19 Oct 2020 | News and features
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Russian historian Yuri Dmitriev, who has been imprisoned following research into murders committed by Stalin. Credit: Mediafond/Wikimedia
Western democracies have expressed concern and outrage, at least verbally, over the Novichok poisoning of Alexei Navalny—and this is clearly right and necessary. But much less attention is being paid to the case of Yuri Dmitriev, a tenacious researcher and activist who campaigned to create a memorial to the victims of Stalinist terror in Karelia, a province in Russia’s far northwest, bordering Finland. He has just been condemned on appeal by the Supreme Court of Karelia to thirteen years in a prison camp with a harsh regime.
The hearing was held in camera, with neither him nor his lawyer present. For this man of sixty-four, this is practically equivalent to a death sentence, the judicially sanctioned equivalent of a drop of nerve agent.
After an initial charge of child pornography was dismissed, Yuri Dmitriev was convicted of sexually assaulting his adoptive daughter. These defamatory charges appear to be the latest fabrication of a legal system in thrall to the FSB—a contemporary equivalent, here, of the nonsensical slander of “Hitlerian Trotskyism” that drove the Great Terror trials. It is these same charges, probably freighted with a notion of Western moral decadence in the twisted imagination of Russian police officers, that were brought in 2015 against the former director of the Alliance Française in Irkutsk, Yoann Barbereau.
I met Yuri Dmitriev twice: the first time in May 2012, when I was planning the shooting of a documentary on the library of the Solovki Islands labor camp, the first gulag of the Soviet system; and the second in December 2013, when I was researching my book Le Météorologue (Stalin’s Meteorologist, 2017), on the life, deportation, and death of one of the innumerable victims murdered by Stalin’s secret police organizations, OGPU and NKVD.
In both cases, Dmitriev’s help was invaluable to me. He was not a typical historian. At the time of our first meeting, he was living amid rusting gantries, bent pipes, and machine carcasses, in a shack in the middle of a disused industrial zone on the outskirts of Petrozavodsk—sadly, a very Russian landscape. Emaciated and bearded, with a gray ponytail, he appeared a cross between a Holy Fool and a veteran pirate—again, very Russian. He told me how he had found his vocation as a researcher—a word that can be understood in several senses: in archives, but also on the ground, in the cemetery-forests of Karelia.
In 1989, he told me, a mechanical digger had unearthed some bones by chance. Since no one, no authority, was prepared to take on the task of burying with dignity those remains, which he recognized as being of the victims of what is known there as “the repression” (repressia), he undertook to do so himself. Dmitriev’s father had then revealed to him that his own father, Yuri’s grandfather, had been shot in 1938.
“Then,” Dmitriev told me, “I wanted to find out about the fate of those people.” After several years’ digging in the FSB archive, he published The Karelian Lists of Remembrance in 2002, which, at the time, contained notes on 15,000 victims of the Terror.
“I was not allowed to photocopy. I brought a dictaphone to record the names and then I wrote them out at home,” he said. “For four or five years, I went to bed with one word in my head: rastrelian—shot. Then, I and two fellow researchers from the Memorial association, Irina Flighe and Veniamin Ioffe (and my dog Witch), discovered the Sandarmokh mass burial ground: hundreds of graves in the forest near Medvejegorsk, more than 7,000 so-called enemies of the people killed there with a bullet through the base of the skull at the end of the 1930s.”
Among them, in fact, was my meteorologist. On a rock at the entrance to this woodland burial ground is this simple Cyrillic inscription: ЛЮДИ, НЕ УБИВАЙТЕ ДРУГ ДРУГА (People, do not kill one another). No call for revenge, or for putting history on trial; only an appeal to a higher law.
Memorials to the victims of Stalin’s Terror at Krasny Bor, Karelia, 2018; the remains of more than a thousand people shot between 1937 and 1938 at this NKVD killing field were identified by Dmitriev, using KGB archival records
Not content to persecute and dishonor the man who discovered Sandarmokh, the Russian authorities are now trying to repeat the same lie the Soviet authorities told about Katyn, the forest in Poland where NKVD troops executed some 22,000 Poles, virtually the country’s entire officer corps and intelligentsia—an atrocity that for decades they blamed on the Nazis. Stalin’s heirs today claim that the dead lying there in Karelia were not victims of the Terror but Soviet prisoners of war executed during the Finnish occupation of the region at the beginning of World War II. Historical revisionism, under Putin, knows no bounds.
