[vc_row full_height=”yes” content_placement=”middle” css_animation=”fadeIn” css=”.vc_custom_1532521019562{background-color: #ffffff !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_column][vc_single_image image=”78192″ img_size=”full”][vc_custom_heading text=”Kieran Etoria-King, the second Tim Hetherington fellow, speaks about his time as the editorial assistant, and the opportunities it’s given him” font_container=”tag:h2|text_align:center|color:%23000000″][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]
“It made it on the front cover of the magazine so that was a big, proud moment,” said former Index editorial assistant Kieran Etoria-King, talking about his interview with stage star and model Lily Cole.
Etoria-King, now a graduate trainee at Channel 4, was the 2016/7 Tim Hetherington fellow at Index, a programme for journalism graduates from Liverpool John Moores University and backed by the Tim Hetherington Trust.
During his time as the second LJMU/Tim Hetherington fellow, Etoria-King worked on four issues of the magazine and on the website throughout the year, as well as interviewing Cole.
“My proudest moment editorially was the commissioning, when I got to the point where I felt like I was able to bring in ideas,” Etoria-King said. “I saw a picture of some North Korean art, and when I saw that I became fascinated by these amazing North Korean paintings I’d never seen before. I pitched that idea, and then went out and found someone, BG Muhn, who is an expert on the subject, and was able to write a really good piece about it. That was probably the first moment where I felt like, ‘yeah, I can contribute to this and able to bring stuff to the table’. It was like the first or second piece from the front in that issue so that was amazing.”
Etoria-King has taken the skills learned at Index into his new role. He said: “The confidence that I can bring ideas to the table has been a huge help.”
“Anywhere you go in the media, people are gonna be fascinated by the work Index does, even if they haven’t heard of it, when you tell them what it is, they’re gonna be fascinated.”
Talking about what he learned during his year on the editorial team, he said: “They really helped me really refine what to put in applications, refine my skills and how to pitch myself. You couldn’t really ask for a better introduction [to media], because you’ve got so much experience there in Sean, Rachael and Jemimah, Jodie and the whole organisation. Being such a small team you have a lot of input, and your presence is really valued and your input is really valued.”
[/vc_column_text][vc_row_inner][vc_column_inner][vc_single_image image=”94174″ img_size=”large” add_caption=”yes” alignment=”center”][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=”1/4″][vc_icon icon_fontawesome=”fa fa-quote-left”][/vc_column_inner][vc_column_inner width=”3/4″][vc_custom_heading text=”Anywhere you go in the media, people are gonna be fascinated by the work Index does”][/vc_column_inner][/vc_row_inner][vc_column_text]
The fellowship was set up in memory of Tim Hetherington, a photojournalist from Liverpool. He is best known for his work covering soldiers and conflicts including Afghanistan and Libya. His photography was celebrated for focusing on individuals’ experiences, not just the war zones.
Hetherington’s assignments took him from the UK to Africa where he lived and worked. He also studied US fighting forces for a year in Afghanistan from 2007 to 2008, which led to the Oscar-nominated film Restrepo and Infidel photo book. He also worked in Libya, where he sadly lost his life in 2011 from a mortar attack during the country’s civil war.
“Tim spent his whole life challenging limitations on expression,” said Stephen Mayes of the Tim Hetherington Trust, including a period of time spent as an investigator for the United Nations Security Council’s Liberia Sanctions Committee.
“The opportunity to introduce new talent to work in this vital field is unmissable and we wholeheartedly join with LJMU and Index to promote the values of free speech and political expression.”
The Tim Hetherington fellow works on the award-winning Index on Censorship magazine and website as the editorial assistant with opportunities to do a range of tasks including interviews and podcasts.
In the summer 2018 issue of Index on Censorship magazine Caroline Muscat takes a closer look at the truths this year’s European Capital of Culture, Valetta in Malta, is hiding
The sprawl of construction sites represents the reality of Malta. It’s a sign of progress, never mind the fact that planning laws are farcical. The country’s affluence is shown by the number of cars on the road, never mind the traffic congestion. Its freedom is evidenced in the number of media outlets and news portals, never mind the fact that they all offer similar content. It’s all about appearance, not substance. Scratch beneath the surface and the problems start to appear.
