13 Jun 2025 | Europe and Central Asia, News and features, Russia, Ukraine
Since Russia’s full-scale invasion of Ukraine began in February 2022, brave journalists have travelled across the country gathering testimonies from civilians about war crimes committed by the Russian army.
It’s a crucial, difficult and sometimes deadly job – the tragic killing of journalist and writer Victoria Amelina is a stark reminder of this – but these accounts now form a vast database of evidence documenting the atrocities of war inflicted on Ukrainian citizens.
That’s why the recent play The Reckoning, co-written and directed by Dash Arts co-founder Josephine Burton, currently showing at the Arcola Theatre in London, is so powerful. The production is drawn from real testimonies of survivors of Russian oppression in Ukraine, collected by The Reckoning Project – an organisation recording, preserving and conserving witness statements from across the country.
The play follows the story of a journalist (played by Marianne Oldham) travelling around Ukraine to collect these testimonies. As part of her work, she meets “The Man from Stoyanka” (played by Tom Godwin), a security guard who chooses to stay rather than flee as Russian forces approach a village in Ukraine. He recounts to her his traumatic imprisonment by Russian soldiers, who ultimately decide to let him go.
As he shares his experience, the audience is confronted with the many ways in which war pushes people to their very limits: the inner strength we don’t know we have, the instinctive courage to help others, but also the enduring pain of trauma and guilt as ordinary people try to navigate a new and brutal reality.
The play owes much of its emotional resonance to two Ukrainian actors, Olga Safronova and Simeon Kyslyi, who embody the testimonies of innocent civilians while also sharing their own lived experiences of the war. Halfway through the show, to ease the heaviness of the topics covered on stage, they play a game together recalling the positive things happening in their lives. It is this blend of personal witness, light comedy and bittersweet nostalgia that underscores the horror of the crimes committed against Ukraine.
There are moments of relief. One of the most memorable is the making of a Ukrainian summer salad, which the audience watches being prepared and are then invited to eat together at the end of the play. The intimacy of the space, with the audience surrounding the stage on all sides, and the deliciously simple dish unite the viewers and actors. The smell of fresh dill was so evocative that it moved some audience members to tears.
At the end of each performance, Dash Arts invites different individuals and organisations to bring a speaker to the stage to reflect on the play. Last week, Index on Censorship’s editor-at-large, Martin Bright, paid tribute to an individual killed during the war: Victoria Roshchyna. Roshchyna was a fearless Ukrainian journalist with an essential voice who reported from the front lines. In August 2023, she was captured by Russian soldiers while travelling to eastern Ukraine. She died a year later, aged just 27, in Russian custody. A forensic exam showed multiple signs indicative of torture and inhuman treatment.
In her memory, Bright read out Roshchyna’s harrowing account originally written for Index in April 2022, describing an earlier kidnapping by Russian forces while she was en route to Mariupol.
Just as the actors had tried to find a glimmer of hope amidst the devastating stories of war, Bright too sought to shed a positive message following Roshchyna’s death.
“There’s not a lot of good in this [war],” said Bright. “Except I do hope that the publishing of Victoria’s words will retain something of the spirit of Ukraine for the future.”
It is the words of Roshchyna, Amelina, and all the civilians who have shared their stories that will keep the spirit of Ukraine alive for generations to come.
The Reckoning is now showing at the Arcola Theatre in London until 28 June 2025.
6 May 2025 | Europe and Central Asia, News and features, Newsletters, Russia, Ukraine
Victoria Roshchyna had two strikes against her: she was Ukrainian and she was a journalist. Roshchyna frequently reported from Russian-occupied territories, which was and is incredibly dangerous work. In 2022, she was detained, which she wrote about for Index. A year later, she vanished once again. It took nine months for Russian authorities to confirm she was in custody, held without charge. As with much of Russia’s penal system, the details remain murky. But we know she was alive as recently as summer 2024, when she spoke to her father from custody and told him she was on hunger strike. Months later, she was dead.