I am neither a historian nor a specialist on Russia; what I write comes from the conviction that this country, for which I have a fondness, in spite of all, can only be free if it confronts its past—and to do this, it needs courageous mavericks like Yuri Dmitriev. And I write from the more personal conviction that he is a brave and upright man, one whom Western governments should be proud to support.
This article was translated from the French by Ros Schwartz. It was originally published on the New York Review of the Books here under the headline Yuri Dmitriev: Historian of Stalin’s Gulag, Victim of Putin’s Repression.
Read our article exploring Dmitriev’s case and how history is being manipulated and erased here.[/vc_column_text][/vc_column][/vc_row]
15 Sep 2020 | Belarus, News and features
[vc_row][vc_column][vc_single_image image=”114819″ img_size=”full”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]On 9 August, Belarus went to the polls to elect their president. Alexander Lukashenko, who has been in power since 1994, was seeking a fifth term.
When the result was announced, Lukashenko had won 80% of the vote. However, the Belarusian people believed the election was rigged and took to the streets in their thousands to protest peacefully.
One of those protesting was 73-year-old great grandmother Nina Bahinskaya, who has become a famous face on the streets of Minsk as she squares up to Lukashenko’s riot police.
She has been arrested and fined half of her pension but still comes back for more.
Index on Censorship’s associate editor Mark Frary spoke with her to find out how she became an unlikely protestor, why she always carries a flag and whether she fears for her safety in the face of police brutality.
With thanks to Franak Viacorka, Radio Free Europe, Euroradio and Alina Stefanovic (interpreter).[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_video link=”https://youtu.be/4Ap8jtyRVKc”][/vc_column][/vc_row]
16 Jan 2020 | News and features
[vc_row][vc_column][vc_single_image image=”111830″ img_size=”full” add_caption=”yes”][vc_column_text]“When I talk about what’s happening in Saudi Arabia, I liken it to a really abusive relationship. First they [the state] gaslight you, they try to convince you that you’re not being abused, that this actually is for your own protection, for your best interests. Then when that doesn’t work out, then they beat you up and… when you escape from them they hunt you down and kill you,” said Safa Al Ahmad, award-winning Saudi Arabian journalist, at the launch of the winter 2019 issue of Index on Censorship magazine.
The issue is on the techniques that macho leaders around the world are using to stifle dissent, democracy and discussion, and how people are fighting back. From Brazilian President Jair Bolsonaro ranting against and disparaging media to Hungary’s Prime Minister Viktor Orbán using a rhetoric of family values to deny the LGBT community and others the same rights as “traditional” nuclear families, the magazine takes a global view.
Al Ahmad was joined for a panel discussion, held at Google HQ in London, with bestselling Chinese novelist Xiaolu Guo, Hungarian activist Dóra Papp and satirist and author Rob Sears. The panel was chaired by Rachael Jolley, editor-in-chief of Index on Censorship magazine.
Each panellist was invited to discuss a world leader. Al Ahmad opened with her striking analogy of abusive relationships to discuss Crown Prince of Saudi Arabia Mohammed bin Salman. She highlighted that her analogy was not an exaggeration, citing women’s rights campaigners who have ended up dead or in prison. “I think the feminist movement in Saudi must have been the most frightening for the state,” she said, explaining the lengths the state has gone to in order to silence women.
Al Ahmad also remarked on the absolutist relationship the Saudi state has with the media: “We [Saudi Arabia] have inventing the rulebook on shutting down dissent of any sort, so the state owns all the media. There is no independent media whatsoever to shut buyout – they already own it.”
Papp observed that Orbán has not locked up or killed dissenters “yet”, but that he is at the stage of attempting to create a sense of discord amongst Hungarians, thereby preventing unified protest. She said: “What this kind of leadership from Orbán is really pro in is… making the nation believe that they have to stay divided in order to protect their own identities and their own values.”
Family values is part of the rhetoric of Orbán’s government, which “concludes in a list of disadvantages for LGBT groups, for single mothers, for anyone who is thinking outside the box”. Papp, a successful campaigner, said that we need to be really cautious and not let this narrative divide people.
