Index pays tribute to Israeli journalist and human rights activist Oded Lifshitz

Following the grotesque scenes of Hamas celebrations in Gaza, we pay tribute to the journalist and human rights activist Oded Lifshitz, whose body has been identified by his family.

Although the grandfather was long retired, he was remembered by colleagues around the world as one of the first journalists to report on the notorious 1982 massacre of Palestinians at the Sabra and Shatila refugee camps in Lebanon.

Lifshitz worked for many years on the left-wing Israeli daily paper Al HaMishmar, which closed in 1995. Its slogan was “For Zionism, Socialism and Brotherhood Amongst Nations” and was often criticised by the religious right in Israel for its liberal stance.

Lifshitz, aged 83 at the time of his capture, was known as a campaigner for Israel’s Bedouin Arab community and was reported to be responsible for a high court case that returned some of their land. In retirement he worked for the organisation Road to Recovery, which helped Palestinians cross the Erez border from Gaza into Israel to receive medical treatment. He and his wife Yocheved, who was also kidnapped by Hamas but released in October 2023, were lifelong peace activists. 

Lifshitz was one of the founders of Kibbutz Nir Oz, a village less than seven kilometres from the Gaza border. The kibbutz was destroyed in the attacks of 7 October 2023 and it is thought that nearly half of its 400 residents were kidnapped, killed or injured.

The National Union of Journalists general secretary Laura Davidson today paid tribute: “Our sincere thoughts are with Oded Lifshitz’s family at this difficult time. Like many, we had hoped for the safe release of the journalist committed to peace. Journalists worldwide will no doubt share their deepest condolences with his loved ones today.”

In a statement, the Lifshitz family said: “We received with deep sorrow the official and bitter news confirming the identification of our beloved Oded’s body. 503 agonising days of uncertainty have come to an end.

“We had hoped and prayed so much for a different outcome. Now we can mourn the husband, father, grandfather, and great-grandfather who has been missing from us since October 7.

“Our family’s healing process will begin now and will not end until the last hostage is returned.”

At Index on Censorship, we join in offering our condolences to the family of this exemplary journalist and campaigner.  Sadly, he never contributed to Index. Tragically, he never will.

“In a fascist regime, culture becomes propaganda”: concerns over growing censorship in Israel

Israeli authorities are silencing Palestinian culture and history in a censorship surge that could soon include left-wing Jewish opponents of Benjamin Netanyahu’s coalition, academics have said.

Last week, Israeli police raided the Educational Bookshop in East Jerusalem, one of the most prominent Palestinian cultural institutions in the occupied territory. Two of its owners, Mahmoud Muna and Ahmad Muna, were arrested on suspicion of “disturbing the public order”, interrogated, detained for 48 hours, then placed under house arrest for five days.

“I assume the next stage will be the Israeli left,” Menachem Klein, an Israeli political scientist and emeritus professor at Bar Ilan University, told Index after this event. “We are on the way to an authoritarian regime during ongoing wartime and it is easy to use emergency rules to silence freedom of expression.”

During the raid, detectives allegedly inspected books using Google Translate and took away ones they deemed to be possible incitement to terrorism because they contained words such as “Palestine” or “Hamas”.

One of the books presented as proof of possible incitement was a children’s colouring book titled From the River to the Sea, which was allegedly found in the store’s warehouse. The phrase, which has proved controversial, is used by some to imply that Israel should be replaced by a Palestinian state from the Jordan River to the Mediterranean Sea. Critics have labelled this confiscation laughable – in a comment piece, Haaretz ridiculed that a children’s colouring book is being “considered a ticking time bomb”. But government supporters have said that the book does constitute incitement.

There has so far been no criticism of the raid from any major Israeli opposition leaders, but a member of the Knesset (MK) for the left-wing Democrats party has allegedly filed a query in parliament questioning the police’s actions. Prominent Israeli authors and cultural personalities have also spoken out about it. However, the absence of broader political opposition means the authorities are unlikely to be deterred in the future from widening their targets on cultural institutions. 

“We’ve undergone a change in Israel whereby anyone who incites to terrorism has to pay a price regardless of whether he is Arab or Jewish,” said Shamai Glick, head of the right-wing organisation B’tsalmo, told Index. He argues that authorities did not go far enough and should close the bookstores.

This recent intimidation comes amid crackdowns on Israeli films that are critical of the government, especially those dealing with alleged crimes related to the mass displacement of Palestinians during what Israelis term the 1948 War of Independence and Palestinians term the Nakba, or “catastrophe”.

In December, Israel’s Minister for Culture and Sport Miki Zohar threatened to halt government funding for the Tel Aviv Cinematheque after it showed films deemed to be pro-Palestine at Solidarity Human Rights Film Festival 2024. 

