Undercover freedom fund

Andrej Strizhak, a human rights activist and Belarus exile, uses an electric scooter to go around the streets of Vilnius’s old town.

“It is a very convenient means of transportation,” he told Index, sitting in a coffee shop at The House of the Signatories where Lithuania’s Act of Independence was signed in 1918.

Strizhak is founder of the Belarus Solidarity Foundation, Bysol, a humanitarian organisation which gives financial help to political prisoners, striking workers and other activists critical of the repressive regime of President Aliaksandr Lukashenka. Recently Bysol has also focused on aid to Ukraine in its fight against the Russian invasion that Vladimir Putin launched in February 2022.

For Strizhak, both struggles are connected.

“Belarus’s ‘freedom key’ is in Ukraine, and many Belarusians are helping fight the war in Ukraine,” he said. “If Putin fails, then Lukashenka will lose his principal ally.”

His colleague, former male model, fitness trainer and media celebrity turned political activist Andrey Tkachov, joined us in the café. Tkachov like Strizhak is in his thirties. He’s an immensely tall and striking figure, dressed in black. He oversees the management of the Medical Solidarity Fund, operating under the Bysol Foundation umbrella. He sees the conflict in stark terms.

“It is a war between good and evil. Russia is knowingly bombing hospitals and we are working on getting medical supplies and equipment.”

Bysol has raised over $10.7 million and acts as a platform for other organisations or individuals to raise funds for humanitarian causes.

Most of it has been done through cryptocurrency because, as Strizhak explained, it is “hard for the government to trace these transactions.”

During the first days of the Ukrainian war, Bysol received requests for cash to buy vehicles, drones and first aid kits; funds were needed for emergency contraceptive and rape kits for Ukrainian war victims of sexual abuse and for legal fees to pursue justice for war crimes. Within a few days, Bysol raised over $130,000 for Ukrainian humanitarian causes and for Belarusian volunteers working in Ukraine.

As the war progressed, the foundation used its money to aid wounded Belarusian fighters to obtain medical assistance, move to Poland or Lithuania and heal from PTSD. Bysol handed over radios, sets of uniforms for medical doctors and anti-thermal camouflage cloaks to the Belarusians fighting in Ukraine.
They gave others help too.

For those who refused to fight or faced repression for opposing the war, Bysol staff drafted manuals on evacuation from Belarus, Russia and Ukraine. They also posted instructions in a Telegram chat group, BysolEvacuation. Users issued advice on how to leave the war zone, discussed visa procedures and shared experiences on border crossings.

Strizhak and other activists first established Bysol in August 2020, as a response to violence against the opposition after the Belarus presidential election which saw Lukashenka winning a sixth term in office. Strizhak had already been detained several times by the police for his political activities and during the election summer, friends advised him to go on “vacation” abroad. He traveled to Kyiv, hoping to spend a month in Ukraine. There, building on his humanitarian work and crowdfunding skills, Strizhak came up with the idea of a fund-raising organisation.

He was joined in Ukraine by Tkachov, with whom he had worked during the Covid-19 pandemic and who had just been released from police custody. Tkachov had stayed in Belarus and joined anti-government protests in Minsk, witnessing police using grenades and shooting at peaceful opposition.

“The day after the elections, my friend and I took a ride around Minsk to check the aftermath of the protests,” Tkachov told Index. “An OMON (special police force) car stopped us and took us to a detention centre.” Officers gave Tkachov some “special attention” for his critical political opinions. He was handcuffed and beaten.

“Some of us fainted from the pain and from the inflicted injuries. We laid in puddles of blood and urine and prayed to be alive,” he said. Eventually, he lost consciousness when a soldier stepped on his neck.

“I regained consciousness only when police brought me to the prison, and a soldier poured water on me,” he said.

Together with the other 35 detainees, he spent three days in a cell suitable to accommodate 10 people.