“National pride has reached historic levels,” Prime Minister Joseph Muscat told more than 100,000 people who flocked to the nation’s capital, Valletta, for its inauguration as Europe’s Capital of Culture 2018. The announcement was made as the country was grappling with the assassination of its most prominent journalist, Daphne Caruana Galizia, and as accusations of a collapse in the rule of law continued to haunt Malta.
Restaurants offering mouth-watering dishes are found across the length and breadth of Malta’s islands, but while digging into a bruschetta few stop to question the sudden influx of Sicilian restaurants that are suspected of being money-laundering fronts for the Sicilian mafia.
Operation Beta, led by the Italian authorities in 2017, culminated in the arrest of 30 people as part of a major clampdown on illegal gaming activities and money laundering linked to a Sicilian family, the Santapaola-Erculanos, linked to the mafia by the Italian media. Almost a year later, Italian police cracked an operation involving Sicilians, Maltese and Libyans smuggling Libyan fuel into the European market. Once again, a link to the Santapaola-Erculano family emerged. A look at the histories of the mafia clans reveals deep family connections to Malta as a hub from which to extend their reach and profits.
The links date back to 1974, when a Sicilian man and his bride went to the Maltese island of Gozo on their honeymoon. They loved the island so much they frequently returned. To the locals who interacted with him in Pjazza San Frangisk, in Victoria, he was known simply as Toto.
But Toto was Salvatore Riina, the mafia boss who terrorised Sicily and made the Italian State tremble while making friends in Malta.
Over the years, Malta has continued to attract shady characters, including politically exposed politicians, from countries including India, Ukraine and Azerbaijan. There are clear risks in probing too deeply into the shadows of modern Malta – not that this is obvious to anyone landing in the country for a fortnight of sun and sea. Popular events, such as the annual music festival the Isle of MTV, continue to offer a distraction on the islands that were once a safe haven for tourists and locals. But the recent release of the Panama Papers linked a Maltese minister, Konrad Mizzi, and the prime minister’s chief of staff, Keith Schembri, to $1.6m payments to Dubai companies. Both deny the claims of payments.
It is now clear that a political party elected in 2013 on the promise of change was not thinking of adding transparency or media freedom. Since the Panama Papers revelations, journalists have piled up stories of scandals, but nothing has changed. Deals selling off the country’s assets continue to be made, shrouded in secrecy. And in the midst of all this, calls for justice for an assassinated journalist continue to echo in the air.
[/vc_column_text][/vc_column][vc_column][/vc_column][vc_column][/vc_column][/vc_row][vc_row][vc_column width=”1/4″][vc_icon icon_fontawesome=”fa fa-quote-left” color=”custom” align=”right” custom_color=”#dd3333″][/vc_column][vc_column width=”3/4″][vc_custom_heading text=”Few stop to question the sudden influx of Sicilian restaurants that are suspected to be money laundering fronts” google_fonts=”font_family:Libre%20Baskerville%3Aregular%2Citalic%2C700|font_style:400%20italic%3A400%3Aitalic”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]
Daphne Caruana Galizia was killed because of what she exposed. Seven months later, the institutions that failed to protect her are the same institutions that are failing to bring those who ordered her killing to justice. Every month, on the date marking her death, citizens gather to call for justice in the country’s capital. They gather in front of a makeshift memorial before the law courts as a reminder that justice has not been served. Every time, they know they will see each other the following month because nothing will have changed. Yet their presence, and the flowers and candles placed at the foot of the monument, serve as a reminder to the authorities that they will never forget.
Those who mention her name, those who refuse to bow to a society bent by corruption, are insulted and threatened. Journalists and activists keep being reminded of the untold damage they are doing to the country’s reputation. Malta’s image is everything, but it is not what it seems.
When confronted by the news that the European Parliament was sending a delegation to investigate Malta’s anti-money laundering rules, Muscat said: “I invite them to come over to see what a fantastic country we are.” But the Paradise Papers had already shown just how “fantastic” Malta s by casting a dark cloud over its economic miracle.
While workers in other countries have borne the brunt of austerity, the Maltese have never had it so good, shielded by an economic system which relies partly on enticing shell companies to Malta by offering a favourable fiscal regime, in addition to a growing dependence on i-gaming and construction. In addition, Malta’s controversial “sale” of European passports continues, despite concerns about the erosion of democracy.
