6 Oct 2020 | Volume 49.03 Autumn 2020, Volume 49.03 Autumn 2020 Extras
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British-Canadian writer Lisa Appignanesi has found lockdown a difficult time to write, but despite this she has created a new short story exclusively for Index.
Appignanesi, a screenwriter, academic and novelist, said: “It’s very hard to move within the instability of the time to something imaginative.”
Her story, Lockdown, focuses on an older man, Arthur, who reflects on his past in Vienna during the period between the two world wars.
Appignanesi has a long relationship with the Austrian city.
“I’ve done an awful lot of work on Viennese literature and, indeed, on Freud, so Vienna always feels very, very close to me and I lived there for a year,” she said.
“Vienna is a fascinating place. It was a great city – first of all head of an empire with many, many immigrant groupings in it, and then when it lost its imperial status in World War I it was a very impoverished city.”
She says the period of lockdown focused her mind on the restrictions imposed upon the elderly. “I have long thought about what happens to the mind within the body, people’s relationship to time in that sense. You grow old and stuff happens to your body and, initially at least, it doesn’t seem to affect your mental capacity and the way you grow through time as you are living it.”
She is also interested in the idea of people being present in different ways and how, for instance, the potential anonymity and the disembodied nature of Twitter means that people can unleash their anger differently from how they would if they were in the room with someone.
“Some of the rampant emotions of our time, particularly anger,” she said, “were to do with the fact that people on Twitter are not only anonymous but they are disembodied.”
In an article for this magazine in 2010, Appignanesi wrote: “The speed of communication the internet permits, its blindness to geography, seems to have stoked the fires of prohibition. The freer and easier it is for ideas to spread, the more punitive the powers that wish to silence or censor become.”
Appignanesi, a long-time campaigner for freedom of expression, was born in post-war Poland as Elżbieta Borensztejn. Her Jewish parents had what she has described with understatement as “a difficult war”, hiding under different aliases to escape arrest. The family moved then to Paris, which she remembers, and later to Montreal, Canada. She once told BBC Radio 3 that she “grew up with the ghosts of those that died in the concentration camps”. Given the family history, it is no wonder she worries about authoritarian governments and restrictions on speech.
She is now concerned about how governments are changing the rules of freedom of expression while the world is distracted by Covid-19, and the threats that may manifest themselves. “Your attention is distracted by something – something happens behind the scenes, and usually the same people are doing the distraction. This time it was the virus.”
One news item that grabbed her attention recently was about the closure of Guatemala’s police archives (see page 27), a library of information about the country’s civil war. Her concern is that “those archives are about the disappearances of people under the dictatorships, which were lethal”.
As others track governments who want to control the national story, Appignanesi says we must learn from history.
“It’s very important for our documents in Britain to be interpreted in different ways, and supplemented by stories we don’t know.
“There are always new histories to discover.”
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Lockdown by Lisa Appignanesi:
Arthur was old. Very old. So old that when the word “lockdown” had made its way onto the radio news he was listening to with only half an ear – and even that half tuned to inner voices – he had thought they were talking about him.
It seemed the world was joining him now. In lockdown.
But the whole country had been in metaphorical lockdown for some time, he reflected, its politicians preventing every connection between a fragmented people except angry sparks or empty boasts.
Lockdown was a perfect word to describe his present condition: confined to his cell for his own good by a greater authority. If he promised not to riot, he was allowed out for exercise at regular intervals.
Yet the notion of exercise took all the pleasure out of movement. He preferred to think of it as a walk, better still, a passeggiata. He always dressed carefully for the occasion – a suit, perhaps a silk waistcoat, a bow tie. The joy of a stroll was in part that people looked at, and greeted, each other – even smiled. So no stretchy joggers and sweatshirts for him of the kind his grandchildren wore. He liked form. He had always been something of a dandy, though these days, as he heaved what seemed to be boulders rather than legs along the streets, it was harder to turn a casual half smile on the world and appreciate its offerings. But then his senses, too, were in all but lockdown. His new glasses had him stumbling, the ground far closer than where he had last left it, as if he had shrunk back to childhood and well below what was once an adequate height for a man of his generation.
His first grandson had once asked him if he was named after King Arthur since he had a round table and Arthur hadn’t liked to contradict him – but the only table that had featured in his own childhood had been the one at the Professor’s house in Vienna. He played happily under that while the adults talked and occasionally the Professor would put a hand below the edge of the tablecloth and tousle his hair, then pat him as he did his dogs. He liked the Professor, who gave his name a proper ‘T’ – Artur. In fact, it was the writer who was called the professor’s “doppelgänger” who was responsible for Arthur’s name.
