The information war between Russia and Ukraine

A makeshift shrine remembers the Ukrainians killed during the protests in Maidan Square. (Photo: Sean Gallagher for Index on Censorship)

A makeshift shrine remembers the Ukrainians killed during protests on Maidan Nezalezhnosti. (Photo: Sean Gallagher / Index on Censorship)

“There is no civil war in Ukraine. It is a war between Russia and Ukraine, and it is inspired by heavy Russian propaganda,” says Volodymyr Parasyuk as we sit in a café on the main square of the regional capital Lviv in western Ukraine.

This year Parasyuk became a national hero in his country. Some say he changed history when he made a passionate speech on Maidan Nezalezhnosti in Kiev on 21 February 2014, after the police killed about 100 protesters. Parasyuk, head of a sotnia, a unit of 100 men, and part of the protesters’ defence force, demanded President Yanukovich resign and said otherwise protesters would launch an armed attack. The next day the head of state fled the country, and there was a new government formed in Ukraine.

Parasyuk knows what he is saying about war. He joined a voluntary battalion of Ukrainian forces and fought separatists in the east of his country during the summer and autumn. He was wounded and spent a couple of days in detention, but managed to escape.

“This is direct aggression by the Kremlin against my country. This war is completely directed from Russia. We do not have internal reasons to fight each other, the conflict is provoked by lies and propaganda that come from the east,” says Parasyuk.

Statues near Maidan Nezalezhnosti celebrate the friendship between Russia and the Ukraine. (Photo: Sean Gallagher / Index on Censorship)

Statues near Maidan Nezalezhnosti celebrate the friendship between Russia and the Ukraine. (Photo: Sean Gallagher / Index on Censorship)

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This excerpt was posted on 18 December 2014 at indexoncensorship.org

Padraig Reidy: The paranoid style in Turkish politics

Turkish President Recep Tayyip Erdogan (Photo: Philip Janek / Demotix)

Turkish President Recep Tayyip Erdogan (Photo: Philip Janek / Demotix)

What’s wrong with Turkey? Or, more to the point what is wrong with Turkey’s president that makes him so determined to fight, like a two a.m. drunk vowing to take on all comers?

In the past week alone, Turkey’s President Recep Tayyip Erdoğan and his allies have launched attacks on his former ally Fethullah Gülen and his followers, novelists Orhan Pamuk and Elif Shafak, and even supporters of Istanbul soccer club Besiktas. It would be foolish to attempt to rank these attacks in terms of importance or urgency, but the attack on the Gülenites is the most interesting.

The Gülen movement was almost unknown to anyone outside Turkey and the Turkish diaspora until 2008, when Fethullah Gülen topped an online poll run jointly by Prospect and Foreign Policy magazines. The poll was almost certainly hijacked by members of the movement, which its leader modestly claims doesn’t really exist (“[S]ome people may regard my views well and show respect to me, and I hope they have not deceived themselves in doing so,” Gülen conceded in an interview with Foreign Policy. “Some people think that I am a leader of a movement. Some think that there is a central organization responsible for all the institutions they wrongly think affiliated with me. They ignore the zeal of many to serve humanity and to gain God’s good pleasure in doing so.”)

The movement, known to some as “Hizmet”, is seen as bearing great power in Turkey. In a country well used to conspiracy theories about secret organisations — such as the perceived ultra-nationalist, ultra-secular Ergenekon — it is unsurprising that the Gülenists attract suspicion. Their cultishness does little to allay that sentiment.

Among the many weapons at the disposal of the movement are its newspapers, the Turkish Zaman and English-language Today’s Zaman. It was journalists from Zaman, among others perceived as Gülenites, who were arrested over the weekend, as reported by Index.

The move by Erdoğan against Gülenists is widely seen as part of Erdoğan’s defence against allegations of corruption within his party — allegations he believes are led by Gülenists within the police and other agencies.

With their journalists arrested, the Gülenists now find themselves facing the kind of censorship they themselves espoused not so long ago.