In the late autumn of 2020 both dissidents decided to move to Lithuania, a member state of the EU and NATO, determined to expand Bysol. “Ukraine did not feel safe enough for us,” explained Strizhak.

Strizhak first raised money through a friend in the Netherlands who opened a fundraising account on Facebook. “We couldn’t do it from Belarus or Ukraine. Only people who live in ‘the white-world’ – the USA or Western Europe – can open fundraising accounts on Facebook,” he said.

Help started pouring in and more so when they were established in Vilnius. The most active supporters of the fund were and still are the Belarusian diaspora.

Walking a thin line between publicity and safety, Bysol has come to rely on cryptocurrency. Using traditional currency, customers rely on bank services and often pay high fees for financial transactions that might take a few days to complete, but cryptocurrency is a digital currency based on a network spread across many computers, unregulated by central government authorities. Unlike traditional financial institutions, opening a cryptocurrency wallet does not require identification verification, credit, or background checks: a person needs just a laptop or a smartphone with an internet connection and there is virtually no way for the government officials to stop, censor or reverse these transactions.

People find Bysol through social media and by word of mouth and the foundation follows a rigorous verification process before providing any help.

“We can’t name recipients and they can’t say ‘Thank you’ to us,” Strizak said.

Tkachov focuses on supporting Belarusian medical professionals and medical causes.

“Medical doctors actively expressed their opposition to the government’s actions. They were the ones who saw wounded, beaten and dead protesters. They described people arriving at the hospital as if they were brought from a battlefield with gunshot wounds or limbs ripped off by grenade explosions,” he said. Many medical doctors who expressed their disagreement about the government’s actions were laid off from state-run hospitals.

The Department of Investigation Committee in Minsk has initiated criminal proceedings against Strizhak who is accused of providing “training of individuals to take part in group activities, grossly violating public order” and financing extremism. Bysol itself has been labelled an extremist organisation and Belarus has listed its founders on the country’s wanted list and the wanted list of the Commonwealth of Independent States (CIS), made up of Russia and other ex-Soviet states still in Russia’s orbit.

Tkachov said he was always interested in history, especially events leading to the outbreak of World War II. “I could not understand why the powerful states could not prevent it,” he said. “Witnessing unfolding events in Ukraine, I finally understood it. When I think about how much more needs to be done, I worry my efforts are not enough, or are not effective enough. We need to help many people.”

Since his early years, Strizhak was determined to bring change to society: “I can’t tolerate hypocrisy, lies or double standards,” he said. He travelled to the Donbas region of Ukraine from 2017 to 2020 to document war crimes committed by pro-Russian separatists. He has mourned the death of close work partners.

Although he is now far from the war zone, he visualises his efforts with a consciousness of the samurai way of “dying before going into battle.” Like Japan’s ancient warriors, he said, he is waging his humanitarian efforts fully committed and without fear.

Ukraine | A chronicle of censorship

The Babyn Yar massacre is one of the bloodiest atrocities in Ukraine’s dark history. In late September 1941, 33,771 Jewish residents of Kyiv were herded by the Nazis into a ravine (“Babi Yar” in Russian, “Babyn Yar” in Ukrainian) on the outskirts of the city. Over a two-day period, the victims were shot and buried in mass graves as part of what became known as “the Holocaust of Bullets”.

Oleg Chorny’s small-budget feature documentary From Babi Yar to Freedom tells the story of the massacre through the lens of Soviet defector and writer Anatoly Kuznetsov, who first revealed the full scale of the atrocity to the world when he escaped to the UK in 1969. The film was completed in 2017, five years before Russia’s full-scale invasion of Ukraine, and is an extraordinary tribute to Kuznetsov’s determination to tell the truth in the face of a wall of Soviet censorship and disinformation.

Chorny’s documentary deserves a wide international audience, but in an irony that would not be lost on the dissidents of the 1960s, no one can see it because of a rights dispute over the central archive interview in the film owned by the giant US TV corporation CBS.