Doppelgänger was a word he learned early. Another, heard from beneath the table, was Zensur. He had thought that had the word hour in it, had thought maybe it meant ten o’clock, zehn Uhr. Amidst the chatter of the adult voices, he saw TEN blotting out all the hours that came before, a censoring hour.
Maybe that’s why he had this odd relationship to time now, as he reached his midnight. He was convinced that at this late age he finally understood, was indeed living, what Einstein had meant about time slowing in the presence of heavy objects. Arthur was so light now, his bones s0 hollowed out, that time didn’t slow for him. It sped.
Or maybe its racing effect was linked to the fact that there was so little of time left that what had once been full and slow was now racing towards an end. The thought of death could no longer be censored or repressed. No bonfire could destroy it. But then it hadn’t really worked for the books either. They had sprung up in other editions and elsewhere.
Arthur had been born in Berlin just weeks after the great conflagration of books the Nazis had staged and only a few months after the Reichstag fire. His mother had been walking near the Staatsoper on the night of the book burning. She had loved Arthur Schnitzler’s work and had known him a little, so he had become little Arthur.
It was as well the Professor was still alive or he might have become Siggy, since his books were in that bonfire too.
Was that why he had spent his life in books and collected so many in the process? He looked up at the study’s walls lined in first editions, one side leather bound, the other brighter in their contemporaneity.
“Arthur?”
He checked that the voice was real and forced himself into the present.
In the doorway stood the young woman he liked to think of as his companion, though his granddaughter, Mia, had called her – in insisting on the need for her – an au pair plus. Stella was certainly more than his equal, not only as tall as he once had been but with poise and a razor-sharp intelligence he sometimes thought could penetrate his thoughts without him needing to speak.
So she knew he liked the fact she was decorous and she hadn’t – at least not yet – upbraided him for it, as his granddaughter would. Stella was completing a PhD at Cambridge, and with a rueful smile admitted that she had been completing it for an unconscionable while, which most recently had included divorcing her husband. That was why she found herself in need of a room and an extra wage. No one had imagined lockdown.
Now she wanted him up and ready to begin the Sisyphean task of the morning passeggiata.
His study door opened onto a terrace and from there down into communal gardens, a square where the trees today were in full glorious flower. He was a lucky man. Doubly lucky that his granddaughter had somehow gifted him this magnificent creature.
“We’re going to begin today,” Stella said when they paused for him to catch breath beneath the flowering cherry. The sky between its branches was a Mediterranean blue. The blackbirds were in full throat. The young Americans with their twin toddlers weren’t out yet.
“I’m not ready.” Arthur heard the plaintive high pitch in his own voice and rushed to blur it in a cough.
If you wish to read the rest of the extract, click here.
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Lisa Appignanesi is an award-winning writer and campaigner for free expression. She is the author of many books including Memory and Desire, Losing the Dead and The Memory Man.
Rachael Jolley is the former editor-in-chief of Index on Censorship magazine. She tweets @londoninsider. This article is part of the latest edition of Index on Censorship’s autumn 2020 issue, entitled The disappeared: how people, books and ideas are taken away.
Look out for the new edition in bookshops, and don’t miss our Index on Censorship podcast, with special guests, on Soundcloud.
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/2″][vc_custom_heading text=”Listen”][vc_column_text]The autumn 2020 magazine podcast featuring Hong Kong-based journalist Oliver Farry, who discusses the crackdown on pro-democracy demonstrations in the region
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2 Oct 2020 | Argentina, China, Japan, News and features, South Korea
“When old people speak it is not because of the sweetness of words in our mouths; it is because we see something which you do not see.”
– Chinua Achebe, Nigerian novelist
When populist governments rise, or when free speech is threatened, it so often falls to the steely wisdom of older generations to fight for justice.
Every age group has its heroes and, so often, older generations are the champions of the young.
Index has covered a range of groups since its inception in 1972 and elderly protesters have often featured. Here is a look at some of the most significant.
Belarus
Across the country, Belarusians are mass protesting current president Aleksander Lukashenko after elections in August appeared to be rigged.
At the forefront of the ongoing protests is 73-year-old Nina Bahinskaya.
The former geologist has certainly become identifiable with the demonstrations. Index’s Mark Frary spoke to her.
“I decided they [the authorities] would not be so harsh to an old lady, that’s why I decided to organise some activities myself,” said Nina.
