Illiberal democracies: Awash in media without plurality

[vc_row][vc_column][vc_row_inner][vc_column_inner][vc_single_image image=”102216″ img_size=”full”][/vc_column_inner][/vc_row_inner][vc_column_text]Visitors to Eurasian countries — Turkey, Russia, Ukraine or, to a lesser extent, Azerbaijan — might be impressed by the sheer number of domestic television channels that offer news programming.

The average TV viewer in Turkey flipping through the local channels is treated to an alphabet soup — atv, Kanal D, NTV, STV, interspersed with FOX TV, CNN Türk, public broadcaster TRT and countless others — all employing a vast number of journalists and purporting to keep the viewers abreast of events shaping the domestic and global agenda. The broadcasts are slick: filled with chyrons, attention-grabbing graphics, remote reports, breaking news, heated exchanges between talking heads and all the other trappings of the modern-day 24-hour news cycle.

Watching the lively debates hosted by TV personalities, who exude an air of professionalism and discernment, with or without live audiences nodding in acquiescence or registering disapproval, viewers may be given the impression that they are being exposed to a wide range of opinions in a vibrant, competitive media market.

But does this wealth of channels translate into pluralism of points of view?

“Certainly not,” says Esra Arsan, journalism scholar and former columnist for Turkey’s Evrensel, one of the remaining newspapers supplying alternative news and commentary left in the country. “In Turkey, there’s no pluralistic media environment. The Turkish media have never been pluralistic in the true sense of the word, but at least there were once mechanisms that allowed for the voices of the right, left, mainstream and fringe wings to be heard, especially, on small media groups occupying the niche space,” she says, citing the formerly independent Turkish-language media, their Kurdish-language counterparts and those of other minority groups.

Arsan described the massive media reorganisation that took place in parallel with the rise of president Recep Tayyip Erdogan’s AKP party since 2007. “It was characterised by replacing the old media owners with the new ones with close ties to the government, and exercising total control over them, especially, in big media,” she adds.

During the Erdogan-inspired restructuring of the media, professional journalists and newsroom managers were forced out or jailed, Arsan says. The replacement managers left a lot to be desired. “Many of these people are uneducated, have no idea of journalistic ethics or professionalism, they’ve become the mouthpieces for the government”. She points out that more than 3,000 professional journalists who were working prior to 2007 are now jobless.

“Nowadays, no matter how many television broadcasters there are in Turkey, we can say the government exercises control over 90 percent of them,” says Ceren Sözeri, a communications faculty member at Istanbul’s Galatasaray University, citing a recent study conducted by Reporters Without Borders.

“Among the channels not under government control were stations belonging to Doğan Group, such as Kanal D and CNN Türk. Very recently, it was sold to Demirören Group, a conglomerate with close ties to the government,” Sözeri says.

Among the TV channels that are still able to provide diversity in the face of the pro-government news she tentatively cites FOX TV, Tele1 and HalkTV, the latter being associated with the CHP, the main opposition party. “With these exceptions, almost all other remaining channels work in conformity with the government, we can say we have an environment completely devoid of diversity,” Sözeri says.

Driven by Erdogan’s efforts to build a single-party regime, this media reorganisation pursued the goal of controlling information disseminated in the country. Buffered by the concurrent changes to the constitution and legal reforms, the jailing of journalists started to rise as well.

If this sounds familiar, that’s because it should: “What [Russian president] Putin did since he came to power, was establish control over influential media outlets that had the capacity to form public opinion, firstly, TV,” notes Gulnoza Said, Europe and Central Asia research associate at the Committee to Protect Journalists.

“All federal channels are very tightly controlled by the state now, with the instructions sent to the heads of TV companies on how to report on certain situations. It’s very clear that anybody who appears on your screen on a federal channel in Russia knows how they can and cannot speak about important and critical issues like Ukraine and Syria,” she says noting the two hot-button issues around Russia’s ongoing military involvement abroad.

According to the latest numbers released by the Media and Law Studies Association, a Turkish non-profit that offers legal protection to the rising number of journalists who find themselves in the crosshairs of the government, with 173 journalists in jail, Turkey currently holds the dubious title of the regional leader.

With 10 journalists currently in jail, according to a CPJ report, Azerbaijan is a distant second in the region, and number one among the former Soviet nations. Russia has five, according to the same report.

In addition to the state-owned AzTV and Ictimai (Public) TV that was created in 2005 as part of the country’s commitments before the Council of Europe, there are four nationwide broadcasters in Azerbaijan: Atv, Xazar, Space and Lider.

Azerbaijani media rights lawyer Alasgar Mammadli says that all these channels fail to inject diversity into the discourse in his country because no outlet presents a balanced viewpoint.  

“The media only cover the government’s point of view. Considering the realities of Azerbaijan where the majority of information is obtained through TV and radio, we not only don’t have access to objective information, there’s no room for pluralistic news, we only have one expression, one colour.” He calls it “propaganda coming from the government that is disseminated to a large swath of the public,” noting that the internet is the only place offering some semblance of pluralism.

“In the entire region, I’d probably not name a single country where we’ve seen a positive trend, with the slight exception of, surprisingly, Uzbekistan,” says CPJ’s Said, noting that with the new administration of president Shavkat Mirziyoyev there has been a process of liberalisation, and for the first time in more than two decades, there are no journalists in jail.

Said notes that another negative trend is very visible in Ukraine since Russia annexed its region of Crimea in 2014. “At the time, after the Euromaidan [the wave of civil unrest that resulted in the government change], the Ukrainian media space had been relatively free for some time, but right now what we see is that the authorities are trying to control the flow of information, and the attempts are very visible and quite strong.”

Said explains that Ukrainian journalists are facing obstacles practically every day, stressing that she is not talking about Russian journalists trying cover the news from Ukraine. “The [Ukrainian] Ministry of Defense is making it extremely difficult for local journalists to get the so-called ‘military accreditation’ that would allow them to go to the eastern part of the country and cover combat operations,” says Said, adding that one of the newly imposed requirements is that the journalists applying for accreditation must provide previously written stories about the conflict.

“I would say it is censorship, because the government is trying to control the way the journalists cover the conflict,” she points out.

Galina Petrenko, director of Detector Media, a Ukrainian media watchdog organisation, disagrees: “There is pluralism [in Ukraine]. The economic interests doubtless manipulate the discourse, as the largest media belong not to the government, but to oligarchs, formidable businessmen conjoined with the power. That’s why business interests of each of these owners are reflected in the content of the media they own.”

Ukraine’s TV and radio council puts the number of the national TV broadcasters at 30, in addition to 72 regional channels. The country counts 120 satellite TV channels.

Maria Tomak of the Kyiv-based Media Initiative for Human Rights in Kyiv says that oligarchic ownership of the media has implications for pluralism. “We do have the freedom of speech, in comparison with Russia and other nations, but we do have limitations that are sometimes very tricky and are related to the economic factors, since we don’t have all that many independent media.”

She says that there is more than one “clan” or “group of influence” engaged in a struggle for power and influence. This conflict more or less preserves a tenuous pluralism. “When they start ‘oligarchic wars’, TVs show documentary footage or run news stories that clearly indicate who calls the shots at a particular channel. They mudsling or broadcast expose-style programmes, but it’s hard to call them objective, and it is hard to call it pluralism in its ideal sense.”

Bad examples are contagious

“The countries of the region quite often and quite speedily learn from each other’s negative experience,” says Mammadli. “For instance, Azerbaijan started officially blocking sites in February of 2017 through amendments to legislation. Before that, it was prevalent in Turkey and Russia.” He adds that the majority of the blocked sites are related to the alternative news sources. Mammadli puts the number of the internet sites and resources blocked in Russia at more than 136,000.

“We live in a region neighbouring Russia and Turkey and share ties with them, which speeds up the migration of these experiences into our country. Thus, the negative changes or attitudes towards human rights or the tendencies to limit freedom and rule of law in these countries can come to our country very fast,” he says. “It turns into a competition with the following logic, ‘the neighbor did it and got away with it, so let me try and see what happens’.’’