Living in Malta as a journalist one experiences the stark reality of it all. Those exposing corruption are ostracised and vilified. Their voices are drowned out by the millions spent on the marketing machine to promote Malta and clean its image. Journalism is undermined through an almost complete domination of the narrative by the government – millions of euros spent on PR ridicules weeks of investigative journalism. Government advertising drowns out calls for a democracy that ends corruption and protects freedom of speech.
On 16 May, Labour MP Rosianne Cutajar stood up in parliament and spent 30 minutes criticising the publication of a six-month investigation by The Shift News that exposed pro-government secret Facebook groups with thousands of members posting threats against activists. These posts included threats towards anti-corruption activist Tina Urso, whose home address was also published on the site. Urso filed two complaints with the police, but wasn’t offered any protection.
The MP also said I was sowing the seeds of hatred left behind by Caruana Galizia by attacking the government. Compare this with the exposé of anti-Semitism in the UK Labour Party and the media scandal that followed. In Malta, the scandal was the journalist who dared to speak truth to power.
Caruana Galizia had written: “Malta is in a dangerous place, and now we can no longer say that it is corrupt politicians who have brought it to this point, for it can no longer be denied that those corrupt politicians are a reflection of society.”
In this scenario, the protection of journalists is critical in a landscape that is intolerant of independent thought.
Caroline Muscat is the co-founder of The Shift News, based in Malta
This article was originally published in the Summer 2018 issue of Index on Censorship magazine. Click here to read about the other articles in the issue.
The latest issue of Index on Censorship magazine, Trouble in Paradise, Escape from Reality: what holidaymakers don’t know about their destinations is out now. Buy a subscription. Buy a print copy from bookshops including BFI, Serpentine and MagCulture (London), News from Nowhere (Liverpool), Home (Manchester), and Red Lion Books (Colchester), or via Amazon. Digital versions available via exacteditions.com or iTunes.
Finally, don’t miss our regular quarterly magazine podcast, also on Soundcloud, including an interview with the founder of the Rough Guides, Mark Ellingham. Come by and visit us.
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”From the Archives”][vc_row_inner][vc_column_inner width=”1/3″][vc_single_image image=”89160″ img_size=”213×287″ alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1080/03064229108535157″][vc_custom_heading text=”Do not disturb” font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1177%2F0306422011399822|||”][vc_column_text]2011
In 2011, Charles Young reported that writers, journalists and even DJs are falling foul of Malta’s censorious laws[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”64776″ img_size=”213×287″ alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1080/03064220008536796″][vc_custom_heading text=”Social disturbance” font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1177%2F0306422015571882|||”][vc_column_text]March 2015
News footage provided by readers and viewers has entered a new era, where we’re faced with more propaganda, hoaxes and graphic detail than ever before. Vicky Baker looks at the increasingly tough verification process at the BBC’s user-generated content department[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”99282″ img_size=”full” alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1080/03064229308535477″][vc_custom_heading text=”Index around the world” font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1177%2F0306422018769585|||”][vc_column_text]Spring 2018
Attacks on journalists are escalating in areas formerly seen as safe,
including the USA and the European Union, says Danyaal Yasin[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_separator][/vc_column][/vc_row][vc_row content_placement=”top”][vc_column width=”1/3″][vc_custom_heading text=”Trouble in Paradise” font_container=”tag:p|font_size:24|text_align:left” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2F2018%2F04%2Fthe-abuse-of-history%2F|||”][vc_column_text]The summer 2018 issue of Index on Censorship magazine takes you on holiday, just a different kind of holiday. From Malta to the Maldives, we explore how freedom of expression is under attack in dream destinations around the world.
With: Martin Rowson, Jon Savage, Jonathan Tel [/vc_column_text][/vc_column][vc_column width=”1/3″][vc_single_image image=”100843″ img_size=”medium” alignment=”center” onclick=”custom_link” link=”https://www.indexoncensorship.org/2018/06/trouble-in-paradise/”][/vc_column][vc_column width=”1/3″ css=”.vc_custom_1481888488328{padding-bottom: 50px !important;}”][vc_custom_heading text=”Subscribe” font_container=”tag:p|font_size:24|text_align:left” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2Fsubscribe%2F|||”][vc_column_text]In print, online. In your mailbox, on your iPad.
