13 Dec 2019 | Magazine, Magazine Contents, Volume 48.04 Winter 2019
[vc_row][vc_column][vc_custom_heading text=”With contributions from Jeffrey Wasserstrom, Miriam Grace Go, Tammy Lai-ming Ho, Karoline Kan, Rob Sears, Jonathan Tel and Caroline Lees”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]
The Winter 2019 issue of Index on Censorship magazine looks at the current pack of macho leaders and how their egos are destroying our freedoms. In this issue Rappler news editor Miriam Grace Go writes about how the president of the Philippines, Rodrigo Duterte, tries to position himself as the man by being as foul-mouthed as possible. Indian journalist Somak Goshal reports on how Narenda Modi presents an image of being both the guy next door, as well as a tough guy – and he’s got a large following to ensure his message gets across, come what may. The historian Jeffrey Wasserstrom considers exactly who the real Chinese leader Xi Jinping is – a man of poetry or military might? And Stefano Pozzebon talks to journalists in Brazil who are right in the firing line of Jair Bolsonaro’s vicious attacks on the media. Meanwhile Mark Frary talks about the tools that autocrats are using to crush dissent and Caroline Lees looks at the smears that are becoming commonplace as a tactic to silence journalists. Plus a very special spoof on all of this from bestselling comedic writer Rob Sears.
In our In Focus section, we interview Jamie Barton, who headlined this year’s Last Night at the Proms, an article that fits nicely with another piece on a new orchestra in Yemen from Laura Silvia Battaglia.
In our culture section we publish a poem from Hong Kong writer Tammy Lai-ming Ho, which addresses the current protests engulfing the city, plus two short stories written exclusively for the magazine by Kaya Genç and Jonathan Tel. There’s also a graphic novel straight out of Mexico.
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Special Report”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]Will the real Xi Jinping please stand up by Jeffrey Wasserstrom: China’s most powerful leader since Mao wears many hats – some of them draconian
Challenging Orbán’s echo chamber by Viktória Serdült: Against the odds a new mayor from an opposition party has come to power in Budapest. We report on his promises to push back against Orbán
Taking on the lion by Stefano Pozzebon: With an aggressive former army captain as president, Brazilian journalists are having to employ bodyguards to keep safe. But they’re fighting back
Seven tips for crushing free speech in the 21st century by Rob Sears: Hey big guy, we know you’re the boss man, but here are some tips to really rule the roost
“Media must come together” by Rachael Jolley and Jan Fox: Interview with the New York Times’ lawyer on why the media needs to rally free speech. Plus Trump vs. former presidents, the ultimate machometer
Tools of the real technos by Mark Frary: The current autocrats have technology bent to their every whim. We’re vulnerable and exposed
Modi and his angry men by Somak Ghoshal: India’s men are responding with violence to Modi’s increasingly nationalist war cry
Global leaders smear their critics by Caroline Lees: Dissenters beware – these made-up charges are being used across borders to distract and destroy
Sexism is president’s power tool by Miriam Grace Go: Duterte is using violent language and threats against journalists, Rappler’s news editor explains
Stripsearch by Martin Rowson: Putin, Trump, Bolsonaro – macho or… nacho?
Sounds against silence by Kaya Genç: Far from a bad rap here as Turkey’s leading musicians use music to criticise the government
Un-mentionables by Orna Herr: The truths these world leaders really can’t handle
Salvini exploits “lack of trust” in Italian media by Alessio Perrone: The reputation of Italian media is poor, which plays straight into the hands of the far-right politician
Macho, macho man by Neema Komba: A toxic form of masculinity has infected politics in Tanzania. Democracy is on the line
Putin’s pushbacks by Andrey Arkhangelskiy: Russians signed up for prosperity not oppression. Is Putin failing to deliver his side of the deal?[/vc_column_text][/vc_column][/vc_row][vc_row disable_element=”yes”][vc_column][vc_custom_heading text=”Global View”][vc_column_text]Trying to shut down women by Jodie Ginsberg: Women are being forced out of politics as a result of abuse. We need to rally behind them, for all our sakes[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”In Focus”][vc_column_text]Dirty industry, dirty tactics by Stephen Woodman: Miners in Brazil, Mexico and Peru are going to extremes to stop those who are trying to protest
Music to Yemen’s ears by Laura Silvia Battaglia: Could a new orchestra in Yemen signal the end of oppressive Houthi rule? These women hope so
Play on by Jemimah Steinfeld: The darling of the opera scene, Jamie Barton, and the woman behind a hit refugee orchestra, discuss taboo breaking on stage
The final chapter by Karoline Kan: The closing of Beijing’s iconic Bookworm has been met with cries of sadness around the world. Why?