CPJ’s Said notes that these traditionally autocratic regimes keep one eye on the USA, which has been regarded as the flagman of press freedom and liberal democracy for decades. “Everybody used to look up at the USA, but since Trump was elected president, you know his routine, he wakes up in the middle of the night and starts tweeting, attacking journalists and critical media, calling everything they produce ‘fake news’.”

In her view, this definitely affects global press freedom, as dictators and elected officials with autocratic tendencies step up their pressure on critical media outlets in their own countries.

Arsan says of the effects of this phenomenon in Turkey: “If the dictator says the news is wrong or fake, even if you bring the most truthful news to them, be it on the issue of the human rights, war, the economy, the people will tend to disbelieve you. This makes the job of a journalist that much harder, because we chase the truth, and we see the tendency to disbelieve or outright denial on behalf of the audience.”

“Vulnerable stability” as the dangerous consequence

The shrinking plurality in the media throughout the entire region leads to a somewhat distorted processes of decision making during elections, says Said.  

“The lack of plurality, which is a lack of democratic process or access to such, does, in general, make any society more vulnerable. If we look at the situation inside any country, also, when you look at dictators like Putin, you may get an impression that their power is very stable and strong. But that’s a very vulnerable stability,” she adds, explaining it with the fact that it is, ultimately, one person making decisions for the entire country of millions of people.

“If you look at what Erdogan has been doing for the last 10 years or so, he has been pursuing the policy of turning Turkey into a regional leader and suppressing any alternative voice. Same with Putin and his foreign policy in Ukraine with the annexation of Crimea, or Syria. In a way, it is back to the USSR, where people could discuss things only among their family or close friends in their kitchens.”

In the opinion of Arsan, as media plurality shrinks, societies become increasingly unaware of  crises, which might set them on a path to disintegration. “This is the process of criminalising political discussion,” she said. “This is common in many Eurasian countries, as well as in the Middle East. These are the dictatorships without an end. People don’t want to go to the ballot boxes anymore because they don’t think they can effect change.”

For Mammadli, the people’s inability to access true information and analyse it means that they are contending with mass propaganda. From this point of view, the societies where people don’t know the truth will base their reactions on a lie, he says.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/4″][vc_column_text]

Media Freedom

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Media freedom is under threat worldwide. Journalists are threatened, jailed and even killed simply for doing their job.

Index on Censorship documents threats to media freedom in Europe through a monitoring project and campaigns against laws that stifle journalists’ work. We also publish an award-winning magazine featuring work by and about censored journalists.

Learn more about our work defending press freedom.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]

Mapping Media Freedom

Index on Censorship’s project Mapping Media Freedom tracks limitations, threats and violations that affect media professionals in 43 countries as they do their job.

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Media in exile: Eurasia’s last vestiges of freedom of expression

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Journalists Erdem Gül and Can Dündar (Photo: Bianet)

Can Dündar, editor-in-chief of Cumhuriyyet, one of Turkey’s most popular newspapers, was awaiting an appeal on his case in Turkey from Germany when the news of the coup d’etat in his homeland came. Scores of arrests followed, and his lawyer advised that Dündar, who had just narrowly escaped an assassination attempt in May 2016 outside a courtroom and was facing over five years in prison for allegedly leaking state secrets, stay in Germany.

He recalls that it was the hardest decision in his life, 40 years of which he had devoted to working as a journalist in Turkey.

“I thought it was impossible to go back, decided to stay and work from Germany, and about a year ago I with a small team started a media organization here, Özgürüz.”

When it’s time to leave

As shocking as Dündar’s story is, it is hardly unusual in the Eurasian region, where, according to International Media Support, there was a steady decline in freedom of expression in Eurasia since 2011. While for years the Committee to Protect Journalists named Turkey the biggest jailer of journalists globally, there are other nations competing for this dubious title.

For some journalists, the alternative to being jailed is an exile. According to Yavuz Baydar, chief editor of Ahval Online, a Turkey-oriented news site based in Germany, “That’s an inevitable result of oppression in any country because as long as the conventional media are suffocated and put under the yoke of the powers, it leaves journalists with no other choice than leaving the profession altogether or moving abroad.”

However, only a select few survive the shock and reemerge as viable journalists continuing to work in exile.

Some of the most successful examples of the media in exile emerged from the region and operating in the more permissive environment of Western Europe, according to Jens Uwe Thomas with RSF Germany, are Meduza, Amurburg and Spektr, Russia-oriented news portals, as well as MeydanTV, an Azerbaijani multimedia outlet in exile, Dündar’s Özgürüz and Baydar’s Ahval Online.

Challenges of exile

Thomas says that upon settling in exile, the first step for the journalists is usually to legalize their status, and then they start looking for opportunities to establish their outlets.

“The most important thing is to support these media abroad in terms of their registration,” says Bektour Iskander, editor of Kyrgyz media Kloop, who monitors exiled media and is in the process of creating a digital resources kit for them, adding that oftentimes, the media can’t relocate abroad due to lack of financial resources or visas.

“In 2010 we were threatened by the special services because of our investigative reporting about the son of president Bakiyev [of Kyrgyzstan]. But we had no opportunity to leave the country. Only now I realize that we were facing scary consequences, even assassination. We were so clueless as to how to do that, or find the resources for that, we were saved by the miracle, a revolution happened in the country and the threat disappeared,” he recalls.

One common thread for these media across the board is that while their editorial teams operate in exile, they have networks of journalists working for them from inside their home country, says Thomas, adding that secure communication and creating collaborative work environment in such circumstances is often a challenge.

“Those are operating under the great risks, which causes a lot of hurdles and obstacles for continuity and consistency in the content quality,” Baydar adds. MeydanTV founder Emin Milli agrees, “Unfortunately, journalists and their family members are under pressure. The ones who work with us have been attacked, some tortured. Some parents of theirs were fired”. Galima Bukhabrayeva, former editor of exiled Uznews web site that was allegedly hacked by the Uzbek government and is now defunct, says: “In our case, the best journalists in Uzbekistan worked with us, because in our case it wasn’t enough to be a journalist, one had to be a patriot and a citizen, and a brave person, at that.”

But the relocation doesn’t always pose a challenge, says Aleksandr Kushnar, editor of Russian exiled media Amurburg. Commenting on the success of Meduza, he says, “It makes more sense for them to be located where they are for the reasons of safety of the editorial staff [because] their geographic location doesn’t affect the quality of their content.”

Uniformly, the exiled media representatives bemoan the perception in their home countries that these media lack the situational awareness on the ground. One example of successfully solving this challenge is MeydanTV, says Iskander, adding that “they encourage citizen journalism, their readers [are] often involved in the content creation, they send photos, videos, materials.”

Another challenge all of the exiled media managers interviewed for this article cite is the lack of funding, which poses a constant problem on the back of everybody’s mind. What complicates things for the managers of these outlets is the stipulation set forward by the international donors that the medium be located in-country in order to satisfy the funding criteria, which is impossible to abide by for those operating in exile.

Silver linings

But not all is hopeless for the uprooted journalists and media managers, and alongside obvious challenges, there are reasons for cautious optimism. There are quite a few success stories among the outlets who learned to capitalise on the advantages of operating from free environments.  

Kushnar says attaining success is very difficult in reality, and he attributes it to the issues of funding, resources and teams. Speaking of the outlets, he says that  “Their capabilities are seriously restricted. Oftentimes, they cannot compete with the leading news agencies that are funded very generously. We all know very well how RT is funded all over the world. The goal for these media is to identify the niches where they still can get in and tell the truth. It’s very difficult when pro-Kremlin outlets have an audience of 40 million, and your budget is a thousand times smaller.”

The upsides are quite self-evident, according to Anton Lysenkov, editor of Latvia-based Spektr: “Our situation is beneficial. We are not subjected to constant audits and provocations. Our work environment is much more peaceful. I admire those who continue to work from Russia, and we are trying to help them,” he adds.