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[vc_row][vc_column][vc_column_text]This article is part of Index on Censorship partner Global Journalist’s Project Exile series, which has published interviews with exiled journalists from around the world.[/vc_column_text][vc_column_text]
Egyptian journalist Abdullah Elshamy
“I face probably a life sentence or maybe even worse. The idea of not being able to go back to your own country…is just heartbreaking.”
For a time, journalist Abdullah Elshamy was the face of resistance in Egypt.
After then-army chief Gen. Abdel Fatah el-Sissi led a coup, in July 2013, toppling the democratically-elected president Mohammed Morsi, major street protests against the military took place in Cairo.
Elshamy, who is originally from Beheira in the Nile Delta, was a correspondent working for Al Jazeera at the time. He had only recently returned to Egypt from an assignment in Nigeria to cover the unrest.
On Aug. 14 of that year, Elshamy was covering a sit-in near the Rabaa al-Adawiya mosque when security forces began to open fire. More than 800 people were left dead at Rabaa and one other protest site in Cairo in what Human Rights Watch has called the “world’s largest killings of demonstrators in a single day in recent history.”
Elshamy managed to avoid the bullets, but he and hundreds of others were arrested as crowds fled the area around the mosque. Elshamy was taken to prison and held without trial for months.
Losing hope, in January 2014 Elshamy decided to begin a hunger strike. Over the next several months, he would lose about 88 pounds (40 kg). His case garnered international headlines, especially after he managed to record a dire video from inside jail on the 106th day of his hunger strike and have it smuggled out. “If anything happens to my safety, I hold the Egyptian regime with the responsibility of that,” he said on the video.
Update: In September 2018 am Egyptian court sentenced Abdullah Elshamy in absentia to 15 years in prison.
Efforts by prison authorities to force-feed him and punish him by placing him in solitary confinement failed. In June 2014 Egyptian prosecutors decided to release him because of his declining health. Elshamy was met outside the prison by a throng of family members, supporters and the press.
“I have won,” he told the cameras. “And everybody who is a freedom fighter, either a journalist or anyone doing his work credibly and with honesty has won. This experience has changed my life.”
Elshamy soon moved to Qatar and resumed work for the Qatari-owned al-Jazeera, which Egyptian prosecutors brought charges against him in absentia, as well as against hundreds of others imprisoned after the 2013 demonstrations. A verdict in the trial is expected in the coming months.
Meanwhile, press freedom in Egypt has not improved under el-Sissi, who has been president since 2014. More than 35 journalists and bloggers are in prison in the country, according to Reporters Without Borders.
Now 29, Elshamy lives in Doha and hosts the monthly investigative show “Eyewitness” for Al Jazeera’s Arabic channel. Nearly four years after his release, Elshamy spoke with Global Journalist’s Taylor Campbell about his ordeal and the consequences of exile. Below, an edited version of their interview:
Global Journalist: What happened in the lead-up to your arrest?
Elshamy: Back in 2013 I was working as a reporter for al-Jazeera when the events started taking place in Egypt, the tensions between the president [Morsi] and the army. Just a few days before the military coup took place in Egypt on the 3rd of July 2013, I was asked by management to go from Nigeria where I was stationed, to Cairo, to be able to cover events.
I never had in my wildest dreams [thought] things would end up like that. I mean, I covered more serious and dangerous things. Before this I was in Libya during the [civil] war back in 2011 and I was also in Mali when the [2013] French intervention happened in the north of the country. So it was for me, probably just another round of demonstrations and things would cool down eventually and the politics would work out.
So I went there and I covered the events from both sides. Things went on for several weeks [after the coup] until the army and the police moved in on the demonstrations on the eastern side of Cairo.
On the 14th of August 2013, the army and the police were detaining everyone coming out of [the Rabaa al-Adawiya] area. I was among those arrested.
And from that point, from the 14th of August 2013 until the 18th of June 2014, I was put in detention without trial.
GJ: How did being a journalist affect your time in prison?
Elshamy: At the beginning, they didn’t know I was a journalist because I tried not to mention that. I feared there might be a severe response if they found out.