Working it out by Steven Borowiec: An exclusive interview about workplace bullying with the Korean Air steward who was forced to kneel and apologise for not serving nuts correctly
Protest works by Rachael Jolley and Jemimah Steinfeld: Two activists on how their protest movements led to real political change in Hungary and Romania
It’s a little bit silent, this feeling inside by Silvia Nortes: Spain’s historic condemnation of suicide is contributing to a damaging culture of silence today[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Culture”][vc_column_text]Hong Kong writes by Tammy Lai-ming Ho: A Hong Kong poet talks to Index from the frontline of the protests about how her writing keeps her and others going. Also one of her poems published here
Writing to the challenge by Kaya Genç: Orna Herr speaks to the Turkish author about his new short story, written exclusively for the magazine, in which Turkish people get obsessed with raccoons
Playing the joker by Jonathan Tel: The award-winning writer tells Rachael Jolley about the power of subversive jokes. Plus an exclusive short story set in a Syrian prison
Going graphic by Andalusia Knoll Soloff and Marco Parra: Being a journalist in Mexico is often a deadly pursuit. But sometimes the horrors of this reality are only shown in cartoon for, as the journalist and illustrator show[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Index around the world”][vc_column_text]Governments seek to control reports by Orna Herr: Journalists are facing threats from all angles, including new terrorist legislation[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Endnote”][vc_column_text]Culture vultures by Jemimah Steinfeld: The extent of art censorship in democracies is far greaten than initially meets the eye, Index reveals[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_custom_heading text=”Subscribe”][vc_column_text]In print, online, in your mailbox, on your iPad.
Subscription options from £18 or just £1.49 in the App Store for a digital issue.
Every subscriber helps support Index on Censorship’s projects around the world.
SUBSCRIBE NOW[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_custom_heading text=”Read”][vc_column_text]The playwright Arthur Miller wrote an essay for Index in 1978 entitled The Sin of Power. We reproduce it for the first time on our website and theatre director Nicholas Hytner responds to it in the magazine
READ HERE[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_custom_heading text=”Listen”][vc_column_text]In the Index on Censorship autumn 2019 podcast, we focus on how travel restrictions at borders are limiting the flow of free thought and ideas. Lewis Jennings and Sally Gimson talk to trans woman and activist Peppermint; San Diego photojournalist Ariana Drehsler and Index’s South Korean correspondent Steven Borowiec
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17 Oct 2019 | News and features, Student Reading Lists
[vc_row][vc_column][vc_column_text]Index on Censorship was established in 1972 in a febrile period: Idi Amin had taken power in Uganda, the Vietnam war continued, direct rule was imposed in Northern Ireland, there was a coup in Bolivia and Congo was renamed Zaire by its dictator president. As writer Robert McCrum said in our 40th anniversary issue: “The abuses of freedom worldwide in the 1970s were so appalling and so widespread that the magazine rapidly found itself in the frontline of campaigns. Index became a clarion voice in the cause of free expression.” The right to protest and freedom of expression are now being sought in Hong Kong and elsewhere, and Index is still to the forefront in reporting abuses. Here are just some of the conflicts between freedom and dictatorship we have reported on in the past 47 years.