In February, Moscow handed over the bodies of 757 Ukrainians to Kyiv. Roshchyna’s body was among them. This week the details of a forensic examination were revealed: they showed visible signs of torture. Several organs were missing too, which pathologists believe was a deliberate attempt to hide the cause of death. The leading theory is strangulation.
Saturday marked World Press Freedom Day. Index, alongside many others, raised the alarm about the state of global media freedom. Violations are mounting and too many journalists are paying the ultimate price simply for doing their jobs. Each of them deserves to be remembered as more than just a statistic. Victoria Roshchyna was one of them.
Known to those close to her as Vika, she was strong-willed and fearless, which comes across in her article for us. “I had no fear. I knew they were trying to break me,” she wrote defiantly when recounting the death threats she received during her first detention.
When Roshchyna later disappeared in Russian-occupied Melitopol, she was gathering evidence on the treatment of Ukrainians imprisoned by Russian forces. In honour of her tenacity, Forbidden Stories – an organisation committed to continuing the work of silenced reporters – picked up her investigation. The work the outlet has done is extraordinary, and it’s likely Roshchyna would be proud that her stories have not been buried.
Since she was committed to giving a voice to Ukrainian political prisoners, it feels only fitting that we highlight them too. According to the Ukrainian parliament’s commissioner for human rights, as of April 2024, 16,000 civilians have been disappeared. Included in that number are many who have spoken out against Russia, including Oleksandr Sizikov. A Crimean Tatar, last year Sizikov was forcibly transferred to a prison in Siberia. At the end of April, in a rare move, Russia’s prison service filed for his release, citing that he is blind and entirely dependent on assistance. If granted, it would mark an unusual flicker of compassion from a system known for its cruelty.
Such compassion was never afforded to Roshchyna. Instead, her name will forever be associated with both the best of journalism – utter dedication to exposing injustice and pursuing truth – and the worst of authoritarian cruelty from Vladimir Putin’s Russia.
16 Aug 2017 | Magazine, News and features, Volume 46.02 Summer 2017
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Yemeni journalist Abdulaziz Muhammad al-Sabri wears a sling after he was shot by a sniper in 2015
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Abdulaziz Muhammad al-Sabri is smiling, despite everything. But he cannot fail to feel depressed when he sees the photos taken a few months ago, in which he is holding a telephoto lens or setting up a video camera on a tripod: “The Houthis confiscated these from me. They confiscated all my equipment. Even if I wanted to continue working, I wouldn’t be able to.”
Al-Sabri is a Yemeni journalist, filmmaker and cameraman, and a native of Taiz, the city that was briefly the bloodiest frontline in the country’s civil war. He has worked in the worst hotspots, supplying original material to international media like Reuters and Sky News. “I have always liked working in the field,” he said, “and I was really doing good work from the start of the 2011 revolution.”
But since the beginning of the war, the working environment for Yemeni journalists has progressively deteriorated. In the most recent case, veteran journalist Yahia Abdulraqeeb al-Jubaihi faced a trial behind closed doors and was sentenced to death after he published stories critical of Yemen’s Houthi rebels. Many journalists have disappeared or been detained, and media outlets closed, in the past few years.
“The media industry and those who work in Yemen are coming up against a war machine which slams every door in our faces, and which controls all the local and international media bureaus. Attacks and assaults against us have affected 80% of the people employed in these professions, without counting the journalists who have already been killed, and there have been around 160 cases of assaults, attacks and kidnappings. Many journalists have had to leave the country to save their lives. Like my very dear friend Hamdan al-Bukari, who was working for Al-Jazeera in Taiz.”
Al-Sabri wanted to tell his story to Index on Censorship without leaving out details “because there is nothing left for us to do here except to denounce what is going on, even if nobody is listening to us”. He spoke of systematic intimidation by the Houthi militias in his area against journalists in general, and in particular against those who work for the international media: “In Taiz they have even used us as human shields. Many colleagues have been taken to arms depots, which are under attack from the [Saudi-led, government-allied] coalition, so that once the military target has been hit, the coalition can be accused of killing journalists.”
