free speech. We believe that everyone should be free to express themselves without fear of harm or persecution – no matter what their views.

Join our mailing list (or follow us on Twitter or Facebook) and we’ll send you our weekly newsletter about our activities defending free speech. We won’t share your personal information with anyone outside Index.

Turkey: Kurds in Mus “working behind the adversary’s lines while still living in their hometown”

The story of jailed Kurdish reporter İdris Sayılgan is intertwined with the history of a village haunted by the ghosts of the dirty war of the 1990s and the Armenian Genocide

Journalism in Exile: Iranian journalist Omid Rezaee believes storytelling can save us

The Iranian-born mechanical engineering student was the editor-in-chief of Fanous, a student magazine which was banned for standing with the Green Movement

Angola: Index welcomes acquittal of Rafael Marques de Morais

Index on Censorship welcomes the decision to acquit Angolan journalist and winner of the 2015 Index on Censorship Freedom of Expression Award for Journalism, Rafael Marques de Morais, along with Mariano Brás Lourenço, of defamation and slander

Project Exile: Turkish editor departs after police raid

“I realise it was the best decision of my life because I would be imprisoned right now, like my colleagues.”

Duncan Tucker

Duncan Tucker

Duncan Tucker is a journalist based in Mexico who writes regularly for Index on Censorship magazine.
Duncan Tucker

Latest posts by Duncan Tucker (see all)

Comments are closed.