The first issue of Index on Censorship magazine, in March 1972
The Clockwork Show vol 1, issue 1, March 1972
In an anonymous article about life in Greece under the regime of the Colonels’ junta, the writer considered the psychology of the situation; the feelings and attitudes, the long-ranging impact of this harrowing experience. “There is nothing more demoralizing than to be bound to a public body, an administration, a government with which one can never for a moment identify, which is the exact opposite of everything one believes in. One cannot live side by side with Philistinism, chauvinism, bigotry, blatant hypocrisy, crass ignorance, injustice, violence and brutality and not be affected by them, even if one manages—only just—to keep them out of one’s own life. Under this regime there is no relief; no exception: the regime has penetrated every single aspect of public life.”
Read the full article

March 1974: TV, politics and Chile Index on Censorship magazine
Book burning and brutality vol 3, issue 1, March 1974
A fascinating insight into life in Chile six months after a coup ended the tyranny of President Salvador Allende: worse was to come under a military dictatorship, reported Michael Sanders, an Englishman in Santiago. “When Allende left Chile to address the UN in December 1972, a leading opposition newspaper had as its front-page a photo depicting the president flushing himself down a lavatory, with the caption ‘ good riddance’. The contrast in December 1973 is gloomy indeed. Not so much, or not only because of the drab uniformity of censored newspapers that, for all they may be censored, willingly reflect the views of the Military Junta. But for the fact that 43.6% of the population have been deprived of all means of expression, of all normal communication, and live in daily fear of their lives and jobs.”
Read the full article

Russia, East Germany, South Africa: May 1979 Index on Censorship magazine
Black journalists under apartheid volume 8, issue 3, May 1979
William A Hachten reports: Black journalists came to the fore in the Soweto riots of 1976 when they reported from the ghetto for a white press without access. Yet black journalists still faced daily harassment under apartheid, which worsened with the death of Steve Biko in 1977. Vusi Radebe, a black stringer for the Rand Daily Mail, said: “The situation is worse since the 1976 riots. Police will beat up reporters on the slightest provocation for what they consider obstruction of justice.” While whites had 23 newspapers, there were none for non-whites to express their political frustration. Black journalist Pearl Luthuli said: “The black journalist can’t be objective. We try to tell it like it is but the white editors won’t print it.” Another said: “We are black people first, journalists second. If it comes to a conflict between the struggle and the job, the struggle comes first.”
Read the full article

Beckett and Havel: Index on Censorship magazine, February 1984
Iran under the party of God, volume 13, issue 1, February 1984
“Censorship was planned by the regime of the Islamic Republic even before the February 1979 revolution brought Ayatollah Khomeini’s theocratic oligarchy to power. This particular kind of censorship may not be without precedent in history, but it must certainly be rare. There were attacks on coffee-houses, restaurants and other public places by men armed with clubs and stones; unveiled women were harassed; slogans of the opposition were cleaned from the walls; banks, cinemas and theatres were burned” – a personal account of the first years of the revolution and its attack on culture, by one of Iran’s leading writers Gholam Hoseyn Sa’edi. “And it keeps on happening. The Islamic regime of today has gone a step beyond censoring the creations of science, culture and art, beyond censoring life itself: it has rendered life vain and all but unliveable.”
Read the full article

Romania, Albania, USSR: Index on Censorship magazine January 1991
A sense of solidarity, volume 20, issue 1, January 1991
Romania’s celebrated poet, Ana Blandiana, on censorship under Ceausescu and how she fought back. Her work was completely banned three times. “In my case, the form of censorship progressed from the banning of a word to that of a line, then of a poem, then of a book, to the total erasure of my signature as author: an eradication of identity. My inner freedom was assured by a decision I took in 1980, a personal one rather than as a writer. I decided to be outspoken and say what I thought at the risk of becoming a victim myself, rather than suspect a possibly honest person. At first it kept me sane, and then it helped me to be a normal writer, relatively free of self-censorship. This was the strongest form of censorship under Communism in the last 10 or 15 years, and was much more refined and subtle than the official censorship.”
