14 Sep 2015 | Events
Anti-terror legislation has been used in several countries to effectively gag free speech about sensitive political issues, but can writing or painting be a terrorist act and what role do they play in radicalisation? Join Index on Censorship CEO Jodie Ginsberg at the Cambridge Festival of Ideas to explore the intersection of art and terrorism.
When: Saturday 24 October: 1:00pm – 2:30pm
Where: University of Cambridge – Faculty of Law – 10 West Road South Cambridgeshire, England CB3 9DZ GB (map)
Tickets: Free, but registration required
Speakers include:
- Pelin Basaran — Turkish cultural policy and management researcher and lecturer and the Director of PARC (Performing Arts’ Research and Creation)
- Jodie Ginsberg, CEO of Index on Censorship
- Professor Anthony Glees, Professor of Politics at University of Buckingham
- Sara Silvestri, Director of Studies in Human Social and Political Science at St Edmund’s College and a Research Associate with the Von Hügel Institute
11 Sep 2015 | Magazine, mobile, Volume 44.03 Autumn 2015
The autumn 2015 issue of Index on Censorship magazine focuses on comparisons between yesterday’s and today’s censors and will be available from 14 September.
In the latest issue on Index on Censorship magazine Spies, secrets and lies: How yesterday’s and today’s censors compare, we look at nations around the world, from South Korea to Argentina, and discuss if the worst excesses of censorship have passed or whether new techniques and technology make it even more difficult for the public to attain information.
Smuggling documents and writing out of restricted countries has helped get the news out, and into Index on Censorship magazine over the years. In this issue, you can hear three stories of how writing and ideas were smuggled into or out of countries. Robert McCrum swapped bananas for smuggled documents in Communist Czechoslovakia; Nancy Martínez-Villarreal used lipstick containers to hide notes in Pinochet’s Chile and Kim Joon Young tells of how flash drives hidden in car tyres take information into North Korea.
Also in this issue, an interview with Judy Blume on over-protective parents’ stopping children from reading, Molly Crapabble illustrates a new short story from Turkish novelist Kaya Genç, Jamie Bartlett on crypto wars and Iranian satirist Hadi Khorsandi on how writers are muzzled and threatened in Iran. Don’t miss Mark Frary mythbusting the technological tricks that can and can’t protect your privacy from corporations and censors.
There’s also a cartoon strip by award-winning artist Martin Rowson, newly translated Russian poetry and a long extract of a Brazilian play that has never before been translated into English.
CONTENTS: Issue 44, 3
Spies, secrets and lies: How yesterdays and today’s censors compare?
SPECIAL REPORT
New dog, old tricks – Jemimah Steinfeld compares life and censorship in 1980s China with that of today
Smugglers’ tales – Three people who’ve smuggled documents from around the world discuss their experiences
Stripsearch cartoon – Martin Rowson’s regular cartoon is a challenge from Chairman Miaow
From murder to bureaucratic mayhem – Andrew Graham-Yooll assesses what happened to Argentina’s journalists after the country’s dictatorship crumbled
Words of warning – Raymond Joseph, a young reporter during apartheid, compares press freedom in South Africa then and now
South Korea’s smartphone spies– Steven Borowiec reports on a new law in South Korea embedding a surveillance tool on teenagers’ phones
“We lost journalism in Russia” – Andrei Aliaksandrau examines the evolution of censorship in Russia from the Soviet era to today
Indian films on the cutting-room floor – Suhrith Parthasarathy discusses the likes and dislikes of India’s film boards over the decades
The books that nobody reads – Iranian satirist Hadi Khorsandi reports on how it is harder than ever for writers in his homeland to evade censorship
Lessons from McCarthyism – Judith Shapiro looks at the impact of the McCarthyite accusations and fasts forward to address the challenges to free speech in the US today
Doxxed – When prominent women express their views online, they can face misogynist abuse. Video game developer Brianna Wu, who was targeted during the Gamergate scandal, gives her view
Reporting rights? – Milana Knezevic looks at threats to journalism in the former Yugoslavia since the Balkan wars
My life on the blacklist – Uzbek writer Mamadali Makhmudov tells Index how his works continue to be suppressed having already served 14 years on bogus jail charges
