26 Oct 17 | Events
[vc_row][vc_column][vc_single_image image=”96560″ img_size=”full” alignment=”center”][vc_row_inner][vc_column_inner width=”1/2″][vc_column_text]
Private view, charity sale
When: Tuesday 21 November 6-8pm
Where: Westminster Reference Library, 35 St Martin’s Street, London WC2H 7HP
Tickets: Free. Registration required via [email protected]
[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/2″][vc_column_text]
Exhibition
When: 21 November to 7 December, Mon – Fri 10am to 8pm, Sat 10am to 5pm, Sun Closed
Where: Westminster Reference Library, 35 St Martin’s Street, London WC2H 7HP
Tickets: Free.[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=”1/2″][vc_column_text]
Workshop
With Banx Cartoons and The Surreal McCoy
When: Saturday 25 November 2-4pm
Where: Westminster Reference Library, 35 St Martin’s Street, London WC2H 7HP
Tickets: Free. Registration required via Eventbrite.[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/2″][vc_column_text]
Cartoons and censorship
A discussion with cartoonist Andy Davey, Jodie Ginsberg of Index on Censorship, Guardian and Index on Censorship magazine cartoonist Martin Rowson and via video link: Malaysian cartoonist Zunar and Robert Russell, Cartoonists Rights Network International.
When: Tuesday 28 November 6-8pm
Where: Westminster Reference Library, 35 St Martin’s Street, London WC2H 7HP
Tickets: Free. Registration required via Eventbrite.[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_column_text]Join the UK’s Professional Cartoonists’ Organisation, Cartoonists’ Rights Network International and Index on Censorship – to try to bring the plight of persecuted cartoonists to the fore.
Repressive governments the world over fear cartoonists. Cartoonists get straight to the point.
Images remain in the public eye longer than do acres of type. While we in the UK and Europe generally accept often excoriating depictions of our leaders, this is definitely not the case in the rest of the world. Here, politicians actually applaud critical and often insulting drawings of themselves, sometimes even assembling personal collections thereof. Not so elsewhere. In at least one verified instance, a foreign cartoonist was visited by government agents and had his hands broken. Doubtless there are others.
Repressive governments, fearful of the truth, regularly imprison cartoonists.
This exhibition seeks to do that. Whilst it is not easy to highlight a repressive government’s treatment of any given cartoonist because that government will often react by threatening the cartoonist’s family and friends, any and all proceeds from this exhibition will go towards trying to alleviate the conditions many cartoonists the world over have to live with.
More information[/vc_column_text][/vc_column][/vc_row]
20 Sep 17 | Greece, News and features
[vc_row][vc_column][vc_column_text]
The European Parliament is accused of censoring a series of political cartoons from Greece which were due to appear in an upcoming exhibition later this month.
The exhibition, organised by an MEP from Greece and an MEP from France, aimed to present political and humorous sketches created by cartoonists from the two countries and published in the press on the occasion of the 60th Anniversary of the Rome Treaty. However, Catherine Bearder, a British Liberal Democrat MEP from southeast England, who is responsible for the cultural and artistic events sponsored by other members, decided to remove 12 out of 28 cartoons, all created by Greek cartoonists, claiming that the artwork contained “controversial content”.
Index on Censorship approached Bearder for comment but at the time of writing she had not replied.
According to the regulation of the European Parliament, all cultural events and exhibitions have to be checked so that “under no circumstances be offensive or of an inflammatory nature or contradictory to the values” of the EU.
The Greek MEP, Stelios Kouloglou denounced the “unprecedented” form of censorship by the European Parliament. “The content of the censored cartoons did not insult the values of the European Union in any way,” Kouloglou said in a press conference in Strasbourg on Tuesday, 12 September.
The 12 cartoons are critical of the EU and focus mainly on the way the EU – and especially Germany – dealt with the Greek crisis. One of the censored cartoons features the starting line for a race, with Germany in a Porsche sports car, Italy, Spain and France in old cars and Greece in a chariot being pulled by a pensioner.
Breader presented the upcoming German election as another reason to discard the 12 cartoons, although the exhibition is scheduled to take place after the election.