Read the full article

How free is the Russian media? Index on Censorship, Spring 2007
The Big Squeeze, volume 37, issue 1, Spring 2008
“The fact remains that since the departure of the oligarchs, Russian media freedom has gone from the imperfect and beleaguered to the moribund. At national television, which 90 per cent of Russians say is their main source of news, editors receive weekly or even daily instructions from the Kremlin on the ‘line to take’ on important stories; around half of Russian viewers think that what they watch is objective, a 2007 poll said. Foreign coverage is polemical and outrageously politicised. The message of all this is ‘be quiet’. If you annoy the rich and powerful you face threats, beatings or death. Even when the Kremlin is not directly involved, its reaction to the persecution of journalists sends a clear message: if you offend the powerful, don’t expect the law to protect you.” Edward Lucas gave an early taste of what freedom of expression meant under Putin.
Read the full article

40 years of Index on Censorship March 2012
Grit in the engine, volume 41, issue 1, Spring 2012
Robert McCrum on the 40th anniversary of Index on Censorship. “The success of Index was not a foregone conclusion. Stephen Spender, its founder, was fully alert to the potential for windbaggery and failure. There was, he wrote, ‘the risk that the magazine will become simply a bulletin of frustration’. Actually, the opposite came to pass. Index became a clarion voice in the cause of free expression. The abuses of freedom worldwide in the 1970s were so appalling and so widespread that the magazine rapidly found itself in the frontline of campaigns. Perhaps the most important thing Index did, from the beginning, was to universalise an issue in peril of becoming a special interest: freedom was not ‘a luxury enjoyed by bourgeois individualists’. Along with self-expression, it was a human right, and an instrument of human consciousness.
Read the full article

The big squeeze: Index on Censorship magazine Spring 2017
Freedom of expression under pressure, volume 46, issue 1, Spring 2017
The spring 2017 issue of Index on Censorship magazine looks at how pressures on free speech are currently coming from many different angles, not just one. Special features on how to spot fake news, articles from former BBC World Service director Richard Sambrook and former UK attorney general Dominic Grieve, an exclusive interview with the Spanish puppeteer arrested last year, and fiction from award-winning writer Karim Miské.
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8 Oct 2019 | News and features
[vc_row][vc_column][vc_column_text]Badiucao is a Chinese cartoonist whose provocative work has made him persona non grata with the Chinese government. As a result, he currently lives in exile in Australia, although that distance has not stopped him being the target of Chinese authorities.
His bold artwork homes in on the areas the Chinese government would rather not talk about. Tiananmen for example, alongside critical work on the current leader Xi Jinping. And his life is now the subject of a recently released documentary by filmmaker Danny Ben-Moshe, China’s Artful Dissident, which charts the road to an exhibition of his work in Hong Kong. Click here to read about our private screening of the film and our Q&A with Badiucao.
You can help support the artist and free speech more widely by purchasing your own exclusive Badiucao print. All proceeds will go to the artist. If you are interested in purchasing any of the pieces below, please email [email protected]

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12 Sep 2019 | Magazine, News and features, Volume 48.03 Autumn 2019
[vc_row][vc_column][vc_custom_heading text=”Editor-in-chief Rachael Jolley argues in the autumn 2019 issue of Index on Censorship magazine that travel restrictions and snooping into your social media at the frontier are new ways of suppressing ideas” google_fonts=”font_family:Libre%20Baskerville%3Aregular%2Citalic%2C700|font_style:400%20italic%3A400%3Aitalic”][vc_column_text]

Border Forces – how barriers to free thought got tough
Travelling to the USA this summer, journalist James Dyer, who writes for Empire magazine, says he was not allowed in until he had been questioned by an immigration official about whether he wrote for those “fake news” outlets.
Also this year, David Mack, deputy director of breaking news at Buzzfeed News, was challenged about the way his organisation covered a story at the US border by an official.
He later received an official apology from the Customs and Border Protection service for being questioned on this subject, which is not on the official list of queries that officers are expected to use.