Global view – F0r her regular column, Index’s CEO Jodie Ginsberg writes about libraries; how they are vital communities and why censorship should be left at their doors
IN FOCUS
Battle of the bans – US author Judy Blume talks to Index’s deputy editor Vicky Baker about trigger warnings, book bannings and children’s literature today
Drawing down – Ted Rall discusses why US cartoonists are being forced to play it safe to keep their shrinking pay cheques
Under the radar – Jamie Bartlett explores how people keep security agencies in check
Mythbusters – Mark Frary debunks some widely held misconceptions and discusses which devices, programs and apps you can trust
Clearing the air: investigating Weibo censorship in China – Academics Matthew Auer and King-Wa Fu discuss new research that reveals the censorship of microbloggers who spoke out after a documentary on air pollution was shown in China
NGOs: under fire, under surveillance – Natasha Joseph looks at how some of South Africa’s civil rights organisations are fearing for the future
“Some words are more powerful than guns” – Alan Leo interviews Nobel Peace Prize nominee Gene Sharp
Taking back the web – Jason DaPonte takes a look at the technology companies putting free speech first
CULTURE
New world (dis)order – A short story by Kaya Genç about words disappearing from the Turkish language, featuring illustrations by Molly Crabapple
Send in the clowns – A darkly comic play by Miraci Deretti, lost during Brazil’s dictatorship, translated into English for the first time
Poetic portraits – Russian poet Marina Boroditskaya introduces a Lev Ozerov poem, never before published in English, translated by Robert Chandler
Index around the world – Max Goldbart rounds up Index’s work and events in the last three months
A matter of facts – For her regular Endnote column, Vicky Baker looks at the rise of fact-checking organisations being used to combat misinformation
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9 Sep 2015 | Magazine, mobile, Volume 44.03 Autumn 2015
In the old days governments kept tabs on “intellectuals”, “subversives”, “enemies of the state” and others they didn’t like much by placing policemen in the shadows, across from their homes. These days writers and artists can find government spies inside their computers, reading their emails, and trying to track their movements via use of smart phones and credit cards.
Post-Soviet Union, after the fall of the Berlin wall, after the Bosnian war of the 1990s, and after South Africa’s apartheid, the world’s mood was positive. Censorship was out, and freedom was in.
But in the world of the new censors, governments continue to try to keep their critics in check, applying pressure in all its varied forms. Threatening, cajoling and propaganda are on one side of the corridor, while spying and censorship are on the other side at the Ministry of Silence. Old tactics, new techniques.
While advances in technology – the arrival and growth of email, the wider spread of the web, and access to computers – have aided individuals trying to avoid censorship, they have also offered more power to the authorities.
There are some clear examples to suggest that governments are making sure technology is on their side. The Chinese government has just introduced a new national security law to aid closer control of internet use. Virtual private networks have been used by citizens for years as tunnels through the Chinese government’s Great Firewall for years. So it is no wonder that China wanted to close them down, to keep information under control. In the last few months more people in China are finding their VPN is not working.
Meanwhile in South Korea, new legislation means telecommunication companies are forced to put software inside teenagers’ mobile phones to monitor and restrict their access to the internet.
Both these examples suggest that technological advances are giving all the winning censorship cards to the overlords.
But it is not as clear cut as that. People continually find new ways of tunnelling through firewalls, and getting messages out and in. As new apps are designed, other opportunities arise. For example, Telegram is an app, that allows the user to put a timer on each message, after which it detonates and disappears. New auto-encrypted email services, such as Mailpile, look set to take off. Now geeks among you may argue that they’ll be a record somewhere, but each advance is a way of making it more difficult to be intercepted. With more than six billion people now using mobile phones around the world, it should be easier than ever before to get the word out in some form, in some way.