“The right for artistic creation and freedom of expression are part of the European Union’s fundamental values. This arbitrary decision violates them” Kouloglou remarked in a letter of complaint addressed to the president of the European Parliament, Antonio Tajani.
The Journalists’ Union of the Athens Daily Newspapers also denounced the incident of censorship asking for the intervention of the European and International Federation of Journalists.
Credit: Stelios Kouloglou, MEP[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_basic_grid post_type=”post” max_items=”4″ element_width=”6″ grid_id=”vc_gid:1505898132982-6897be5b-fada-1″ taxonomies=”5768, 1888″][/vc_column][/vc_row]
16 Sep 16 | mobile, News and features, Tim Hetherington Fellowship, United Kingdom
Photo: Liverpool John Moores University
Liverpool John Moores University officially opened its Infidel exhibition, a display of photographs by Tim Hetherington, on Wednesday night. The Liverpool-born photojournalist, who died in Libya under mortar fire in 2011, took the photos during the year he spent embedded with the US Army in Afghanistan’s Korangal Valley while shooting his 2010 Oscar-nominated documentary Restrepo.
Stephen Mayes, a personal friend of Hetherington’s and the director of the Tim Hetherington Trust, spoke at the launch, and highlighted three moments from Hetherington’s short film Diary, which he felt summed up the photographer’s feelings about dividing his time between west London and west Africa. Mayes also recalled a conversation he had with Hetherington around a month before his death, about how photography is great at portraying the “hardware” of war – the guns, the bombs, the carnage – but that Hetherington preferred to work with what he called the “software”, the young men who fight and the people caught in the middle.
The photographs in the Infidel exhibit are a perfect example of what was so impressive about Hetherington’s work. Despite having weathered a year of almost constant combat alongside a platoon of US soldiers, he took striking images that stepped back from the front line. His portraits featured men hugging, relaxing and playing games, highlighting their individual humanity and vulnerability in an environment that treats them as means to an end.
As the new recipient of the Tim Hetherington Fellowship, the result of Index on Censorship’s collaboration with the trust and LJMU (where I graduated in journalism), I’m inspired by the spirit of that work. I’m struck by the bravery and moral fortitude of a man who frequently put himself in harm’s way out of a sense of duty to the people around him. His determination to immerse himself in the lives of his subjects and portray the emotional truth of their experience has reminded me why I always wanted to be a journalist. Journalism is about letting people tell their stories.
Index on Censorship fights for the rights of people to be heard. Hetherington spent his life trying to tell untold stories. It’s an honour to be part of his legacy.
Infidel is open now at the John Lennon Art and Design Building, Duckinfield Street, Liverpool until Friday September 23. Admission is free, 10am to 5pm, Monday to Friday.
31 Oct 15 | Events, mobile
Cartoon by Zunar
Malaysian cartoonist Zunar, who is facing a trial for his work, is to have four of his most celebrated cartoons exhibited at London’s Cartoon Museum.
“This will be my very first exhibition held in a cartoon museum. At a time when I am facing pressure from the Malaysian government for my works this is genuine encouragement, a tribute I humbly acknowledge and am tremendously grateful for,” said Zunar, who is facing nine charges under the Sedition Act and potentially up to 43 years in prison.
Zunar’s work will be on display at the museum’s cartoon and caricature gallery from 4 Nov 2015, alongside a new exhibition Gillray’s Ghost, marking the 200th anniversary of the death of English caricaturist James Gillray who was also regarded as a provocative figure in his day.
“Zunar is part of a great political cartooning tradition which asks awkward questions of those in power in images which endure in people’s memory,” said Anita O’Brien, director of The Cartoon Museum. “No doubt Gillray would be sympathetic to his cause so it is appropriate that their works are on show at the same time.”
When: From Wednesday, 4 Nov 2015 to January 2016
(Hours: Mon – Sat: 10.30 – 17.30, (inc. Bank Holidays); Sun 12.00 – 17.30)
Where: The Cartoon Museum, 35 Little Russell Street, London WC1A 2HH (map)
Tickets: Admission information