Guo, discussing China’s president Xi Jinping, spoke about the importance of a dominating personality in a “strongman” leader in order to control the narrative of a country. She said of Xi: “He has an extremely tough way of dealing with internal turmoil but also a very interesting and mysterious way of dealing with international conflict.” She also commented that tension between Xi and US President Donald Trump seems to be bringing about a cold war that “we thought had disappeared 20 years ago”.
A discussion about macho men would not be complete without a dissection of the presidency of Trump, which Sears did by observing how Trump stifles free expression, not by killing journalists, but by setting the media agenda. Sears highlighted two of Trump’s oratory traits: “One is that he is basically impossible to ignore and the other is that he is basically impossible to engage with.”
He explains that Trump’s repeated use of outrageous, implausible (think “build the wall” and “lock her up”) but clear images forces the media to report on them. He said: “You [journalists] can’t help but respond to them and make them the focus of attention, meaning that it’s tricky for other topics to make it into the highest levels of conversation.”
“I’m sure every politician finds the right language for that purpose. UK Prime Minister Boris Johnson cleary does and some of the other leaders we’ve talked about do as well… I don’t know if they are deliberate methods… but I do think that it’s been extremely effective against a decent, fruitful public debate in the states and worldwide.”
Click here to read more about the current magazine
Listen to Rachael Jolley and deputy editor of the magazine, Jemimah Steinfeld, discuss the current issue on Resonance radio here [/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][/vc_column][/vc_row]
13 Dec 2019 | Magazine, Magazine Contents, Volume 48.04 Winter 2019
[vc_row][vc_column][vc_custom_heading text=”With contributions from Jeffrey Wasserstrom, Miriam Grace Go, Tammy Lai-ming Ho, Karoline Kan, Rob Sears, Jonathan Tel and Caroline Lees”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]
The Winter 2019 issue of Index on Censorship magazine looks at the current pack of macho leaders and how their egos are destroying our freedoms. In this issue Rappler news editor Miriam Grace Go writes about how the president of the Philippines, Rodrigo Duterte, tries to position himself as the man by being as foul-mouthed as possible. Indian journalist Somak Goshal reports on how Narenda Modi presents an image of being both the guy next door, as well as a tough guy – and he’s got a large following to ensure his message gets across, come what may. The historian Jeffrey Wasserstrom considers exactly who the real Chinese leader Xi Jinping is – a man of poetry or military might? And Stefano Pozzebon talks to journalists in Brazil who are right in the firing line of Jair Bolsonaro’s vicious attacks on the media. Meanwhile Mark Frary talks about the tools that autocrats are using to crush dissent and Caroline Lees looks at the smears that are becoming commonplace as a tactic to silence journalists. Plus a very special spoof on all of this from bestselling comedic writer Rob Sears.
In our In Focus section, we interview Jamie Barton, who headlined this year’s Last Night at the Proms, an article that fits nicely with another piece on a new orchestra in Yemen from Laura Silvia Battaglia.
In our culture section we publish a poem from Hong Kong writer Tammy Lai-ming Ho, which addresses the current protests engulfing the city, plus two short stories written exclusively for the magazine by Kaya Genç and Jonathan Tel. There’s also a graphic novel straight out of Mexico.
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Special Report”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]Will the real Xi Jinping please stand up by Jeffrey Wasserstrom: China’s most powerful leader since Mao wears many hats – some of them draconian
Challenging Orbán’s echo chamber by Viktória Serdült: Against the odds a new mayor from an opposition party has come to power in Budapest. We report on his promises to push back against Orbán
Taking on the lion by Stefano Pozzebon: With an aggressive former army captain as president, Brazilian journalists are having to employ bodyguards to keep safe. But they’re fighting back
Seven tips for crushing free speech in the 21st century by Rob Sears: Hey big guy, we know you’re the boss man, but here are some tips to really rule the roost
“Media must come together” by Rachael Jolley and Jan Fox: Interview with the New York Times’ lawyer on why the media needs to rally free speech. Plus Trump vs. former presidents, the ultimate machometer
Tools of the real technos by Mark Frary: The current autocrats have technology bent to their every whim. We’re vulnerable and exposed
Modi and his angry men by Somak Ghoshal: India’s men are responding with violence to Modi’s increasingly nationalist war cry
Global leaders smear their critics by Caroline Lees: Dissenters beware – these made-up charges are being used across borders to distract and destroy
Sexism is president’s power tool by Miriam Grace Go: Duterte is using violent language and threats against journalists, Rappler’s news editor explains
Stripsearch by Martin Rowson: Putin, Trump, Bolsonaro – macho or… nacho?