As we go to press, the UK Foreign Office updated its advice for travellers going between Hong Kong and China warning that their electronic devices could be searched.
This happened a day after a Sky journalist had his belongings, including photos, searched at Beijing airport. US citizen Hugo Castro told Index how he was held for five hours at the USA-Mexico border while his mobile phone, photos and social media were searched.
This kind of behaviour is becoming more widespread globally as nations look to surveil what thoughts we have and what we might be writing or saying before allowing us to pass.
This ends with many people being so worried about the consequences of putting pen to paper that they don’t. They fret so much about being prevented from travelling to see a loved one or a friend, or going on a work trip, that they stop themselves from writing or expressing dissent.
If the world spins further in this direction we will end up with a global climate of fear where we second-guess our desire to write, tweet, speak or protest, by worrying ourselves down a timeline of what might happen next.
So what is the situation today? Border officials in some countries already seek to find out about your sexual orientation via an excursion into your social media presence as part of their decision on whether to allow you in.
Travel advisors who offer LGBT travel advice suggest not giving up your passcodes or passwords to social media accounts. One says that, before travelling, people can look at hiding their social media posts from people they might stay within the destination country. Digital security expert Ela Stapley suggests going further and having an entirely separate “clean” phone for travelling.
These actions at borders have not gone unnoticed by technology providers. The big dating apps are aware that information to be found in their spaces might also prove of interest to immigration officials in some countries.
This summer, Tinder rolled out a feature called Traveller Alert – as Mark Frary reports on – which hides people’s profiles if they are travelling to countries where homosexuality is illegal. Borders are getting bigger, harder and tougher.
It is not just about people travelling, it’s also about knowledge and ideas being stopped. As security services and governments get more tech-savvy, they see more and more ways to keep track of the words that we share. Surely there’s no one left out there who doesn’t realise the messages in their Gmail account are constantly being scanned and collected by Google as the quid pro quo for giving you a free account?
Google is collecting as much information as it can to help it compile a personal profile of everyone who uses it. There’s no doubt that if companies are doing this, governments are thinking about how they can do it too – if they are not already.
And the more they know, the more they can work out what they want to stop.
[/vc_column_text][vc_row_inner][vc_column_inner width=”1/4″][vc_icon icon_fontawesome=”fa fa-quote-left” color=”custom” size=”xl” align=”right” custom_color=”#dd3333″][/vc_column_inner][vc_column_inner width=”3/4″][vc_custom_heading text=”Border officials in some countries already seek to find out about your sexual orientation via an excursion into your social media presence as part of their decision on whether to allow you in” font_container=”tag:h3|text_align:left” google_fonts=”font_family:Libre%20Baskerville%3Aregular%2Citalic%2C700|font_style:400%20italic%3A400%3Aitalic”][/vc_column_inner][/vc_row_inner][vc_column_text]
In democracies such as the UK, police are already experimenting with facial recognition software. Recently, anti-surveillance organisation Big Brother Watch discovered that private shopping centres had quietly started to use facial recognition software without the public being aware.
It feels as though everywhere we look, everyone is capturing more and more information about who we are, and we need to worry about how this is being used.
One way that this information can be used is by border officials, who would like to know everything about you as they consider your arrival. What we’ve learned in putting this special issue together is that we need to be smart, too. Keep an eye on the laws of the country you are travelling to, in case legislation relating to media, communication or even visas change.
Also, have a plan about what you might do if you are stopped at a border. One of the big themes of this magazine over the years is that what happens in one country doesn’t stay in one country. What has become increasingly obvious is that nation copies nations, and leader after leader spots what is going on across the way and thinks: “I could use that too.”
We saw troll factories start in Mexico with attempts to discredit journalists’ reputations five years ago, and now they are widespread. The idea of a national leader speaking directly to the public rather than giving a press conference, and skipping the “need” to answer questions, was popular in Latin America with President Cristina Fernández de Kirchner, of Argentina, and Venezuelan President Hugo Chávez.