One of these films was the previously-censored Lyd, which depicts the 1948 expulsion of that town’s Palestinians and imagines what Lyd would be like if not for the Nakba. Two months prior, the police had banned a screening of Lyd in Jaffa after Zohar said the movie was “inciting and mendacious” and “slanders Israel and Israeli soldiers”.

Cutting government funding to a cultural institution in Israel is a death sentence, as there is little private investment in the arts. In a letter to the Minister of Finance Bezalel Smotrich, Zohar wrote that the Solidarity Festival had shown films that “are against the state of Israel” and which “disparage the soldiers of the Israel Defense Force[s]”, according to the Jewish Independent. Smotrich has set up a committee to determine whether the festival violated funding laws.

Lyd co-director Rami Younis said the recent raid on the bookstore should be seen as an escalation of national cultural censorship. “This is another syndrome of the rise of fascism. Are books the enemy? We’ve seen regimes in the past that declared books and songs the enemy. And they’re all dark regimes and this is where Israel is heading.”

“If it’s not stopped, it will get much worse very soon,” he said.

The government has also started deploying a little-used British Mandate-era law dating back to 1917, which allows the Culture and Sport Ministry to review films before they are shown at cinematheques, thereby stopping screenings of contentious films. 

According to Haaretz, the Israeli Culture and Sport Ministry’s Film Review Council warned cinematheques in November not to screen filmmaker Neta Shoshani’s documentary film 1948: Remember, Remember Not, as it had not been granted the council’s approval. The film, compelling and thought-provoking, looks at the War of Independence / Nakba through testimonies and interviews with Israelis and Palestinians. The film lost several screenings as a result, but ultimately was approved by the council.

In response to the request, cinema directors said they had not been asked to clear films with the council previously. Normally, the council sets age ratings rather than undertaking political censorship. 

Filmmakers and festival organisers in Israel are now being deterred from showcasing work that is critical of the government. The coalition’s threatening behaviour towards art and culture that raise questions about Israel’s foundation, probe Palestinian displacement or allege violations by the Israel Defense Forces mean that many cultural workers are steering away from controversial topics.

“When they threaten, you don’t feel like taking a chance,” Shoshani recently told The Jewish Independent. “There is a chilling effect,” she said.

“This means that culture in Israel is rapidly becoming non-critical and doesn’t go to [controversial] places simply because there is no one to fund this type of film. If I enter controversial realms, I won’t get funding and at the end of the day, we all have to make a living. So clearly people exercise self-censorship even though they don’t admit it.”

“This is something that happens under every dictatorial regime,” Shoshani added. “In a fascist regime, culture becomes propaganda and not culture. Gradually, Israeli culture is becoming like that.”

In response to criticism that the Israeli government is impinging on free expression, Zohar’s office said: “We will continue to defend freedom of expression but we won’t let extremist and delusional elements incite and harm under the sponsorship of the state of Israel.”

The censorship of Shoshani’s film also demonstrates how the Israeli state is attempting to stop the public from seeing archival footage and important documentation produced by researchers. The public broadcaster Kan (also known as the Israeli Public Broadcasting Corporation), which funded the film, has not aired it for more than a year, due to what it describes as wartime sensitivities. “It will be screened soon,” a spokesperson said. Minister of Communications Shlomo Karhi has allegedly pressed Kan to scrap the film entirely, according to Israeli news website ICE (Information, Communication, Entertainment).

But Benny Morris, a leading Israeli historian who appears in Shoshani’s film and who was born in 1948 himself, told Index that it is the government that is distorting and covering up the real events of the War of Independence. 

Cultural censorship is also only the beginning of a wave of restrictions on free expression in Israel. The coalition government is currently pushing through other anti-democratic bills, including one designed to restrict the speech of academics, and another that would effectively reduce the ability of Palestinian citizens of Israel to vote in elections and decrease their Knesset representation. 

“Yes, there is a government effort to censor and lie about 1948, about Israeli war crimes in that war and hence influence how Israelis see their history,” said Morris. “Along with other subversions by the government of Israeli democratic norms, they are threatening Israel’s culture and historiography and trying to replace truth with propaganda.”

One year on from 7 October: free speech violations in Israel and Palestine

Yesterday marked a year since Hamas’s brutal incursion into Israel, where nearly 1,200 people were killed, including 815 civilians, making it the deadliest day for Jewish people since the Holocaust. The militant group also abducted 251 people, and at least 97 are still thought to be held hostage in the Gaza Strip. Following the attack, Israel launched a devastating assault on Gaza, and has since killed nearly 42,000 Palestinians, of whom nearly 14,000 are children. The conflict has now expanded to Lebanon – where more than 2,000 people have been killed – and Iran, with serious concerns it could escalate into a full-blown regional war in the Middle East.

