Kurdish women journalists pioneering a new way of reporting

[vc_row][vc_column][vc_media_grid grid_id=”vc_gid:1520507629250-860b1635-f01a-8″ include=”98413,98412,98411,98410,98409,98408″][vc_column_text]The only online feminist news website in Turkey is marking International Women’s Day under state censorship. Access to the website of Diyarbakır-based Jin News (“Jin” meaning “woman” in Kurdish), which is entirely run by women and specifically focuses on news relating to women, was blocked seven times within just one week at the end of January. At present, the site is inaccessible from Turkey.

The pressure, however, hasn’t discouraged Jin News’ journalists. “We have always shown that we have alternatives, and we are continuing to show it,” Jin News Editor Beritan Elyakut told Index on Censorship. While relying on social media and the use of VPNs, Jin News announced a new TV channel to mark the symbolic day, which has a double significance for them. JINHA, the first news agency run by women in the entire country, was also established on an International Women’s Day six years ago.

Pressure was no stranger to them either: They were shut down not once but twice, more than any other news outlet in the country under the present state of emergency. First, JINHA was closed by decree in October 2016. Gazete Şujin, JINHA’s successor, was only allowed to exist for nine months before another decree ordered its closure in August 2017.

But still, from its ashes, Jin News was born, taking over JINHA’s legacy: a style of news writing that presents women “as subjects, not objects.” The site takes care to use conscientious language, such as using the word “murdered” instead of “killed” to emphasise male violence. They also avoid highlighting details that indirectly justify violence against women (by refusing, for example, to note that she was seeking a divorce) or providing unnecessary descriptive details in cases of sexual attack. Then there is the strict use of first names instead of family names – a practice adopted by the present article to provide a glimpse of their methodology.

“When covering women, we had to think until the smallest details. We chose not to employ the family name to break the perception that family lineage descended from men. If we say ‘Beritan Elyakut’ in the beginning of the article to introduce a person, we then use the name distinguishing that person as a subject,” Beritan said. Even the highest-ranking officials, including two former co-chairs of the pro-Kurdish Peoples’ Democratic Party (HDP) who are currently under arrest, Figen Yüksekdağ and Selahattin Demirtaş, wouldn’t escape the rule.

This also meant a different approach in the choice of topics. “We don’t just cover news on sexual attack, sexual abuse or harassment. We started to cover stories reflecting women as strong individuals. We reported on pioneering women. We focused on economy and ecology. We made women visible in politics, highlighted them and gave them a voice,” Beritan said. [/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/4″][vc_icon icon_fontawesome=”fa fa-times” color=”black” background_style=”rounded” size=”xl” align=”right”][/vc_column][vc_column width=”3/4″][vc_column_text]

“Our people know how to live under difficult situations. Kurdish women know how to resist. JINHA was closed, and Şujin was created. Şujin was closed and Jin News was created, which means we can reinvent ourselves over and over.”

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]Encouraging women to speak up

To ensure that women’s voices are not muted, Jin News uses exclusive testimonies and quotes from women in their reports. As she walks to the popular market of Bağlar in Diyarbakır, reporter Şehriban Aslan tells Index on Censorship that women’s reactions are always very positive when they introduce themselves as a Kurdish agency covering women.

Once she arrives at the market, Şehriban and her colleague, Rengin Azizoğlu, walk quietly as they search for women running stores. The subject is the destruction of a community health centre, which was turned into a police station by a government-appointed trustee after the municipality’s democratically elected co-mayors were thrown in jail.

The effect is immediate as they enter a gift shop. One of the vendors agrees to be interviewed. “There is this perception in society that a woman can’t work. You’ve broken it,” Şehriban tells her. “Absolutely,” the woman answers, without a flinch of hesitation. As the interview nears its end, Şehriban asks her if she has any messages to other women. “Women should absolutely work,” she says. “They shouldn’t submit to men.”

“Women feel comfortable and confident when they speak to us,” Şehriban says. “Being a Kurdish agency also helps.”

“Which outlet are you from?” a man asks her as she sneaks out of a shop. “We are the free media,” Şehriban says, using the expression that Kurds refer to their own media outlets. “Ah, you are more than welcome,” he replies.

Münevver Karademir, Jin News’ Kurdish-language editor, also stresses the importance of the encouragement factor. “When you give them confidence to express themselves, women embrace you,” Münevver says. “When you tell any shop vendor ‘I am an agency run by woman who works on the problems of women,’ her attitude becomes very different. She feels safe. She is able to tell you what she is going through.”

