13 May 2014 | Campaigns, Statements
Rt Hon Theresa May MP
Home Secretary
Peel Building
2 Marsham Street
London
SW1P 4DF
Dear Home Secretary,
We are writing to ask that you launch an urgent investigation into why Cambridgeshire Police called on a Twitter user at home and demanded he remove a tweet about a political party– even though he had committed no crime.
We understand from Michael Abberton that police visited him without warning at home following a complaint from a UKIP councillor over a tweet in which Mr Abberton mocked the party. We believe that the actions of the police are a direct affront to freedom of speech, and represent a worrying trend in the UK towards freedom of speech on social media in particular.
The case of Mr Abberton is particularly disturbing because of the political involvement in the complaint. Free speech is vital in a functioning democracy and must be protected at all times, but its importance is often felt most keenly at election time. We believe that the actions of the Cambridgeshire Police set a troubling precedent.
We ask that you investigate this matter immediately and further call on you clarify to police all laws relating to free speech and to elections. That the police saw fit to take this complaint any further than the police station is troubling enough but two further aspects of this case also require address. The first is that the police visited Mr Abberton – who it was clear had committed no crime – at his home, without warning. No one should have to fear a knock on their door by police for simply exercising their legitimate right to speak freely.
Secondly, we understand that the police who visited Mr Abberton asked him not to tweet about their visit. Such behaviour would not look out of place in a totalitarian regime and is a further affront to free speech and expression in a country that has often led the way in condemning such behaviour elsewhere.
These questions need answers swiftly. We call for any investigation to include clear recommendations on how such incidents will be prevented in future and look forward to hearing from you on how you plan to deal with this matter.
Yours faithfully,
Jodie Ginsberg, Chief Executive
Index on Censorship
(PDF Version)
13 May 2014 | News and features, Religion and Culture, Zimbabwe
Zimbabwe barred the South Africa band Freshlyground from entering the country.
Members of the South African band Freshlyground were denied entry to Zimbabwe just hours before they were set to play at the closing night of the Harare International Arts Festival (HIFA) last week. The county’s political leaders “have yet to find a sense of humour” the band said.
The group was turned away at Harare International Airport. They were told there was no official reason given or required for sending them back home.
The state-owned daily, The Herald, has subsequently quoted regional immigration officer Francis Mabika saying the band did not have valid work permits. However, organisers at HIFA confirmed in a statement that all the performers at this year’s festival, including Freshlyground, had made payment and received clearances from the National Arts Council, and had obtained temporary work permits.
It is believed the group’s 2010 song Chicken to Change, which accuses president Robert Mugabe of being too afraid to relinquish power, is the primary factor for Freshlyground being turned away even though the song is almost four years old. Days after it first hit airwaves, Freshlyground’s visas to perform at a concert at the Wild Geese Lodge in Harare were revoked. The Zimbabwean authorities do not seem to have changed their minds about the message in the music.
The catchy tune starts off praising Mugabe for being a “superhero” and “noble” in his early years but then takes a critical look at his rule. The accompanying video, which was made in collaboration with the satirical political cartoon show ZANEWS, features a caricature of Mugabe cruising the streets in a limousine, reading Bob’s Times and ignoring his surroundings, save for winding down his window when his car runs over a chicken to observe what appears to be poor people on the side of the road holding other chickens, and then rolling it back up.
Towards the end of the song, lead singer Zolani Mahola concludes with: “You promised always to open the doors for us. Indeed it is you and only you who sleeps with the key. You are chicken to change,” as Mugabe’s head transforms into a chicken’s in the back seat of the vehicle. The rooster is symbolic as it is on the logo of Mugabe’s party, ZANU-PF, which has ruled Zimbabwe for more than three decades but was also a way of depicting poverty in the country because poultry was used as a currency during hyperinflation.
In an interview with Public Radio International (PRI) Mahola explained the crisis in Zimbabwe during the mid-2000s inspired the band, which has one Zimbabwean member in flutist Simon Atwell, to write the song. “It’s been very obvious to see the degradation and how bad the situation is, and how fearful people had become, more and more, under the government of Mugabe. And so, we wrote the song,” Mahola said.
Their approach contrasts with the overall stance coming out of South Africa, especially from political figures, which has been to sidestep the Zimbabwean issue. Although South Africa is home to more than a million Zimbabweans who fled their homeland, the country’s politicians have refused to condemn Mugabe. Instead they have opted for quiet diplomacy, the term coined during Thabo Mbeki’s presidency, which essentially referred to ignoring the Zimbabwean problem.
The artistic corner has also been relatively silent on Zimbabwe apart from DJ Cleo, a kwaito performer, who was banned from performing in Bulawayo in 2006 after he questioned Mugabe’s economic management. Freshlyground, whose music is known for being uplifting and includes the 2010 World Cup anthem Waka Waka, are unlikely candidates to take up the cause but as their bass player, Josh Hawks, explained to PRI, they are willing to be advocates on occasion. “We’re musical-political as opposed to political-musical. But, we are affected by what goes on around us.”