According to Baydar, “The upside is you can see everything with a bird’s eye, in a free domain, analyse things much more clearly in a macro way which gives a lot of advantages to focus on the main areas that need to be covered.”

Some media in exile not only survive, but they manage to thrive and even increase their audiences, like Meduza. “They have millions of unique visitors a month, and it’s been rising year to year. They’re  trusted,” says Milli. “They can work freely in Russia and come and go as they please. They’re a successful model.”

Galina Timchenko, Meduza’s editor-in-chief, cannot attribute the success of her outfit to any one strategy: “Unfortunately, there are no long-term plans and effective strategies for success in the current political climate. So far, we are not considering the possibility of moving to Russia because we cannot remain oblivious to the rising risks in that case. The media market in Russia is almost completely controlled by the state, and we don’t see a place for ourselves within such a market in the short term perspective,” she adds.

Preserving and rehearsing for the return

But what is the purpose of the media in exile and what is their end game?

While Kushnar says, exiled media preserve the freedom of the press in a dictatorship, Lysenkov adds that their goal is to supply the population with propaganda-free and less emotionally-charged content. Milli sees the enormous power of the free media to change the society for the better. “People have big hopes and need this, too. That’s why we keep working”.

Others see their ultimate goal as return home. Iskander cautions that “when a dictatorship in their home country comes to an end and [the media in exile] return home, their ratings start falling sharply. Because the credit of trust has been disintegrating, because the rhetoric could change from “at least someone is trying to do some good, even if it is from abroad” to “where have you been all these years while we were suffering?”

Despite such dangers, Bukharbayeva says, the ultimate goal of the exiled media is the return home. She points out that one loses focus and ability to write accurately when unable to visit their home country for over a decade, but “exiled media cannot exist indefinitely, and we must try to return because the time has come.”

Dündar, who has also started publishing a print magazine and opened a publishing house, is looking into opening a TV channel. He says his team’s current work is like a rehearsal in preparations for the future.

“It’s impossible to be in Turkey. But like the German Jews in WWII [who] came to Turkey, rehearsed there, came up with new ideas, and then went back to Germany after the war, we, Turks, are rehearsing and preparing for a better day in Turkey to return there”. [/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_basic_grid post_type=”post” max_items=”10″ grid_id=”vc_gid:1523289736466-bd3f6e90-fdac-9″ taxonomies=”8607″][/vc_column][/vc_row]

الصحافة في المنفى: أوزبكستان تواصل حظرها على حامد إسماعيلوف

[vc_row][vc_column][vc_custom_heading text=”حميد إسماعيلوف هو صحافي وكاتب أوزبكي اضطر إلى الفرار من أوزبكستان في عام ١٩٩٢ بسبب ما وصفته الدولة “بميول ديمقراطية غير مقبولة“.” font_container=”tag:h2|text_align:right”][vc_row_inner][vc_column_inner][vc_column_text]

Journalist and author Hamid Ismailov[/vc_column_text][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]

رغم كل شيء، لا يزال عبد العزيز محمد الصبري  يبتسم. لكنه لا يستطيع ان لا يشعر بالاكتئاب عندما يرى الصور التي التقطت له قبل بضعة أشهر، والتي يظهر فيها وهو يحمل عدسة كاميراته أو يقوم بتثبيت كاميرا فيديو على حاملها الثلاثي القوائم: “لقد صادرها الحوثيون مني. صادروا كل المعدات التي كنت أملكها. حتى لو أردت الاستمرار في العمل، فلن أكون قادرا على ذلك”، يقول صبري.

صبري هو صحافيّ ومخرج ومصوّر يمني من تعز، المدينة التي شكّلت لفترة وجيزة الجبهة الأكثر دموية في الحرب الاهلية الدائرة في البلاد. وقد عمل صبري في أخطر النقاط الساخنة، حيث قام بتزويد وسائل الإعلام الدولية مثل رويترز و سكاي نيوز بالمواد الصحفية والصور الأصلية من جبهات القتال. “لقد أحببت دائما العمل في الحقل”، يقول صبري، ويضيف: “لقد قمت بعمل جيّد ومثمر حقّا منذ بداية ثورة 2011 “.

منذ بداية الحرب، تدهورت بيئة عمل الصحفيين اليمنيين بشكل مضطرد. على سبيل المثال، خضع الصحفي المخضرم يحيى عبد الرقيب الجبيحي لمحاكمة مغلقة حكمت عليه بالإعدام بعد أن نشر مقالات تنتقد المتمرّدين الحوثيين في اليمن. وقد اختفى العديد من الصحفيين أو تم اعتقالهم، وأغلقت وسائل إعلام عديدة، في خلال السنوات القليلة الماضية.

بحسب صبري، “يواجه قطاع الإعلام وأولئك (الصحفيون) الذين يعملون في اليمن آلة حرب تقوم بسدّ كل الأبواب في وجوهنا، فهي تسيطر على جميع  المكاتب المحلية والدولية لوسائل الإعلام. طالت الهجمات والاعتداءات ضدنا 80 بالمئة من الأشخاص الذين يعملون في هذه المهن، من دون أن نشمل الصحفيين الذين قتلوا، كما سجّلت 160 حالة اعتداء وهجوم واختطاف مختلفة. واضطر العديد من الصحافيين إلى مغادرة البلاد للنفاذ بحياتهم مثل صديقي العزيز حمدان البكري الذي كان يعمل لقناة الجزيرة في تعز “.

 

حميد إسماعيلوف يستحق اعتذارًا. أو على أقل تقدير ، تفسيرا.

لقد مرت ٢٦ سنة على الأحداث التي أجبرت الصحفي الأوزبكي حامد إسماعيلوف على مغادرة وطنه أوزبكستان والفرار إلى المملكة المتحدة. في التسعينيات ، كان إسماعيلوف يعمل مع طاقم تلفزيون هيئة الإذاعة البريطانية لصنع فيلم عن أوزبكستان لكن النظام القمعي للرئيس إسلام كريموف فتح قضية جنائية ضد إسماعيلوف بعد أن ادّعت السلطات إن إسماعيلوف يحاول إسقاط الحكومة.

أصدقاء إسماعيلوف نصحوه بالهروب من أوزبكستان بعد صدور تهديدات ضد عائلته وحدوث هجمات على منزله وهذا ما فعله. بعد أربع وعشرين عامًا ، ما زال لم يعد الى وطنه.

لكن هذا لا يعني أنه لم يحاول العودة. فلقد حاول إسماعيلوف العودة عدة مرات آخرها  في العام الماضي بعد وفاة كريموف في عام ٢٠١٦ ولكنه تم منعه من الدخول.

على الرغم من أن إسماعيلوف هو أحد أكثر الكتّاب الأوزبكيين شهرة في العالم ، فان كتبه لا تزال محظورة في بلده الأصلي. لا يتم التسامح مع أي ذكر لاسماعيلوف وقد تم محو وجوده أساسا من الحياة الثقافية اليومية في وطنه. ومع ذلك ، فانه في عصر الإنترنت ، وجد إسماعيلوف طرقًا للوصول إلى الجمهور الأوزبكي من خلال مواقع التواصل الاجتماعي فنشرت بعض رواياته على فيسبوك حيث يستطيع الأوزبك قراءتها.

وفقا لمؤشر حرية الصحافة لمنظمة مراسلون بلا حدود ، تحتل أوزبكستان المرتبة ١٦٩ من بين ١٨٠ دولة. مع التحكم الصارم في وسائل الإعلام التقليدية ، بدأ اهتمام الحكومة في الآونة الأخيرة ينصب على اتخاذ إجراءات صارمة ضد مواقع الأخبار المستقلة وتطبيقات الرسائل الفورية.

