[vc_row][vc_column][vc_single_image image=”116296″ img_size=”full” add_caption=”yes”][vc_column_text]On 4 February, the Lebanese activist, political commentator and publisher Lokman Slim was shot dead in his car.
Before his murder, Slim already suspected that his days were numbered and told family members that should anything happen to him, the Shia militant group Hezbollah – of which he had been an outspoken critic – would likely be behind it.
“For the first time in years, after verbal and many physical attacks on people who oppose the politics of Hezbollah, a well-known personality [Slim] was assassinated in their areas with many leads that allow many to boldly question their involvement in his murder,” said Lebanese journalist Luna Safwan.
Safwan said that his assassination followed years of threats and attempts to drive him away from his house which is located inside the Hezbollah stronghold in Dahiye.
“[There were] continuous campaigns against him, trying to somehow shape his view as a sympathiser with violence against Hezbollah supporters or the Shia community in Lebanon,” she said. “The way I see it, the aim was not only to assassinate him physically, but to also tarnish his reputation even after his death.”
Safwan herself has also been targeted. She tweeted criticism of Hezbollah in October and received a high volume of online abuse, including several death threats, after the tweet was featured on an Israeli news channel.
Safwan believes attacks on journalists and other critics of Hezbollah have increased in recent years.
“Journalists, activists and even protestors and people from inside the Shia community have started questioning Hezbollah’s politics in the region, and how much Hezbollah is prioritising Lebanon.”
The same month, Sawt Beirut International reporter Rabih Chantaf and cameraman Mahmoud Al-Sayyed were attacked while covering a fire in the Lebanese capital.
Arab News reported that as the pair were filming firemen attending the blaze, they were approached by people in plain clothes and forcibly stopped from filming. They were beaten as they fled down the building’s stairs. Sawt Beirut blamed the incident on Hezbollah.
In January, Layal Alekthiar, a journalist for US-backed Alhurra News channel, was threatened after a Twitter post that questioned the unveiling of a statue to the late Iranian general Qasem Soleimani, killed by US forces last year. Iran is a backer of Hezbollah.
Another journalist working in Lebanon – who wished to remain anonymous due to the current attitude towards reporters – told Index that journalists in the country “all feel at risk”.
“The assassination of Slim was a reminder of that,” they said.
Journalists are increasingly self-censoring as a result.
The journalist said, “I have been covering [Lebanon’s] economic crisis, so I don’t feel personally at risk, even though I noticed that my sources are getting increasingly scared,” they said. “If I were to be given a topic related to Hezbollah I would be extra careful. You just have to see the number of threats my colleagues receive when they express an anti-Hezbollah opinion on social media.”
Independent Lebanese journalist Zahra Hankir, who wrote in the winter issue of Index on Censorship magazine and is based between London and Lebanon, said reporters are reeling from recent events and are “galvanised” by the state in which Lebanon finds itself in, particularly following the deadly explosion in August that killed more than 200 people and injured thousands.
“Despite Lebanon being hailed for decades as more free for journalists than its regional counterparts, reporters, political analysts and commentators in the country are increasingly facing threats and harassment in their work, particularly women,” she said.
“Lebanon’s media landscape has always had ‘red lines’ that journalists inherently understood could not be crossed without reprisals – among them, criticism of Hezbollah.”
“Reporters and commentators have been galvanized by recent events, given the dire state of the country, and as such have often been more brazen in their reporting. In some cases, they have paid dearly for their bravery.”
The explosion exposed, among other things, wide-scale corruption in the country. But the lack of accountability in Lebanon means people are still at risk and not just from Hezbollah.
With Hezbollah increasingly criticised for its position in Lebanon and the government unwilling to truly crack down on corruptive practices, journalists are constantly looking over their shoulders.
Safwan said: “Laws in Lebanon have flaws and don’t offer any real protection to journalists, especially when we are subjected to online hate campaigns. There should be a clear process that allows us to immediately pursue legal action even if against ‘unknown entities’.
She said, “In my opinion the ministry of information and syndicate of journalism are not paying attention to what journalists really need.”
Additional reporting by Mark Frary[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][three_column_post title=”You may also like to read” category_id=”581″][/vc_column][/vc_row]
[vc_row][vc_column][vc_single_image image=”116256″ img_size=”full” add_caption=”yes”][vc_column_text]I can think of few public figures I hold in greater contempt than Ken Loach. Mr Loach may be an esteemed film maker but I regard his politics as those of the sewer. His involvement in the cancelled original production of Perdition, the notoriously antisemitic play, ought to have led all decent people to shun him. Far from that happening, however, he has been widely feted and his career has soared. And yet not only do his views remain the same, he misses few opportunities to promote them.