Bahinskaya began her protesting after the Chernobyl disaster in 1986, distributing leaflets critical of the Soviet regime, so has experience demonstrating against oppressive governments.
“I don’t want it to continue because I have children, grandchildren and even a great-grandchild.”
President Lukashenko recently met with Vladimir Putin. In a showing of support, Putin agreed to give the Lukashenko government a sizeable loan. It has furthered concern in the country about the increase of Russian influence.
Bahinskaya echoed this worry, she said: “This is quite obvious that some kind of new annexation is happening.”
See Index’s most recent coverage and Bahinskaya’s interview with Mark Frary here.
Argentina
In 1976 the National Reorganization Process seized control of Argentina. The military junta were responsible for a number of atrocities. Backed by the United States as part of a ‘dirty war’, the Argentinian government committed acts of state terrorism upon its own citizens, including the forced disappearances of close to 30,000 people.
A higher value was placed upon young children and babies due to a waiting list for trafficked children. Those hopeful of adopting the trafficked children were military families and supporters of the new regime.
Lucia He spoke to one of Argentina’s ‘famous grandmothers’ for Index in 2017. Buscarita Roa, part of Grandmothers of the Plaza de Mayo, has campaigned since 1977 for disappeared victims to be identified.
She told Index: “Even if you’ve found your own grandchild, you stay because you think of the grandmother who is sick in bed and still hasn’t found hers. To us, the grandchildren we are searching for are all ours.”
The group began protesting at the height of the fear spread by the junta. One of the two founding members of the organisation was disappeared. Its high profile led to infiltration. In 1986, an extract from the book Mothers and Shadows by Marta Traba was published in Index. It spoke of the ‘notorious’ Captain Alfredo Astiz, whose access to the group led to 13 further disappearances.
Despite its reputation, Roa insisted there was little glory in being part of the organisation.
“Being a Grandmother of Plaza de Mayo is not something to be proud of, because having a disappeared grandchild is not something to be proud of.”
Japan
In 2018, Annemarie Luck covered one of Japan’s forgotten scandals: the South Korean ‘comfort women’ or, more accurately, sex slaves.
It took until 1992 for survivors to tell their story
Luck reported that some members of the survivors’ group still meet at the same spot every Wednesday outside the Japanese embassy in Seoul.
They were first issued with a signed apology in 1994 by then Prime Minister Tomiichi Murayama and in 2015, an agreement was reached between Japan and South Korea for the equivalent of $9 million.
Victims, as well as South Korean state officials, viewed the agreement as inadequate and protests have since continued.
239 women had registered with the South Korean government by 2016 as survivors of sexual slavery.
The House of Sharing in the city of Gwanju is home to many of the survivors. Team leader at the facility, Ho-Cheol Jeong, told Index of the impact the women he calls the ‘grandmothers’ have had.
Ho-Cheol said: “In a way, these women could be thought of as the original pioneers of the movement against sexual abuse and harassment that’s spreading throughout the world right now.”
Ukraine & Russia
In 2014, Index reported on the Russian government covering up its own soldiers’ deaths from the conflict in eastern Ukraine. Bereaved families were ‘discouraged’ from talking to media organisations.
Since the conflict broke out in February 2014, an estimated 5,665 soldiers have been killed
73-year-old activist and grandmother Lyudmila Bogatenkova faced a retributive accusation of fraud in response to drawing up a list of military casualties.
Bogatenkova was at the time head of a Soldiers’ Mothers branch in the city of Stavropol. The organisation provides legal advice to soldiers, as well as education programmes.
The allegation threatened Bogatenkova with up to six years in jail, before Russia’s human rights council intervened.
At the time, the BBC reported that local journalists were unable to meet the families of perished soldiers due to threats from ‘groups of aggressive men’.
China
Not all grannies are equally ready to stand up in the face of repression.
In 2013, after Chinese media frequently drew attention to stories of neglected pensioners, a new law was introduced.
The legislation stipulates that adults can face jail time or be sued if they do not visit their parents regularly.
Though brought in to Chinese law, it faced derision from across China and the globe and was not expected to be widely enforced. Many believed it was introduced to serve as an ‘educational message’.
However shortly after it was introduced a 77-year-old woman sued her daughter, who was subsequently ordered to provide financial support as well as bi-monthly visits.
The country struggles with the problem of an ageing population that, as numbers continue to reduce could cause economic growth in the region to fall.