Amongst the horrendous loss of life and destruction, there has been significant repression of free speech. Israel has banned international journalists from Gaza, whilst the Committee to Protect Journalists (CPJ)’s investigations have found that at least 128 Palestinian journalists and media workers have been killed over the past year, of which five were directly targeted and murdered by Israeli forces. Communication blackouts, such as internet shutdowns, have also prevented individuals from reporting on the situation to the world via social media. Such stifling of free expression makes it impossible to know the full extent of war crimes being committed by both sides.

Israeli journalists have also faced repression, censorship and intimidation by their own state, and they cannot enter the blockaded Palestinian territory unless under strict surveillance by the Israeli Army. According to Reporters Without Borders (RSF), in October 2023 alone, at least 15 journalists were attacked or threatened by the Israeli Security Forces or citizens, with reports of journalists being forced to evacuate their homes, threatened, arrested or assaulted for covering the war.

Additionally, grassroots organisations that join up Israelis and Palestinians in peace-making initiatives have been targeted – Standing Together, an organisation which works with Jewish and Palestinian citizens of Israel “in pursuit of peace, equality and social and climate justice” saw two of its members arrested last year in Jerusalem for putting up peace-promoting posters.

There are also reports of Hamas crushing dissent in Gaza, including of Palestinians who have publicly criticised the 7 October incursion and have said it has made a peaceful solution between Israel and Palestine even less attainable. According to reporting from Reuters, Palestinian activist Ameen Abed was beaten by masked men and hospitalised after speaking out about the atrocity.

Index looks back at its coverage of the conflict over the past year, which showcases how free speech and journalistic reporting continues to be suppressed in Israel and Palestine.

Israel and Palestine – the key free speech issues 

Freedom of expression looked certain to be a casualty as the Gaza Strip exploded into conflict.

The stakes are high for free expression in Israel-Hamas conflict

In the first month Index CEO Jemimah Steinfeld wrote on the many threats to free expression from the conflict.

Silent Palestinians in Gaza and Israel

Index contributor Samir El Youssef wrote on how Palestinians were being silenced in Gaza and Israel by multiple forces.

The unstilled voice of Gazan theatre 

In Gaza, cultural institutions such as the Ayyam al Masrah theatre have been destroyed. Yet, theatre remains a crucial voice for the displaced, wrote Laura Silvia Battaglia.

The suffering of Wael al-Dahdouh in “deadliest conflict for journalists” 

The war in Israel/Gaza has been the “deadliest conflict for journalists.” Read our interview with Youmna El Sayed on the immense suffering of Al Jazeera English bureau chief in Gaza, Wael al-Dahdouh.

Telling fact from fiction: how war reporting is being suppressed

Journalistic “black holes”, such as in Gaza and Sudan, curtail people’s ability to understand geopolitics and conflict, wrote Index editor Sarah Dawood.

Art institutions accused of censoring pro-Palestine views 

The past year has seen an eruption of censorship in cultural institutions across the world, particularly targeting pro-Palestinian voices, wrote Daisy Ruddock.

Are people in Israel getting the full story on Gaza? 

The world is seeing a completely different war from the domestic audience, wrote Index CEO Jemimah Steinfeld.

X marks the spot where Israel-Hamas disinformation wars are being fought

The Elon Musk-owned social media platform used to be the go-to in times of crisis but its strengths for truth-telling are eroded and all but gone, wrote Sophie Fullerton.

Standing together for peace in the Middle East

Activists working for peace in Israel and Palestine came together at the end of last October to raise their voices.

The world needs to learn from Masha Gessen moments 

The Russian-US writer was at the centre of a controversy yet things were not exactly as they first seemed.

From the Danube to the Baltic Sea, Germany takes an authoritarian turn 

German authorities are increasingly silencing pro-Palestine activism in an effort to stamp out anything they fear could be seen as antisemitic, wrote Jakob Guhl.

Sport faces growing censorship problem over the Israel-Gaza war 

Governing bodies are becoming increasingly heavy-handed in their attempts to remain neutral in the conflict, wrote Daisy Ruddock.

The unravelling of academic freedom on US campuses 

When the lines between speech and action have been ambiguous, US colleges have moved too far towards clamping down on what people say. Now pro-Palestinian and pro-Israeli students feel victimised and unsafe but the answer is not more silencing, wrote Susie Linfield.

