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The central theme of the Spring 2023 issue of Index is India under Prime Minister Narendra Modi.
After monitoring Modi’s rule since he was elected in 2014, Index decided to look deeper into the state of free expression inside the world’s largest democracy.
Index spoke to a number of journalists and authors from, or who live in, India; and discovered that on every marker of what a democracy should be, Modi’s India fails. The world is largely silent when it comes to Narendra Modi. Let’s change that.
Can India survive more Modi?, by Jemimah Seinfeld: Nine years into his leadership the world has remained silent on Modi's failed democracy. It's time to turn up the temperature before it's too late.
The Index, by Mark Frary: The latest news from the free speech frontlines. Big impact elections, poignant words from the daughter of a jailed Tunisian opposition politician, and the potential US banning of Tik Tok.
Cultural amnesia in Cairo, by Nick Hilden: Artists are under attack in the Egyptian capital where signs of revolution are scrubbed from the street.
‘Crimea has turned into a concentration camp’, by Nariman Dzhelal: Exclusive essay from the leader of the Crimean Tatars, introduced by Ukranian author Andrey Kurkov.
Fighting information termination, by Jo-Ann Mort: How the USA's abortion information wars are being fought online.
A race to the bottom, by Simeon Tegel: Corruption is corroding the once-democratic Peru as people take to the streets.
When comics came out, by Sara Century: The landscape of expression that gave way to a new era of queer comics, and why the censors are still fighting back.
In Iran women’s bodies are the battleground, by Kamin Mohammadi: The recent protests, growing up in the Shah's Iran where women were told to de-robe, and the terrible u-turn after.
Face to face with Iran’s authorities, by Ramita Navai: The award-winning war correspondent tells Index's Mark Frary about the time she was detained in Tehran, what the current protests mean and her Homeland cameo.
Scope for truth, by Kaya Genç: The Turkish novelist visits a media organisation built on dissenting voices, just weeks before devastating earthquakes hit his homeland.
Ukraine’s media battleground, by Emily Couch: Two powerful examples of how fraught reporting on this country under siege has become.
Storytime is dragged into the guns row, by Francis Clarke: Relaxed gun laws and the rise of LGBTQ+ sentiment is silencing minority communities in the USA.
Those we must not leave behind, by Martin Bright: As the UK government has failed in its task to rescue Afghans, Index's editor at large speaks to members of a new Index network aiming to help those whose lives are in imminent danger.
Modi’s singular vision for India, by Salil Tripathi: India used to be a country for everyone. Now it's only for Hindus - and uncritical ones at that.
Blessed are the persecuted, by Hanan Zaffar: As Christians face an increasing number of attacks in India, the journalist speaks to people who have been targeted.
India’s Great Firewall, by Aishwarya Jagani: The vision of a 'digital India' has simply been a way for the authoritarian government to cement its control.
Stomping on India’s rights, by Marnie Duke: The members of the RSS are synonymous with Modi. Who are they, and why are they so controversial?
Bollywood’s Code Orange, by Debasish Roy Chowdhury: The Bollywood movie powerhouse has gone from being celebrated to being used as a tool for propaganda.
Bulldozing freedom, by Bilal Ahmad Pandow: Narendra Modi's rule in Jammu and Kashmir has seen buildings dismantled in line with people's broader rights.
Let’s talk about sex, by Mehk Chakraborty: In a country where sexual violence is abundant and sex education is taboo, the journalist explores the politics of pleasure in India.
Uncle is watching, by Anindita Ghose: The journalist and author shines a spotlight on the vigilantes in India who try to control women.
Keep calm and let Confucius Institutes carry on, by Kerry Brown: Banning Confucius Institutes will do nothing to stop Chinese soft power. It'll just cripple our ability to understand the country.
A papal precaution, by Robin Vose: Censorship on campus and taking lessons from the Catholic Church's doomed index of banned works.
The democratic federation stands strong, by Ruth Anderson: Putin's assault on freedoms continues but so too does the bravery of those fighting him.
Left behind and with no voice, by Lijia Zhang and Jemimah Steinfeld: China's children are told to keep quiet. The culture of silence goes right the way up.
Zimbabwe’s nervous condition, by Tsitsi Dangarembga: The Zimbabwean filmmaker and author tells Index's Katie Dancey-Downes about her home country's upcoming election, being arrested for a simple protest and her most liberating writing experience yet.
Statues within a plinth of their life, by Marc Nash: Can you imagine a world without statues? And what might fill those empty plinths? The London-based novelist talks to Index's Francis Clarke about his new short story, which creates exactly that.
Crimea’s feared dawn chorus, by Martin Bright: A new play takes audiences inside the homes and families of Crimean Tatars as they are rounded up.
From hijacker to media mogul, Soe Myint: The activist and journalist on keeping hope alive in Myanmar.
Allegations about the late Jimmy Savile’s abuse of young girls have led to a curious binary set of reactions. On the one hand, we are shocked and appalled. On the other hand, we knew all along.
There were always rumours, of course. Journalist Lynn Barber, in a 1990 interview, put the allegation to Savile: “What people say is that you like little girls.”
But a mixture of fear of privacy and libel laws, and the censorious pressure that prominent, well-connected figures can impose not just on weak and insecure young girls and their families, meant the rumours were never properly confronted. Even the BBC’s Newsnight would not broadcast the allegations .
Former tabloid editor Brian Hitchen wrote yesterday that England’s libel laws “too often help make those like Savile untouchable.”
Even now, the threat of libel suits could hang over newspapers seeking to further investigate allegations made by women who testified in ITV’s documentary about Savile.
The law should not be a tool for the powerful to silence the weak. And this is all about power: men over women, celebrity over the unknown, rich over poor.
As more stories emerge about the likes of Savile and Gary Glitter, I cannot help but compare it with the widespread clerical abuse that gripped the state of Ireland for many years. The enormity of this child Gulag has been revealed in a series of official reports in the past few years, with grim testimony given as victims finally found a space where they could speak of their experiences.
The reaction to those reports was revulsion. But it came from that same place of knowing and not knowing as the reaction to the Savile story. There cannot have been a person in Ireland who did not know that the church covered up child abuse. But we were reassured that they were bad apples, and it felt wrong to complain when there were so many good priests who did so much for our spiritual and physical wellbeing.
Savile pulled the same trick. How could you attack a man who did so much for the community?
In even the worst totalitarian regime, rumours about the rulers can circulate below the censor’s radar. But it’s only when we can proclaim, on the record and with confidence, our doubts about the rich, famous and powerful, that we can actually bring about change.
Padraig Reidy is News Editor of Index on Censorship
More on libel:
Why it's vital that the government act to protect free speech
Five ludicrous libel cases
Last chance to sign our petition to reform libel laws that stifle debate, curtail criticism and even endanger lives
The Maltese Front Against Censorship said that it believes that a penis-like sculpture at Luqa should not be removed before the Pope visits the capital of Malta, Valetta, this weekend. The Mayor of Luqa, John Schembri, said yesterday that the sculpture, on the Pope’s route to Valetta, should be taken down “as a sign of respect”. Colonna Mediterranea (Mediteranean Column) is the work of ceramic artist and sculptor Paul Vella Critien and was installed on a roundabout at the entrance to the village of Luqa in January 2006.