The winter 2018 issue of Index on Censorship magazine looks at why different societies stop people discussing the most significant events in life: birth, marriage and death

The winter 2018 issue of Index on Censorship magazine looks at why different societies stop people discussing the most significant events in life: birth, marriage and death
With author Jieun Baek, Sharon Thompson, senior lecturer at Cardiff Law School, Times columnist Edward Lucas and journalist Irene Caselli
Join authors Xinran and Emile Pine and Gabby Edlin, CEO of Bloody Good Period, to tackle the tricky topics of the taboo and (self-)censorship when it comes to some of our most human experiences at the launch of Index on Censorship’s latest magazine.
Anonymous, threatening letters are being sent to UK homes to try to stop activities that the Chinese government disapproves of. Jemimah Steinfeld investigates
作家薛欣然对话天安门学运领袖、学者、人权活动家王丹博士,讨论1989年天安门学运及其影响。
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India’s prime minister seeks to create an unquestioning press, writes John Lloyd
Using fiction and stories to influence society is nothing new, but facts are needed to drive the most powerful campaigns, argues Rachael Jolley
[vc_row][vc_column][vc_single_image image="102490" img_size="full"][vc_column_text]Join BBC Radio 4’s FutureProofing series presenter Timandra Harkness and special guests Graham Lawton (New Scientist) and Keith Kahn-Harris (author of Denial: The...
The autumn 2018 issue of Index on Censorship magazine looks at the ways in which we might be turning away from facts and science across the globe.
A quarterly journal set up in 1972, Index on Censorship magazine has published oppressed writers and refused to be silenced across hundreds of issues.
The brainchild of the poet Stephen Spender, and translator Michael Scammell, the magazine’s very first issue included a never-before-published poem, written while serving a sentence in a labour camp, by the Soviet dissident Aleksandr Solzhenitsyn, who went on to win a Nobel prize later that year.
The magazine continued to be a thorn in the side of Soviet censors, but its scope was far wider. From the beginning, Index declared its mission to stand up for free expression as a fundamental human right for people everywhere – it was particularly vocal in its coverage of the oppressive military regimes of southern Europe and Latin America but was also clear that freedom of expression was not only a problem in faraway dictatorships. The winter 1979 issue, for example, reported on a controversy in the United States in which the Public Broadcasting Service had heavily edited a documentary about racism in Britain and then gone to court attempting to prevent screenings of the original version. Learn more.