In July 1969, shortly after Kuznetsov defected, he gave a lengthy interview to the veteran CBS news journalist Morley Safer in which he opened up about his decision to escape the Soviet Union. Kuznetsov went to London, accompanied by a KGB minder, to research the time Lenin had spent there in 1903, and secretly took with him film containing the text of the full version of his book Babi Yar: A Document in the Form of a Novel, stitched into his clothing. The book is based on eyewitness accounts of the massacre and Kuznetsov’s own boyhood diary.

Now, Chorny has been told that nine minutes of CBS footage from the Kuznetsov interview (freely available on YouTube) will cost $80,000 – more than the budget of the movie. Wazee Digital, a Colorado-based asset management company which negotiates on behalf of CBS, has refused to budge on this fee.
Chorny told Index that the fate of the film and the fate of Kuznetsov were intertwined in his mind. “I’m sorry, you must understand that the story with this film is a sad story for me because it was not released… But if something happened and this movie was released, I think it would be so important, because nothing has changed from these times with the KGB. You can call it the FSB, but it does not matter.”

In the documentary, Chorny follows Ukrainian writer Stanislav Tsalyk as he tracks down traces of Kuznetsov – who died in 1979 – in Kyiv and then in London. Tsalyk travels to the UK with Kuznetsov’s son Olexiy, who remained in the Soviet Union. In one of the most moving scenes, Olexiy stands next to his father’s unmarked grave in Highgate Cemetery. Olexiy, too, has now died without seeing the film released.

The story of Kuznetsov is a classic Cold War tale, but it is much more than that. It is a story about how stories themselves are told, how they can be misrepresented, and how they are suppressed.

Kuznetsov’s Babi Yar has had many lives and suffered multiple rounds of censorship. When it was first published in the Soviet Union in 1966, the censor made cuts that underplayed the suffering of the Jews. In the Soviet narrative, Babi Yar was known as a Nazi act of horror against Soviet citizens. The Jews of Kyiv were thus doubly erased: once literally and then historically. This was not all that was removed from the original text: references to cannibalism during the Ukrainian famine, the Holodomor, where millions died as a direct result of Stalin’s policies, and parallels between fascism and communism were all excised. Anything, in fact, that showed the Soviets as less than heroic.

The whole uncensored version is recognised as a singular masterpiece. The first chapter, Ashes, begins: “This book contains nothing but the truth.” The typefaces of the book reveal its troubled publication history, with the original text in plain type, previously censored passages rendered in bold, and later additions from Kuznetsov in square brackets.

Oddly, this adds to the experience of reading Babi Yar. Its fragmented text suits the battered and broken subject matter.

Take the following passage about Dina Pronicheva, a 30-year-old puppet-theatre actor and survivor of the massacre who later gave evidence against the Nazis. “Dina went across the hillock and sat down. Everybody there was silent, crazed with fright. She was afraid to look up: somebody might recognise her, quite by chance, and cry out: ‘She’s a dirty Jewess!’ These people would stop at nothing to save their own skins. For that reason she tried not to look at anybody, and nobody looked at her. Only an old woman sitting next to her in a fluffy knitted scarf complained quietly to Dina that she had been seeing her daughter-in-law off and had got caught… But she herself was a Ukrainian, she was no Jewess, and whoever thought it would come to this? They had all been seeing people off.”

The censored words in bold give the episode a very different meaning and emotional impact.

When Babi Yar was republished in a Vintage Classics edition in the UK last year under the title Babi Yar: The Story of Ukraine’s Holocaust, it didn’t receive the attention it deserved.

When I talked to Chorny in Kyiv over Zoom, I suggested that this latest episode in the story of the massacre is part of a pattern. I said: “Even if you go back to the origins of the story… This is a story about silence. It’s a story about censorship. It’s a story about not being able to tell the story and so…”

Chorny stopped me and said my interpretation did not go far enough: “Excuse me, this is a story of a totalitarian system which is the same as the Nazi totalitarian system. And this is a story of resistance – Anatoly Kuznetsov’s personal resistance, I mean: to escape to publish the full version in the West.”