Israel’s closure of Al Jazeera’s West Bank office is a blow to press freedom

Another example of Israel’s suppression of Palestinian journalists, which stops them from documenting the brutal war in Gaza and beyond, wrote Youmna El Sayed.

Israel’s trajectory into a nascent police state 

Israel’s push towards authoritarianism by Prime Minister Benjamin Netanyahu’s coalition is not slowing down during the country’s ever-expanding military operations. If anything, it is intensifying, wrote Ben Lynfield.

Israel’s closure of Al Jazeera’s West Bank office is a blow to press freedom

Last week, Israeli soldiers raided the Al Jazeera office in Ramallah, within the occupied West Bank and ordered the network’s bureau to shut for 45 days. 

This is not the first time a media shutdown has happened. In early May, the Israeli army stormed the Al Jazeera bureau in East Jerusalem and closed it after confiscating its equipment, claiming that the network was a threat to Israel’s national security. 

An additional two claims were made by Israel this time, which were that the network “incites terror” and “supports terrorist activities”.

Israel has long exercised suppression against the freedom of press and media in the occupied Palestinian territories. Many Palestinian journalists have been killed, attacked, threatened and arrested. 

Israel has made Palestinian journalists’ jobs in the occupied territories almost impossible. It’s a constant life threatening situation – on many occasions, Israel has deliberately targeted Al Jazeera journalists and their families.

The sniping of Palestinian-US journalist Shireen Abu Akleh in 2022; the targeting of many other colleagues’ families in Gaza, including my own family; the deliberate killing of Al Jazeera journalists in direct attacks; these all resemble Israeli crimes against press freedom and attempts to silence journalists. 

Regardless of the feeling that your press gear labels you as a direct target to the Israeli army, the pain and worry of being a danger to your loved ones is indescribable. 

Since October 2023, Israel’s suppression of the press has reached foreign journalists too, as it has prevented all international journalists from exercising their right to cover one of the most brutal wars in recent history.

I believe this is an attempt to avoid exposure of crimes committed against the Palestinians, and the crisis they face. 

Al Jazeera as a network has long been a prominent voice in covering the Israeli-Palestinian conflict, and its presence in the region has always been crucial for a global audience.

The network’s coverage depends on a large number of journalists, bringing together all aspects of the story at once. 

Over the years, Al Jazeera has built a reputation for its commitment to telling the story from both sides of the divide. Many people across the world turn their sights to Al Jazeera channels for the latest developments of breaking news stories. 

Its coverage isn’t just a reflection of events on the ground it is an avenue for audiences, globally, to understand the complexities of these events and engage with every story. 

The closure of its offices sends a chilling message to the media landscape as a whole.

For years, Al Jazeera has been criticised by Israeli officials for what they allege is biased reporting. Yet, such accusations overlook the network’s fundamental journalistic principle: to show the full spectrum of the story.

I believe that Al Jazeera’s coverage is notably impartial. I say this because it brings to light the narratives of both Israelis and Palestinians, ensuring that no side goes unheard. 

Its reporters don’t shy away from broadcasting the pain and suffering endured by civilians on either side of the conflict. Whether it’s an Israeli family mourning after a rocket attack, or Palestinians in Gaza grappling with the aftermath of airstrikes, or settler violence and illegal confiscation of Palestinian land in the West Bank, Al Jazeera’s cameras capture both human realities.

All this is clear in its coverage since the beginning of the Gaza war. On 7 October 2023, my reporting as a Gaza correspondent was on the Palestinian attacks on Israeli towns with complete objectivity. Other stories for my colleagues in Israel highlighted the aftermath of these attacks and the impact on Israeli families. 

This objectivity is rare and invaluable in a conflict where misinformation, propaganda, and one-sided narratives often dominate. Where many news outlets have taken up clear ideological stances, Al Jazeera has remained steadfast in its commitment to neutrality. It’s not just about giving airtime to both sides – it’s about letting the facts speak for themselves. 

And this, in my opinion, is the true objective of journalism in the first place. Our job as journalists is to inform the public based on facts and evidence, not political agendas. 

But to suggest that this impartiality is a threat worthy of office closures is to misconstrue the role of journalism in a so-called “democratic society”. The very essence of free press is to inform the public, to provide transparency, and to hold those in power accountable. Silencing a media outlet like Al Jazeera is a direct assault on these values.

The closure of Al Jazeera’s offices also highlights a troubling double standard. Israeli authorities have allowed other international news agencies to continue their operations, many of which cover the conflict in ways that are far less nuanced or balanced. Yet Al Jazeera, a network that works diligently to present both Israeli and Palestinian perspectives, is being targeted and its journalists are constantly under attack. What does this say about the future of press freedom in Israel and the occupied territories?