In short, I loathe the man and find him deeply offensive.
All of which is true, but all of which should be irrelevant to anyone but me and those who are interested in my views of Mr Loach. There are many other public figures whose views I find deeply offensive. To which you rightly respond: Who cares?
Except people do care. Not about my specific response, but about the offence Mr Loach generates among many of my fellow Jews. And that is an issue.
Earlier this month, a brouhaha arose over a decision by students at St Peter’s College, Oxford, to invite Mr Loach to speak (as it happens, about his films rather than, er, Jews). Would I have invited him? I think you know the answer to that. But the invitation was issued, Mr Loach accepted, and we are where we are.
Vile as I – and, let’s be clear, many others – may find him to be, if a group of Oxford students wish to hear from Ken Loach, so be it. He has broken no laws when speaking and has as much right to put forward his views – and, of course, to talk about his films to a group of people interested in hearing from him about them – as anyone else.
Ordinarily, that would have been the end of the matter. But when the event was made public, the Board of Deputies of British Jews weighed in, demanding that the invitation be withdrawn. They argued – correctly – that many Jews find Mr Loach’s views deeply offensive. But, bizarrely and ludicrously, they concluded from this that he should therefore have been banned from speaking.
The sheer idiocy of this position takes some grappling with. For most of my time as editor of the Jewish Chronicle, a recurring story has been how representatives of Israel face violence and intimidation on campus to stop them speaking. In other words, one group of people believe that the offence they take at hearing a certain view entitles them to silence that view. The Board of Deputies has rightly criticised such attempts.
Do they really not see the contradiction? For Jewish students, the greatest campus battle at the moment is the right to be heard. All too often they are shouted down and attacked by anti-Israel activists. The Board of Deputies’ position is that if someone is regarded as offensive by enough people, they should be denied the opportunity to speak. Presumably anywhere, always. If Mr Loach is to be denied the chance to speak at St Peter’s, is he also to be barred from promoting his films? Or from making films?
As one can see, the whole thing unravels with a moment’s thought – as well as being so obviously counter-productive. It will not be long before the next attempt to silence an Israeli speaker, this time doubtless claiming to be based on the Board of Deputies’ own logic, that their presence is offensive to many people.
As readers of this site well know, free speech issues can be complicated. But not always. Sometimes the issue is obvious. I loathe Ken Loach. But I defend his right to speak.[/vc_column_text][/vc_column][/vc_row]
[vc_row][vc_column][vc_single_image image=”114632″ img_size=”large”][vc_column_text]Banned Books Week 2020 (27 September–3 October) takes place four months after George Floyd’s murder led to a global resurgence of the Black Lives Matter movement, and three months after the publication of the Rethinking Diversity in Publishing report, which demonstrated the particular challenges writers of colour still encounter.
Taking Banned Books Week’s theme as its starting point – a celebration of the freedom to read – our panel take stock of the commitments to inclusion and representation that have been made in publishing over the last few months. With representatives from the books industry – from editors to heads of writers’ organisations – this webinar will explore how we work together to celebrate marginalised voices in literature.
Adam Freudenheim is the Publisher and Managing Director of Pushkin Press. He has worked in publishing since 1998 and was Publisher of Penguin Classics, Modern Classics and Reference from 2004 to 2012. Adam joined Pushkin in May 2012, where he has launched the Pushkin Children’s Books, Pushkin Vertigo and ONE imprints, and he is particularly proud to have published the first translation of The Letter for the King by Tonke Dragt and Jakob Wegelius’s dazzlingly original The Murderer’s Ape; as well as to have introduced the acclaimed American short story writer Edith Pearlman to British readers (with Binocular Vision) and Israeli writer Ayelet Gundar-Goshen (her most recent novel is Liar).
Sharmaine Lovegrove is the Publisher of Dialogue Books, the UK’s only inclusive imprint, part of Little, Brown Book Group and Hachette UK. Dialogue Books is a home for a variety of stories from illuminating voices often missing from the mainstream. Sharmaine was the recipient of the Future Book Publishing Person of the Year 2018/19 and is inspired by innovative storytelling, and has worked in public relations, bookselling, events management and TV scouting. She was the literary editor of ELLE and set up her own bookshop and creative agency when living in Berlin. Sharmaine serves on the boards of The Black Cultural Archives, The Watershed and is an founding organiser of The Black Writers Guild. Home is London, she lives in Berlin and her roots are Jamaican – Sharmaine is proud to be part of the African diaspora and books make her feel part of the world.