بعد وفاة كريموف في عام ٢٠١٦ ، تولى رئيس الوزراء شوكت ميرزيوييف السلطة. في ٢آذار / مارس ٢٠١٨ ، أفرجت أوزبكستان عن الصحفي يوسف روزيمرادوف، الصحفي الذي أمضى أطول وقت في السجن في العالم بعد أن سُجن لأكثر من ١٩ عامًا. وأعرب إسماعيلوف عن سعادته بنبأ إطلاق سراح روزيمرادوف ، لكنه لا تزال لديه الكثير من الشكوك اذ يقول: “بقدر ما أنا متفائل ، فأنا متشكك أيضاً”.

خلال اقامته في المنفى في المملكة المتحدة ، عمل إسماعيلوف في الخدمة الدولية بهيئة الإذاعة البريطانية بي بي سي. في أيار/ مايو ٢٠١٠ ، تم تعيين إسماعيلوف ككاتب مقيم في بي بي سي، وهو المنصب الذي شغله حتى نهاية عام ٢٠١٤. يشغل إسماعيلوف حاليًا منصب رئيس تحرير شؤون آسيا الوسطى في هيئة الإذاعة البريطانية.

تحدث حميد إسماعيلوف إلى سيدني كالش من مجلّة “اندكس أون سنسرشب” (مؤشر الرقابة) عن حالة حقوق الإنسان في أوزبكستان ووقته في المنفى وكتابه المترجم حديثا “رقصة الشيطان”. فيما يلي النص المحرّر للمقابلة:

اندكس أون سنسرشب: ماذا كان وضع حقوق الإنسان في أوزبكستان قبل مغادرتك وكيف تغير الوضع على مدار الـ ٢٣ عامًا الماضية؟

إسماعيلوف: للأسف تدهور الوضع على مر السنين بسبب النظام الاستبدادي للرئيس كريموف ، الذي كان في السلطة في ذلك الوقت وتوفي في عام ٢٠١٦. لذا خلال كامل هذه الفترة كان وضع حقوق الإنسان سيء جدا في أوزبكستان. كانت أوزبكستان دائما في المراتب الدنيا في سجلات حقوق الإنسان في العالم. لذا ، في أيامنا هذه مع الرئيس الجديد ، فإن طريقة تصرف شرفات ميرزيوييف تجعلنا نأمل في أن يتحسن الوضع مع حقوق الإنسان لأن العديد من السجناء السياسيين تم إطلاق سراحهم. تم اطلاق بعض الأنشطة وأصبحت الصحافة أكثر نشاطًا وانفتاحًا. هناك بصيص من الأمل في أن الأمور سوف تتحسن. لكن في نفس الوقت – اذا نظرنا الى بلدان أخرى حيث قام زعماء جدد بالتظاهر في البداية بأنهم إصلاحيين ولكنهم عادوا إلى سياسات الحكام السابقين – فأنا أيضا متشكك بعض الشيء. بقدر ما أنا متفائل ، أنا متشكك أيضا.

اندكس أون سنسرشب: لقد حاولت العودة إلى أوزباكستان في العام الماضي وتم منعك ، فهل تعتقد أنك سترى بلدك مرة أخرى؟

إسماعيلوف: نعم ، كان ذلك من المؤسف اذ أنه حتى في ظل السلطات السابقة حاولت مرتين دخول أوزبكستان بعد أحداث أنديجان في عام ٢٠٠٥ ، لكن النظام الجديد لم يسمح لي بدخول البلاد. شكّل ذلك لي صدمة. أعتقد أنهم مدينون لي باعتذار حول السبب الذي لم يسمحوا لي من أجله بالدخول إلى بلدي. أنا واحد من الكتاب المعروفين جيدا في الغرب وجميع أنحاء العالم الذين يروجون للأدب الأوزبكي ، وربما أكثر من أي شخص آخر. فلماذا لم يُسمح لي بدخول البلاد؟ أحتاج إلى شرح واعتذار على الأقل قبل أن أقرر ماذا أفعل بعد ذلك.

اندكس أون سنسرشب: وقد شعرت بهذه الطريقة في كل مرة يتم فيها رفض دخولك ، أي أنت تشعر فقط أنك تحتاج إلى اعتذار؟

إسماعيلوف: أعتقد ذلك. أنا لم ارتكب أي جرائم ضد أوزبكستان. لم أفعل أي شيء يضر بأوزبكستان. كل ما أقوم به هو الترويج للأدب والثقافة من أوزبكستان في جميع أنحاء العالم. لذلك ، شعرت بالصدمة والقلق بسبب عدم السماح لي بالدخول إلى أوزبكستان. إنه المكان الذي يعيش فيه جميع أقاربي ، وأنا كنت أخطط للذهاب إلى قبر والدتي. لكن عندما خططت لكل شيء ، فجأة ، طُردت من المطار.

اندكس أون سنسرشب: أنت لم تعش في البلد منذ عام ١٩٩٢ ، ولكنك لا تزال تنشر باللغة الأوزبكية. هل يعني هذا أنك ما زلت تكتب من أجل الجمهور الأوزبكي ، وليس الجمهور الغربي؟

إسماعيلوف: أكتب بلغات مختلفة. أنا أكتب باللغة الأوزبكية. وأنا أكتب باللغة الروسية. أنا أكتب باللغة الإنجليزية كذلك. أي (أنا أكتب بـ) لغات مختلفة للجماهير المختلفة. إذا كنت أكتب بالأوزبكية ، فمن الأرجح أن يكون ذلك موّجها للأوزبك، اذ ليس هناك الكثير من الأشخاص الإنجليز أو الروس الذين يقرؤون باللغة الأوزبكية. الترجمات مفيدة لي كثيرا بسبب الحظر المفروض على كتبي في أوزبكستان. ولكن في عصر الإنترنت ، لا يشكل الحظر أهمية كبيرة لأنني ما زلت أستطيع نشر عملي على الويب. شيء آخر هو أن الناس يخافون من ذكري أو التحدث عن أعمالي لأنهم يعرفون عواقب ذلك. ومع ذلك ، فإن الإنترنت تجعل حياتي أسهل بكثير.

اندكس أون سنسرشب: كتابك الجديد ، رقصة الشيطان، على وشك أن يصدر في المملكة المتحدة باللغة الإنجليزية ، ما هو موضوع الكتاب؟

إسماعيلوف: في الحقيقة رقصة الشيطان ليس كتابًا جديدًا. فأنا انتهيت منه في عام ٢٠١٢ ثم نشرته باللغة الأوزبكية على فيسبوك. انتشر بشكل واسع جدا في ذلك الوقت. يبدو جديدًا لأنه تم ترجمته إلى الإنجليزية. في الحقيقة ، لقد كتبت ثلاث روايات بعد ذلك ، وقد أنهيت رواية بالإنجليزية أيضا. “رقصة الشيطان” هي قصة الكاتب الأيقوني ، عبد الله قادري، الكاتب الأوزبكي العظيم من القرن العشرين ، الذي أراد كتابة رواية من شأنها أن تنسخ كل ما كتبه من قبل وتحل محله. نحن نعلم ما الذي كان من المفترض أن تدور حوله هذه الرواية ، لكن في الوقت الذي بدأ فيه في كتابة هذه الرواية ، تم اعتقاله. بعد عشرة أشهر ، في عام ١٩٣٨ ، اعدم بالرصاص في سجون ستالين. روايتي تدور حول أيام قادري في السجن وكيف يقوم بالتفكير في روايته الشهيرة التي لم تكتب. هناك روايتان داخل رواية واحدة فلقد تجرأت على كتابة رواية نيابة عنه. تظهر هذه الرواية في عقله لذا فهي ليست مكتوبة مئة في المئة ولكن هناك مسودات تقريبية ، وهناك قصص ، وهناك نوايا وأفكار. انها رواية مكتوبة وغير مكتوبة في الوقت نفسه.