21 Sep 2020 | Academic Freedom, China, Hong Kong, News and features
[vc_row][vc_column][vc_single_image image=”114944″ img_size=”full” add_caption=”yes” alignment=”right”][vc_column_text]A 12-year-old girl tackled by police and pinned to the ground, a media tycoon in handcuffs, dozens of activists in court – these have become the familiar images from Hong Kong since the passage of the national security law. But there’s another victim of the amplified censorship and persecution happening in the city – academia. Hong Kong’s classrooms and lecture theatres are increasingly at the receiving end of pressure to conform – or else.
Within days of the new law, Hong Kong’s education bureau ordered schools to review all reading materials in the curriculum.
“If any teaching materials have content which is outdated or involves the four crimes under the law, unless they are being used to positively teach pupils about their national security awareness or sense of safeguarding national security, otherwise if they involve other serious crime or socially and morally unacceptable act, they should be removed,” the Education Bureau said in a statement.
Politically sensitive books, including those written by pro-democracy leader Joshua Wong, and titles related to China’s Cultural Revolution and Tiananmen Square massacre, were removed from library shelves. Textbooks censored out phrases like “separation of powers”. Gone too were illustrations showing anti-government protesters and criticism of the mainland Chinese government.
But the purge hasn’t stopped at reading material. Teachers have been fired. Just hours before the law came into effect, a secondary school visual arts teacher, who is too fearful to reveal his real name and goes by the moniker Vawongsir on Instagram, was laid off. He had received a complaint months earlier about critical artwork he’d done outside of work and yet no firm action had been taken against him. Then the new law was announced and he was fired. At the same time, a middle school music teacher’s contract wasn’t renewed after she failed to prevent students from performing a protest anthem during midterm exams.
“If you look at primary and secondary education it’s really obvious what they’re doing. They’re not hiding it,” said Lokman Tsui, assistant professor at Hong Kong’s School of Journalism and Communication, in an interview with Index. Tsui, who formerly held the position of head of free expression at Google in Asia and the Pacific, focuses his research and teaching on digital rights, security, democracy and human rights in general and in China and Hong Kong.
Tsui says the censorship is less obvious in higher education. Less obvious though does not mean less controlling. “They won’t tell you to not do x, y and z but it’s clear it’s not rewarded,” said Tsui.
Tsui himself is an example. Earlier this year he lost his tenure which, as he described in a letter he wrote at the time, “is important for academic freedom, because it provides job security, so you will not be afraid to lose your job if you take on controversial or challenging research topics.” Tsui was unsure whether this was politically motivated, but it cannot be ruled out.
“Maybe it is true that I would have gotten tenure if I had spent my time exclusively and only on ‘safe’ research and nothing else. But that would not have been me,” he wrote in the letter, which received a plethora of responses in solidarity with him and what he had done and in support of his teaching.
Even tenure doesn’t fully protect you in Hong Kong today. Benny Tai, who was associate professor of law at the University of Hong Kong and one of the Umbrella Movement leaders, was fired in July. Shui-ka Chun, another university educator known for his political activism, was laid off. China’s liaison office in Hong Kong hailed the terminations as a “purification of the teaching environment.”
Unsurprisingly the result is an atmosphere of self-censorship and an environment in which “the good people leave”.
“It’s a storm and no one wants to go outside, even with an umbrella,” said Tsui.
A battle over independence is nothing new for Hong Kong’s educators. Earlier attempts to introduce a patriotic “national education” curriculum into Hong Kong schools resulted in tens of thousands protesting in 2012, forcing it to be shelved. In 2018, charges of “brainwashing” were once again levelled at the government and at Beijing after attempts were made to alter the way history was taught (more focus on mainland China; less on Hong Kong’s colonial past).
To ensure that teachers fall in line, organisations have been established to report on those who might say the wrong thing. A complaint to the Education Bureau was what led to the aforementioned visual arts teacher Vawongsir being flagged and later fired.
Carrie Lam, Hong Kong’s pro-Beijing chief executive, has made it quite clear that she isn’t going to go easy on education. The city’s schools and universities are often accused of radicalising Hong Kong’s young with Western ideals and preventing a Chinese national identity from flourishing, accusations reinforced by Lam publicly. At an education forum in 2017 she highlighted that many people arrested for participating in illegal protests over the last year were students.
With each attack usually comes defence, often fierce and determined. And rightly so: minds are shaped in the classroom. But fears are this defence, already strained, will not continue.
