19 Jul 2024 | China, Hong Kong, News and features, Newsletters, Russia
Has China entered a “garbage time of history”? Some netizens think so. According to a Guardian article from yesterday, the term is trending, coined to reflect a generation who feel squeezed by rising costs and other social burdens. Those behind the term even created a “2024 misery ranking grand slam”, which tallies up the number of misery points that a person might have earned this year (one star for unemployment, two stars for a mortgage, another for hoarding the expensive liquor Moutai and so on). I always felt bonded to many of my Chinese friends by what I’d say was a shared sense of humour – the dry, acerbic sort that Brits are famed for, the one that is still able to chortle no matter how bad the news. It’s very much on display in this story.
The censors though aren’t laughing. They’re scrubbing. Pity these people who take away the lemonade from those with lemons.
Two other stories emerged from the region this week that, while not necessarily “garbage”, were bad. The first concerned a rumour that Xi Jinping had a stroke (side note: Xi is 71, his mother is 97, and his father died aged 88). The rumour spread across Chinese social media and was picked up on X by the activist Jennifer Zeng, who has a huge following. It was later debunked, including by the Reuters Fact Check team here. In the interim, China’s censors blocked posts about it.
The story was troubling, and not just the censorship angle. There are perils to getting things wrong when you are meant to be on the side fighting for freedoms, a central one being that it’s an own goal, a way to feed into the autocrats’ line that it is others, not themselves, who can’t be trusted.
Another troubling story this week came out of Hong Kong. On Wednesday Wall Street Journal reporter Selina Cheng was laid off. The Post said it was part of a restructuring. Cheng believes it was linked to her taking up the position of chair at the Hong Kong Journalists Association, a union that campaigns for media freedom. She said she was pressed by her employer not to stand for election for chair, being told the role would be “incompatible with my employment at the Wall Street Journal”. The WSJ have not commented on her firing. But a pattern appears to be emerging of major international outlets being spooked by association with the HKJA. According to an article from the China Media Project, three recently elected members of the HKJA board, alongside an outgoing leader of the Foreign Correspondents’ Club of China, said they faced similar pressures.
“All asked to remain anonymous, fearing reprisals from their employers, but confirmed that the Journal is not alone: the biggest names in Hong Kong and China’s foreign press have been pressuring their employees to stand back and stay quiet, or face the repercussions. For the territory’s embattled journalists, defending the free press has become a fight on two fronts: against both an increasingly authoritarian government and their own employers, based in the West and nominally committed to liberal principles,” the article said.
Meanwhile Tom Grundy from Hong Kong Free Press, one of the few independent media to still operate from Hong Kong, told Index that the news added to the sense of vulnerability felt by journalists there. He said:
“When a giant international news organisation fails to support the city’s only independent media union and its officers, they further erode press freedom by closing precious space. It sends a terrible signal, and makes their own remaining staff more vulnerable in the long run. Especially locals.”
The Beijing supporting media of course is loving it. The Global Times tabloid was calling the press union “a malignant tumour that harms the city’s safety and security”.
Finally on the note of the WSJ, we have just heard news that the reporter Evan Gershkovich has been sentenced to 16 years in a Russian prison on espionage charges after he was arrested last March while on a reporting trip in the city of Yekaterinburg 1,600 km east of Moscow. That this news was predicable doesn’t make it any less disturbing. We will continue to fight for his release.
19 Jul 2024 | Middle East and North Africa, News and features, Syria
On a summer evening in June 2000, the Syrian official television channel interrupted its regular broadcast and announced the death of the country’s then President Hafez al-Assad.
The screen turned black, declaring a 40-day official mourning period, during which television viewers were subjected to programmes about the accomplishments and heroism of the deceased president.
News was all but suppressed for weeks. Added to that, it later became clear that the president had been dead for some time before it was even reported on TV.
Mohamad Mansour, editor-in-chief of the al Arabi al Qadeem website and a former employee of Syrian television said: “We must remember the state of confusion and caution that prevailed at that time. Media workers hesitated until they received orders to announce the death; I even remember one department head at the television channel presenting a film about animals, leading to his dismissal as the authorities considered it an insult to Assad.”
Delaying the announcement of disasters, misfortunes, and deaths had been the standard approach by the Syrian regime for decades, but when Assad’s son Bashar replaced his father that changed: the rapid dissemination of news, even about people in government inner circles, became the norm.
And now, it’s changing again. Controlling when and how news is released is increasingly becoming the norm and some are suggesting this is an ominous sign of growing Russian influence in state affairs.