اندكس أون سنسرشب: كيف أثّر الوقت الذي أمضيته ككاتب مقيم في هيئة الإذاعة البريطانية عليك كصحفي؟

إسماعيلوف: لقد كان ممتعاً ولكن في نفس الوقت شعرت بمسؤولية كبيرة لأنني كنت أمثل هذه المجموعة العظيمة من الكتاب مثل جورج أورويل ، وف. س. نايبول وغيرهم. كنت أشعر وكأنني تجسيد لهؤلاء الناس. كنت أحاول أن أعرض ما تعنيه الكتابة للمنظمة ، ما الذي يعنيه الإبداع لهذه المنظمة.

اندكس أون سنسرشب: ما هو الجزء الأصعب في كونك صحفي في المنفى؟

إسماعيلوف: الجزء الأصعب هو عدم التواجد مع شعبك على أساس يومي. على الرغم من أنك تقابلهم بشكل يومي افتراضيا ولكنك لا تراهم وجهًا لوجه ، وهذا هو الجزء الأصعب. لكن هناك أشياء ايجابية في المنفى رغم ذلك، مثل أن تبدأ بالنظر إلى الجزء الخاص بك من العالم أو بلدك بمنظور أوسع. يمكنك رؤية منظور بلدك في العالم. يمكنك مقارنة تجارب بلدك بأجزاء أخرى من العالم ويمكنك أن تأتي بتجارب أو تجارب مماثلة لبلدان أخرى الى عالمك. لذلك هناك إيجابيات وسلبيات.

اندكس أون سنسرشب: كيف تعتقد أن تقاريرك الصحفية قد تغيرت منذ أن كنت في المنفى؟

إسماعيلوف: أعتقد أن الصحافة في الاتحاد السوفياتي السابق كانت مفاهيمية للغاية. أي أنها كانت تتمحور حول المفاهيم والمخططات الكبيرة بدلاً من القصص البشرية. صحافة الـ بي.بي.سي تركّز أكثر على القصص الإنسانية ، أي أنت تقارب الواقع من خلال القصص الإنسانية والتجارب البشرية. كان هذا هو الفرق الأكثر إثارة للانتباه وكانت تجربة مذهلة بالنسبة لي. أنا ككاتب ، أتعامل مع قصصي دائمًا من خلال تجارب شخصياتي وهذا كان يشبه جدًا مقاربة الصحافة الغربية. لذلك، تحقق لدي الانسجام في العمل الصحفي هنا. ككاتب ، أنت تقارب الأشياء من خلال الشخصيات ، كصحفي هنا أنت تفعل الشيء نفسه.

اندكس أون سنسرشب: لقد ذكرت مرة أن بعض الناس يشعرون أكثر ارتباطًا بثقافة بلدهم الأصلي وأكثر فخرًا بثقافتهم بعد مغادرة بلدهم ، هل تشعر بهذه الطريقة حول ثقافة أوزبكستان؟

إسماعيلوف: نعم ، أنا أشعر كذلك. نعم ، أشعر بالمسؤولية عن ثقافتي لأنني عندما أفكر في أجدادي ، عن جداتي وعن بلدي وعن عمّاتي، وعن جميع الأشخاص الذين كانت مشاركتهم في ثقافتي كبيرة جدًا – أشعر أنه يجب أن أعطي شيئًا بالمقابل إلى هذه الثقافة التي جعلتني ما أنا عليه اليوم. لكن في الوقت نفسه ، أشعر بأنني جزء من ثقافات مختلفة ، من الثقافة الروسية ، من الثقافة الإنجليزية أيضًا ، بعد أن عشت في لندن على مدار ٢٤ عامًا الماضية. لم أعش أبدا في مكان واحد لفترة طويلة كهذه. لذا ، أنا أشيد بهذا البلد وأنا مدين لهذا البلد. أكتب عدة روايات باللغة الإنجليزية كتحية لهذا البلد ولهذه الثقافة.

قد تكون أوزبكستان مدينة لأسماعيلوف بالشكر اذن.

https://www.indexoncensorship.org/2018/03/journalism-in-exile-uzbekistan-continues-its-bar-on-hamid-ismailov /

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Mapping Media Freedom annual report 2017

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The case of Maltese journalist Daphne Caruana Galizia, who had for years worked to shine a light on corruption among politicians, businessmen and criminals in Malta, highlights the dire need for a free press. Between 2016 and 2017 Caruana Galizia linked the Maltese political elite to the Panama Papers, including the financial affairs of the prime minister, his wife and the leader of the country’s opposition party.

For her work, she paid with her life when a bomb exploded under her car on 16 October. She was not the only journalist to be murdered in Europe in 2017, nor were violations of media freedom confined to any one region.

Mapping Media Freedom has been recording threats to press freedom since 2014, highlighting the need for protection for journalists. The project monitors the media environment in 42 European and neighbouring countries. In 2017 1,089 reports of limitations to press freedom were verified by a network of correspondents, partners and other sources based in Europe, with a majority of violations coming from official or governmental bodies.

Six journalists were killed during 2017; 178 reports of assault or injury were made; 220 media workers were detained or arrested; 193 reports included criminal charges and lawsuits; there were 367 reports of intimidation, which includes psychological abuse, sexual harassment, trolling/cyberbullying and defamation; in 113 incidents media professionals had their property vandalised or confiscated; there were 178 instances of journalists or sources being blocked; and journalists’ work was altered or censored 68 times.

“While the number of incidents reported to Mapping Media Freedom decreased between 2016 and 2017, this should not be taken as an indication that the work environment for journalists has improved in the countries monitored by the platform,” Hannah Machlin, project manager of Mapping Media Freedom, said. “Media professionals still work under threat of death, assault, prison and harassment, while the law is being abused as a means to silence those who seek to tell the truth.”

ABOUT MAPPING MEDIA FREEDOM

Each report is fact-checked with local sources before becoming publicly available on Mapping Media Freedom. The number of reports per country relates to the number of incidents reported to the map. The data should not be taken as representing absolute numbers. For example, the number of reported incidents of censorship appears low given the number of other types of incidents reported on the map. This could be due to an increase in acts of intimidation and pressure that deter media workers from reporting such cases.

The platform – a joint undertaking with the European Federation of Journalists partially funded by the European Commission – covers 42 countries, including all EU member states, plus Albania, Bosnia and Herzegovina, Iceland, Kosovo, Macedonia, Montenegro, Norway, Serbia, Turkey, along with Russia, Belarus and Ukraine (added in April 2015), and Azerbaijan (added in February 2016). The database uses Ushahidi, an open source software to map and categorise incidents.

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Six journalists were killed as a result of their reporting in 2017.

Q1: In Russia on 9 March, two unknown individuals approached Nikolai Andrushchenko, an investigative journalist for the weekly newspaper Novyi Petersburg, near his home in St. Petersburg and demanded that he surrender documents and materials from his ongoing investigation into abuses of power by police officers. After the journalist refused, he was physically assaulted by the assailants, who were not apprehended. Andrushchenko refused to file a complaint with the police. A second assault took place a few days later, after which he was found unconscious near his apartment. The journalist never regained consciousness and, following brain surgery, died in hospital as a result of his injuries on 19 April.

On 16 March, in Ulan-Ude, Russia, Yevgeny Khamaganov, the editor-in-chief of Asia-Russia Daily and The Site of the Buryat People died in unexplained circumstances. The cause of death is unclear and no official response has been made. According to local media, Khamaganov was taken to hospital on 10 March because of his diabetes, fell into a coma and died several days later. Some reports cited speculation that he was instead hospitalised after being beaten by unknown assailants. Khamaganov was known for articles critical of the Russian federal government’s policies.

Q2: In Minusinsk, Russia, journalist Dmitri Popkov, editor-in-chief and founder of local newspaper Ton-M, was shot five times and killed on 24 May. His body was found in a sauna in his backyard. Prior to his death, Popkov had told RFE/RL that his newspaper became “an obstacle” for local officials who are now “threatening and intimidating journalists”.