Sounds against silence by Kaya Genç: Far from a bad rap here as Turkey’s leading musicians use music to criticise the government
Un-mentionables by Orna Herr: The truths these world leaders really can’t handle
Salvini exploits “lack of trust” in Italian media by Alessio Perrone: The reputation of Italian media is poor, which plays straight into the hands of the far-right politician
Macho, macho man by Neema Komba: A toxic form of masculinity has infected politics in Tanzania. Democracy is on the line
Putin’s pushbacks by Andrey Arkhangelskiy: Russians signed up for prosperity not oppression. Is Putin failing to deliver his side of the deal?[/vc_column_text][/vc_column][/vc_row][vc_row disable_element=”yes”][vc_column][vc_custom_heading text=”Global View”][vc_column_text]Trying to shut down women by Jodie Ginsberg: Women are being forced out of politics as a result of abuse. We need to rally behind them, for all our sakes[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”In Focus”][vc_column_text]Dirty industry, dirty tactics by Stephen Woodman: Miners in Brazil, Mexico and Peru are going to extremes to stop those who are trying to protest
Music to Yemen’s ears by Laura Silvia Battaglia: Could a new orchestra in Yemen signal the end of oppressive Houthi rule? These women hope so
Play on by Jemimah Steinfeld: The darling of the opera scene, Jamie Barton, and the woman behind a hit refugee orchestra, discuss taboo breaking on stage
The final chapter by Karoline Kan: The closing of Beijing’s iconic Bookworm has been met with cries of sadness around the world. Why?
Working it out by Steven Borowiec: An exclusive interview about workplace bullying with the Korean Air steward who was forced to kneel and apologise for not serving nuts correctly
Protest works by Rachael Jolley and Jemimah Steinfeld: Two activists on how their protest movements led to real political change in Hungary and Romania
It’s a little bit silent, this feeling inside by Silvia Nortes: Spain’s historic condemnation of suicide is contributing to a damaging culture of silence today[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Culture”][vc_column_text]Hong Kong writes by Tammy Lai-ming Ho: A Hong Kong poet talks to Index from the frontline of the protests about how her writing keeps her and others going. Also one of her poems published here
Writing to the challenge by Kaya Genç: Orna Herr speaks to the Turkish author about his new short story, written exclusively for the magazine, in which Turkish people get obsessed with raccoons
Playing the joker by Jonathan Tel: The award-winning writer tells Rachael Jolley about the power of subversive jokes. Plus an exclusive short story set in a Syrian prison
Going graphic by Andalusia Knoll Soloff and Marco Parra: Being a journalist in Mexico is often a deadly pursuit. But sometimes the horrors of this reality are only shown in cartoon for, as the journalist and illustrator show[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Index around the world”][vc_column_text]Governments seek to control reports by Orna Herr: Journalists are facing threats from all angles, including new terrorist legislation[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Endnote”][vc_column_text]Culture vultures by Jemimah Steinfeld: The extent of art censorship in democracies is far greaten than initially meets the eye, Index reveals[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_custom_heading text=”Subscribe”][vc_column_text]In print, online, in your mailbox, on your iPad.
Subscription options from £18 or just £1.49 in the App Store for a digital issue.
Every subscriber helps support Index on Censorship’s projects around the world.
SUBSCRIBE NOW[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_custom_heading text=”Read”][vc_column_text]The playwright Arthur Miller wrote an essay for Index in 1978 entitled The Sin of Power. We reproduce it for the first time on our website and theatre director Nicholas Hytner responds to it in the magazine
READ HERE[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_custom_heading text=”Listen”][vc_column_text]In the Index on Censorship autumn 2019 podcast, we focus on how travel restrictions at borders are limiting the flow of free thought and ideas. Lewis Jennings and Sally Gimson talk to trans woman and activist Peppermint; San Diego photojournalist Ariana Drehsler and Index’s South Korean correspondent Steven Borowiec
LISTEN HERE[/vc_column_text][/vc_column][/vc_row]