Jin News journalists are also eager to expand the know-how they are building with other outlets, especially male journalists. They have a project to prepare a dictionary on non-discriminatory news language. “We were planning to come together with men and organize training on ‘how to design a news story’ and ‘how to use women-friendly language in news articles’ but haven’t been able to due to the conditions [in the region],” Beritan says.

However, their mere presence has already started to raise some awareness. “Some journalists, men most of the time, ask us: ‘Would you check this story and see if we have used correct language?’ They now feel that concern,” she says. One of the most important successes for Beritan has been to show that women were more than capable of doing journalism – often better than men. “We saw that women were fast as well. But their speed also seeks to share a story in the best way possible. They were meticulous.”

Women journalist establish platform against pressure

According to Beritan, Jin News’ policy of collecting women’s voices alone was more successful in the east than the west of Turkey. This is the result of the strict “co-chair parity” policy launched by the HDP, which ensured that women assumed senior positions in Kurdish municipalities. However, after trustees occupied most HDP-led municipalities, Jin News not only lost its interlocutors – most trustees are men – but lost an important source of revenue. Indeed, many women co-chairs ensured that the municipality subscribed to their services and encouraged the agency’s activities.

Since the military crackdowns in urban centers in the region, journalists have become a target of state security agencies, and arrests and detentions have become common practices.

“The state wanted to seclude us at home through detentions. When that didn’t work, they tried to shut down the outlets entirely,” Beritan says as she learns that one of their reporters, Durket Süren, has been charged with “membership in and financing of a terrorist organisation” after being detained a few days earlier at a routine checkpoint. Durket was eventually released by a court but was subjected to a travel ban and ordered to sign in regularly at a police station.

Durket is hardly the only Jin News journalist facing criminal charges. Former JINHA reporter Zehra Doğan is currently serving a two-year, nine-month prison sentence for “spreading propaganda for a terrorist organisation.” She was convicted for publishing the testimony of a 10-year-old girl affected by the Turkish military operation on the town of Nusaybin in an article from December 2015. Also a painter, Zehra received jail time for “drawing Turkish flags on destroyed buildings” in a painting copied from a real photograph in which Turkish flags can be seen on buildings destroyed by Turkish forces. Beritan Canözer, the agency’s Istanbul reporter, and Aysel Işık have also served prison sentences. Many have been detained, and about 10 reporters are currently on trial. The agency also receives regular threats.

Ayşe Güney, a reporter for the Kurdish Mezopotamya Agency and spokeswoman for the Mezopotamya Women Journalists Platform, told Index on Censorship that state violence has become routine practice. “In a province like Şırnak, our reporters are constantly subjected to verbal harassment or threats. Many avoid going alone to villages or certain neighbourhoods. They are threatened, from being kidnapped to being abused or raped. Threats may be verbal for now, but there is a serious attempt to intimidate them,” she says.  

The platform was established in 2017 on another symbolic day, May 3 Press Freedom Day, to ensure that women can fight together against common issues. Those include social issues – such as unemployment after the repeated closure of Diyarbakır-based Kurdish media outlets – but also against all kinds of violence. “Thanks to this association, we wanted to help our friends who are detained, arrested or subject to harassment from sources, attacked or abused by the police. We also wanted to make the pressure visible,” Ayşe says.

The latest woman journalist to be arrested by police is Seda Taşkın, who was reporting a story in the province of Muş. Seda was first released on probationary conditions, only to be arrested a month later in Ankara due to her reporting and tweets.

According to Ayşe, it is no coincidence that the women’s journalistic experiment began in Diyarbakır and not – as some might have expected – in Istanbul. “Our people know how to live under difficult situations. Kurdish women know how to resist. JINHA was closed, and Şujin was created. Şujin was closed and Jin News was created, which means we can reinvent ourselves over and over,” Ayşe says. “We are speaking here about women’s freedom and not gender equality. This is something that goes way beyond it.”