When Writers and Scholars International, the parent group to Index, was formed in 1972, its founding committee wrote that it was paradoxical that “attempts to nullify the artist’s vision and to thwart the communication of ideas, appear to increase proportionally with the improvement in the media of communication”.
And so it continues.
When we cast our eyes back to the Soviet Union, when suppression of freedom was part of government normality, we see how it drove its vicious idealism through using subversion acts, sedition acts, and allegations of anti-patriotism, backed up with imprisonment, hard labour, internal deportation and enforced poverty. One of those thousands who suffered was the satirical writer Mikhail Zoshchenko, who was a Russian WWI hero who was later denounced in the Zhdanov decree of 1946. This condemned all artists whose work didn’t slavishly follow government lines. We publish a poetic tribute to Zoshchenko written by Lev Ozerov in this issue. The poem echoes some of the issues faced by writers in Russia today.
And so to Azerbaijan in 2015, a member of the Council of Europe (a body described by one of its founders as “the conscience of Europe”), where writers, artists, thinkers and campaigners are being imprisoned for having the temerity to advocate more freedom, or to articulate ideas that are different from those of their government. And where does Russia sit now? Journalists Helen Womack and Andrei Aliaksandrau write in this issue of new propaganda techniques and their fears that society no longer wants “true” journalism.
Plus ça change
When you compare one period with another, you find it is not as simple as it was bad then, or it is worse now. Methods are different, but the intention is the same. Both old censors and new censors operate in the hope that they can bring more silence. In Soviet times there was a bureau that gave newspapers a stamp of approval. Now in Russia journalists report that self-censorship is one of the greatest threats to the free flow of ideas and information. Others say the public’s appetite for investigative journalism that challenges the authorities has disappeared. Meanwhile Vladimir Putin’s government has introduced bills banning “propaganda” of homosexuality and promoting “extremism” or “harm to children”, which can be applied far and wide to censor articles or art that the government doesn’t like. So far, so familiar.
Censorship and threats to freedom of expression still come in many forms as they did in 1972. Murder and physical violence, as with the killings of bloggers in Bangladesh, tries to frighten other writers, scholars, artists and thinkers into silence, or exile. Imprisonment (for example, the six year and three month sentence of democracy campaigner Rasul Jafarov in Azerbaijan) attempts to enforces silence too. Instilling fear by breaking into individuals’ computers and tracking their movement (as one African writer reports to Index) leaves a frightening signal that the government knows what you do and who you speak with.
Also in this issue, veteran journalist Andrew Graham-Yool looks back at Argentina’s dictatorship of four decades ago, he argues that vicious attacks on journalists’ reputations are becoming more widespread and he identifies numerous threats on the horizon, from corporate control of journalistic stories to the power of the president, Cristina Fernández de Kirchner, to identify journalists as enemies of the state.
Old censors and new censors have more in common than might divide them. Their intentions are the same, they just choose different weapons. Comparisons should make it clear, it remains ever vital to be vigilant for attacks on free expression, because they come from all angles.
Despite this, there is hope. In this issue of the magazine Jamie Bartlett writes of his optimism that when governments push their powers too far, the public pushes back hard, and gains ground once more. Another of our writers Jason DaPonte identifies innovators whose aim is to improve freedom of expression, bringing open-access software and encryption tools to the global public.
Don’t miss our excellent new creative writing, published for the first time in English, including Russian poetry, an extract of a Brazilian play, and a short story from Turkey.
As always the magazine brings you brilliant new writers and writing from around the world. Read on.
© Rachael Jolley
This article is part of the autumn issue of Index on Censorship magazine looking at comparisons between old censors and new censors. Copies can be purchased from Amazon, in some bookshops and online, more information here.