The latest sign of this was when the president’s closest adviser, Mrs Luna Al-Shibil, was involved in a car accident. She died from her injuries a few days later. While the Syrian independent media waited only a few hours to announce the accident involving Al-Shibil, it was days later before her death was officially confirmed by the government.
Journalist and activist Mostafa Al-Nuaimi believes that the Syrian regime today is resorting to a policy of denial just as it did in the past.
He told Index, “With the presence of social media and the presence of international intersections and multiple decision-making circles within its state, it sometimes has to disclose information that does not align with the mentality with which it governs the country. ”
Al-Nuaimi, who has closely followed the Arab Spring revolutions, believes that this all heralds a new phase of “eliminations” within the regime’s institutions is coming, driven by foreign influence.
He said the regime’s tactics in dealing with these eliminations will not change. “This is through denial in the first phase, followed by disseminating information through parallel media outlets, and then the official announcement through official media outlets. This is what happened with Luna Al-Shibil.”
As rumours circulate about the cause of Al-Shibil’s death, Al-Nuaimi says there were “claims she was sending information about the issue of the Iranian militias in Syria and its implications on the Syrian regime, and based on that, she was removed and completely dismissed.”
Syrian journalist Ahmad Primo, director of the Verify fact-checking platform, said, “I do not want to delve into the cause of death or illness because that is a separate discussion, especially since the regime has a long history in this regard.”
Primo did not notice any particular delay in announcing her death, regardless of its causes.
Primo said, “the announcement was quick, even if indirect, through the Presidency’s account on X.” However, no such announcement was made on official state television.
Announcements about the health of the President’s wife Asma also seem to have changed, perhaps to take the focus away from the eliminations. London-born Asma was diagnosed with leukaemia in May this year, following a successful recovery from breast cancer discovered in 2018.
Primo said, “The regime’s media machinery has taken a direct announcement approach since the start of military intervention [in Ukraine], especially given Russia’s involvement in all [Syrian] state details”.
He added: “I will not delve into the topic of conspiracy but I believe the regime seeks to gain credibility for what it publishes by pre-empting other media outlets.”
There is also the matter of the news that is never announced. Primo says that there is a lot of news about senior figures that is not officially announced but only becomes known to the media through leaks.
After nine years of Russian military intervention in Syria, observers believe that President Putin has achieved a large part of his goals. He has an effective strategic and military presence on the shores of the Mediterranean (huge Russian military bases have been built there), and President Bashar al-Assad has become a supporter of his war in Ukraine even if that support is only in the media.
In a recent television interview, the Syrian president expressed his confidence that Russia would “emerge victorious” from the conflict in Ukraine and would once again “unite the two brotherly peoples”.
Egyptian journalist Hossam Al-Wakeel, editor-in-chief of fact-checking website Tafnied, said: “The official discourse is a fundamental means by which governments deliver information and form perceptions and concepts among the public and the different parties associated with the state.”
He added: “The official discourse must be responsible and transparent, but reality often does not align with this for many governments.”
He continued: “In the Syrian case…this pattern, if it has changed, should be linked to the political process managed by the regime at present, and the evolving nature of its relations and negotiations with the international community and with Russia.”
The delay or otherwise in making announcements by the regime is about political management and appeasing allies.
“There are potential gains [to be had] from accelerating the announcement of crises or disasters,” says Al-Wakeel, who says that Bashar al-Assad will be considering the internal situation as well as changes in the level of international engagement with the Syrian issue in light of the war in Ukraine and the war in Palestine to explore how best to take advantage.
As Russia consolidates its military grip on the country, its grip on the media appears to be tightening too.
12 Jul 2024 | Europe and Central Asia, France, Germany, Netherlands, News and features, Russia
A network of accounts flooded social media with disinformation in the run-up to the European Parliamentary elections a new report has found.
The report was commissioned by the Social Democrats in the European Parliament (S&D) grouping together with the Dutch delegation GroenLinks-PvdA and produced by disinformation specialisists Trollrensics.
It reveals that organised networks of thousands of accounts, which the researchers believe are of likely Russian origin, actively influenced public opinion on X in France and Germany during the elections while voters in the Netherlands, Italy and the English-speaking public were also affected by the troll networks
Trollrensics’ data analysis showed that at least 20% of all tweets about the French far-right politician Zemour came from this troll network, for example. However, the research company estimated the actual percentage is significantly higher as the networks manipulated the X algorithm to amplify specific themes.