In 2011, journalist Ahmet Sik was working on a book called Army of the Imam, which was sought to expose the Gülenists’ connections with the police. The manuscript was seized by authorities. When Andrew Finkel, then a columnist with Today’s Zaman (and occasional Index contributor), submitted an article suggesting that the Gülen movement should not support such censorship, he was sacked by the paper. (The column subsequently appeared in rival English-language newspaper Hurriyet Daily News)

It’s tempting amid all this to wish for a plague on all their houses. But as one Turkey watcher pointed out to me, it’s inevitable that some innocents will get caught in the crossfire between the former allies in Erdoğan’s Islamist AK party and the Gülen movement.

Meanwhile, in keeping with the paranoid style of Turkish politics, pro-Erdoğan newspaper Takvim identified an external enemy in the shape of an “international literature lobby”.

The agents of that lobby, which is clearly anti-Turkish rather than pro-free speech, were identified as Orhan Pamuk and Elif Shafak. It is, in its own way, true that Shafak and Pamuk are part of the international literature lobby: London-based Shafak can often be seen at English PEN events, and Pamuk has long been identified as a literary and free speech hero around the world. But it is an enormous stretch to imagine that the novelists of the world are gathering in smoke-filled rooms plotting the overthrow of the Turkish state, rather than just hoping that Turkish people should be allowed write and read books in peace. Takvim went as far as to imagine that the authors were paid agents of the “literature lobby”, which is to make the terrible mistake of imagining there’s money in free speech. No matter: paranoia excels at inventing its own truths.

Amidst all this, less glamorous than Pamuk and Shafak, less powerful than Gülen and Erdoğan, fans of Besiktas football club too face persecution. The “Çarşı” group are claimed to have attempted a coup against the government after playing a prominent role in the Gezi park protests. Supporters of the tough working class Istanbul club, known as the Black Eagles, have a reputation for anti-authoritarianism and political activism. According to Euronews’ Bora Bayraktar: “While the court’s verdict is uncertain, what is known is that the Çarşı fans – often proud to be ahead of their rivals – have become the first football supporters’ group to be accused of an attempted coup.”

A source in Istanbul tells Index that when asked how he answered to the charge of fomenting a coup, one accused supporter replied: “If we’re that strong we would make Beşiktaş the champions!”, a prospect as unlikely for the underdog club as a dull but functioning liberal democracy seems for Turkey.

This article was posted on 18 December 2014 at indexoncensorship.org

Winter 2014: Drafting freedom to last

[vc_row][vc_column][vc_custom_heading text=”Packed inside this issue, are; an interview with fantasy writer Neil Gaiman; new cartoons from South America drawn especially for this magazine by Bonil and Rayma; new poetry from Australia; and the first ever English translation of Hanoch Levin’s Diary of a Censor; plus articles from Turkey, South Africa, South Korea, Russia and Ukraine.”][vc_row_inner][vc_column_inner width=”1/2″][vc_column_text]

Also in this issue, authors from around the world including The Observer’s Robert McCrum, Turkish novelist Elif Shafak, and Nobel nominee Rita El Khayat consider which clauses they would draft into a 21st century version of the Magna Carta. This collaboration kicks off a special report Drafting Freedom To Last: The Magna Carta’s Past and Present Influences.

[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/2″][vc_single_image image=”62427″ img_size=”full”][/vc_column_inner][/vc_row_inner][vc_column_text]

Also inside: from Mexico a review of its constitution and its flawed justice system and Turkish novelist Kaya Genç looks at recent intimidation of women writers in Turkey.

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”SPECIAL REPORT: DRAFTING FREEDOM TO LAST” css=”.vc_custom_1483550985652{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]

The Magna Carta’s past and present influences

Making a 21st-century Magna Carta – Robert McCrum, Hans-Joachim Neubauer, Danny Sriskandarajah, Rita El Khayat, Elif Shafak, Renata Avila, Ferial Haffajee and Stuart White suggest a modern version

1215 and all thatJohn Crace writes a digested Magna Carta

Stripsearch cartoon – Martin Rowson imagines a shock twist for King John

Battle royal – Mark Fenn on Thailand’s harsh crackdown on critics of the monarchy

Land and freedom? – Ritu Menon writes about Indian women gaining power through property