Josephine Burton of Dash Arts has been pushing for the release of Chorny’s film since 2021, when her organisation began work on Songs of Babyn Yar, a music and theatre project that used Kuznetsov’s text in the production. Burton, who also championed the cause of the Crimean Tatars in Dash Arts’ 2022 performance Crimea 5am, told Index: “Oleg Chorny’s documentary needs to be seen. It tells a remarkable story, a vital contribution to the history of Ukraine and the Holocaust. This film should not be silenced.”

Chorny has also gained the support of the Koffler Centre in Toronto, which ran a series of events about the Babyn Yar massacre last year, including a Zoom discussion with Chorny and his team.

In the meantime, Chorny describes life in Kyiv: “We are living some kind of surrealistic reality. This is mixed with news from the front from our colleagues and friends. A lot of losses. Especially in the last year, we buried a lot of friends and some colleagues who disappeared on the front line.”

But the director has kept himself busy. Chorny has made a short film, Kyiv in the Days of War, about the aftermath of the Russian attacks in 2022, and three 15-minute films in a series about creativity and the Ukraine conflict: Art in the Land of War. In one of these, If I Stop It Means They Win, sculptor and graphic artist Oleksandr Smyrnov says: “I think that if they prevent me from doing what I’m good at and what I want to do, then they have won. That’s why I’ll keep doing it.”

Two years ago, an appeal to raise money for a headstone for Kuznetsov in Highgate cemetery raised more than $1,300. In another twist in the story, his surviving daughter has not given her permission for it to be erected. The best memorial would be the release of From Babi Yar to Freedom. [CBS was approached for a comment on this story.]

The latest rubbish joke from China

Has China entered a “garbage time of history”? Some netizens think so. According to a Guardian article from yesterday, the term is trending, coined to reflect a generation who feel squeezed by rising costs and other social burdens. Those behind the term even created a “2024 misery ranking grand slam”, which tallies up the number of misery points that a person might have earned this year (one star for unemployment, two stars for a mortgage, another for hoarding the expensive liquor Moutai and so on). I always felt bonded to many of my Chinese friends by what I’d say was a shared sense of humour – the dry, acerbic sort that Brits are famed for, the one that is still able to chortle no matter how bad the news. It’s very much on display in this story.

The censors though aren’t laughing. They’re scrubbing. Pity these people who take away the lemonade from those with lemons.

Two other stories emerged from the region this week that, while not necessarily “garbage”, were bad. The first concerned a rumour that Xi Jinping had a stroke (side note: Xi is 71, his mother is 97, and his father died aged 88). The rumour spread across Chinese social media and was picked up on X by the activist Jennifer Zeng, who has a huge following. It was later debunked, including by the Reuters Fact Check team here. In the interim, China’s censors blocked posts about it.

The story was troubling, and not just the censorship angle. There are perils to getting things wrong when you are meant to be on the side fighting for freedoms, a central one being that it’s an own goal, a way to feed into the autocrats’ line that it is others, not themselves, who can’t be trusted.

Another troubling story this week came out of Hong Kong. On Wednesday Wall Street Journal reporter Selina Cheng was laid off. The Post said it was part of a restructuring. Cheng believes it was linked to her taking up the position of chair at the Hong Kong Journalists Association, a union that campaigns for media freedom. She said she was pressed by her employer not to stand for election for chair, being told the role would be “incompatible with my employment at the Wall Street Journal”. The WSJ have not commented on her firing. But a pattern appears to be emerging of major international outlets being spooked by association with the HKJA. According to an article from the China Media Project, three recently elected members of the HKJA board, alongside an outgoing leader of the Foreign Correspondents’ Club of China, said they faced similar pressures.