7 Sep 2015 | Magazine, Volume 44.03 Autumn 2015
[vc_row disable_element=”yes” css=”.vc_custom_1495011859122{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column css=”.vc_custom_1474781640064{margin: 0px !important;padding: 0px !important;}”][vc_column_text css=”.vc_custom_1477669802842{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”]CONTRIBUTORS[/vc_column_text][/vc_column][/vc_row][vc_row disable_element=”yes” css=”.vc_custom_1495011867203{margin-top: 0px !important;padding-top: 0px !important;}”][vc_column width=”1/3″ css=”.vc_custom_1474781919494{padding-top: 0px !important;padding-bottom: 0px !important;}”][staff name=”Karim Miské” title=”Novelist” color=”#ee3424″ profile_image=”89017″]Karim Miské is a documentary maker and novelist who lives in Paris. His debut novel is Arab Jazz, which won Grand Prix de Littérature Policière in 2015, a prestigious award for crime fiction in French, and the Prix du Goéland Masqué. He previously directed a three-part historical series for Al-Jazeera entitled Muslims of France. He tweets @karimmiske[/staff][/vc_column][vc_column width=”1/3″ css=”.vc_custom_1474781952845{padding-top: 0px !important;padding-bottom: 0px !important;}”][staff name=”Roger Law” title=”Caricaturist ” color=”#ee3424″ profile_image=”89217″]Roger Law is a caricaturist from the UK, who is most famous for creating the hit TV show Spitting Image, which ran from 1984 until 1996. His work has also appeared in The New York Times, The Observer, The Sunday Times and Der Spiegel. Photo credit: Steve Pyke[/staff][/vc_column][vc_column width=”1/3″ css=”.vc_custom_1474781958364{padding-top: 0px !important;padding-bottom: 0px !important;}”][staff name=”Canan Coşkun” title=”Journalist” color=”#ee3424″ profile_image=”89018″]Canan Coşkun is a legal reporter at Cumhuriyet, one of the main national newspapers in Turkey, which has been repeatedly raided by police and attacked by opponents. She currently faces more than 23 years in prison, charged with defaming Turkishness, the Republic of Turkey and the state’s bodies and institutions in her articles.[/staff][/vc_column][/vc_row][vc_row equal_height=”yes” content_placement=”top” css=”.vc_custom_1474815243644{margin-top: 30px !important;margin-right: 0px !important;margin-bottom: 30px !important;margin-left: 0px !important;}”][vc_column width=”1/2″ css=”.vc_custom_1474619182234{background-color: #455560 !important;}”][vc_column_text el_class=”text_white”]Editorial
In the world of the new censors, governments continue to try to keep their critics in check, applying pressure in all its varied forms. Threatening, cajoling and propaganda are on one side of the corridor, while spying and censorship are on the other side at the Ministry of Silence. Old tactics, new techniques.
[/vc_column_text][/vc_column][vc_column width=”1/4″ css=”.vc_custom_1474720631074{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;background-color: #78858d !important;}” el_class=”image-content-grid”][vc_row_inner css=”.vc_custom_1495012422692{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 0px !important;border-left-width: 0px !important;padding-top: 65px !important;padding-right: 0px !important;padding-bottom: 65px !important;padding-left: 0px !important;background-image: url(https://www.indexoncensorship.org/wp-content/uploads/2015/09/ben-jennings-autumn2015-cover-2.jpg?id=69604) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_column_inner css=”.vc_custom_1474716958003{margin: 0px !important;border-width: 0px !important;padding: 0px !important;}”][/vc_column_inner][/vc_row_inner][vc_column_text css=”.vc_custom_1495012396487{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 20px !important;padding-right: 20px !important;padding-bottom: 20px !important;padding-left: 20px !important;background-color: #78858d !important;}” el_class=”text_white”]Contents
A look at what’s inside the autumn 2015 issue[/vc_column_text][/vc_column][vc_column width=”1/4″ css=”.vc_custom_1474720637924{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;background-color: #78858d !important;}” el_class=”image-content-grid”][vc_row_inner css=”.vc_custom_1495012543978{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 0px !important;border-left-width: 0px !important;padding-top: 65px !important;padding-right: 0px !important;padding-bottom: 65px !important;padding-left: 0px !important;background-image: url(https://www.indexoncensorship.org/wp-content/uploads/2015/10/magazine-spies-frontline-sp.jpg?id=70437) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_column_inner css=”.vc_custom_1474716958003{margin: 0px !important;border-width: 0px !important;padding: 0px !important;}”][/vc_column_inner][/vc_row_inner][vc_column_text css=”.vc_custom_1495013266065{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 20px !important;padding-right: 20px !important;padding-bottom: 20px !important;padding-left: 20px !important;background-color: #78858d !important;}” el_class=”text_white”]Magazine Launch Event