Q3: On 10 August Swedish freelance journalist Kim Wall boarded an experimental submarine in Copenhagen, Denmark, to profile the vessel’s Danish inventor. The following morning, the submarine sank under suspicious circumstances. Peter Madsen, the inventor, told police he had set Wall ashore before the incident. However, between August and October, Wall’s dismembered remains were found washed ashore. Madsen has been charged with the journalist’s murder and with sexual assault.

On 22 September Syrian journalists Orouba Barakat and her daughter Halla Barakat were found dead in their apartment in Istanbul, Turkey. The exact date of the murders is unknown. Orouba Barakat, a journalist, filmmaker and activist, was outspokenly critical of the Syrian regime. Her daughter was a reporter for Alekhbarya TV, news editor for the Orient and a former editor at Turkish state channel TRT World. The pair had received threats from groups associated with the Syrian government. Police reports said they were strangled and then stabbed. The murders are still being investigated by police.

Q4: Maltese journalist Daphne Caruana Galizia was killed when the car she was driving exploded in Bidnija, near Mosta. Caruana Galizia had filed a police report 15 days earlier saying she was being threatened. The journalist had conducted a series of high-profile corruption investigations in Malta and was being sued in relation to her work. 

One additional media worker was killed in 2017. On 29 April Saeed Karimian, an Iranian television executive, was shot and killed along with his partner in Istanbul, Turkey. 

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Mapping Media Freedom documented 175 verified incidents of assault and injury, 109 of which occurred in just five countries: Russia (47), Spain (19), Ukraine (18), Italy (15) and France (10).

On 14 September Taras Khalyava, a local YouTube blogger, was assaulted by three unidentified people near his apartment in Dobropillye, Ukraine. The assailants knocked him to the ground, kicked him and beat him on the head with a steel rod. “I survived because I was wearing a bicycle helmet,” Khalyava told Novosti Donbassa. The blogger has said the attack was related to his work.

On 10 October, Drago Miljus, a Croatian journalist for the news website Index.hr, was pushed by a police officer, who then took his mobile phone and threw it into the sea. Another officer hit the journalist on the head, knocking him to the ground. The incident happened at a beach in Split, where Miljus was covering a story about a man who claimed to have a bomb.

On 23 October, a man broke into Echo Moskvy’s office in the centre of Moscow, Russia, and stabbed programme host Tatiana Felgengauer, who is also one of the editor-in-chief’s deputies, several times in the neck. Felgengauer was hospitalised in a critical condition and underwent several operations. The attacker was sent for psychiatric evaluation.

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A total of 216 journalists were arrested or detained in 2017, including 21 in Azerbaijan. On 5 July Afgan Mukhtarli was kidnapped from Georgia, where he had lived in self-imposed exile for three years, and taken to Azerbaijan. While in prison, he suffered serious health problems and lost a significant amount of weight. In January 2018 he was sentenced to six years in prison by an Azerbaijani court.

Mapping Media Freedom verified the arrest or detainment of 65 journalists in Russia throughout 2017. The majority of these took place during anti-corruption protests throughout the country organised by opposition figure Alexei Navalny in March and June.

By the close of 2017, 151 journalists were in prison in Turkey, making the country the largest jailer of journalists in the world. On 20 October police took five journalists working for the Kurdish Jin News and Mesopotamia agencies into custody: Jin News editor Sibel Yükler; Jin News reporters Duygu Erol and Habibe Eren; and Mezopotamya Agency reporters Diren Yurtsever and Selman Güzelyüz. Both agencies were launched in late September by staff from organisations shut down during Turkey’s state of emergency.

While only five media workers were arrested or detained in 2017 in the United Kingdom, one case stands out. On 7 December two Kurdish women and two 17-year-old boys were arrested at dawn by armed police in Alexandra Palace and in Crouch End, London. They were questioned about the sale and distribution of the Kurdish-language Yeni Ozgur Politika. All four were arrested on suspicion of funding terrorism, money laundering and fraud.

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There were 192 cases of criminal charges or civil litigation reported to Mapping Media Freedom in 2017. In Italy, lawsuits demanding millions of euros in damages were filed throughout the year. In March Claudio Riva, former owner of the steelworks company Ilva, sued newspaper Gazzetta del Mezzogiorno for €2.2 million in damages, for publishing an article about pollution allegedly linked to the company’s operations in Taranto. Riva’s lawyers asked for €550,000 in compensation for each of the four damaged parties: Riva Forni Elettrici SPA, Claudio Riva, Fabio Arturo Riva and Nicola Riva. In October Il Locale News was sued for €1 million by Giancarlo Guarrera, an engineer and director of Airgest, the company that manages Trapani airport in Sicily. On 8 November 2016 Il Locale News featured an article on financial issues at Airgest.

In Spain, wealthy businessman Alvaro de Marichalar filed legal action against freelance journalist Sabina Urraca in March, demanding she pay €30,000 in damages for an article she wrote after accompanying him on a trip. In July Hermann Tertsch, a columnist for daily newspaper ABC, was ordered by a court in Zamora to pay €12,000 to Javier Iglesias for “unlawfully offending the honour” of his father Manuel. Javier Iglesias is the father of Pablo Iglesias, the leader of the left-wing Podemos party, the third largest party in the Spanish parliament.

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There were 112 legal measures taken against journalists in 2017. In the United Kingdom, the offshore company Appleby, which was at the heart of the Panama Papers scandal, launched breach of confidence proceedings against the Guardian and the BBC on 18 December, in an attempt to force them to disclose the documents used in the investigation. Appleby said the documents were stolen in a cyberattack and there was no public interest in the revealing of their contents.

In February the UK government proposed extending jail time for journalists who have obtained leaked official documents to up to 14 years. The major overhaul of the Official Secrets Act – to be replaced by an updated Espionage Act – would give courts the power to increase jail terms against journalists receiving such material. Should the law get approval, documents containing “sensitive information” about the economy could fall foul of national security laws for the first time. Jodie Ginsberg, chief executive of Index on Censorship, said: “It is unthinkable that whistleblowers and those to whom they reveal their information should face jail for leaking and receiving information that is in the public interest.”

In November, after the US added several media outlets funded by the Russian state on a list of foreign agents, Russia adopted a new restrictive law against foreign media that allows such journalists and organisations to be recognised as foreign agents, which makes them subject to numerous additional checks and obliges them to mark their content as being produced by a foreign agent.

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There were 51 reports of job loss recorded on Mapping Media Freedom throughout 2017, more than half of which came from Russia (13), Poland (8) and Spain (5).

In Poland, Michał Fabisiak, a journalist for the public media outlet Polskie Radio, was fired for refusing to reveal the source of information for an article about an alleged internal survey in the Law and Justice (PiS) party, measuring support for potential PiS candidates in municipal elections in 2018.

Eleven days later, Barbara Burdzy, a Polish journalist for the public media outlet TVP Info, was dismissed after she published an article stating that the intelligence service, under the minister of defence Antoni Macierewicz, lied when claiming that deputy minister Jacek Kotas was not involved in property restoration in Warsaw.

On 14 December a documentary critical of Togo’s president was removed from the website of the French cable television channel Canal Plus and two employees of the channel were subsequently dismissed. Faure Gnassingbé, the president of Togo, is a friend of Vincent Bolloré, French businessman and chairman of Canal Plus’ parent company Vivendi. The documentary, entitled Let Go of the Throne, focused on ongoing protests against the country’s president. In November it was aired on Canal Afrique, a decision attributed to an employee who was later fired. François Deplanck, head of channels and content at Canal Plus International was also dismissed.

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Intimidation was widespread across Europe in 2017, with 275 incidents reported to the map. In the United Kingdom, the BBC’s political editor Laura Kuenssberg was assigned a security detail at the Labour party conference in late September following online threats and abuse. The journalist attracted anger from some Labour supporters for her coverage of the 2016 Labour leadership race and the party’s poor performance in local elections, while a petition for her to be fired received 35,000 signatures.