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/4″][vc_icon icon_fontawesome=”fa fa-quote-left” color=”custom” align=”right” custom_color=”#dd3333″][/vc_column][vc_column width=”3/4″][vc_custom_heading text=”In Taiz they have even used us as human shields” google_fonts=”font_family:Libre%20Baskerville%3Aregular%2Citalic%2C700|font_style:400%20italic%3A400%3Aitalic”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]
This sort of intimidation is one of the reasons why researching and reporting on the conflict is very difficult. “In Taiz and in the north, apart from those working for al-Masirah, the Houthis’ TV station, and the pro-Iranian channels, al-Manar and al-Alam, only a few other journalists are able to work from here, and those few, local and international, are putting their necks on the line,” said al-Sabri.
“You’re lucky if you can make it, otherwise you fall victim to a bullet from the militias, attacks, kidnappings. Foreigners are unable even to obtain visas because of the limitations imposed by [Abdrabbuh Mansour] Hadi’s government and the coalition. The official excuse is that the government ‘fears’ for their lives, since if they were kidnapped, imprisoned or died in a coalition bombardment, it would be the Yemeni government’s responsibility.”
Al-Sabri has personal experience of the violence against journalists in Yemen. In December 2015, he was wounded in the shoulder by a sniper who was aiming at his head. On another occasion, he was kidnapped, held at a secret location for 15 days, blindfolded, threatened with death and tortured.
The full article by Laura Silvia Battaglia is available with a print or online subscription.
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Award-winning journalist Laura Silvia Battaglia reports regularly from Yemen. Translated by Sue Copeland.
This article is published in full in the Summer 2017 issue of Index on Censorship magazine. Print copies of the magazine are available on Amazon, or you can find information about print or digital subscriptions here. Copies are also available at the BFI, the Serpentine Gallery, MagCulture, (London), News from Nowhere (Liverpool), and Home (Manchester). Each magazine sale helps Index on Censorship continue its fight for free expression worldwide.
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”From the Archives”][vc_row_inner][vc_column_inner width=”1/3″][vc_single_image image=”80562″ img_size=”213×289″ alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1177/0306422014550963″][vc_custom_heading text=”The future of Yemeni journalists” font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1177%2F0306422014550963|||”][vc_column_text]September 2014
The Yemeni government should not be the ones judging the objectivity of reporting, but there is hope for more freedom.[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”80569″ img_size=”213×289″ alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1177/0306422016657007″][vc_custom_heading text=”Journalists face increasing threats” font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1177%2F0306422016657007|||”][vc_column_text]June 2016
Rachael Jolley explains why journalists around the world, especially near the Middle East, are facing increasing threats.[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”80562″ img_size=”213×289″ alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1177/0306422014548392″][vc_custom_heading text=”Journalists should ignore technology” font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1177%2F0306422014548392|||”][vc_column_text]September 2014
Journalists in war zones may need to ignore technology and go back to old ways to avoiding surveillance, says Iona Craig.[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_separator][/vc_column][/vc_row][vc_row content_placement=”top”][vc_column width=”1/3″][vc_custom_heading text=”100 Years On” font_container=”tag:p|font_size:24|text_align:left” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2F2017%2F06%2F100-years-on%2F|||”][vc_column_text]Through a range of in-depth reporting, interviews and illustrations, the summer 2017 issue of Index on Censorship magazine explores how the consequences of the 1917 Russian Revolution still affect freedoms today, in Russia and around the world.
With: Andrei Arkhangelsky, BG Muhn, Nina Khrushcheva[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_single_image image=”91220″ img_size=”medium” alignment=”center” onclick=”custom_link” link=”https://www.indexoncensorship.org/2017/06/100-years-on/”][/vc_column][vc_column width=”1/3″ css=”.vc_custom_1481888488328{padding-bottom: 50px !important;}”][vc_custom_heading text=”Subscribe” font_container=”tag:p|font_size:24|text_align:left” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2Fsubscribe%2F|||”][vc_column_text]In print, online. In your mailbox, on your iPad.
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