When the authorities [learned] I was a journalist it didn’t actually change much. It made them put more restrictions on my time in prison. They monitored the letters I got and the visits from my family. But at they put me among the demonstrators that were arrested on that day. They insisted I was a criminal, not a journalist.
There were I would say, focused attacks on me because when they found out I was a journalist at al-Jazeera, relations between Egypt and Qatar were not the best. I was harassed by the guards because they thought of me as a spy.
Nothing made sense at that point…I was not the only journalist in prison. One of my colleagues [Mahmoud Abu Zeid, better known as Shawkan], is a freelance photojournalist who was detained on the same day with me, and up until this day he is in prison.
Shawkan is a freelance photojournalist detained in Egypt since 14 August 2013, he was my cell mate and he doesn’t deserve death as the prosecution demanded. #MyPicForShawkanpic.twitter.com/PK9SvSpeRJ
GJ: Tell us about the hunger strike and how it led to your release.
Elshamy: The last week of January 2014 I decided I was going on a hunger strike, because I was in prison at that point for five months and nothing was happening in terms of my release. My lawyers gave several documents to prove I was [at the protest] doing my work. They’d requested I be released on bail.
When I decided that I was going on hunger strike, the prison authorities at the beginning…they made fun of the whole thing. But then when it was March and I was losing weight and my health was not the best, the Ministry of Interior thought that they would start to intimidate me into giving up on the whole thing.
It eventually came to the point where the prison’s manager, an assistant of the minister himself, came to see me and said: “This is not good. What are you doing? You are young, your health isn’t going to take it.”
Eventually, when they found out that I wasn’t giving up on the hunger strike, I was sent to a maximum security prison for the next five weeks before my release.
That was the hardest part of the whole prison experience because I only saw my family once in those five weeks. I was kept in a solitary confinement cell. I wasn’t allowed to see anyone. Even when I was given time to walk out of my cell, it was at the end of the day while all the other inmates in the ward were not present. It was psychological pressure. They thought maybe this would break me down.
GJ: How is life for you now?
Elshamy: Although I was released four years ago, I’m still being tried in absentia. I cannot go back to Egypt. I risk being arrested and it’s kind of a dead end for me at this point. As the trial approaches its end, I face probably a life sentence or maybe even worse. The idea of not being able to go back to your own country is just heartbreaking.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/2″][vc_video link=”https://youtu.be/tOxGaGKy6fo”][/vc_column][vc_column width=”1/2″][vc_column_text]Index on Censorship partner Global Journalist is a website that features global press freedom and international news stories as well as a weekly radio program that airs on KBIA, mid-Missouri’s NPR affiliate, and partner stations in six other states. The website and radio show are produced jointly by professional staff and student journalists at the University of Missouri’s School of Journalism, the oldest school of journalism in the United States. [/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Don’t lose your voice. Stay informed.” use_theme_fonts=”yes”][vc_separator color=”black”][vc_row_inner][vc_column_inner width=”1/2″][vc_column_text]Index on Censorship is a nonprofit that campaigns for and defends free expression worldwide. We publish work by censored writers and artists, promote debate, and monitor threats to free speech. We believe that everyone should be free to express themselves without fear of harm or persecution – no matter what their views.
Join our mailing list (or follow us on Twitter or Facebook). We’ll send you our weekly newsletter, our monthly events update and periodic updates about our activities defending free speech. We won’t share, sell or transfer your personal information to anyone outside Index.[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/2″][gravityform id=”20″ title=”false” description=”false” ajax=”false”][/vc_column_inner][/vc_row_inner][vc_separator color=”black”][/vc_column][/vc_row][vc_row][vc_column][vc_basic_grid post_type=”post” max_items=”6″ style=”load-more” items_per_page=”2″ element_width=”12″ grid_id=”vc_gid:1542640554551-b7c870c1-3f87-6″ taxonomies=”22142″][/vc_column][/vc_row]
NCAC joins PEN America and 31 other prominent arts organizations to jointly file a friend of the court brief in the case of State of Hawaii v. Trump, urging the Supreme Court to strike down the third version of the Trump travel ban issued on September 27, 2017. Executive Order (EO) 13780bans all immigration from six majority Muslim countries, placing additional visa restrictions on nationals of Syria, Iran, Libya, Yemen, and Chad, and includes token restrictions on North Korea and Venezuela. Read the full article.