Kuenssberg — the first woman to lead political coverage at the public broadcaster — also reported that she had bolstered her security during the general election in June 2017 after receiving threats over her coverage of Labour Party leader Jeremy Corbyn.

Media workers received a total of 37 death threats throughout Europe in 2017, including in Serbia where, on 11 September, journalists for the news portal Maglocistac were told in a letter they would be “slaughtered like rabbits”. The comment was among others left by anonymous individuals below an article published on 4 September on threats the mayor of Subotica made to one of his party colleagues. In France, the satirical magazine Charlie Hebdo received death threats on 4 November after featuring a caricature of the theologian Tariq Ramadan on its front cover.

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There were 109 attacks on the property of journalists in 2017. On the morning of 26 November Yulia Zavialova, editor-in-chief of the Russian investigative website Bloknot Volgograd, known for its coverage of political and business corruption, asked her father to have the tires on her car checked. Thirty minutes later he rang her to say the brakes were completely out of service. Her brakes had been cut and her anti-lock braking system was damaged. Zavialova called the police but, according to the journalist, they did not properly investigate the scene, failing to take fingerprints or full details of the damage.

Supporters of the Italian far-right party Forza Nuova attacked the offices of the left-wing newspaper La Repubblica in Rome on 6 December. The party declared “war” on L’Espresso Group, the newspaper’s publisher, through a Facebook post. During the protest, Forza Nuova supporters threw flares at La Repubblica’s office while carrying a banner reading “Boycott L’Espresso and La Repubblica”. Members of the group read a statement denouncing journalists employed there.

In Greece, a group of hooded men ransacked the Thessaloniki offices of the Union of Newspaper Journalists of Macedonia and Thrace on 21 December. The assailants smashed computers and scattered leaflets with slogans vilifying the organisation.

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There were 169 confirmed cases of blocked access throughout Europe in 2017, in which journalists were expelled from a location or prevented from speaking to a source by way of obstruction. Many of these reports were connected to other violations, such as assault, damage to property and intimidation.

Throughout Europe, journalists were blocked from attending events by political parties, including the Labour Party’s annual conference in Brighton, United Kingdom, in September. Sussex police refused to grant Huck Magazine news editor Michael Segalov the security clearance he needed to attend. The journalist had applied for press accreditation three months prior but was informed on 19 September that it had been denied by police on security grounds. “Rather than provide reasons and rationale for our journalistic freedom being curtailed, the police said they would not divulge why they made their call,” Segalov wrote. The journalist has never been arrested, charged or convicted of a crime. Michael Walker, a journalist working for the left-wing Novara Media, was also barred by police from entering the conference.

On 25 October three journalists working for Echo TV in Hungary were banned from entering the country’s parliament. The parliament press office said the journalists had broken official rules multiple times by filming in areas closed to the media.

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In 2017 Mapping Media Freedom documented 81 cases in which journalists had their work censored or altered. On 15 October in the city of Uppsala, Sweden, local newspaper UNT and public broadcaster SVT identified what they saw as a concerted effort by press officers at the local council to control statements made by staff to journalists. Both complained that press officers were exerting pressure on staff to change statements that reflect badly on the council.

On 4 November the Spanish newspaper El País removed a column from its website that questioned and criticised allegations of sexual harassment in the film industry against the likes of Kevin Spacey, Harvey Weinstein and Roman Polanski.

On 19 December the Malta Independent, a Maltese newspaper and publishing house, announced it would remove some online content relating to a whistleblower at Pilatus Bank due to the threat of a multi-million euro lawsuit from the bank. Pilatus Bank first threatened the independent publishing house in mid-October, with lawsuits in the USA and United Kingdom.

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CASE STUDIES

2018 WATCH LIST

Index on Censorship is especially disturbed by the five countries on the map with over 60 violations in 2017. These are:

Russia (197)

During protests organised by Russian lawyer and activist Alexei Navalny in March and June, 1,000 people were arrested, including 19 journalists, in Moscow, St. Petersburg, Makhachkala, Petrozavodsk and Samara. At a rally in Moscow on 26 March, police detained RBC correspondent Timofey Dzyadko, Mediazona publisher Piotr Verzilov, Open Russia correspondent Sofiko Arifdzhanova, Public Television of Russia journalist Olga Orlova, Echo of Moscow journalist Alexandr Pluschev and Kommersant-FM reporter Pyotr Parkhomenko. At the same rally, Guardian correspondent Alec Luhn was detained after he took a photo of a protester being arrested. He spent more than five hours at a police station without an explanation of why he was detained. Luhn was eventually charged with participating in an unsanctioned rally, even though he showed officers his press accreditation. At least nine media workers were detained across Russia on 8 October during further protests organised by Navalny.

Police detained journalists working for the independent newspaper Novaya Gazeta on 8 March for reporting on a demonstration to mark International Women’s Day on the Red Square in the centre of Moscow.

On 20 December photographers Andrey Zolotov and Denis Bochkarev, along with Maria Alyokhina, a member of punk collective Pussy Riot, were detained during a protest at the entrance of the FSB, the Russian federal security service. All three were taken to the nearest police station, where Alyokhina and Bochkaryov spent the night ahead of an administrative hearing.

Often referred to as the only independent radio station in Russia, Echo Moskvy was subjected to significant pressure and harassment throughout 2017, with Mapping Media Freedom verifying 15 reports against the station including one radio host stabbed, two journalists fleeing the country after threats, several detained and an American company forced to withdraw funding from the station.

Turkey

Although the number of violations reported to Mapping Media Freedom that took place in Turkey decreased between 2016 and 2017 — from 231 to 135 — the country remains the number one jailer of journalists in the world with 151 media workers behind bars by the end of 2017. In all, 65 journalists were jailed and sentenced on charges including the spreading of terrorist propaganda. At the trial of journalist Nedim Türfent, who reported on security operations in Turkey’s Kurdish majority provinces, at least a dozen people claimed they were tortured by police.

In November, Turkish journalists Ahmet Altan and Mehmet Altan’s defence attorneys were forced to leave the courtroom as their clients stood trial, accused of taking part in Turkey’s failed 2016 coup. Both brothers are prominent Turkish journalists, known for their critical reporting on president Erdogan’s regime. Without lawyers present, the court then ruled that the Altan brothers — along with four other journalists — would remain in pretrial detention. On 16 February 2018 they were sentenced to aggravated life sentences.

Belarus

A total of 92 violations of media freedom were recorded in Belarus throughout 2017, including the detainment of 101 journalists. In all, 30 journalists received criminal charges. A wave of detentions occurred on the Belarusian holiday Freedom Day on 25 March, when 36 journalists were placed in custody. Olga Morva, Philip Warwick, Andrey Dubinin, Valery Shchukin, Katsiaryna Bakhvalava, Ihar Ilyash and Volha Davydava said they were beaten by police while under arrest. Warwick, from the United Kingdom, said he was denied the right to contact his embassy after being handcuffed and hit in the face; he spent over six hours at the police station. The apartment of journalist Maryna Kastylyanchanka, who works with human rights organisations, was searched. She was later jailed for 15 days for disobeying police and participating in the unsanctioned mass protests.

Throughout the year, 69 fines were administered to journalists for violating Article 22.9 of Belarus’ Code of Administrative Offences on the illegal production and/or distribution of media content.

Ukraine

In all, 74 violations against the media in Ukraine were reported to Mapping Media Freedom in 2017. One of the most worrying trends included the treatment of foreign journalists or journalists working for Russian companies. Sixteen journalists were expelled from, or not allowed to enter the country, including some who worked for Russian state media outlets. There were three cases involving the abuse of Interpol warrants to arrest or detain foreign journalists in Ukraine by their countries of origin as a means of silencing critical voices. These were: Azerbaijan, Uzbekistan and Kazakhstan. Three journalists were arrested in territory controlled by self-proclaimed separatists in 2017, including Ukrainian blogger and writer Stanyslav Aseev, one of the few journalists contributing to western and independent media outlets in eastern Ukraine.