As Tsui says, the lines have become further blurred since the passage of the national security law. He describes the law as a “clarion call for the entire society to encourage and amplify everything on the pro-government side” and an “open field-day for harassing anyone” who speaks in favour of the Hong Kong pro-democracy movement.
“I think you have freedom even in China, it’s just the price you want to pay for it and they’ve been raising the price of it. It’s going up and up and up.”
“Realistically it will be difficult for me to find a professorship in Hong Kong,” he said, explaining that there are few universities as is and those that do exist are under pressure to follow the party line.
“While I was trying to get tenure, a lot people told me to keep my head low in order to get it. But I disagreed.”
The costs aren’t just professional.
“There are all kinds of social costs. My mother has said ‘Can you please not be so outspoken?’ Even your friends and your romantic partner will say that.”
Tsui is originally from the Netherlands. Will he be one of the good people forced to leave?
“I’m not leaving until they kick me out. We need people here.”[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][three_column_post title=”You might also like to read” category_id=”85″][/vc_column][/vc_row]
17 Sep 2020 | Volume 49.03 Autumn 2020, Volume 49.03 Autumn 2020 Extras
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Ruth Bader Ginsburg is a dissenting voice. Throughout her career she has not been afraid to push back against the power of the crowd when very few were ready for her to do so.
The US Supreme Court justice may be a popular icon right now, but when she set her course to be a lawyer she was in a definite minority.
For many years she was the only woman on the court bench, and she was prepared to be a solitary voice when she felt it was vital to do so, and others strongly disagreed.
The dissenting voice and its place in US law is a fascinating subject. A justice on the court who disagrees with the majority verdict publishes a view about why the decision is incorrect. Sometimes, over decades, it becomes clear that the individual who didn’t go with the crowd was right.
The dissenting voice, it seems, can be wise beyond the established norms. By setting out a dissenting opinion, it gives posterity the chance to reassess, and perhaps to use those arguments to redraft the law in later times.
Bader Ginsburg was the dissenting voice in the case of Ledbetter v Goodyear – in which Lily Ledbetter brought a case on pay discrimination but the court ruled against her – and in Shelby County v Holder on voting discrimination, an issue likely to be hotly debated again in this year’s US presidential election. Bader Ginsburg’s opinions may not have been in the majority when those cases were heard but the passage of time, and of some legislation, proved her right.
The dissenting voice in law is a model for why freedom of expression is so vital in life. You may feel alone in your fight for the right to change something (or in your position on why something is wrong), but you must have the right to express that opinion. And others must be willing to accept that minority views should be heard – even if they disagree with them.
Fight for the principle, and when the time comes that you, your friends or your neighbours need it, it will be there for you.
Right now, writers, artists and activists are standing up for that principle, not necessarily for themselves but because they feel it is right.
Sometimes they also bravely dissent when most people are afraid to speak up for change, or to disagree with those who shout the loudest.
Being different and on the outside is a lonely place to be, but the pressure is even greater when you know opposing an idea, or law, could mean losing your home or your job, or even landing in prison.
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As editor-in-chief at Index I have been privileged to work with extraordinary people who are willing to be dissenting voices when, all around them, society suggests they should be quiet. They smuggle out words because they think words make a difference. They choose to publish journalism and challenging fiction because they want the world to know what is going on in their countries. They often take enormous risks to do this.
For them, freedom of expression is essential. Murad Subay is a softly spoken Yemeni artist with a passion for pizza. He produced street art even as the bombs fell around him in Sana’a. Often called Yemen’s Banksy, Subay – an Index award winner – worked under unbelievably horrible conditions to create art with a message.
In an interview with Index in 2017, Subay told us: “It’s very harsh to see people every day looking for anything to eat from garbage, waiting along with children in rows to get water from the public containers in the streets, or the ever-increasing number of beggars in the streets. They are exhausted, as if it’s not enough that they had to go through all of the ugliness brought upon them by the war.”
Dissenting voices come from all directions and from all around the world.
From the incredibly strong Zaheena Rasheed, former editor of the Maldives Independent, who was forced to leave her country because of death threats, to regular correspondence from our contributing editor in Turkey, Kaya Genç, these are journalists who keep going against the odds. These are the dissenting voices who stand with Bader Ginsburg.
Over the years, the magazine has featured many writers who have stood up against the crowd. People such as Ahmet Altan, whose words were smuggled out of prison to us. He told us: “Tell readers that their existence gives thousands of people in prison like me the strength to go on.”
In this issue, we explore those whose ideas and voices – and sometimes, horrifically, bodies – are deliberately disappeared to muffle their dissent, or even their very existence.