Apart from a few tweets on their departure and a brief statement, the band have refused to comment further on the incident but assured supporters in Zimbabwe they remain committed to visiting the country again. Freshlyground had previously played in Zimbabwe at HIFA in 2004 and the National Arts Merit Awards in 2009 but have not been back since.
Their statement reads: “The band are hugely disappointed at the missed opportunity to return to one of their favourite performance venues, and is left saddened that once more Freshlyground were unable to connect with their fans in Harare. Freshlyground remain undeterred however, and hope that in the not too distant future will be allowed to celebrate a love of music and a freedom of expression with the people of Zimbabwe.”
HIFA’s director Manuel Bagorro called it a “sad day” for Zimbabweans and the festival organisers refunded tickets to the closing night, which were valued at £14 each. They also claim to have received an assurance from the government that the group would be allowed back into Zimbabwe in future.
Freshlyground was not the only source of controversy at this year’s HIFA. A play titled Lovers in Time caused a stir because the two spirit mediums from the 1800s switch sexes and race as they come back to modern Zimbabwe. The final showing of the play was delayed by half-an-hour and played out in with police present.
This article was posted on May 13, 2014 at indexoncensorship.org
13 May 2014 | News and features, Nigeria, Pakistan, Religion and Culture
More than three weeks after the abduction of over 200 schoolgirls from the northern Nigerian town of Chibok by Boko Haram (BH), an Islamist militant group, the world is finally awake to the tragedy.
While Michelle Obama tweeted a photo of herself displaying the hashtag #BringBackOurGirls, Angelina Jolie said she was “sickened” by the “unthinkable cruelty” and has expressed her anger.
“I heard about it just a few days back when a friend posted an article on Facebook. I was stunned beyond words,” said 19-year old college student Iqra Moazzam, in Karachi, who cannot get over the fact that the girls may have already been sold.
Last week, BH’s leader Abubakar Shekau, threatened to “sell [the girls] in the market” into slavery.
“Not only was the Muslim community slow to respond but the West was also slow to respond,” pointed out Aurangzeb Haneef, who teaches Islamic Studies at the Department of Humanities and Social Sciences at the Lahore University of Management Sciences. He said there was also some discussion on whether the response would have been quicker had the girls been white.
Boko Haram came about in 2009 in an attempt to impose Islamic law in all 36 Nigerian states. It has been behind killing of thousands of people in Nigeria in recent years and known to have links with other radical Islamist groups in North Africa and Sahel.
“I think they have defiled the name of Islam and added one more stain on the Muslim Ummah. I’m infuriated they are calling themselves Muslims; there is not a shred of Islam in their evil deed,” Moazzam said.
And yet surprisingly, there has been no word of condemnation from any religious institution, no indignation from the pulpit by imams during the weekly Friday sermons and no remonstration from the people in the Islamic world.
In September 2012, video-sharing website YouTube put up a 14-minute clip of Innocence of Muslims, produced by an American that was disrespectful of Islam, Muslims and the Prophet Muhammad, which sent a wave of protests throughout the Muslim world. In Pakistan, complete mayhem broke out: 30 people were killed and over 300 were injured.
The 12 cartoons published on 30 September 2005 by the Danish newspaper Jyllands-Posten of Prophet Muhammad, and which the Muslims found extremely and deliberately offensive, led to attempts on the life of the cartoonist and arson attempt made on the newspaper office.
Khalid Zaheer, an eminent religious scholar and vice-president of Al-Mawrid, a foundation for Islamic research and education, explained: “People come to the streets for issues about which they are sensitised by their scholars. Blasphemy is a topic that concerns the ulema (scholars) more because they have literature speaking against it.”
But he said: “Killing in the name of Islam is either considered an exaggerated propaganda, justified jihad, or atrocities done by some enemies who have conspired to malign Islam.” He said the narrow view of the world that is taught in madrassas and promoted in mosques causes non-issues to be made a matter of life and death and real issues to be ignored as if they don’t exist.
Haneef also attributed the inaction on the street to lack of response to the episode by the religious parties. He added: “Since the victims in this case are not Muslims (although some reports suggested that a few of them were Muslims) and since the accused here claim some kind of Islam, therefore, there has been understandable inertia on the part of Islamic parties to criticise BH.”
Unfortunately, pointed out Haneef: “Common Muslims are reluctant to take up issues involving atrocities against non-Muslims. Few people understand that these atrocities are in the name of Islam — Islam is being hurt here — yet they don’t feel compelled enough to raise their voice against BH.”
The same sentiment was endorsed by peace activist, Dr Pervez Hoodbhoy, who is also an academic. “I am sure that most Muslims do not approve of Muslims killing non-Muslims or other Muslims, but this does not raise passions in the same way.”
