30 Sep 2014 | Hungary
Hungarian Police © Paul Appleyard/CreativeCommons/Flickr
Photographs revealing the identity of police officers can now legally be published in Hungary.
A recent ruling of the Hungarian Constitutional Court means that news organisations can now publish unaltered photographs showing the faces of police officers without gaining prior consent
Since 2007, the Hungarian Judicial System considered the personal privacy of police officers to hold greater importance than them being published in the public interest.
Hungarian journalists regularly masked the faces of the police, or manipulated the image so that the officers could not be identified.
The Constitutional Court ruled that if the photograph is taken in a public place, shows the subject in an unbiased manner, and there is clear public interest involved in distributing the picture, then it can be published without the consent of the officer.
30 Sep 2014 | Egypt, News and features, Press Releases, Religion and Culture
Index on Censorship’s Shout Art Loud, an interactive documentary highlighting how Egyptian graffiti artists, cartoonists, dancers and actors are fighting back against rising levels of violence and sexism on the streets of Cairo, has been named to the shortlist of the annual Amnesty International media awards.
Nominated in the Digital Innovation category, Shout Art Loud, created by Melody Patry, joins The Guardian’s The Shirt on Your Back and the Bureau of Investigative Journalism’s Covert Drone War on the short list.
Documentary maker Patry interviewed actors, dancers and other artists around Egypt, where 99% of women have experienced some form of sexual harassment, and 80% feel unsafe on the street. Sexual violence has risen sharply in Egypt in the past few years. During the period February 2011 to January 2014, Egyptian women’s rights groups documented thousands of cases of sexual harassment, as well as crimes of sexual violence against at least 500 women, including gang rapes and mob-sexual assaults with sharp objects and fingers.
With police, politicians and the judiciary seeming incapable of tackling the issue effectively, activists are turning to the arts to help lead the fight back. “Art is one of the most necessary mediums to impact society,” says Deena Mohamed who created a web-comic about a hijab-wearing superheroine who fights daily sexual harassment. “For people who are unaware of the issues women go through, I hope it helps them understand or at least give them something to think about.”
An interactive documentary intended as a “living report” that will be continuously updated, Shout Art Loud shows how Cairo residents are using different tactics to fight rising sexual harassment, including pro-women graffiti, drama workshops and street performances.
“We believe that spreading images, things that people are familiar with, women figures that people know and sayings that people know brings back some positivity about women in general,” says Merna Thomas, co-founder of a graffiti campaign to promote women’s rights in Cairo’s public spaces.
See how Egyptians are using theatre, dance, music and street art to tackle the issue of sexual harassment and violence against women in Egypt in this interactive documentary, which features interviews with artists, original artwork, videos and performances, including from Index’s 2014 Freedom of Expression Arts Award winner Mayam Mahmoud. You can access the documentary here: indexoncensorship.org/shoutartloud
“This innovative documentary is a reminder of the vital role artistic expression plays in tackling taboo subjects like sexual violence — in Egypt and beyond,” said Index CEO Jodie Ginsberg. “We want to bring this issue to a wider audience to show just how important artists and writers can be in bringing about change, and to tell the story in a new way.”
For further information and interview requests, please call +44 (0)207 260 2660
29 Sep 2014 | Europe and Central Asia, News and features, Serbia
Serbian journalists last night gathered outside the studios of national broadcaster B92, in protest at the decision to cancel politics talk show Utisak Nedelje (Impressions of the Week).
B92 claims the popular show — on air since 1991 — has not been cancelled but postponed due to a breakdown in negotiations with its author and presenter Olja Beckovic, according to news site Balkan Insight. The channel says they had offered to continue broadcasting the show on its national frequency channel — its home since 2002 — until November, when it would be bumped to the cable channel B92 Info. But Beckovic says the show has been banned following political pressure.
“I absolutely never experienced such blackmail and pressure before,” she told website Vesti in an interview published on Friday. “And there’s something very interesting about that. People say this is a return to the 1990s. No it’s not, it’s worse than the 1990s.”
In March, the Progressive Party (SNS) convincingly won Serbia’s general election and its leader Aleksandar Vucic became the prime minister. With a chequered track record on press freedom, both as deputy prime minister in the previous government and as Slobodan Milosevic’s information minister, Index wondered at the time what impact his new role may have on Serbia’s media. Six months on, what is happening with Utisak Nedelje is just the latest addition to a worrying pattern.
It did not take long for claims of censorship to be levelled at the Vucic government. In May, Serbia and surrounding countries were hit by devastating floods. Authorities imposed a temporary state of emergency, which gave them the power to detain people for “inciting panic”. Meanwhile, online criticism of the government’s handling of the crisis was targeted. Critical articles and blogs were removed, and whole websites, including the independent news outlet Pescanik, were blocked and subjected to DDoS attacks. While it is unconfirmed who exactly was behind these incidents, they already then constituted a “worrying trend”, according to the Organisation for Cooperation and Security in Europe (OSCE).
Index has tracked the media freedom situation in Serbia since the early days of the current government. There have been reports of a journalist being interrogated by police for sharing a Facebook post, as well as physical and verbal attacks — often with impunity. But indirect control of media, smear campaigns and other methods of covert “soft censorship” also pose a serious challenge to Serbian press freedom. “Milošević never muzzled the media this perfidiously. His methods were far less sophisticated and everything was out in the open,” said Beckovic. And it seems her colleagues agree that censorship is prevalent. Ninety per cent of journalists responding to a recent survey said censorship and self-censorship does exist in Serbian media, while 73% and 95%, respectively, said the media does not report objectively and critically.