A few years later, national leaders around the world have grabbed the idea and run with it. It’s so we don’t have to filter it through the media, say the politicians. While there’s nothing wrong, of course, with having town hall chats with the public, one has a sneaking suspicion that another motivation might be dodging any difficult questions, especially if press conferences then get put on hold. Again, Latin America saw it first.
Given this trend, we can expect that when one nation starts asking for access to your social media accounts before they give you a visa, others are sure to follow. The border issue is broader than this, of course. Migration and immigration are issues all over the world right now, topping most political agendas, along with security and the economy. Therefore, governments are seeking to reduce immigration and restrict who can enter their countries – using a variety of methods.
In the USA and the UK, artists, academics, writers and musicians are finding visas harder to come by. As our US contributing editor, Jan Fox, reports, this has led to an opera singer removing posts from Facebook because she worries about her visa application, and academics self-censoring their ideas in case it limits them from studying or working in the USA. Where does this leave free expression? Less free than it should be, certainly. This is not the only attack on freedom of expression. Making it more difficult for outsiders to travel to these countries means stories about life in Yemen, Syria and Iran, for instance, may not be heard.
We don’t hear firsthand what it is like, and our knowledge shrinks. This policy surely reached a limit when Kareem Abeed, the Syrian producer of an Oscar-nominated documentary about Aleppo, was initially refused a visa to at-tend the Oscar ceremony. Meanwhile, UK festival directors are calling for their government to change its attitude and warn that artists are already excluding the UK from their tours.
One person who knew the value of getting information out beyond the borders of the country he lived in was a former editor of this magazine, Andrew Graham-Yooll, and we honour his work in this issue. His recent death gave us a chance to review his writing for us and for others. A consummate journalist, Graham-Yooll continued to write and report until just weeks before his death, and I know he would have had his typing fingers at the ready for a critique of what is happening in the Argentinian election right now.
Graham-Yooll took the job of editor of Index on Censorship in 1989, after being forced to leave his native Argentina because of his reporting. He had been smuggling out reports of the horrifying things that were happening under the dictatorship, where people who were activists, journalists and critics of the government were “disappearing” – a soft word that means they were being murdered. Some pregnant women were taken prisoner until they gave birth. Their babies were taken from them and given to military or government-friendly families to adopt, while the mothers were drugged and then dropped to their death, from airplanes, at sea.
Many of the appalling details of what happened under the authoritarian dictatorship only became clear after it fell, but Graham-Yooll took measures to smuggle out as many details as he could, to this publication and others, until he and his family were in such danger he was forced to leave Argentina and move to the UK.
Throughout history the powerful have always attempted to suppress information they didn’t want to see the light. We are in yet another era where this is on the rise.
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Rachael Jolley is editor-in-chief of Index on Censorship magazine. She tweets @londoninsider. This article is part of the latest edition of Index on Censorship magazine, with its special report on border forces
Index on Censorship’s autumn 2019 issue is entitled Border forces: how barriers to free thought got tough
Look out for the new edition in bookshops, and don’t miss our Index on Censorship podcast, with special guests, on Soundcloud.
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_custom_heading text=”How barriers to free thought got tough” font_container=”tag:h3|text_align:left” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2F2019%2F09%2Fmagazine-border-forces-how-barriers-to-free-thought-got-tough%2F|||”][vc_column_text]The autumn 2019 Index on Censorship magazine looks at borders round the world and how barriers to free thought got tough[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_row_inner][vc_column_inner][vc_single_image image=”108826″ img_size=”full” onclick=”custom_link” link=”https://www.indexoncensorship.org/2019/09/magazine-border-forces-how-barriers-to-free-thought-got-tough/”][/vc_column_inner][/vc_row_inner][/vc_column][vc_column width=”1/3″][vc_custom_heading text=”Subscribe” font_container=”tag:h3|text_align:left”][vc_row_inner][vc_column_inner][vc_column_text]In print, online. In your mailbox, on your iPad.
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