Who are modern technological advances really empowering?[/vc_column_text][/vc_column][/vc_row][vc_row equal_height=”yes” css=”.vc_custom_1491994247427{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;}”][vc_column width=”1/3″ css=”.vc_custom_1493814833226{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 0px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;background-color: #78858d !important;}”][vc_row_inner css=”.vc_custom_1495012849211{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 0px !important;border-left-width: 0px !important;padding-top: 65px !important;padding-right: 0px !important;padding-bottom: 65px !important;padding-left: 0px !important;background-image: url(https://www.indexoncensorship.org/wp-content/uploads/2015/01/bosnia-jan22015.jpg?id=62738) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_column_inner 0=””][/vc_column_inner][/vc_row_inner][vc_column_text css=”.vc_custom_1495012904051{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 20px !important;padding-right: 20px !important;padding-bottom: 20px !important;padding-left: 20px !important;background-color: #78858d !important;}” el_class=”text_white”]Reporting rights?
In a series of interviews with journalists in the former Yugoslavia, Milana Knezevic reports on the new elites in control, death threats, and the legacy of the post-war period of the early 2000s.[/vc_column_text][/vc_column][vc_column width=”1/3″ css=”.vc_custom_1493815095611{padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;background-color: #78858d !important;}” el_class=”image-content-grid”][vc_row_inner css=”.vc_custom_1495012978309{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 0px !important;border-left-width: 0px !important;padding-top: 65px !important;padding-right: 0px !important;padding-bottom: 65px !important;padding-left: 0px !important;background-image: url(https://www.indexoncensorship.org/wp-content/uploads/2015/09/judy-blume-creditElenaSeibert-620.jpg?id=69405) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_column_inner 0=””][/vc_column_inner][/vc_row_inner][vc_column_text css=”.vc_custom_1495013035840{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 20px !important;padding-right: 20px !important;padding-bottom: 20px !important;padding-left: 20px !important;background-color: #78858d !important;}” el_class=”text_white”]Magazine Extra: Interview
US author Judy Blume talks to Vicky Baker about parents’ and teachers’ overly protective attitudes to young people’s feelings, and how she has spent the last 45 years tackling bans and censorship.[/vc_column_text][/vc_column][vc_column width=”1/3″ css=”.vc_custom_1493815155369{padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;background-color: #78858d !important;}” el_class=”image-content-grid”][vc_row_inner css=”.vc_custom_1495013212207{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 0px !important;border-left-width: 0px !important;padding-top: 65px !important;padding-right: 0px !important;padding-bottom: 65px !important;padding-left: 0px !important;background-image: url(https://www.indexoncensorship.org/wp-content/uploads/2013/05/kirchner.jpg?id=46296) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_column_inner 0=””][/vc_column_inner][/vc_row_inner][vc_column_text css=”.vc_custom_1495013160893{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 20px !important;padding-right: 20px !important;padding-bottom: 20px !important;padding-left: 20px !important;background-color: #78858d !important;}” el_class=”text_white”]After Argentina’s dictatorship
Former editor of Index on Censorship Andrew Graham-Yooll assess what happened after the regime crumbled, and looks at the new means of controlling the message.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/2″][vc_single_image image=”90659″ img_size=”full” onclick=”custom_link” link=”https://shop.exacteditions.com/gb/index-on-censorship”][/vc_column][vc_column width=”1/2″][vc_column_text]
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