Claire Malcolm is the founding Chief Executive of the literary charity New Writing North where she oversees flagship projects such as the David Cohen Literature Award, Gordon Burn Prize, the Northern Writers’ Awards and Durham Book Festival and award-winning work with young people. She works with partners from across the creative industries and charity and public sectors including Penguin Random House, Hachette, Faber and Faber, Channel 4 and the BBC to develop talent in the North. Claire is a trustee of the reading charity BookTrust, the Community Foundation Tyne and Wear and a board member of the North East Cultural Partnership.
Aki Schilz is the Director of The Literary Consultancy, which runsediting services, mentoring and literary events. At TLC Aki co-ordinates partnerships and programmes, including running the Quality Writing for All campaign which focuses on inclusivity and diversity. In 2018 Aki was named as one of the FutureBook 40, a list of people innovating the publishing industry, and was also nominated for an h100 Award for her work with the #BookJobTransparency campaign. In 2019 she was shortlisted for the Kim Scott Walwyn Prize for women in publishing, and in 2020 was named as one of INvolve’s Top 100 Ethnic Minority Future Leaders.
In partnership with the Royal Society of Literature, English PEN, the British Library and the Black Writers’ Guild.
This event is FREE for all. Please register here.[/vc_column_text][vc_single_image image=”114627″ img_size=”large”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]Banned Books Week is an annual event celebrating the freedom to read.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_column_text][/vc_column_text][/vc_column][/vc_row]
[vc_row][vc_column][vc_single_image image=”113272″ img_size=”full” alignment=”center” onclick=”custom_link” link=”https://www.indexoncensorship.org/indexawards20live/”][vc_column_text]A Russian artist currently under house arrest for her work on gender and sexual equality and one of the first free investigative journalism and fact-checking websites in Poland are among the winners of the 2020 Index on Censorship Freedom of Expression Awards. The winners, who were announced today on Twitter as part of a digital gala hosted by BBC presenter Timandra Harkness, also include a prominent lawyer fighting for the release of activists and journalists unlawfully detained in Turkey, a Bahraini activist living in exile in the UK and an Arab non-profit promoting digital rights of Palestinians.
Awards were presented in four categories: arts, campaigning, digital activism and journalism. The winners are: Russian artist Yulia Tsvetkova (arts); Turkish lawyer Veysel Ok and Bahraini activist Sayed Ahmed Alwadaei (campaigning); Arab Center for the Advancement of Social Media, also known as 7amleh (digital activism); and OKO Press (journalism).
Selected from hundreds of nominations from across the globe – a list of some of the most inspiring and courageous individuals and organisations operating today – the winners of the awards represent those who have had a significant impact fighting censorship. Now celebrating their twentieth year, previous recipients of the awards include activist Malala Yousafzai, Chinese author Ma Jian and journalists Anna Politkovskaya, Rafael Marques de Morais and Mimi Mefo.
“Today we acknowledge the winners of the Index 2020 awards as amazing people who do amazing things, while overcoming incredible challenges in difficult times. They fight for freedom of expression when others can’t,” said Rachael Jolley and Matt Townsend from Index on Censorship.
“This is the 20th year of the Index on Censorship awards, and we would also like to mark the winners of the previous ceremonies here today. It’s a highly unusual ceremony this year. We were forced to move online at the last minute, but it has meant that people from across the globe can join us today in noting the work that our winners 7amleh, Veysel Ok, Sayed Ahmed Alwadaei, Yulia Tsvetkova and OKO Press have done,” they added.
Each winner is now part of a year-long fellowship, which involves them working closely with Index who offer long-term, structured support. The goal is to help winners maximise their impact, broaden their support and ensure they can continue to excel at fighting censorship and free expression threats on the ground.
This year’s panel of judges included New York-based artist Molly Crabapple, award-winning Guardian journalist Amelia Gentleman and Cindy Gallop, founder of social sex video platform MakeLoveNotPorn. Speaking on the awards, Gallop said:
“I am in awe of all of the candidates we were asked to review for these awards and just blown away by what they are doing around the world. And I am thrilled that the Freedom of Expression Awards exist to celebrate that courage and those triumphs at a time when the need could not be greater.”
All of the winners spoke of how the awards had given them hope.
“It shows that our work has found support from the international community,” Ok said, while Nadim Nashif of 7amleh said the award would motivate them “to work more to advance digital rights and to achieve our vision of a safe, fair and free digital world”.