The research also found that German political party AfD received a huge boost thanks to the troll army. At least 10.7% of the tweets about the AfD came from the disinformation network.
The network focused mainly on spreading pro-Russian propaganda, messages about anti-vaxxers with anti-vaccination narratives and anti-LGBTIQ+ messages.
Thijs Reuten, an MEP for the S&D, said, “We commissioned this independent study as we were curious about the extent of online foreign interference and how measurable it is – especially because this sometimes seems so hard to ascertain. This study has shown that significant influence took place during the European elections. Troll armies managed to make topics trend and at the same time make certain news reports less visible.”
Reuten added, “This clearly shows our democracy is vulnerable and that foreign powers are willing to spend a lot of money and effort to sow division in our population. We need to defend ourselves better against such organised attempts of foreign interference. I expect the European Commission and the intelligence services to be on top of this. Our open society is in danger if troll armies are able to manipulate social media and, therefore, the public debate”.
The report confirms concerns from European groups that large-scale troll networks from Russia were attempting to influence the outcome of the elections.
12 Jul 2024 | Europe and Central Asia, Israel, Middle East and North Africa, News and features, Russia, United Kingdom
A Russian art collective which was due to open a show in London highlighting the plight of opponents of the Putin regime claim their exhibition was cancelled at the last minute because one of them was Israeli.
The Pomidor group was founded in Moscow in 2018 by the artists Polina Egorushkina and Maria Sarkisyants, but the duo was forced to relocate two years ago after the Kremlin crackdown on opposition activity. Egorushkina now lives in London and Sarkisyants in Ashkelon in southern Israel.
Their latest show, Even Elephants Hold Elections, was part of an ongoing project about free expression designed to challenge people in democratic countries to understand life in an authoritarian regime and reflect on their own experience. Pomidor’s work includes embroidered banners celebrating political prisoners which the artists display in friends’ windows and phone booths on the street.
Among these are tributes to Viktoria Petrova, imprisoned in a psychiatric unit for anti-war social media posts, Mikhail Simonov, a 63-year-old pensioner arrested for comments on other people’s social media and 13-year-old Masha Moskaleva, who was taken away from her father after drawing anti-war pictures at school.
The show was due to open on 3 July at the Metamorphika Gallery in east London. But on the evening before, the two artists were told the gallery had received messages raising concerns about “inappropriate behaviour” on social media.
This referred to two posts pinned on Maria’s Instagram account. One post from 7 October expressed her horror at the “terrible evil” and included the words, in Russian, “Israel my beloved, we are here, we are here to support each other, all my thoughts are with the kidnapped, let only them return home alive. Eternal memory to the fallen.” A second post marked the one-month anniversary and expressed solidarity with the Israeli hostages and their families.
Sarkisyants told Index they were called to an urgent meeting the next day: “They showed me the two posts and said you should clarify your position. I said, I am from Israel and there was nothing in the post but facts: 1200 people were killed and 300 became hostages.”
The gallery asked Pomidor to sign a joint statement with Metamorphika condemning “the Zionist regime”, which they refused to do. “I’m Israeli. I was there,” said Sarkisyants. “What they proposed was impossible for me to do”
After several hours of discussion, Pomidor suggested a compromise of putting the exhibition solely in the name of Polina, but the gallery demanded the collective remove all work connected with Maria. At this point the exhibition was cancelled.
Pomidor posted on Instagram: “The problem came up because Maria is from Israel.”
This is something the gallery strongly denies. Metamorphika founder Simon Ballester told Index: “We were really compassionate with her story. But we asked her to say she had empathy for Palestinians and was against the war crimes.”
Ballester said the problem came when Sarkisyants expressed her support for the Israeli government’s actions in Gaza.
“It’s outrageous” the artist told Index. “I told them I do not support Netanyahu or his government. I feel they betrayed us. We expected them to protect us, but they didn’t. But I support my country Israel and its people.”
Since the cancellation of the show, Metamorphika claims it has received over a thousand “hate mails, insults and threats”. According to Ballester, he and his colleagues have been accused of being “Nazis, rapists, antisemites and misogynistic scumbags”.
Asked if he now regretted cancelling the show he said: “I think it was the right thing. I’m sorry it was the day of the show. That was really unfortunate.” He said the gallery operated on humanist principles and was striving for peace and equality.
The Pomidor exhibition will next travel to Montreal in Canada and the artists are in discussion with a gallery in London to host the show later in the year.