Many people associate the term “the disappeared” with Argentina during the dictatorships, where we know about some of the horrific tactics used by the junta. Opposition figures were killed; newborn babies were taken from their mothers and given to couples who supported the government, their mothers murdered and, in many cases, dumped at sea to get rid of the evidence. The grandmothers of those who were disappeared are still fighting to bring attention to those cases, to uncover what happened and to try to trace their grandchildren using DNA tests.
Index published some of those stories from Argentina at the time because Andrew Graham-Yooll, who was later to become the editor at Index, smuggled out some of the information to us and to The Daily Telegraph, risking his life to do so.
We explore what and who are being disappeared by authorities that don’t want to acknowledge their existence.
Thousands of people who are escaping war and starvation try to flee across the Mediterranean Sea: hundreds disappear there. Their bodies may never be found.
It is convenient for the authorities on both sides of the sea that the numbers appear lower than they really are and the real stories don’t get out.
In a special report for this issue, Alessio Perrone reveals the tactics being used to cover up the numbers and make it appear there are fewer journeys and deaths than in reality.
The International Organisation for Migration’s Missing Migrants Project says that 20,000 people have died in the Mediterranean since records began in 2014, but many say this is an underestimation.
Certainly there are unmarked graves in Sicily where bodies have been recovered but no one knows their names (see page 30). The Italian government has, as we have previously reported, used deliberate tactics to make it harder to report on the situation and to stop the rescue boats finding refugees adrift near her boundaries.
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Also in this issue, Stefano Pozzebon and Morena Joachín report on how Guatemala’s national police archives – which house information on those people who were disappeared during the civil war – is currently closed, and not for Covid-19 reasons (see page 27).
Fifteen years after the archive was first opened to the public, a combination of political pressure and a desire to rewrite history in the troubled nation has closed it. This is a tragedy for families still using it in an attempt to trace what happened to their families.
In Azerbaijan (see page 8), another tactic is being used to silence people – this time using technology. Activists are having their profiles hacked on social media and then posts and messages are being written by the hackers and posted under their names.
Their real identities conveniently disappear under a welter of false information – a tactic used to undermine trust in journalists and activists who dare to challenge the government so that the public might stop believing what they write or say.
This is my 30th and final issue of the magazine after seven years as editor (although I will still be a contributing editor), and it is another gripping one.
They smuggle out words because they think words make a difference.
Over the years, I am proud to have worked with the incredible, brave, talented and determined. We have published new writing by Ian Rankin, Ariel Dorfman, Xinran, Lucien Bourjeily, and Amartya Sen, among others. And it has been a privilege to work with the mindblowing, sharp, analytical journalism from the pens of our incredible contributing editors over the years, including Kaya Genç, Irene Caselli, Natasha Joseph, Laura Silvia Battaglia, Stephen Woodman, Duncan Tucker and Jan Fox, plus regular contributors Wana Udobang, Karoline Kan, Steven Borowiec, Alessio Perrone and Andrey Arkhangelsky.
These people do amazing work: their writing is ahead of the game and they bring together thought-provoking analysis and great human stories. Thank you to all of them, and to deputy editor Jemimah Steinfeld.
They have told me again and again why they value writing for Index on Censorship and the importance of its work.
And because we believe that supporting writers and journalists is also about them getting paid for their work, unlike some others we have always supported the principle of paying people for their journalism.
Over the years we have attempted to go above and beyond, providing a little extra training when we can, translating Index articles into other languages, inviting journalists we work with to events, and introducing them to book publishers.
But just like the first time I ventured into the archives of the magazine, I am still amazed by what gems we have inside. We have recently reached our biggest readership to date, with hundreds of thousands of articles being downloaded in full, showing an appetite for the kind of journalism and exclusive fiction we publish.
Thank you, readers, for being part of the journey, and please continue to support this small but important magazine as it continues to speak for freedom.
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Rachael Jolley is the former editor-in-chief of Index on Censorship magazine. She tweets @londoninsider. This article is part of the latest edition of Index on Censorship’s autumn 2020 issue, entitled The disappeared: how people, books and ideas are taken away.
Look out for the new edition in bookshops, and don’t miss our Index on Censorship podcast, with special guests, on Soundcloud.
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/2″][vc_custom_heading text=”Listen”][vc_column_text]The autumn 2020 magazine podcast featuring Hong Kong-based journalist Oliver Farry, who discusses the crackdown on pro-democracy demonstrations in the region
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