Ayşe also said she wished to make a call on all women journalists in Turkey to engage in solidarity. “There are almost no journalists here who haven’t had a trial opened against them. Either they have been in and out of prison or have to report at a police station every two or three or even five days. This means they can’t leave the city, which is becoming an open-air prison,” Ayşe says. “But it doesn’t happen only to Kurds anymore. It happens everywhere. So this is the time to act together.”[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_basic_grid post_type=”post” max_items=”12″ style=”load-more” items_per_page=”4″ element_width=”6″ grid_id=”vc_gid:1520507629256-32297f2b-810d-7″ taxonomies=”8607″][/vc_column][/vc_row]

Meet the amazing women fighting censorship

[vc_row][vc_column][vc_column_text]From a journalist issued death threats for her investigative work and a activist who helps women and girls learn computer programming to foster female economic independence, to an organisation that provides support for female victims of online harassment, the 2018 Index on Censorship Freedom of Expression Awards shortlist includes women who work with bravery and persistence in the face of adversity.

On International Women’s Day, we celebrate and honour the amazing women on our awards shortlist.

The Museum of Dissidence was co-founded by curator Yanelys Nuñez Leyv in Cuba. Nuñez Leyva was previously a staff writer at a magazine published by the ministry of culture until she was fired for her involvement with the museum. Despite this, she has continued her involvement with the museum organising radical public art projects and installations. The museum also seeks to reclaim a positive notion of the word “dissident” in Cuba.

The women-run campaign Open Stadiums asserts a woman’s rights to attend public sporting events in Iran. The campaign challenges the country’s current religious and political regime while engaging women in human rights conversations previously deemed unimportant. Iranian women face many restrictions in public spaces and Open Stadiums has generated conversations on their right to attend public events which is currently a taboo in the country.

Digital Rights Foundation is a cyber-harassment hotline based in Pakistan that helped over one thousand women in its first year. DRF provides a harassment helpline team which includes a digital security expert, a trained lawyer and a qualified psychologist, all of which can provide specialised assistance to women.

Digital Activism nominee Fereshteh Forough is the founder of Code to Inspire, a project that helps women and girls learn to code. The programme fosters female economic independence and broaden commercial opportunities for women in a patricahal society.  

Journalist Wendy Funes risks her life for the right to report in Honduras. Journalists in the country face a harsh and repressive environment, but Funes continues to report on corruption, injustice and violence against women in a country where one woman on average is killed every 16 hours.  [/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_basic_grid post_type=”post” max_items=”2″ element_width=”12″ grid_id=”vc_gid:1520503493497-3165bd85-48fb-3″ taxonomies=”10735″][/vc_column][/vc_row]

Equatorial Guinea: Artist freed from prison

[vc_row][vc_column][vc_single_image image=”96393″ img_size=”full” alignment=”center”][vc_column_text]An Equatorial Guinean court on March 7, 2018 released an artist imprisoned on dubious charges for nearly six months, 17 human rights groups said today. The prosecution dropped all charges against Ramón Esono Ebalé, a cartoonist whose work is often critical of the government, at his February 27 trial after the police officer who had accused him of counterfeiting $1,800 of local currency admitted making the accusation based on orders from his superiors.  

“It is a huge relief that the prosecution dropped its charges against Ramon, but they should never have been pressed in the first place,” said Salil Tripathi, chair of PEN International’s Writers-in-Prison Committee. “We urge the authorities to guarantee his safe return to his family, allow him to continue creating his hard-hitting cartoons, and ensure that Equatorial Guinea respects the right to freedom of expression.”

The global #FreeNseRamon coalition, consisting of hundreds of artists, activists, and organizations devoted to protecting artistic freedom, freedom of expression and other human rights, carried out a campaign to direct international attention to his situation.

“Ramon’s release from prison is a testament of the power of collective work of hundreds of artists, concerned citizens, and NGOs” said Tutu Alicante, director of EG Justice, which promotes human rights in Equatorial Guinea. “But we must not forget that dozens of government opponents who are not as fortunate fill Equatorial Guinea’s jails; thus, the fight against human rights violations and impunity must continue.”

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“Index on Censorship welcomes the news that Ramon has finally been released, after being acquitted of all charges. It took too long, and he should never have been jailed in the first place.” — Joy Hyvarinen head of advocacy

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]Esono Ebalé, who lives outside of his native Equatorial Guinea, was arrested on September 16, 2017, while visiting the country to request a new passport. Police interrogated him about drawings critical of the government, said two Spanish friends who were arrested and interrogated alongside him and were later released.

But a news report broadcast on a government-owned television channel a few days after the arrest claimed that police had found 1 million Central African francs in the car Esono Ebalé was driving. On December 7, he was formally accused of counterfeiting. The charge sheet alleged that a police officer, acting on a tip, had asked him to exchange large bills and received counterfeit notes in return.  