He also said: “Most Muslims today do disapprove of the mass abduction and sale of the Nigerian girls, but they prefer silence. There is vague discomfort that being too loud might cause Islamic fundamentals to come under scrutiny, something that is best avoided in these dangerous times.”
Hoodbhoy explained that with BH at war with those they consider infidels: “Women captured during tribal wars were part of the war booty and the Holy Quran is completely explicit on the distribution of every kind of booty, including women. Of course, as with slavery, most Muslims regard these verses as meant for those times only.” He said that was the takfiri (a Muslim who accuses another Muslim of apostasy) philosophy of the BH.
Khadeja Ebrahim 12, studying in Class 7, at a British school in Karachi likened the Nigerian militant group to the Tehreek-e-Taliban Pakistan (TTP). “They seem like the Taliban we have in Pakistan, who attacked Malala and believe those seeking western-style education are committing a sin,” she told Index. Asked if she felt scared she nodded saying: “If it can happen in Nigeria, it can happen here in Pakistan and in Karachi too.”
Still, Hoodbhoy, finds the Taliban quite gentle when compared to the BH. “While the TTP does mount suicide attacks, and makes video tapes football matches played with the heads of decapitated Pakistan soldiers, the techniques employed by BH are brutal beyond description.”
This article was updated at 11:46 on 13 May, 2014.
This article was posted on May 13, 2014 at indexoncensorship.org
12 May 2014 | Azerbaijan, Azerbaijan News, Campaigns
As Azerbaijan is about to assume the Chairmanship of the Council of Europe Committee of Ministers, a new report details cases of violations of the right to artistic freedom of expression over the past three years in the country.
According to the report, the Azerbaijani authorities have used a range of tactics to silence critical artistic expression, including harassment, intimidation, threats, interference, legal pressure, arrest, imprisonment, and torture.
The report, Creativity Under Pressure: Artistic Freedom of Expression in Azerbaijan, is published by the Baku-based Art for Democracy campaign. Art for Democracy is a campaign that uses art to promote democracy and human rights in Azerbaijan. The group has faced significant pressure since its launch in December 2012, including the attempted launch event for this very report, which has been cancelled by three hotels in Baku.
Index on Censorship is posting the report on its website as Art for Democracy’s new website, www.artfordemocracy.net, has faced a hack attack shortly after being live and is not currently functioning.
Executive Summary
Creativity Under Pressure: Artistic Freedom of Expression in Azerbaijan (PDF) is a report of the Art for Democracy campaign, which uses all forms of artistic expression to promote democracy and human rights in Azerbaijan. The report examines the situation of artistic freedom of expression in Azerbaijan from 2011 to the time of publication, April 2014.
Despite the fact that Azerbaijan has committed to respect and protect the right to artistic freedom of expression, in practice, the Azerbaijani authorities restrict this right, particularly with regard to alternative artists and artists considered to be critical of the government. The ability of these artists to perform, display, or disseminate their work is limited through direct and indirect means. As a result, few artists remain willing to publicly express critical views or use their work to explore controversial themes, and those who do face serious consequences.
The report is divided into three chapters. The first chapter sets out international standards for artistic freedom of expression, which Azerbaijan has committed to protect and respect through its membership in a number of international organizations and its ratification of or accession to international treaties.
The second chapter covers the domestic legal framework for artistic freedom of expression. Azerbaijani legislation largely conforms to international standards for artistic freedom of expression; however, many of these laws allow for state interference, which could be used as means of censoring artistic expression. Further, the continued presence of criminal defamation provisions in Azerbaijani legislation contradicts international standards and has a chilling effect on freedom of expression, contributing to widespread practices of self-censorship in the country, including in the arts.
The third chapter examines freedom of artistic expression in practice in Azerbaijan, detailing cases of pressure on musicians; film, television, and theater workers; writers, poets, and publishers; human rights defenders who campaign for the right to artistic freedom of expression or who use artistic forms of expression to draw attention to the human rights situation in Azerbaijan; and political activists who use creative means of expressing critical political views.
In publishing this report, the Art for Democracy campaign hopes to draw greater awareness, both within Azerbaijan and at the international level, to ongoing restrictions of the right to artistic freedom of expression in Azerbaijan, and in that regard, to improve the situation in the country.
To that end, the report contains a number of recommendations to the Azerbaijani authorities for concrete steps needed to improve the situation of artistic freedom of expression in the country. Among these are the need to cease politically motivated arrests of persons in connection with their exercise of the right to artistic freedom of expression; to conduct serious and independent investigations into reports of torture and calls for violence against artists; to cease practices of censorship and dismissal of artists working for state bodies; to cease practices of discriminatory treatment of critical and alternative artists; and to decriminalize defamation.
Read the full report here (PDF)
This article was published on May 12, 2014 at indexoncensorship.org