“All asked to remain anonymous, fearing reprisals from their employers, but confirmed that the Journal is not alone: the biggest names in Hong Kong and China’s foreign press have been pressuring their employees to stand back and stay quiet, or face the repercussions. For the territory’s embattled journalists, defending the free press has become a fight on two fronts: against both an increasingly authoritarian government and their own employers, based in the West and nominally committed to liberal principles,” the article said.

Meanwhile Tom Grundy from Hong Kong Free Press, one of the few independent media to still operate from Hong Kong, told Index that the news added to the sense of vulnerability felt by journalists there. He said:

“When a giant international news organisation fails to support the city’s only independent media union and its officers, they further erode press freedom by closing precious space. It sends a terrible signal, and makes their own remaining staff more vulnerable in the long run. Especially locals.”

The Beijing supporting media of course is loving it. The Global Times tabloid was calling the press union “a malignant tumour that harms the city’s safety and security”.

Finally on the note of the WSJ, we have just heard news that the reporter Evan Gershkovich has been sentenced to 16 years in a Russian prison on espionage charges after he was arrested last March while on a reporting trip in the city of Yekaterinburg 1,600 km east of Moscow. That this news was predicable doesn’t make it any less disturbing. We will continue to fight for his release.

Encouraging signs on freedom of expression after Starmer’s first week

It’s been a hectic week in British politics after a Labour government was elected in a landslide last week.  There are reported to be 30 new bills which will be announced in the King’s speech as part of the state opening of parliament next Tuesday.

As our CEO Jemimah Steinfeld indicated in last week’s newsletter, we at Index are keeping a beady eye on how much new Prime Minister Keir Starmer and his government will prioritise freedom of expression at home and abroad. To help guide his thinking, we have put together this manifesto, a wishlist for freedom of expression under the new government.

So far the signs are encouraging. As one of his first acts in office, the new foreign secretary David Lammy called for the immediate release of Russian-British journalist Vladimir Kara-Murza whose plight Index highlighted in April this year. Kara-Murza is languishing in a Russian penal colony in Omsk and there were fears this week for his health after it was reported that he had been moved to the prison’s hospital.

Lammy said in his statement : “His [Kara-Murza’s] absurd 25-year sentence shows the Kremlin’s deep fear that more Russians will know the reality of Putin’s illegal war – and is further evidence of the targeted repression of the opposition.” He also called for his lawyer to have permission to visit him, which subsequently happened.

In other encouraging news for free speech in the UK, human rights lawyer Richard Hermer KC was appointed attorney general. A former colleague of Starmer’s, he will serve in government from the House of Lords. He has a distinguished career fearlessly standing up for human rights highlighted today in a Guardian profile. He recently gave legal advice that the so-called BDS bill proposed by the Conservative government, would stifle free speech. The bill (which never became law) was introduced by the then communities secretary Michael Gove to stop local councils and other public bodies economically boycotting countries like Israel. The new solicitor general, freshly elected MP Sarah Sackman, also worked with Hermer at Matrix Chambers.

Meanwhile Index – as co-chairs of the Anti-SLAPP coalition –  has written a letter to the Prime Minister to ask for a bill to be introduced next Tuesday, putting protections in place which prevent Strategic Lawsuits Against Public Participation (SLAPPs). Legislation had been introduced as a private members bill in the last parliament. It garnered cross-party support, but never became law. The letter, signed by Index’s Jessica Ní Mhainín and Nik Williams, calls for that bill to be revived and strengthened. As we highlight, these kind of lawsuits not only hinder clampdowns on fraud and corruption, but silence many ordinary people including “sexual violence survivors speaking out after the police or the CPS have refused to bring criminal charges, patients of healthcare services posting reviews to highlight concerns regarding their care, as well as members of the public scrutinising a wide variety of services they have received.”  If the Labour government were to introduce a comprehensive Anti-SLAPP law early in their administration, it would be a brave and tangible indication of their commitment to free expression. In the meantime we are holding an event in Dublin on SLAPPs in October and you can sign up for tickets here.

SUPPORT INDEX'S WORK