The public dispute between authorities and the Balkan Investigative Journalism Network (Birn) is one example. The group reported that the government paid significantly more than partner Etihad Airways for a nearly equal stake in new company Air Serbia. Vucic denied the story, saying it was based on an unused draft version of the contract. Days later, pro-government newspaper Informer published an article accusing journalists from Birn and Serbia’s Centre for Investigative Journalism (Cins) of stalking and spying on Vucic. Birn has called this a “campaign to discredit” their work.
“I have the impression that the situation is getting worse,” Mehmet Koksal from the European Federation of Journalists (EFJ) told Index. He cites recent reports of Serbian politicians allegedly faking academic qualifications. “In those articles you can easily measure the level of tolerance from the government to independent media owners,” he explains. He says some newspaper that pushed the story were accused in pro-government outlets of carrying out propaganda for foreign countries. “This is the kind of conspiracy theory that we used to see from different countries.” Pescanik was again brought down by DDoS attacks for reporting the story.
Recent amendments to the country’s media laws will see the state withdraw from nearly all media funding by July 2015. The move has been welcomed by many, but as think tank Osservatorio Balcani e Caucaso points out, this alone will have limited impact: “Private tabloids have been for some time the main supporters of the government, and influence is exerted indirectly, mostly through the advertising market.”
Serbia has also adopted a new labour law which was heavily opposed by trade unions. Koksal claims that union leaders have faced media attacks and smear campaigns. If certain media groups or owners have an interest developing good relationships with the Serbian government, he explains, you can “easily understand why they are doing the dirty job” of attacking opposition. But finding out who exactly funds which outlet is not always easy, as bids to increase transparency of ownership has been met with resistance from private media.
After the elections, Index spoke to Lily Lynch, the founder and editor of the English-language online magazine The Balkanist, which used to be based in Belgrade. She recently decided to leave Serbia due to the pressure she has faced as an independent journalists.
“I was pessimistic about the potential for the media situation in Serbia to worsen when the new government, led by Prime Minister Aleksandar Vucic, came to power in March. But I think the mask has slipped much faster than any of us expected,” she tells Index.
Lynch also believes international actors have a role to play in the worsening levels of press freedom in Serbia, explaining how the US embassy in Belgrade earlier this year told her to leave the country until after the election. “It seems the US embassy thought it was probably a better idea if I was gone because we were critical of the Vucic regime, which they supported pretty unambiguously.”
She also argues that international media bears some responsibility. “In the pre-election period, the English-language media was pretty uniform in its portrayal of Vucic as some kind of redemptive success story. There were headlines like ‘From Authoritarian Censor to EU Partner’, or ‘From Nationalist Hawk to Devout Europeanist’,” she says.
“Was it responsible for major, supposedly ‘objective’, well-respected publications to project such an image? I would say no, and it’s something I think we need to look at ourselves.”
Vucic has been widely lauded as a reformer, who has set Serbia firmly on the path to EU accession — the country’s main driver of reforms. In 2015, Serbia will also take over the chairmanship of the OSCE. During that organisation’s ongoing high-level human rights conference, the Serbian delegate said the OSCE region’s freedom of expression and media in will be high on their agenda as chairs. Many would argue they could start the work at home.
Correction 09:34, September 30: An earlier version of the article stated that Mehmet Koksal works for the International Federation of Journalists.
This article was published on Monday September 29 at indexoncensorship.org
Serbia: Protesters opposing Belgrade Pride Parade attack B92 offices
Serbia: Photographer injured by anti-pride parade protesters
Serbia: B92 TV station scrapped well-known political talk show
Serbia: Security officer interfered with journalist during political party rally
Serbia: Journalists from “Juzne vesti” labelled foreign mercenaries
26 Sep 2014 | Campaigns, Statements
We the undersigned members of Artsfex condemn an alarming worldwide trend in which violent protest silences artistic expression that some groups claim is offensive. People have every right to object to art they find objectionable but no right whatsoever to have that work censored. Free expression, including work that others may find shocking or offensive, is a right that must be defended vigorously.
We call on artists, arts venues, protestors and the police to work together as a matter of urgency, to stand up for artistic free expression and to ensure that the right to protest does not override the right to free expression. This means that every possible step is taken to ensure that the art work remains open for all to see, while protesters voices are heard.
We must prevent the repetition of recent ‘successful protests’ in which the artist is silenced by threats of violence towards the institution, the work or the artist him or herself, as we saw with Exhibit B in London, and The City, the hip-hop opera by the Jerusalem-based Incubator Theatre company, which was disrupted and consequently cancelled earlier this year in Edinburgh.
Greater clarity around policing of controversial arts events is an essential first step. In the United Kingdom there is nothing at present in Association of Chief Police Officers guidance relating to the particulars of policing cultural events, except in reference to football matches and music festivals.
Controversial art triggers debate – and in the case of Exhibit B there was a huge outpouring of feeling in opposition to the work. A contemporary institution should anticipate and provide for this. Detailed planning such as this is important if the arts venue is to cater for both the artwork and the debate it generates.
We are concerned that unless arts institutions prepare procedures to manage controversy, including to develop strategies for working with the police to control violence, our culture will suffer as a result and become less dynamic, relevant and responsive.
Article 19
freeDimensional
Freemuse
Index on Censorship
National Coalition Against Censorship (US)
Vivarta
For further information, please call 0207 260 2660
About Artsfex
ARTSFEX is an international civil society network actively concerned with the right of artists to freedom of expression as well as with issues relating to human rights and freedoms. ARTSFEX aims to promote, protect and defend artistic freedom of expression, and freedom of assembly, thought, and opinion in and across all art disciplines, globally. http://artsfex.org/