Give me liberty – Peter Kellner on democracy’s debt to the Magna Carta

Constitutionally challenged – Duncan Tucker reports on Mexico’s struggle with state power

Courting disapproval – Shahira Amin on Egypt’s declining justice as the anniversary of the military takeover approaches

Digging into the power system – Sue Branford reports on the growth of indigenous movements in Ecuador and Bolivia

Critical role – Natasha Joseph on how South African justice deals with witchcraft claims

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”IN FOCUS” css=”.vc_custom_1481731813613{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]

Brave new war – Andrei Aliaksandrau reports on the information war between Russia and Ukraine

Propaganda war obscures Russian soldiers’ deaths – Helen Womack writes about reports of secret burials

Azeri attack – Rebecca Vincent reports on how writers and artists face prison in Azerbaijan

The political is personal  – Arzu Geybullayeva, Azerbaijani journalist, speaks out on the pressures

Really good omens – Martin Rowson interviews fantasy writer Neil Gaiman, listen to our podcast

Police (in)action – Simon Callow argues that authorities should protect staging of controversial plays

Drawing fire – Rayma and Bonil, South American cartoonists’ battle with censorship

Thoughts policed – Max Wind-Cowie writes about a climate where politicians fear to speak their mind

Media under siege or a freer press? – Vicky Baker interviews Argentina’s media defender

Turkey’s “treacherous” women journalists – Kaya Genç writes about dangerous times for female reporters, watch a short video interview

Dark arts – Nargis Tashpulatova talks to three Uzbek artists who speak out on state constraints

Talk is cheap – Steven Borowiec on state control of South Korea’s instant messaging app

Fear of faith – Jemimah Steinfeld looks at a year of persecution for China’s Christians

Time travel to web of the past and future – Mike Godwin’s internet predictions revisited, two decades on

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”CULTURE” css=”.vc_custom_1481731777861{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]

Language lessons – Chen Xiwo writes about how Chinese authors worldwide must not ignore readers at home

Spirit unleashed – Diane Fahey, poetry inspired by an asylum seeker’s tragedy

Diary unlocked – Hanoch Levin’s short story is translated into English for the first time

Oz on trial – John Kinsella, poems on Australia’s “new era of censorship”

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”COLUMNS” css=”.vc_custom_1481732124093{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]

Global view – Jodie Ginsberg writes about the power of noise in the fight against censorship

Index around the world – Aimée Hamilton gives an update on Index on Censorship’s work

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”END NOTE” css=”.vc_custom_1481880278935{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]

Humour on record – Vicky Baker  on why parody videos need to be protected

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”SUBSCRIBE” css=”.vc_custom_1481736449684{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]Index on Censorship magazine was started in 1972 and remains the only global magazine dedicated to free expression. Past contributors include Samuel Beckett, Gabriel García Marquéz, Nadine Gordimer, Arthur Miller, Salman Rushdie, Margaret Atwood, and many more.[/vc_column_text][vc_row_inner][vc_column_inner width=”1/2″][vc_single_image image=”76572″ img_size=”full”][/vc_column_inner][vc_column_inner width=”1/2″][vc_column_text]In print or online. Order a print edition here or take out a digital subscription via Exact Editions.

Copies are also available at the BFI, the Serpentine Gallery, MagCulture, (London), News from Nowhere (Liverpool), Home (Manchester), Calton Books (Glasgow) and on Amazon. Each magazine sale helps Index on Censorship continue its fight for free expression worldwide.

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Turkey: “An attack on women journalists is an attack on freedom”

“An attack on women journalists is an attack on freedom,” says novelist Kaya Genç, in a short video interview ahead of the publication of his article on the intimidation of women journalists in Turkey in the latest Index on Censorship magazine.

Genç’s comments come as the country has been gripped by a crackdown on opposition and members of the media.

Genç, a Turkish novelist based in Istanbul, is a contributing editor to Index on Censorship magazine.

Subscribe to Index on Censorship magazine by Dec 31, 2014 for 25% off a print subscription.

This article was posted on 17 Dec 2014 at indexoncensorship.org

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