Ukrainian president Petro Poroshenko signed a National Security and Defence Council decree in May that banned a number of Russian social media sites such as VKontakte and Odnoklassniki, along with the search engine Yandex and email service Mail.ru.

“The lack of safety for journalists in Ukraine, whether direct attacks or obstruction, remains a problem, and the level of response by the authorities is telling because too often the perpetrators go unpunished,” Vitalii Atanasov, Mapping Media Freedom correspondent for Ukraine, said. “The murder of prominent journalist Pavel Sheremet in July 2016 has not yet been properly investigated, while media workers continue to face pressure from the authorities, politicians and other influential actors. It is important to emphasise to that while the Mapping Media Freedom reflects the most disturbing and characteristic cases, it does not claim to be complete.”

Spain

Between 2016 and 2017, media freedom violations in Spain increased from 56 to 66. Journalists experienced difficulties before, during and after the referendum on Catalan independence on 1 October. In July the daily newspaper La Vanguardia, based in Barcelona, refused to publish a column written by Gregorio Morán in which the journalist criticised the “corrupt” regional government of Catalonia. Morán also accused the Catalan media of receiving sums of public money, adding that it was therefore no surprise to see them supporting Catalan independence.

On the day of the referendum Mapping Media Freedom recorded five separate violations of media freedom. Journalists were among the many victims of violence by heavy-handed police deployed the Spanish government, who declared the referendum to be illegal. Xabi Barrena, a journalist for the newspaper El Periódico, was assaulted by Spanish national police while reporting on voters being evicted from a polling station in Barcelona. He was struck with a baton, knocked to the ground and kicked by police.

In the days following the referendum, media violations were widespread during the protests that swept parts of the country. On 2 October, for example, Ana Cuesta and José Yelámo, reporters for television La Sexta, were surrounded by protesters who chanted “Spanish press manipulators” and “assassins” during live coverage.

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TRENDS

Threats from the far-right

The far right has a record of violating freedom of the press throughout Europe, with 24 media violations across 13 countries involving far-right groups or activists in 2017.

Twelve attempts were made by the far-right to intimidate media workers. At the start of December, the Serbian journalist Marija Antic, a television host for the broadcaster N1, received death and rape threats on social media after interviewing a French-Serbian far-right activist. Antic had invited Arnaud Gouillon, who is known for his support for Serbs in Kosovo, to her talk show. During the interview, Antic asked him about his past involvement in the French far-right group Les Identitaires and about his connections with far-right Serbian groups after he attended some of their events. After the interview, Gouillon accused Antic of demonising him. Soon after, Antic received multiple threats on social media.

On six occasions, far-right groups attempted to defame journalists throughout Europe. This was the case on 15 March when Stina Blomgren, a Swedish journalist working for the state broadcaster SVT, was accused by the popular Swedish-Russian far-right blogger Egor Putilov of lying and creating fake reports about the risks Syrian migrants faced when trying to reach Sweden. Putilov claimed to have visited Egypt and uncovered inaccuracies in an article published by Blomgren in August.

In 2017 four reports made to Mapping Media Freedom involved violence from the far right and four involved attacks to property. These ranged from damages to camera equipment to an assault with a metal pipe.

Corruption

Corruption is a major issue in the EU and neighbouring countries, undermining democracy and putting people at risk. Journalists play a key role in uncovering and fighting corruption through their investigations and, as a result, put themselves in danger. In all, 67 cases of media workers facing difficulty in their reporting on corruption were recorded throughout 2017.

On 16 August, for instance, Parim Olluri, editor-in-chief of investigative website Insajderi, was physically assaulted by unknown individuals outside his home in Kosovo’s capital Pristina. Olluri believes the attack was linked to his work. A few days before the assault, Olluri had published an editorial about corruption allegations against former Kosovo Liberation Army commanders, after which he received a torrent of abuse and threats on social media.

On 16 October the Maltese journalist Daphne Caruana Galizia was murdered when the car she was driving exploded. On 11 March Silvio Debono, owner of real estate investment company DB Group, filed 19 libel cases against her. Caruana Galizia published a number of articles on her blog discussing a business deal between the developer and Malta’s government to take over a tract of public land on which he had planned to build a Hard Rock Hotel and two towers of flats for sale. Caruana Galizia also conducted an investigation allegedly linking prime minister Joseph Muscat and his wife to the Panama Papers scandal.

In 2017 police came no closer to identifying the perpetrators behind the 2016 murder of prominent Radio Vesti and Ukrayinska Pravda journalist Pavel Sheremet. Despite promises, no new data on the investigation was made public.

Harassment of female journalists

Mapping Media Freedom logged 10 cases where women journalists reported they suffered sexual harassment throughout 2017, from politicians, anonymous sources and fellow journalists alike. In February the Swedish newspaper journalist Evelyn Schreiber was subjected to persistent death threats and threats of sexual violence after questioning local police officer a Peter Springare’s assertion that immigrants were responsible for a spike in violent crime in Örebro, Sweden. Within 24 hours of her report, Schreiber received over 200 emails containing threats.

On 7 May Loes Reijmer, a journalist and columnist for the Dutch daily newspaper De Volkskrant, faced abuse after the popular right-wing blog GeenStijl published a photo of her with the text: “Would you do her?” Thousands of readers responded in the comments section, many containing sexual references and rape threats. Reijmer had published several articles critical of GeenStijl, which is owned by Telegraaf Media Group and is one of the top 10 most popular news sites in the Netherlands.

On 30 November, Dzenan Selimbegovic, a deputy secretary general of the presidency of Bosnia and Herzegovina, used offensive language to describe Sanele Prašović Gadžo, a journalist for the public broadcaster BHT, and Arijana Saračević-Helać, a journalist for the public broadcaster FTV, in a Facebook post. The comments followed a trailer aired on BHT for Gadžo’s interview with Saračević-Helać on her talk show.

Commercial interference

In 2017 Index on Censorship added the “commercial interference” category to Mapping Media Freedom to monitor actions that use money and/or financial pressure to influence editorial decisions of a media or news outlet. One of the most concerning issues highlighted was the lack of plurality in media ownership in Ireland and the impact this can have on the public’s right to information.

Broadcasting in the country is dominated by just two organisations, RTÉ and Communicorp. Semi-state RTÉ services are the most popular on television and radio, while businessman Denis O’Brien’s Communicorp owns the largest commercial news radio stations – Newstalk and Today FM, among others. There is currently a lack of imperative for reform on the issue of the concentration of media ownership by the Irish government, leaving journalists open to further pressure and self-censorship to suit commercial interests, according to the National Union of Journalists.

Across Europe commercial interference in the media is proving to be a growing problem. On 6 December in Nantes, France, for example, managers of McDonald’s restaurants were asked to remove a page from local newspaper Ouest France that contained an article about litigation between the fast food restaurant chain and two of its workers, who had campaigned for union representation.

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CONCLUSIONS AND RECOMMENDATIONS

Mapping Media Freedom’s annual report highlights issues affecting the state of press freedom throughout Europe in 2017. Index on Censorship urges that the following steps be taken.

  • All journalists, media workers and others arrested for exercising their right to freedom of expression must be immediately and unconditionally released. We make this plea directly to the Turkish government in particular, which has become the largest jailer of journalists not just among the countries monitored by Mapping Media Freedom, but the entire world.

  • Laws designed to impinge on the work of journalists must be reconsidered, whether amended or abolished. This includes defamation laws, hate speech laws and terror and security-related legislation. Lawmakers should also ensure that new or revised laws do not encroach on the work of journalists.

  • Governments must respect the right of journalists to protect confidential information and sources. This is vital, especially in cases involving whistleblowing in the public interest.

  • Harassment and crimes against journalists must be properly investigated and those responsible should be prosecuted to prevent the further proliferation of impunity.

  • Governments should do more to ensure the protection of media workers who are women.

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This report is also available as a PDF

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