“Equatorial Guinea’s government has a long record of harassing and persecuting its critics,” said Mausi Segun, Africa director at Human Rights Watch. “Ramon’s release is an important victory against repression.”

At the trial on February 27 in Malabo, Equatorial Guinea’s capital, it became clear that the police officer who had made the accusations had no personal knowledge of Esono Ebalé’s involvement in the alleged crime, according to his lawyer and another person present at the trial. After offering details that conflicted with the official account, the officer admitted that he had acted on orders of his superiors, they said. The prosecution then withdrew the charges.

“We are delighted that Ramón was acquitted and is finally free,” said Angela Quintal, Africa Program Coordinator, Committee to Protect Journalists. “The fact that the state’s main witness recanted, underscores the point that authorities manufactured the charges in the first place. Ramon should never have spent a single day behind bars and we trust that he will not be subjected to any further reprisal.” 

The human rights groups are Arterial Network, Association of American Editorial Cartoonists, Asociación Profesional de Ilustradores de Madrid, Cartoonists Rights Network International, Cartooning for Peace, Committee to Protect Journalists, Caoilfhionn Gallagher QC, Jonathan Price and Paul Mason, Doughty Street Chambers, UK, EG Justice, FIDH, within the framework of the Observatory for the Protection of Human Rights Defenders, Freemuse, Human Rights Watch, Index on Censorship, PEN America, PEN International, Reporters without Borders, Swiss Foundation Cartooning for Peace, World Organisation Against Torture (OMCT), within the framework of the Observatory for the Protection of Human Rights Defenders. [/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_basic_grid post_type=”post” max_items=”2″ element_width=”12″ grid_id=”vc_gid:1520441327504-198d4f0a-a14a-10″ taxonomies=”19377″][/vc_column][/vc_row]

Breathing life into the books they banned and burned

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JW3 and Index on Censorship are pleased to announce “Uncensored: A Celebration of Banned Writing”. This series of events will explore censored work across the ages, launching with a performance of works by authors whose books were banned and burned during the Nazi regime.

In Banned and Burned on March 21 actors will read excerpts from a selection of canonical texts that range of from Einstein’s Theory of Relativity to Bambi, books published in the early 20th century which continue to define our world today. The evening, at JW3, will be interspersed with live music deemed degenerate by the Third Reich.

This event is presented in association with Watford Palace Theatre, which is currently producing Arthur Miller’s Broken Glass, directed by Richard Beecham, running from 1-24 March.

The books that will feature in Banned and Burned include:

Bambi – Felix Salten

Concert – Else Lasker-Schüler

Grand Hotel – Vicki Baum

Helen Keller’s Journal

Hoppla, We’re Alive! – Ernst Toller

Men and Women: The World Journey of a Sexologist – Magnus Hirschfeld

The 42nd Parallel – John Dos Passos

The Condition of the Working Class in England – Friedrich Engels

The Immoralist – André Gide

The Rosa Luxemburg Reader

The Threepenny Opera – Bertolt Brecht

Why now?

This year marks the 85th anniversary of the Nazi book burnings by Goebbels in  (10th May 1933). It is also the 50th anniversary of the Theatres Act, repealing censorship in British Theatres. Yet censorship persists in a variety of ways worldwide. In an era of endless social media feeds and encroaching government control, the written word creates a new truth and collapses an old one every second.

This series will give voice to silenced words and harness the power of language. It will bring literature to life as a way to counter current and historical censorship and destruction; the antithesis to burning books.

Other events

In May, JW3 are working with Belka Productions and Russian theatre company, Maly Drama Theatre on two events surrounding their production of Vassily’ Grossman’s Life and Fate (considered a 20th century War and Peace) at the Theatre Royal Haymarket (running 8-20 May).

On May 10 there will be readings of banned plays through the ages at Theatre Royal Haymarket

On May 17 at JW3 will be an In-conversation event with renowned Russian theater director, Lev Dodin (leader of Maly Drama Theatre and currently directing ‘Life and Fate’). The evening will also include staged readings from the Life and Fate.

The two events in May will be on sale on March 12th

There will be two more events in the Uncensored series in late 2018. These will be announced in May.

For more information, or to request an interview with the producers of Banned and Burned or with Index on Censorship, please contact [email protected].

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