“The award pretty much reminds me that not everything is that bad. That there are still people who believe that [what I do] is important. For me, it changes pretty much everything. So thank you,” said Tsvetkova, who explained that over the last year she had received death threats and found it hard to focus on why what she was doing was important.
They also spoke about the greater challenges posed as a result of the coronavirus crisis. Alwadaei said:
“During the coronavirus crisis, I would like to pay tribute to those imprisoned in Bahrain for speaking out against the regime. This award is very special to me because my dear friend, Nabeel Rajab, was awarded this prize in 2012. Nabeel is currently serving 5 years in prison for criticising the government on Twitter.”
He added: “In these difficult times, it is more important than ever that freedom of speech is protected and that independent, critical voices are heard.”
But looking ahead OKO Press sounded a note of optimism:
“We believe the danger will wane, both epidemic and political. We will wake up in a healthier world.”[/vc_column_text][vc_single_image image=”113163″ img_size=”full” add_caption=”yes”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]Winning in the Arts category was Yulia Tsvetkova, a Russian artist and activist promoting women’s well-being and LGBTQ awareness. Her work has brought about positive change in discussions towards body positivity and gender stereotypes in Russia. But this acclaim has also made her a target. In 2018 she began a campaign promoting body positivity which resulted in her being named a suspect in a criminal pornography distribution case. Tsvetkova, currently under house arrest, could face up to six years in prison if convicted. In March 2019, her youth arts festival was cancelled after officials accused Tsvetkova of illegally trying to hold a gay pride event under the guise of a youth theatre festival.
The award for Campaigning went to two individuals. The first is Veysel Ok. Ok is a prominent Turkish lawyer providing pro-bono legal support to journalists, activists and academics who have been subjected to intimidation, surveillance, smear campaigns and harassment. His work has been instrumental in the release of several unlawfully detained journalists and writers. Ok is one of the first to challenge the Turkish laws of accreditation which determine whether a journalist meets official requirements to do their job. As part of his work, he received a five month suspended sentence for criticising the independence of the Turkish judiciary. He has been subject to surveillance and harassment ever since.
The second winner in the Campaigning category is Sayed Ahmed Alwadaei, a Bahraini activist currently living in exile in the UK. He was forced to flee Bahrain in 2011 after being arrested for taking part in anti-government protests. The Bahraini government revoked his citizenship and launched a smear campaign labelling him a terrorist. As the director of advocacy at the Bahrain Institute for Rights and Democracy, his work has become a vital resource for international media and NGOs. One such case was the discovery that institutions supported by UK taxpayers have been implicated in torture and other human rights abuses. Despite the danger faced by him and his family, Alwadaei continues his work as a prominent critic of the Bahraini government.
The Journalism award and Digital Activism award both went to organisations doing invaluable work in the digital sphere. One of the first free investigative journalism and fact-checking websites in Poland, OKO Press picked up the journalism award. OKO investigate and evaluate statements made by politicians, monitor public spending and fight for access to public information. In so doing they’ve paved the way for other news sources to follow suit. This has contributed to a safer and stronger public sphere, fighting for immunity from government propaganda.
Their work also supports grassroots activism; crucial in Poland, a country which is sliding further and further into authoritarianism and censorship. Indeed, the environment in which they work is becoming increasingly hostile. Political polarisation, lack of transparency, suspicion, threats and withholding of information are common. In the face of this, OKO Press shows resilience and determination. As they said in their acceptance speech:
“We are honoured to receive the award, but also humbled but the fact that other nominees, from Hong Kong, Venezuela and Burundi are acting in much harder circumstances. Friends, we admire your courage, determination and quality of work.
Kaczyński is no Maduro, Nkurunziza, Putin, or Erdogan, but apparently he takes his inspiration from them. We are not a dictatorship yet, though we are close to the so-called electoral authoritarianism, where all forms of public scrutiny, besides the elections, are being suppressed.”
Finally, the Digital Activism award went to the Arab Center for the Advancement of Social Media, or 7amleh as they’re known, a non-profit organisation focused on protecting the human rights of Palestinians in the online space. As Israel increases online monitoring, Palestinians are taking to social media to express disdain. 7amleh’s work protecting online safety and digital rights has been crucial. Through capacity building, research, advocacy and campaigning, 7amleh works to ensure that policies and companies are complying with human rights and are working towards greater accountability. Their campaign work with NGOs has seen huge numbers of participants. They’ve worked towards amendments in the Palestinian Authority’s Cybercrimes Law, the development of the first Arabic Digital Security Manual and digital training being implemented into the Palestinian education system.
If you believe in the work Index do please think about donating. For more information on how to donate click here.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][/vc_column][/vc_row]
